Decorative Interior Designs

Intricate designs for room decorations and ornamental walls, showcasing elegant floral motifs and classical elements in exquisite detail.

Design for a painting, Design for room decoration: two ornamental panels, draughtsman: Abraham Meertens, c. 1767 - c. 1823, paper, pen, brush, h 430 mm × w 532 mm

Interior Ornamented Wall, nos. CCCCLXIX-CCCCLXXIX ("Designs for Various Ornaments," pl. 70) 1801 After Michelangelo Pergolesi This design for an interior wall, CCCCLXIX to CCCCLXXIX, was published by Dulouchamp in 1801. The latter was a bookseller who inherited Pergolesi's series of ornament designs published in London between 1777 and 1792 and added to them. The series has no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The earlier set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in both Roman and Arabic numerals).. Interior Ornamented Wall, nos. CCCCLXIX-CCCCLXXIX ("Designs for Various Ornaments," pl. 70). After Michelangelo Pergolesi (Italian, active from 1760-died 1801). 1801. Etching and watercolor. Dulouchamp (British, active ca. 1801)

Rectangular field with a rosette, anonymous, c. 1700 - c. 1725 Rectangular field with a rosette in the middle and one half a wide edge of band work around a yellow midfield, design for a flat filling, perhaps for textiles. Paris paper. graphite (mineral). ink brush / pen ornament ~ geometric motifs

Design for a painting, Design for room decoration: two ornamental panels, draughtsman: Abraham Meertens, c. 1767 - c. 1823, paper, pen, brush, h 430 mm × w 532 mm

Design for room decoration: two ornamental panels. Draughtsman: Abraham Meertens. Dating: c. 1767 - c. 1823. Measurements: h 430 mm × w 532 mm. Museum: Rijksmuseum, Amsterdam.

Design for a decorative painting, Vegetative ornament with monkeys, festoons, crossed quivers and a bust of a woman, Vegetative ornament with monkeys, festoons, crossed quivers and a bust (Free copy after a print of Gabriel Huquier to Watteau), intermediary draughtsman: Jean Antoine Watteau, draughtsman: anonymous, 1715 - 1840, paper, pen, brush, h 300 mm × w 185 mm

A 1772 copper engraving and etching by Giovanni Volpato depicting Loggies of Raphael in the Vatican, series I/5, illustrating Renaissance frescoes and architectural decoration.

Drawing, Project for the Machine” for the Exposition of the Monstrance; Italy; pencil, pen, ink, paper

Drawing, Design for a ceiling; Robert de Cotte; France; pen and black ink, graphite, white heightening on blue paper; Sheet: 45.7 x 29.4 cm (18 x 11 9/16 in.)

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 23 5/16 x 17 3/16 in. (59.2 x 43.7 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Part of the ornamental ceiling painting in the knights hall, Trausnitz Castle, Landshut, Germany, 16th century. Theil der ornamentalen Deckenmalerei im Rittersaale, Schloss Trausnitz bei Landshut XVI Jahrh. Chromolithograph by I. Wagner from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Print, Plate 2, Projet d'un Trumeau de glace pour un grand cabinet fait pour le Portugal (Project for a Pier Glass for a Large Cabinet Made for Portugal), Oeuvre de Juste-Aurèle Meissonnier (Works of Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Engraved by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; Platemark: 50.8 x 34 cm (20 x 13 3/8 in.) Sheet: 59.1 × 40.6 cm (23 1/4 in. × 16 in.)

Drawing, Designs for Arabesque Panels; France; pen and ink with sepia wash; 16.3 × 3.6 cm (6 7/16 × 1 7/16 in.)

Decoration of a Panel, Pen and brown ink, brush and brown wash on cream laid paper, lined, Below, in the center, is a circular altar; beside it are two figures upon bases. They are connected with the altar by a festoon and with each other by a hemicycle. Upon the latter stand two gaine candelabra with winged busts on top which support the oblong frame of a landscape. Beside it are stems rising from scrolls of the candelabra, dividing above into scrolls. Above, are two half figures raising a wreath over an eagle. Two putti stand upon the frame., Rome, Italy, 1775-90, architecture, Drawing, Drawing

Partial design for a ceiling painted in strapwork and pine cone motifs. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Décor Fleurs et Bois Rustiques. 19th century Anonymous, French, 19th century. Décor Fleurs et Bois Rustiques.. Anonymous, French, 19th century. 19th century. Lithograph with watercolor. Prints

Interior Ornamented Wall with Doors and Fireplace, nos. 344-350 ("Designs for Various Ornaments," pl. 52) March 20, 1785 Michelangelo Pergolesi This design for an interior wall includes doors, a mantlepiece, benches and ornamented panels, with sections numbered 344 to 350. The print comes from a group created and published serially in London by Pergolesi between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, with Arabic numbers later introduced). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Interior Ornamented Wall with Doors and Fireplace, nos. 344-35

Russian-style wall hanging, circa 1900. Canvas lambrequin and curtains, silk window screen, armchair. Planche 20. Croisee Russe. Lambrequin toile ou serge, ton creme, applications de laine. Rideaux meme tissu et memes applications. Petits rideaux pare-brise petite soie. Tenture murale toile et broderies de laine. Chromolithograph by Henry Sicard et A. Farradesche after an illustration by Ernest Foussier from his Nouveaux Modèles de Tentures, Decorations de Fenêtres, New Models of Wall Hangings, Window Decorations, E. Thezard Fils, Librairie Speciale dArchitecture, Dourdan, France, 1900. Foussier (1859-1917) was a French architect and interior decorator who worked in Paris.

Drawing, Design for the Decoration of a Panel; Gilles Paul Cauvet (French, 1731 - 1788); France; red crayon on paper; 41.8 × 23.8 cm (16 7/16 × 9 3/8 in.)

Copper engraving and colored etching by Giovanni Volpato depicting Tor B of Raphael's Loggies in the Vatican, illustrating frescoed surfaces, architectural details, and spatial perspective.

Ornamental design for liturgical object. Artist: Anonymous, 18th century. Dimensions: Sheet: 8 3/8 x 10 3/4 in. (21.2 x 27.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Project for a Painted Oblong Ceiling; Architect: Flaminio Innocenzi Minozzi (Italian, 1735 - 1817); Italy; pen and brown ink, brush and brown and gray wash on paper, lined with white heavy textured paper with lithogrphed frame and geometric lines with pen and black ink over graphite; 24 x 15.9 cm (9 7/16 x 6 1/4 in.)

Mural paintings, miniatures, enamels and niellos, 17th century. Panel from the pavilion of the Queen-Mothers at Fontainebleau (L), painted ceiling in the Palace of the Louvre (top), panel copied from the Luxembourg Palace (R), foliage miniatures from a manuscript for Anne of Austria 4,5, paintings from Saint-Eustache 6-12, and fragments of gold enamel and niello engravings 13,14. XVIIme Siecle. Hand-finished chromolithograph by Launay from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Town Hall Construction Board in Warsaw. Members of the Committee and Technicians. Contractors and Entrepreneurs, 1864-1870 "; Myszkowski, Leon (1831-1888), Trzebiecki, Michał (1830-1905); 1870 (1870-00-00-1870-00-00); ; Other / collage, painting / gouache, drawing / feather, photo / photo printing / printing from glass negative / Print from the glass negative color; fiber products / paper / paper on cardboard, fiber products / paper / photo paper / albumin paper , fiber products / paper / cardboard; height 73 cm, width 102 cm; Di 67666 MNW; all rights reserved.

Design for a confessional. The design is made up of two different (alternative) halves. It is a preliminary study for an engraving of Martin Engelbrecht from Augsburg, one of a series of four confessional chairs by design of beer (cat. Berlin 1939, 3725, under 2). The leaf has been conquering and sweets at the rear.

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 8 1/4 x 10 9/16 in. (20.9 x 26.9 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Gordon Saltar, Headboard, c 1937 Headboard

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and watercolor, gouache, graphite on wove paper, Rectangular gray glass window composed of frames within frames, with rectangles and triangles creating intricate patterns in glass., late 19th century, architecture, interiors, Drawing, Drawing

Design for a Wall Elevation with Grotesques. Artist: Anonymous, Italian, second half of the 16th century; Circle of Pellegrino Tibaldi (Italian, Puria di Valsolda 1527-1596 Milan) . Dimensions: 15 5/16 x 10 9/16 in. (38.9 x 26.9 cm). Date: ca. 1540-70.Painted wall and ceiling decorations were an important part of the Italian 16th century interior. With their vibrant colors, they often had a determining influence on the atmosphere of a room. This design shows a decoration for a niche between two pillars which is filled by a so-called candelabra grotesque with male and female satyrs on its offshoots. Grotesques became a popular motif for wall decorations during the last quarter of the 15th century. They were based on the murals found in the partly excavated Domus Aurea: Emperor Nero's Golden House (ca. 64 AD). The underground chambers were soon visited by artists and described as 'grotte' (grottoes) which inspired the name 'grottesche'. A characteristic quality of grotesques is a high le

The drawing has been cut out of a larger sheet, cutting the design, and pasted onto fairly thick paper. The backside is empty., Design for a frame with two putti, draughtsman: Giovanni Battista Foggini, Florence, c. 1700, graphite (mineral), drawing, h 147 mm × w 117 mm

Wall Paper. Dated: c. 1937. Dimensions: overall: 45.5 x 36.9 cm (17 15/16 x 14 1/2 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Sidney Liswood.

Wish letter with flower wreath and putti, 1829 - 1880 print Wish letter with unwritten cartouche within a decorative framework with representations of a flower wreath and putti. Numbered below: No. 9. print maker: Netherlandspublisher: Mainz paper Flowers. Cupids: 'Amores', 'Amoretti', 'Putti'

Design for Octagonal Ceiling in the Pless House, Berlin second half 19th century Jules-Edmond-Charles Lachaise French. Design for Octagonal Ceiling in the Pless House, Berlin 384782

Imperial court, Germany, Cuvilliés, François de (Sr.), Lespilliez, Carl Albert von, 28 Livre de Lambris, Nouvellement, Décoration variée de deux diferentes facon, oû la grande glace, avec une Comode audessous, in font de environment, Panels with mirror and chest of drawers, verso - stamped, Ornamented panels with a mirror in the middle. In front of the mirror is a low chest of drawers., print, ornament print, prints, ornament prints, height 339 mm, width 238 mm, 1723 - 1796-02-10, print maker, 1733 - 1768, paper, etching, Work conception, 1695 - 1768-04-14, after design of, grantor of privilege

Depicts Pilastro VI of Raphael's Vatican loggias, illustrated by Giovanni Volpato in 1774 with copper engraving and color, showing a river goddess with her right arm raised on the exterior.

Rococo panels after Jean Berain the Elder from the Apollo Gallery, Louvre, Paris, 17th century. Louvre, Galerie dApollon, Paris. Nach J. Berain, XVII Jahrh. Chromolithograph by M. Koch from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Design for a Frame 1843 Edouard ? Bouvenne French. Design for a Frame 347211

Design for decorations on a wall. Design for decorations on a wall around a door with putti and garlands.

Detail of Wall Painting. Dated: 1937. Dimensions: overall: 35.6 x 24.4 cm (14 x 9 5/8 in.) Original IAD Object: Approx. 1/4 actual size.. Medium: watercolor, colored pencil, pen and ink, graphite,and heightening on paper. Museum: National Gallery of Art, Washington DC. Author: Randolph F. Miller.

Harry Mann Waddell and Cornelius Christoffels, Pulpit Panel, 1937 1940 Pulpit Panel

Design for a Hanging Mirror with Shelves. Artist: Anonymous, British, 19th century. Dimensions: sheet: 6 3/8 x 4 7/16 in. (16.2 x 11.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Gien: detail of a rosette, decorations of ornaments and flowers. Pencil, watercolor. Paris, Carnavalet museum. Album n ° 3, pencil, decor, detail, flower, ornament, project, rosette, stained glass, watercolor

Three central motifs from pila stuffs. .

Allegory in honor of the king of Prussia for his repair of the city harvesting of Willem V, 1788. Allegory in honor of the king of Prussia for his repair of the city farming of Willem V, 1788. Erochen with Prince Willem V and Princess Wilhelmina for one Monument, on the right the king of Prussia and the Duke of Brunswijk. Down Prince Willem I in his graftombe. On both sides obelisks in honor of Willem II, III and IV and Princess Anna. In the foreground the heralds of the Netherlands, the Dutch Union, Great Britain and Prussia and two weapon trophies.

Design for a Frame. Artist: Edouard ? Bouvenne (French). Dimensions: 19 1/4 x 12 1/2 in. (48.9 x 31.7 cm). Date: 1843. Museum: Metropolitan Museum of Art, New York, USA.

Luc-Olivier Merson (1846-1920). Zodiac: the bull (the kidnapping of Europe). Museum of Fine Arts of the City of Paris, Petit Palais. 37956-13 Removal, foliage, greyness, medallion, fishing, fishing, decorative painting, mythological character, zodiac sign, bull

Design for room decorations with a panel with stars and a panel with flowersGuirlandes.design for a Wall Decoration.

Ceiling Design for Bedroom of Duchesse de Newcastle, Hôtel of Madame Hope. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 13 1/2 x 19 7/16 in. (34.3 x 49.3 cm). Date: ca. 1867. Museum: Metropolitan Museum of Art, New York, USA.

Vault of the central nave painted by Girolamo Mazzola Bedoli in Parma Cathedral, 16th century. Gewoelbe des Mittelschiffs, Kathedrale, Parma, XVI Jahrh. Chromolithograph by Paul Klinka from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Sidewall (France); block-printed on handmade paper; 87 x 41 cm (34 1/4 x 16 1/8 in.)

Arabesque with griffins, Arthur & Robert, Block-printed on handmade paper, Arabesque design. At bottom, a pair of griffins below a vase supported by two birds containing floral bouquet. At top, beneath an arbor is an altar, with wheat shafts above. Printed on light green ground., Paris, France, 1789, Wallcoverings, Sidewall, Sidewall

Luc-Olivier Merson (1846-1920). Zodiac: The Aquarius. Museum of Fine Arts of the City of Paris, Petit Palais. 38067-1 Foliage, greyness, decorative painting, pear, pear, zodiaqual sign, Aquarius, zodiac

Ceiling Painted in Pompei, Pen and Black ink, watercolor, ruled borders in pen and black Support: white laid paper, Italy, Italy, ca. 1840, interiors, Drawing, Drawing

Design for Ceiling, Hôtel Hope 1867 Jules-Edmond-Charles Lachaise French. Design for Ceiling, Hôtel Hope 345477

Vestigia delle Terme di Tito. Sordino ornamentation in room 24. Carlone, Marco (1742-1796), graphic artist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Drawing, Design for an Embroidery or Woven Fabric of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; brush and light blue and white gouache on glazed tracing paper, laid down on paper; 49.7 × 31.6 cm (19 9/16 × 12 7/16 in.)

Design for Bedroom Ceiling, Hôtel Hope 1867 Jules-Edmond-Charles Lachaise French. Design for Bedroom Ceiling, Hôtel Hope 345485

Painted decoration in the New Palace, Potsdam, Germany, (1928). 'About 1765...Painted wooden wainscoting in the Neue Palais...Johann Christian Hoppenhaupt (died Berlin between 1778-1786) contributed "the designs of the rich and beautiful rooms" for the interior decorations of the Neue Palais (built 1763-1769). But Hoppenhaupt informs us "that the king (Frederick the Great) drew a rough sketch of the decorations of each room in the castle himself and gave them to him to complete".'. After E. Ewald. Plate C, figs 193-194, from "An Encyclopaedia of Colour Decoration from

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): Ceiling in the stairwell and foyer 1:50 variant (from Inv.No. 1455, alternative to 1456). Light break colored on paper, 69.1 x 98.6 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Greeting letter with ships and children playing. Call letter with unwritten cartouche inside a decorative frame with ships and children playing. Numbered at the bottom right: No. 22.

'Arabesques for Decor of Catherine II's Museum'. Series "Projects created for Catherine the Great. Project of the Museum". France, Before 1773. Dimensions: 64,3x34,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Design for a Bedroom, Pen and ink, brush and watercolor, black crayon on paper, The bed with its hangings is shown at right and the door is at left. An oblong panel with a festoon and a painting of a Satyr and Nymph., Italy, 1790, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, mounted on illustration board, Design of two vertical rectangles (posts) topped with a lunette (semi-circle). All are painted in chartreuse, yellow and light blue. The two posts have additional design in the lower third in dark brown with a cross within a circle., USA, late 19th century, architecture, interiors, Drawing, Drawing

Design for a Painted Ceiling 1825-75 Anonymous, Italian, 19th century Italian. Design for a Painted Ceiling 390389

Wall Decoration for the Drawing Room of the Palace of Caserta. Date/Period: 1775. Drawing. Pen and black ink, brush and gouache, watercolor on off-white laid paper. Height: 623 mm (24.52 in); Width: 545 mm (21.45 in). Author: Nicola Fiore.

This 1776 colored copper engraving and etching by Giovanni Volpato shows a segment of Raphael's Loggias in the Vatican, including architectural and decorative fresco details.

Design for a Frieze, Ornamented with Lion's Head Paterae late 18th-early 19th century John Yenn British. Design for a Frieze, Ornamented with Lion's Head Paterae 364245

Design for ceiling ..

Renaissance art: cartouches. From a painting 1 by Cima da Conegliano, 15thC, designs by Antonio Razzi 2-5, manuscript 6, enamelled terra-cotta from the Chateau de Madrid 7-11, paintings of Primaticcio at Fontainebleau 12-21, borders of portraits 26-28, window at Saint-Etienne du Mont 29, window dated 1543 with the arms of the Corporation of Goldsmiths at Rouen 30, other manuscripts 31-35. Hand-finished chromolithograph by Krautz & Durin from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Drawing, Design for Wall Decoration, Yellow (North) Drawing Room, Royal Pavilion, Brighton; Frederick Crace (English, 1779-1859); England; brush and watercolor, graphite on white wove paper; Mat: 35.6 x 45.7 cm (14 x 18 in.) 18.2 x 30.2 cm (7 3/16 x 11 7/8 in.)

Klingholz Fritz (1861-1921), colored interior decorations (without date): View (with Inv.No. 8369 on a sheet). Pencil watercolor, white heighted on the cardboard, 32.4 x 24.3 cm (including scan edges) Klingholz Fritz (1861-1921): Farbige Innendekorationen

Two Designs for Doorways with Alternate Overdoor Decoration. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Both designs 8 3/4 x 4 3/4 in. (22.2 x 12.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 11.8 x 7.1 cm (4 5/8 x 2 13/16 in.) Sheet: 13.4 x 8.8 cm (5 1/4 x 3 7/16 in.)

Drawing, Facade of Santa Cecilia in Bologna; Architectural Studies; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush with brown wash over traces of graphite on cream laid paper

Examples of historical ornament, Greek , Architectural decorations & ornaments, Capitals Columns, Vases. Louis Prang & Company Collection

Paris, Firens, Pierre, Model, Melchior, Wierix, Hieronymus, Antwerp, Septem Psalmi Davidici, The Seven Penitential Psalms, Christ in the Garden of Gethsemane, verso - stamped, Christ prays in the Garden of Gethsemane. A chalice appears from heaven. In the foreground, Peter, John and James are sleeping. In the background, Judas leads a group of soldiers through the gate. The image is set in a cartouche and placed in the middle of the psalm text printed in a knot pattern., print, ornamental print, prints, height 153 mm, width 105 mm, South Netherlands, 1553 - 1619-11-01, print maker, printmaker, 1608 - 1608, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, German, writer, Publication (Event), Publication, French, 1580 - 1638-12-24, publisher

Wall Elevation with Marbled Niche, Frederick Crace, English, 1779-1859, Pen and black ink, brush and watercolor on off-white wove paper, Horizontal composition illustrating the elevation of an interior wall with a yellow and green marble niche with a large simple rectangular mirror., England, 1815-22, architecture, interiors, Drawing, Drawing

Album # 2; Stained glass project; Decorative grounds Gsell-Laurent workshop. Album # 2; stained glass project; Decorative patterns. Pencil, watercolor on layer.

Textile Panel. Italy, Venice, 1730-1770. Textiles; panels. Silk plain weave with silk and metallic-thread discontinuous supplementary-weft patterning (brocade)

GSELL-Laurent workshop. Album n ° 3; Stained glass project for Amiens: Rosette, "Renaissance" ornaments and figure of Saint Madeleine. Pencil, ink of China, watercolor. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, pencil, ink China, Figure, Renaissance ornament, Project, Rosette, Holy, Vitrail, Watercolor

Mirror. Dated: 1935/1942. Dimensions: overall: 29.5 x 22.6 cm (11 5/8 x 8 7/8 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Wallpaper Border. Dated: 1935/1942. Dimensions: overall: 28.8 x 22.5 cm (11 5/16 x 8 7/8 in.) Original IAD Object: 2 1/4" wide. Medium: watercolor and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Garay.

Design for a photo page side of monthly 'De Vrouw en Her House', Reinier Willem Petrus de Vries (1874-1953), 1906 drawing Design with four decorated frameworks for photos. paper. India ink (ink). deck paint. pencil brush flowers ~ ornament

Album n � 4; Stained glass project for the Saint Gervais Church; WINDOW TO THREE TRAVIES: The Holy Family with St. Elisabeth and Saint John Baptiste Gsell-Laurent workshop. Album n � 4; Stained glass project for Saint Gervais Church; Three span window: The Holy Family with St. Elisabeth and St. John the Baptist. Pencil, watercolor on layer.

Drawing project: the elevation of a chest, Incised lines, pencil, pen, ink and yellow watercolor on paper, Horizontal composition of a chest. The central section has a twelve cornered quatrefoil subdivided with spoks and a cherub in the center. There are plant ornaments between the spokes and in the corners of the section. The lateral sections have aediculae with cherubs. Pilasters are decorated with fruit bucnhes suspended from cherubim. Scale at the bottom left., Italy, 1600-1650, furniture, Drawing, Drawing

Mirror. Dated: c. 1937. Dimensions: overall: 30.4 x 24.3 cm (11 15/16 x 9 9/16 in.) Original IAD Object: 32 1/2"high; 20 1/2"wide. With ornament, 57 1/2"high; 24"wide.. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: ARTHUR JOHNSON.

Depicts Series II/10 of Raphael's loggias in the Vatican, engraved and etched by Giovanni Volpato in 1776, showing ornamental interior architecture and decoration.

Anonymous drawing depicting a buffet table, executed in gray pen with gray and yellow brushwork.

Design for the wall decorations of a bedroom on Drakesteyn. Draughtsman: Jurriaan Andriessen. Dating: 1752 - 1819. Measurements: h 474 mm × w 555 mm. Museum: Rijksmuseum, Amsterdam.

Detail of the decorated vault in the Apodyterium of the Stabian Baths, thermal complex in Pompeii, 4th-3rd century BC, Pompeii, Campania, Italy, chromolithograph by G Frauenfelder from a drawing by Abbate, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume I, plate 4, 1854, Naples.

American 20th Century, Plate 22 Wall Decoration, Laguna From Portfolio Spanish Colonial Designs of New Mexico, 1935 1942 Plate 22: Wall Decoration, Laguna: From Portfolio Spanish Colonial Designs of New Mexico

The sacristy in Santa Maria della Passione, Milan, 16th century, late-Renaissance style church. Sakristei, Sta Maria della Passione, Mailand, XVI Jahrh. Chromolithograph by Paul Klinka from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Design for ceiling. Draughtsman: Perino del Vaga. Draughtsman: Bernardo Castello (attributed to). Dating: 1511 - 1629. Measurements: h 523 mm × w 307 mm. Museum: Rijksmuseum, Amsterdam.

Frieze, Frederick Beck & Co., 1860, embossed paper, Large foliated waved stem band with flowers in shades of brown, pink, lavender and yellow outlined in metallic gold over red flocked background, between bandings of beading and double tongue and leaf with beading on stripe-embossed paper. Printed in selvedge: 'Beck & Co. Patent Applied For', USA, ca. 1877-78, Wallcoverings, Frieze

Altar Tabernacle. Dated: c. 1940. Dimensions: overall: 30.6 x 26.6 cm (12 1/16 x 10 1/2 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Gerald Transpota.

Design for a Ceiling with Apollo on his Wagon in the Central Compartment 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Ceiling with Apollo on his Wagon in the Central Compartment. Anonymous, Italian, Bolognese 18th century artist. 18th century. Pen and ink, wash, and watercolor

Design for one side of a gate with a niche.design for one side of an an entrance gate with a niche between Gaping Masks between Two Pilasters in Rustica. Architectural design.

November and December (part of a set illustrating the months of the year) second quarter 18th century Follower of Antoine Watteau French One of a set of panels (22.225.1-.6) which probably formed a set of decoration for a room. Each panel represents two months of the year, depicting astrological signs and occupations appropriate to the seasons. November and December are represented by a hunting scene and a peasant woman stuffing sausages.. November and December (part of a set illustrating the months of the year) 194953

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Parallel of historical ornament, Renaissance I (1420-1520) , Architectural decorations & ornaments, Capitals Columns, Fountains. Louis Prang & Company Collection

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