Decorative Motifs and Patterns

A collection of intricate designs, featuring floral patterns, stained glass concepts, and architectural details, with a focus on color and artistic detail.

Ceiling in Handrian's Villa, Graphite, pen and ink on paper, Portion of a ceiling shown. At the lower right corner, a square with a candelabrum. This is flanked by a wide band of grotesques with nude women over tablet with birds and baskets. At upper left corner, a figure with two horns and zodiac symbols., Italy, ca. 1780, ornament, Drawing, Drawing

Boucheron, Etui (main title), 1945. ink on the front, pastel fat on the back on layer. Petit Palais, Museum of Fine Arts of the City of Paris.

Three designs for decorative motifs in strapwork, rinceaux, and egg-and-dart patterns. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 18 15/16 x 13 1/8 in. (48.1 x 33.3 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, graphite on paper mounted on tan illustration board, Two identical designs, each with a quatrefoil in blue and red on a ground of green vines on blue., USA, late 19th century, architecture, interiors, Drawing, Drawing

Sievers Carl (1834-1891), decorative studies (1856-1856): Deckenfeld with consolk beam and vegatil cashet. Pencil watercolored on paper, 84.9 x 67.8 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

Handwoven Coverlet. Dated: c. 1939. Dimensions: overall: 41.6 x 35.6 cm (16 3/8 x 14 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: M. Louise Kent.

Ceiling in Handrian's Villa, Graphite, pen and ink on paper, Portion of a ceiling shown. At the lower right corner, a square with a candelabrum. This is flanked by a wide band of grotesques with nude women over tablet with birds and baskets. At upper left corner, a figure with two horns and zodiac symbols., Italy, ca. 1780, ornament, Drawing, Drawing

Designs for lids, Johann Lorenz Hönnig, 1707 print In the middle a design for a lid of a snuff box with Herakles depicted on it that beats the Hydra van Lerna. This pinch box is surrounded by possible designs for handles of lids of pots. Black ornaments. Print is part of an album. paper engraving ornaments ~ art. snuff-box. most important deeds of Hercules: the Twelve Labours. (2) the Hydra of Lerna is killed by Hercules

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in square filled with tan leaf scrolls with small green leaves, framed by mosaic-like border in tan., USA, late 19th century, architecture, interiors, Drawing, Drawing

Wall decoration of the room of the two sisters in the Alhambra in Granada, c. 1875 - c. 1900 photograph Alhambra cardboard. photographic support albumen print fortress. interior ~ representation of a building. flat decoration ~ applied arts (+ Islamic art) Alhambra

Quilt. Dated: c. 1937. Dimensions: overall: 22.9 x 22.6 cm (9 x 8 7/8 in.) Original IAD Object: 80" long; 62" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Katherine Hastings.

Warsaw. Ceiling rosette of the Picture Gallery in the Royal Łazienki Park - fragment of front view and cross section in the scale of 1:5. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Design for a Ceiling in the Manner of Pergolesi. Artist: Anonymous, British, 18th century. Dimensions: sheet: 5 x 13 7/8 in. (12.7 x 35.2 cm). Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Emily Gierman, Embroidery Detail, c 1940 Embroidery Detail

Map of garden with grass parterres fenced by plants, anonymous, after Daniël Marot (I), in or after 1703 print Netherlands paper etching lay-out of garden

Designs for two stained glass windows with flower ornaments, Anonymous, in or after 1907 - 1930 drawing Amsterdam tracing paper. ink. watercolor (paint). pencil pen / brush flowers ~ ornament

Ceiling with square and rectangular panel with Jupiter and Antiope

Classical Molding with Floral Elements 1776-79 Attributed to Thomas Hardwick British. Classical Molding with Floral Elements 367188

An oak box with openwork gel fitting and a stick from mica dyed from the collections of the Industry and Agricultural Museum in Warsaw in 1917 - views at the front and in advance in a 1: 1 scale; Sztolcman, Władysław Roman (1873-1950); 1917 (not after 19.04.1917) (1917-00-00-1917-00-00);

Textile, printed, One of seven pages from a printed fabric sample book., Page is double-sided, 19th century, printed, dyed & painted textiles, Textile

Sidewall, Block-printed, stamped foil, applied chromolithograph, Vertical rectangle. In center, neo-baroque frame printed in green and violet, over-stamped in gold; repeating on field, scattered floral ornaments in green and gold, suggestive of Persian vase with flowers. Frame enclosed applied oval medallion with lithographed representation, in colors, of an interior with family gathering of men, women and children, in the costume of about 1770. Printed on blue moire ground., France, 1835-50, Wallcoverings, Sidewall

Drawing, Design for a Woven or Embroidered Textile; France; pounced, graphite, brush and slight greenish watercolor, brush and red-brown paint on paper; 37.4 × 21.7 cm (14 3/4 × 8 9/16 in.)

Wilkinson Tracing, Design for a door, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Eight designs for the painted decoration of interiors 1830-97 Jules-Edmond-Charles Lachaise French. Eight designs for the painted decoration of interiors 385100

Rococo Style Ceiling Design 19th century John Gregory Crace British. Rococo Style Ceiling Design 363517

Three central motifs from pilasters, c. 1835 - c. 1860 drawing München paper. pencil. watercolor (paint) brush ornaments ~ art

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush, pen, watercolor, gouache, black ink, wash, graphite on off-white paper mounted on off-white laid paper, Geometric oriental design in blue, red, and gold for frieze panels of music pavilion (see 1991-17-7). Panel design divided into two squares divided into quatrofoil-like pattern with faceted objects in central circle. Decorative bands at top and bottom are partially described., 1834, architecture, Drawing, Drawing

The detail of the secretary from the beginning of the 18th century lectured with ebony and inlaid with marketing, in the collections of the National Museum in Warsaw since 1917; Sztolcman, Władysław Roman (1873-1950); 1917 (1917-00-00-1917-00-00);

Steel with printed silk, Dessin Tanz pair. Steel with printed side. Dessin Tanzpaar, WW Nr. 00551. On Natural Fond Zigzag lines in brown and black arces within which dancing figures. The steel is glued to cardboard on which the vignette of the Wiener Werkstätte. A color variant with pink and black on the back.

Seeling Heinrich (1852-1932), monastery ceiling, Rome. (From: Architectural sketchbook, H. 151/4, 1878.) (1878-1878): View. Lithography colored on paper, 25.4 x 35.1 cm (including scan edges)

Design for a ceiling (recto); meaurements with design code (verso). Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 8 1/2 x 10 11/16 in. (21.6 x 27.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Theater Ceiling, Giuseppe Borsato, Italian, 1770 - 1840, Pen and gray-brown ink, brush and watercolor, gold paint, graphite on paper, Vertical format design for a painted ceiling. Form of a horseshoe, with a base line. Inscribed is an oval, framed by mouldings. The scheme is that of an opening bordered by an attic, the central part of a blossom the eight leaves of which are outlined by garlands. In each panel is a figure of a dancing girl, supported by a pedestal in the shape of a blossom calix. Below those are hexagons with a central circular medallion with a winged putto. The hexagons are connected by festoons, above which are trophies. Part of the entablature below, with the dial of the clock., Venice, Italy, ca. 1830, theater, Drawing, Drawing

Schwenke Friedrich (born 1840), floor of a vestibule in marmormosaic. Monthly competition May 1868 (05.1868): floor plan; Scale bar. Pencil watercolor on the box, 33 x 47 cm (including scan edges)

Design for Woven Fabric with Neoclassical Motifs, Brush and gouache on laid paper prepared with brush and brown pigment, Arranged vertically are two motifs (one is possibly an alternate suggestion). The lower motif consists of a square with decorated subdivision inscribed into a circle formed by a chain. Plants rise obliquely from the corners of the square, their tops being horizontally connected by a rosette and plant motif. The upper motif consists of an arch of a garden of grotesque style, in which a square hangs low, into which a wreath is inscribed. From the pole forming the base of the arch hang chain festoons and gems. A lyre is shown in a circular medallion which is surrounded by stars in the upper part of the arch. Squared with graphite., France, ca. 1820, textile designs, Drawing, Drawing

Drawing, Design for a Woven of Embroidered Horitontal Border; France; brush and orange, yellow gouache on glazed tracing paper; 14.3 × 23.8 cm (5 5/8 × 9 3/8 in.)

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, mounted on illustration board, Design of scroll motif in pink, green, and yellow, chartreuse border, circle border and then framed by tan lines., USA, late 19th century, architecture, interiors, Drawing, Drawing

Quilt (Corner Section). Dated: c. 1940. Dimensions: overall: 35.8 x 26.5 cm (14 1/8 x 10 7/16 in.) Original IAD Object: 72" long; 60" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Schon newes Modelbuch...Page 17(r). Designer: Sigismundus Latomus (German, active 1599-ca. 1627). Dimensions: plate: 6 7/8 x 10 1/2 in. (17.5 x 26.7 cm). Date: 1617. Museum: Metropolitan Museum of Art, New York, USA.

Design for Grand Salon, Ground Floor, Hôtel Candamo. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 8 3/8 x 10 7/8 in. (21.3 x 27.6 cm). Date: ca. 1873. Museum: Metropolitan Museum of Art, New York, USA.

Wall Panel Decoration with Grotesque Motifs, Giovanni Ottaviani, ca. 1735 - 1808, Hand-colored etching in gray ink on paper, Wall Panel Decoration with Grotesque Motifs, Italy, 18th century, print, print

Various ornamental designs from early manuscripts, featuring the Celtic interlaced style Date: 1868

Gloer project of the 13th century Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project of the 13th century. Pencil, watercolor.

Mosaic with geometric patterns, presumably a floor, c. 1875 - c. 1900 photograph cardboard. photographic support albumen print ornament ~ geometric motifs

Portfolio, Historic Ornament; Elizabeth A. Nedwill; USA; watercolor, ink

Jules Lefevere, Button Rug, c 1936 Button Rug

Purse. Dated: 1935/1942. Dimensions: overall: 35.3 x 27.7 cm (13 7/8 x 10 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Marion Gaylord.

Relief on the choir closure of the San Miniato al Monte in Florence, c. 1875 - c. 1900 photograph S. Miniato cardboard. photographic support albumen print ornaments ~ art. ornamental birds. decorating 'en relief', appliquéing. flowers ~ ornament. sculpture (+ relief ~ sculpture) S. Miniato

Randolph F Miller, Details of Painted Decorations on Reredos and Walls, 1937 Details of Painted Decorations on Reredos and Walls

Piece. Culture: Italian. Dimensions: 9 5/8 × 3 7/8 in. (24.4 × 9.8 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Four pieces 17th-century side produced in Venice, from the collection of the Kunstwerbemuseum in Dresden, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype lace Artificial museum

Insertion 16th century Italian. Insertion 226389

Bandontwerp, Theo Neuhuys, 1888 - 1921 drawing Design for a book binding and ridge with ornamental lines and floral motifs. cardboard. India ink (ink). deck paint. pencil pen / brush flowers ~ ornament

Unknown architect, book cover for "Berlin and its buildings". Monthly competition February 1875 (02.1875): View. Ink watercolor and gold heighted on the cardboard, 36.5 x 30.8 cm (including scan edges) N.N. : Bucheinband für »Berlin und seine Bauten«. Monatskonkurrenz Februar 1875

Klingholz Fritz (1861-1921), floral ornaments (without date): View. Pencil watercolored, gold heighted on the cardboard, 30.1 x 23.6 cm (including scan edges) Klingholz Fritz (1861-1921): Florale Ornamente

Design for Ceiling, Hôtel Hope. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 8 9/16 x 12 5/16 in. (21.8 x 31.3 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.

Textile; silk

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Three designs, very similar, peach, yellow and burgundy leaves in vine patterns; central design with dark wreath., USA, late 19th century, architecture, interiors, Drawing, Drawing

Paper Wallowing with pattern of chinoiserie flower baskets and crosses, Jules Desfossé (workshop or), c. 1862 - c. 1906 Paper wallpaper with a pattern of chinoiserie flower baskets and a linear pattern with crosses in eight colors and gold on a broken white stock with moiré effect. Block pressure with a continuous pattern on a matted stock, finished with a cylinder pressure. At the rear stamp with number 3975/10625 Paris paper block printing (relief printing process) Paper wallpaper with a pattern of chinoiserie flower baskets and a linear pattern with crosses in eight colors and gold on a broken white stock with moiré effect. Block pressure with a continuous pattern on a matted stock, finished with a cylinder pressure. At the rear stamp with number 3975/10625 Paris paper block printing (relief printing process)

Mural from the House of the Hunt (Casa della Caccia, Dedalo e Pasifae) excavated in 1834 and mural from the House of the Vestal Virgins (Casa delle Vestali) excavated in 1770 from Pompeii (circa 300BC to AD79). Handcoloured lithograph by Dettmers from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Description: Cyprus Antiquities Location: Cyprus Date: 1876-1942 mediterranean, mediterraneanthroughalens

38. Plafond du Tombeau D'anna (n° 81), 39. Plafond du Tombeau de Senmout (n° 71). Jéquier, Gustave, 1868-1946. Prints. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Egypt, Mural painting and decoration, Architectural decorations & ornaments , Egypt

Design for a cover for a herbarium, Julie de Graag, 1887 - 1924 drawing paper. ink. pencil brush / pen foliage, tendrils, branches ~ ornament. flowers ~ ornament. herbarium

A series of arabesques, painted in fresco on partially-coloured grounds, mostly from the Palazzo Ducale in Mantua Date: 1868

Mural from the grand gallery in the Palazzo Imperiale (Ducal Palace), Mantua, Italy, painted by the school of Giulio Romano in the 16th century. Handcoloured lithograph by Berth from an illustration by Wilhelm Zahn in his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt." (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Raymond Manupelli, Lace Edging, c 1942 Lace Edging

GSELL-Laurent workshop. Album n ° 4; stained glass project for Lourdes; Unique span window: Elie carried to the sky on a tank, the appearance of the Virgin at Bernadette Soubirou. Ink, wash and watercolor on a photograph. Paris, Carnavalet museum. Album Numero 4, Virgin Appearance, Heaven, Char, Take, Ink, Fenetre, Lavis, Lourdes, Vitrail project, Prophet, Holy, Watercolor

Ornament Design, Roman Shield between Camp and Mural Crowns. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Arabesques : ornementation d'un Qorn mauresque (XVIIIe. siècle) : 5 & 8. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic

Interior Hanging. Culture: Fulani peoples (). Dimensions: H. 51 x W. 120 in. (129.5 x 304.8 cm). Date: 19th century.Large-scale textiles created south of the Sahara were generally intended as enhancements for domestic environments. The principal type of textile produced by Fulani weavers was a blanket woven of hand-spun sheep's wool, known as khasa, that primarily functioned to enclose and define a space for personal use. The present rare work is far more elaborate and ambitious than most in that genre, and its place of origin has not been possible to determine in the absence of documentation. indeed, although purchased in the 1870s in Ghana by Joseph Upton, a Boston merchant, it does not resemble cloth produced there. It most closely resembles textiles of the Fulani, who live along the bend of the Niger River; however, it also shares affinities with textiles of the Mende and Temne of Sierra Leone. Woven principally of cotton and in narrow strips, it has features that suggest relatio

Deraisme, Pierre -Georges (n.1859 - D.1932), monograms (main title), 1898. Graphite and Gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for Ceiling, Chteau de St. Aubin second half 19th century Jules-Edmond-Charles Lachaise French. Design for Ceiling, Chteau de St. Aubin 345542

Wellington Blewett, Decorative Panels, c 1936 Decorative Panels

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and wash, gouache, graphite on paper mounted on tan illustration board; Image: 15.2 x 12 cm (6 x 4 3/4 in.) Sheet: 19.9 x 14.3 cm (7 13/16 x 5 5/8 in.)

Design for a ceiling painting with illusionistic dome

Austin L Davison, Cast Iron Window Grille, 1937 Cast Iron Window Grille

Schäfer Carl (1844-1908), Münster, Freiburg/Breisgau. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 60.9 x 42.8 cm (including scan edges)

Cover (Hungary)

Gypsum Model for decoration on the Imperial Library from the Louvre Palace. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Schwechten Franz (1841-1924), S. Nazario in Celso, Ravenna or Grabkirche of the Galla Placidia () (October 14, 1869): Wall paintings, details. Pencil, ink watercolor on paper on cardboard, 35.9 x 48.9 cm (including scan edges) Schwechten Franz (1841-1924): S. Nazario in Celso, Ravenna oder Grabkirche der Galla Placidia ()

Design for a Carpet 19th century Anonymous, French, 19th century French. Design for a Carpet 358626

Designs for Locksmiths Artist's working dates 1660-1711 France. Etching on paper . Jean Bérain, I

Salzenberg Wilhelm (1803-1887), "Old Christian monuments of Constantinople ...": Hagia Sophia (1853): Details interior (ceiling mirror). Ink watercolor, gold heighted on paper, 38 x 54.7 cm (including scan edges) Salzenberg Wilhelm (1803-1887): Hagia Sophia, Konstantinopel. (Aus: Alt-christliche Baudenkmale Konstantinopels)

Lillian M Mosseller, Hooked Rug, c 1936 Hooked Rug

Sievers Carl (1834-1891), decorative studies (1856-1856): Colored beams. Pencil watercolored on paper, 47.9 x 59.5 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

Plan kościoła św. Trójcy. Knusman, Daniel (Warszawa ; zakład litograficzny ; 1821-1826), lithography atelier, Schmidtner, Leonhard (1799-1873), graphic artist

Parallel of historical ornament, Renaissance I (1420-1520) , Architectural decorations & ornaments, Capitals Columns, Fountains. Louis Prang & Company Collection

Ornament Design. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

American 20th Century, Quilt, 1935 1942 Quilt

Design for handles, c. 1784 Italy paper. watercolor (paint). ink. pencil pen / brush decorative furniture

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, brush and watercolor, pen and black ink, graphite, gouache on off-white paper mounted on off-white laid paper, Geometric oriental design red, green, blue, gold, and black for dado panels of music pavilion (see 1991-17-7). Elongated hexagon between two circular fields with four-lobed leaf-like objects at center. Decorative bands at top and bottom are partially described., 1834, architecture, Drawing, Drawing

Design for a ceiling painting with illusionist umbrella whipped in which a roset.

Karol Tichy, Warsaw. Kimek from the studio of Antonina Sikorska in Czernichów near Krakow; Sharpening with: "Applied art. Publishing House of the Polish Art Society used in Krakow", 1906, pp. 8-9, p. 10; Unknown, Polish Society applied art (Kraków; 1901-1914); 1906 (1906-00-00-1906-00-00);

Ceramic floor tiles decorated with flowers and foliage made in Kutahya, Turkey, circa 1800. Carreaux de revetement. Kutahia (vers 1800). Pochoir (stencil) handcoloured lithograph from Alexandre Raymonds Faience Decorative de la Vieille Turquie, Decorative Pottery from Ancient Turkey, Editions Albert Morance, Paris, 1927.

Sievers Carl (1834-1891), decoration studies (1856-1856): ceiling mirror with middle rosette. Pencil watercolored on paper, 55.7 x 66.1 cm (including scan edges) Sievers Carl (1834-1891): Dekorationsstudien

White background mural painting with different architectonic elements, Pompeii, Campania, Italy, chromolithograph by D Capri from a drawing by Magliano, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume III, plate 54, 1854, Naples.

Stained glass walls of Newcastle upon Tyne, and by Chance of Birmingham.. Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877. Prints. 1852. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decorative arts , Exhibitions, Great Exhibition (1851 : London, England)

Wellington Blewett, Decorative Panel from Rail Car Interior, c 1936 Decorative Panel from Rail Car Interior

Ceiling medallion, Machine-printed on machine made paper, Wallpaper center for ceiling. One large square motif, containing a flattened circle composed of several ornamented bands, with roundels at corners., USA, 1850-75, Wallcoverings, Ceiling medallion

Design for the mural in the building of the Algemeene Maatschappij van Levensverzekering en Lijfrente in Amsterdam: the constellations Taurus, Gemini and Cancer, Taurus, Gemini and Cancer, draughtsman: Antoon Derkinderen, 1869 - 1925, paper, brush, h 80 mm × w 296 mm

Isabelle De Strange, Quilt, c 1937 Quilt

of 3