Decorative Pattern Designs

A collection of ornate designs featuring intricate patterns, floral motifs, and classical themes, showcasing a rich color palette and various artistic techniques.

Design for a Panel, Jean-Guillaume Moitte, French, 1746-1810, Graphite, pen and ink, brush and watercolor, sepia on paper, Vertical panel with candelabrum motif. At center is a blue oval with centaurs, within an octagonal frame. At top, a swan., France, ca. 1765, ornament, drawing, drawing

Window Shade (USA); block-printed; 71.5 x 56 cm (28 1/8 x 22 1/16 in. )

Ornament Design, Arabesque Panel between Roman Crowns. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Design for a Book Cover; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache on paper; Sheet: 18.2 x 11.6 cm (7 3/16 x 4 9/16 in.); 1943-33-1-15

Durm Joseph (1837-1919), Palazzo Papa Guilio in Rome (1866): Excerpts from ceiling paintings. Pencil watercolored, gold heighted on paper, 41.2 x 31 cm (including scan edges)

Ornament design with, at center, a three-sided altar decorated with an image of a putto carrying the armor of the Roman god Mars, ornately decorated with rams' heads, garlands, etc. At left and right are roman standards. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Panel, Jean-Guillaume Moitte, French, 1746-1810, Graphite, pen and ink, brush and watercolor, sepia on paper, Vertical panel with candelabrum motif. At center is a blue oval with centaurs, within an octagonal frame. At top, a swan., France, ca. 1765, ornament, drawing, drawing

This 1774 colored copper engraving and etching by Giovanni Volpato presents another section of Raphael's Vatican Loggias, highlighting frescoed walls and ornamental architecture.

Print, Wall Decoration, Plate XIII from Le loggie di Rafaele nel Vaticano (Raphael's Loggia in the Vatican); Giovanni Volpato (Italian, 1733 - 1803); After Pietro Camporesi (Italian, 1726 - 1781), Raphael (Italian, 1483 - 1520); brush and watercolor, gouache over etching on white wove paper

Ornamentation and a monkey with a skull, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Drawing, Section of wall, Council chamber of Louis XV; Designed by Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 47.3 x 25.2 cm (18 5/8 x 9 15/16 in.)

Lange Ludwig (1808-1868), room wall painting (without date): View. Pencil watercolored, gold heighted on the cardboard, 56.3 x 47.7 cm (including scan edges)

Design for a Plate, Brush and gold, green gouache on cream paper, Design for a plate with gold and green border; border has green areas filled with gold rinceaux and blossoms; some trellis-like designs along border interior; at center quatrefoil in gold and green with little dots leading out., Japan, 1880-1910, tableware designs, Drawing, Drawing

Drawing, Design for a classic style pendant; Italy

Untitled Valentine (Hearts on Fire) 1835-1845 England. Collaged elements on cut and embossed (designed) cream wove paper . George Meek

Border Designs for the Mortlake Acts of the Apostles’ Tapestries ca. 1626-1636 Franz Cleyn These two large watercolors represent the design for the right and left side of the border of a tapestry. They were designed by Franz (Francis) Cleyn for the Mortlake Manufactory to frame the famous Acts of the Apostles’ tapestries, created after the original cartoons designed by Raphael which had been purchased by King Charles while still Prince of Wales (seven survive and are now at the Victoria & Albert Museum in London). The designs for the border are at reduced scale, but they are worked out in great detail. The decorations consist of cartouches in which various scenes from the Old and New Testament have been depicted in bronze and orange tones, possibly to simulate cameos. Most scenes correspond with the finished tapestry, but some have been given a new location or were replaced all together. In between the cartouches, putti are depicted holding up coats of arms with symbolic imagery. The

Sidewall - fragment, Block-printed on handmade paper, joined, A mandorla containing an adult robed classical figure with a small puto climbing the figures robes against a blue ground, framed by brick and pink colored border and then rinceaux border. Above and below, crisscrossing rinceaux in white, blue and pink. All this on a cream ground., 1785-95, Wallcoverings, Sidewall - fragment

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 177 x 49.5 cm (69 11/16 x 19 1/2 in.)

Design for an Embroidery or Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and light blue and white gouache on glazed tracing paper, laid down on paper, A Doric column, memorial for a soldier, rises between two cornucopias. A beehive and a rooster flank the pedestal of the column., France, ca. 1810, Drawing, Drawing

Frieze, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, A repeating pattern of scrolled cartouches containing a tulip flower and stem connected to a smaller similar design on a dotted background of simple flowers and larger dots giving way at the top to flowers and larger dots. Bordered by horizontal bands at the top and at the bottom by repeating tulip flower and horizontal bands. Printed in white, gold, gray and pale gray., USA, 1905-1915, Wallcoverings, Frieze

Sidewall, Block-printed on handmade paper, Full width of paper with diagonal squares composed of green lines, with large pseudo-anthemion motifs at points of intersection. Secondary of violet scrolls in vertical meander. Printed in green and violet on ungrounded paper. Formerly used as a book cover., USA, 1830-40, Wallcoverings, Sidewall

Drawing, Niche Scene; Attributed to Francesco Salviati (Italian, 1510 - 1563); Italy; pen and brown-black ink, brush and wash on laid paper; (irregular): 24 x 17.7 cm (9 7/16 x 6 15/16 in.)

Design for a Mirror. Artist: James Wyatt (British, Weeford, Stafforshire 1746-1813 near Marlborough, Wiltshire). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Valentine 1879 Anonymous. Valentine. Anonymous. 1879. Cameo-embossed open-work lace paper, chromolithography

Valentine 1850-1870 Anonymous. Valentine. Anonymous. 1850-1870. Cameo-embossed, open-work lace paper, colored paper, ink

DecorativeFrieze, ca.1480, Colored woodcut, sheet: 44.9 × 12.3 cm (17 11/16 × 4 13/16in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Album n � 4; Vitauil project for Zutkerque: Nativity, the child Jesus between Mary and Joseph, the Holy Spirit Gsell-Laurent workshop. Album n � 4; Stained glass project for Zutkerque: the Nativity, the Child Jesus between Mary and Joseph, the Holy Spirit. Pencil, watercolor on layer.

Sidewall, Block-printed and glazed, Vertical rectangle, giving complete width of the upper portion of panel, with rocaille framework and foliage scrolls in grisailles; large and smaller enclosed medallion of floral bouquets, in strong colors. Printed on glazed white paper., France, 1850-60, Wallcoverings, Sidewall

Black pen over pencil multi-colored drawing on cardboard by Carl Jobst showing the ceiling projection of a travé in the nave of the Votivkirche with cutting images of pillars and outer walls, 1872.

Kayser & von Großheim, glass window (without dat.): View. Tusche watercolor on the box, on transparent, 78 x 56 cm (including scan edges) Kayser & von Großheim : Glasfenster

Drawing, Project for a Pendentive; Russia; graphite, pen and ink, brush and watercolor on cardboard

Paintings on Sevres porcelain, 18th century. Plate from the Birds of Buffon and other services, corners, grounds and borders of trays. XVIIIme Siecle. Hand-finished chromolithograph by Launay from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Brumidi's allegorical painting, in dome of U.S. Capitol | Library of Congress

Ornament Design, Foliate Panel between Roman Myrtle and Laurel Crowns. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Sputh Ernst, Palazzo Papa Guilio in Rome (03.07.1873): Wall painting. Pencil watercolored on paper, 60.3 x 45.6 cm (including scan edges) Sputh Ernst : Palazzo Papa Giulio, Rom

Design for a Mirror 1820-80 Anonymous, British, 19th century British. Design for a Mirror 386562

France, 1814-1815 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations, Prints. General Research Division. Military uniforms , History, France

Cover design for: Wendingen, Houtsnijdersnummer, 1919, Richard Nicolaüs Roland Holst, 1919 print On the left a saat in a forest. On the right a half -naked man and a woman, sitting with a fruit tree. The man makes a heart in the trunk of the tree. The woman holds a clover in her hand. paper satyr(s) (in general). wood carver. carving heart and initials in an object, e.g. a tree trunk. fruit-tree culture; fruit harvest

Design for Ceiling 18th century Anonymous, French, 18th century French. Design for Ceiling 348615

Drawing, Royal Pavilion, Brighton, Design for Chimney wall with 3 gothic arches and Chinese lantern; Architect: Frederick Crace (English, 1779-1859); Client: George IV, King of England; England; brush and watercolor, gouache, pen and black ink, graphite on white wove paper; 23.8 x 38.9 cm (9 3/8 x 15 5/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Trônes et arabesqe du tems de Louis XII.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

The Lady of the Slipper. 1912. Set design drawings. Billy Rose Theatre Division. Theater , New York (State) , New York, Theater , Production and direction, Herbert, Victor, 1859-1924. Lady of the slipper

II Jahrgang (Liefr. II) 5. Ten designs for jewelry, including pieces with diamonds, gold, and green stones.. Gerlach, Martin. Prints, Design drawings. 1872 - 1873. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Jewelry , Design, Pendants (Jewelry), Tiaras

Decoupage, Que Me Neglie Me Pert; France; scissor-cut vellum, oil; Central panel: 11 x 9 cm (4 5/16 x 3 9/16 in.)

Wall panels of medallion and garland of fruits painted by Ernst Johannes Schaller, Berlin, Germany. Medallion und Fruchtschnur, Berlin. Joh. Schaller Maler. Chromolithograph by G. Wehling from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Album n � 4; Decorative frieze, laurel leaves and acanthus leaves, red background Gsell-Laurent workshop. Album n � 4; Decorative frieze, laurel leaves and acanthus leaves, red background. Chromolithography.

Drawing, Detail: Wall Decoration, Palace of Fontainebleau; Designed by Frederick Marschall; USA; brush and watercolor on heavy paper; 23.6 × 6.1 cm (9 5/16 × 2 3/8 in.)

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jug with squared handle; body of jug is covered with green leaves and pink and purple peonies, one butterfly; neck of jug has pattern green rhomboids and dots; rim gold with trellis-like motif., Japan, 1880-1910, tableware designs, Drawing, Drawing

Panel Made 1860-1880 Lyon. Silk and linen, warp-float faced 7 1 satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts . Mathevon et Bouvard (Producer)

Two decorative designs, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush

Design drawing ca. 1883, based on earlier design Christopher Dresser British, Scottish. Design drawing 363721

Border corner, Block-printed, Border corner used for occasions when borders serve to outline panels or dados. Oak leaves and ribbon with bead molding. Printed in gray and pink on white ground., England, 1830-45, Wallcoverings, Border corner

Sidewall, Block-printed, stamped foil, applied chromolithograph, In center, large frame printed in salmon pink and green over-stamped in gold, in rustic Chinoiserie design; repeating on field, small foliate motifs printed in green and stamped in gold. Enclosed in frame, representation of seated man in brightly colored Chinese costume, against a now tarnished silver background. Asymmetrical medallion motif in Rococo style. Vertical rectangle., France, ca. 1860, architecture, interiors, Wallcoverings, Sidewall

Deign for a ceiling a a trompe l'oeil sky second half 19th century Jules-Edmond-Charles Lachaise French. Deign for a ceiling a a trompe l'oeil sky 388292

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 74.4 x 46.6 cm (including scan edges)

Dubufe, Georges (n. - d.), Ceiling project with five caissons for the Lobau gallery at the Town Hall (main title), 1891. Pencil, watercolor and golden gouache on splashed paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Helen Bronson, Woven Coverlet, c 1937 Woven Coverlet

Tavern Sign. Dated: 1939. Dimensions: overall: 50.3 x 38.1 cm (19 13/16 x 15 in.). Medium: watercolor and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Harriette Gale.

An Ornate Ceiling with an Allegory of Spring. Dated: 1800/1815. Dimensions: overall: 47.6 x 34.4 cm (18 3/4 x 13 9/16 in.). Medium: pen and black ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giacomo Quarenghi.

John Sanderson, active 1730-died 1774, British, One of Five Ceiling Designs, undated. Watercolor with pen and black ink on medium, slightly textured, beige wove paper.

One of Five Ceiling Designs, John Sanderson, active 1730-died 1774, British, undated, Watercolor with pen and black ink on medium, slightly textured, beige wove paper, Sheet: 4 1/16 x 6 13/16 inches (10.3 x 17.3 cm), architectural subject, ceilings, designs, faces, paterae (motifs), scrolling foliage

Drawing, Section of wall, salon Louis XIII, Palace of Fontainebleau, France; Frederick Marschall; USA; brush and watercolor, tempera on heavy paper; 50.2 x 31 cm (19 3/4 x 12 3/16 in.)

Sidewall (France); block-printed paper; 116 x 63 cm (45 11/16 x 24 13/16 in.)

An Outdoor Balustrade Overhung with an Awning in Moorish Style. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: image: 6 15/16 x 24 3/16 in. (17.7 x 61.4 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

GSELL-Laurent workshop. Album n ° 3; window ; Rinal patterns and mask on a gray background, blue and red entourage. Chromolithography. Paris, Carnavalet museum. Album n ° 3, blue and red, chromolithography, entourage, gray background, mask, pattern, rinced

Quast Ferdinand von (1807-1877), Book ornamatics: Codex Aureus Epternacensis (Golden Evangeliar von Echternach) (without date): View cover cover with a rich frame ornamentation and medieval figure presentation (see Inv. 44612, 44679, print) by Kaiser Ott. Watercolor, gold -grown, on paper, 18.5 x 24.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Buchornamentik: Codex Aureus Epternacensis (Goldenes Evangeliar von Echternach)

Que Me Neglie Me Pert, Scissor-cut vellum, oil, Small rectangular painting on vellum, showing an orange tree in a tub set in a flowered landscape, is imposed on a silhouette cut-out showing curtains, doves, rampant lions and a crown. The whole attached to a pink paper ground with escolloped edges. Gilt paper and paint outline the various members of the cut-out., Lyon, France, ca. 1700, ephemera, Decoupage, Decoupage

Stone Johannes (1844-1874), wallpaper bordure. Monthly competition September 1871 (09.1871): View. Tusche watercolor on paper, 51.3 x 40.6 cm (including scan edges) Stein Johannes (1844-1874): Tapetenbordüre. Monatskonkurrenz September 1871

Textile, Hamilton Print Works, Lowell, MA, founded 1828, Medium: cotton Technique: printed Label: printed cotton, Commemorative textile with a depiction of the short-lived Dewey Arch and colonnade. Arch and colonnade are in white on a dark green ground. Diamond-shaped patchwork pattern in red, yellow, pink, and dark ground surround central arch motif. This textile was part of Hamilton's Zaza Quilting Line., Lowell, Massachusetts, USA, 1899, printed, dyed & painted textiles, Textile

Border, Block-printed on handmade paper, Horizontal rectangle. Leaf motif across top, in yellow and red-orange. Below, peonies in pink and leaves in yellow and red-orange, on green ground., France, 1805-1815, Wallcoverings, Border

Renaissance ornament

Schäfer Carl (1844-1908), preacher church, Erfurt. (From: Ornamental glass paintings d. Middle Ages and the Renaissance, Berlin 1885.) (1885-1885): Views Window. Lithography colored on paper, 60.7 x 42.9 cm (including scan edges)

Murals in the Duke of Mantua's secretary's palace from the 17th century, copied just before its destruction in 1830. Handcoloured lithograph by H. Asmus from an illustration by Wilhelm Zahn from his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt" (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Renaissance art: paintings on manuscripts and frescoes. Decorations from a Missal for the Dead 1, manuscript painted by Attavante or Gherardo 2, Antiphonals by Attavante 3-7, Diurnal by Attavante di Gabriello 8,9, manuscript by Attavante 10,11, fragments from the Vatican by Raphael 12,13, miniatures from a missal attributed to Raphael 14,15, Lives of the Dukes of Urbino 16-19, and Horarum preces cum kalendario 20-24. Hand-finished chromolithograph by Ligogue & Pralon from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Sampler, Elizabeth Glanvell, Medium: silk embroidery on wool foundation Technique: counted and uncounted stitches; cross and satin stitches on plain weave foundation, Floral border enclosing motifs and columns over a verse:, 'Religeon prompts us to a future state, The last appeal from Fortune and from fate, Where God's all righteous ways will be, Declar'd the bad meet punishment and the Good reward., Elizabeth Glanvell aged 10 years 1797', England, 1797, embroidery & stitching, Sampler

Design for a wallpaper with decorative pattern, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. watercolor (paint). pencil brush ornaments ~ art

Nohl Maximilian (1830-1863), S. Maria Novella in Florence. Ceiling jewelry (1858-1858): View. Pencil watercolored on paper, 32.5 x 23.2 cm (including scan edges) Nohl Maximilian (1830-1863): S. Maria Novella, Florenz. Deckenschmuck

Mosquée sépulcrale du soultan Barqouq, détails du mimbar (XIVe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Minbars, Decoration and ornament, Islamic

Design for a paneled ceiling painted with putti, birds, and floral motifs on tracing paper; mounted on wove paper 19th century Jules-Edmond-Charles Lachaise French. Design for a paneled ceiling painted with putti, birds, and floral motifs on tracing paper; mounted on wove paper 386008

Decorative Panel, 1790s. Pierre Rousseau (French, 1751-1829). Oil on canvas; unframed: 264 x 55 x 3.5 cm (103 15/16 x 21 5/8 x 1 3/8 in.).

Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for the painted decoration of a baker's shop. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 3 1/8 x 7 3/16 in. (7.9 x 18.3 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Affections Offering (Valentine) 1845-1855 England. Collaged elements and gold paint on cut and embossed (designed) ivory wove paper, tipped on four corners onto two sheets of cut and embossed (designed) ivory wove paper, one with blue paint the other with gold paint, laid down on cut and embossed (designed) ivory laid paper . John Windsor

Four designs for jewelry, including large necklace with pink stones.. Gerlach, Martin. Prints, Design drawings. 1872 - 1873. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Jewelry , Design, Necklaces, Bracelets, Pendants (Jewelry)

Ornamentation and Crowned Lion (Nobel), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Parallel of historical ornament, Renaissance I (1420-1520) , Architectural decorations & ornaments, Capitals Columns, Fountains. Louis Prang & Company Collection

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, watercolor on paper mounted on tan illustration board; Image: 6.3 x 5.3 cm (2 1/2 x 2 1/16 in.) Sheet: 14 x 12.4 cm (5 1/2 x 4 7/8 in.)

Aesop's Fable: The Fox and the Crow. Date/Period: 1840. Sidewall. Block-printed on paper. Height: 535 mm (21.06 in); Width: 480 mm (18.89 in). Author: UNKNOWN.

Window, anonymous, 1699 Window with stained show, is stuck to BK-20000-10-e. Westphalia glass Window with stained show, is stuck to BK-20000-10-e. Westphalia glass

Anton Auer's circa 1800 design for a porcelain vase depicts a ruin landscape in black ink and watercolor over pencil traces, with black edging lines defining the decoration.

Border (Italy), 17th century; silk, linen

Design for a stained glass window with two birds, Anonymous, in or after 1907 - 1930 drawing Amsterdam paper. ink. watercolor (paint). pencil pen / brush ornaments ~ art. birds

Medici Armorial. After a cartoon by Lorenzo Lippi (1606-1665), painted before April 27, 1643; Woven at the Medici workshop under the direction of Pietro van Asselt (c. 1600-1644), before June 15, 1644; Italy, Florence. Date: 1643-1644. Dimensions: 216.7 x 311.2 cm (85 3/8 x 122 1/2 in.). Wool, silk, and gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with wrapping outlining wefts and areas of 4:4 plain interlacing of gilt-metal-strip-wrapped silk wefts. Origin: Italy. Museum: The Chicago Art Institute, USA.

Program for the opera A Life for the Tsar by M. Glinka, Ropet, Ivan Pavlovich (1845-1908)

Decorative to grotesque panel with a basket containing candied fruits (comes from Flammang pastry, formerly 6, rue de Valois). Nineteenth century. Anonymous. Oil, tempera on canvas. Paris, Carnavalet museum. 72044-4 6 rue Valois, candied fruit, grotesque, oil, bird, basket, decorative panel, flammang pastry, templera canvas

Guide for Constructing the Letter S; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600); Vienna, Austria; about 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Antique wall paintings from rooms in Herculaneum and Pompeii. Handcoloured lithograph by Trampe after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Giese Ernst (1832-1903), Palazzo Pubblico, Siena. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, born 11, 1861.) Spielberg (1861-1861): Viewed view. Lithograph colored on paper, 45.7 x 29.8 cm (including scan edges) Giese Ernst (1832-1903): Palazzo Pubblico, Siena. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 11, 1861) Spielberg

Benevolence calendar before 1917, Richard Nicolaüs Roland Holst, in Or Before 1917 print. calendar A rectangular frame with three standing, naked men in the waves, in the middle the twelve signs of the zodiac, and at the bottom a kneeling figure in a habit. paper man (showing himself) undressed, quasi-nude. wave. zodiac; the twelve zodiacal signs together. habit, frock

Ornament Design, Urns and Lunette Panel with Swans. Date: 1776. Pen and ink, brush and watercolor over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Ceiling medallion, Block-printed paper, Vertical rectangle. Two large circular medallions, outlined in lighter gray on gray field; each contains a wreath of roses and periwinkles. In the center of each is a conventionalized lotus rosette, in gray. Printed in colors on gray ground., France, ca. 1860, Wallcoverings, Ceiling medallion

of 2