Decorative Patterns in Printmaking

A collection of printed designs featuring floral and geometric patterns, emphasizing creativity in decorative arts from the 16th century and beyond.

Spechio di pensieri delle belle et Virtudiose donne, page 3 (verso) 1546 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top bottom, and left to right:Design is decorated with overlapping diamonds, each containing a different pattern inside.. Spechio di pensieri delle belle et Virtudiose donne, page 3 (verso) 659977

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 12 (verso) 1556 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design printed upon grid. It is decorated with a interlace motif with an 8-petaled flower in the center.. La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 12 (verso) 660485

Ornamento delle belle & virtuose donne, page 15 (verso) 1554 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 4 horizontal registers. First register is decorated with a wavy vine with 3 leaves. Second register is decorated with a central floral motif with stems that form 3 hexagons on each side. Third register is decorated with a pattern of diamonds contained within diamonds. Fourth register is decorated with a pattern of white '+'s inside of black squares.. Ornamento delle belle & virtuose donne, page 15 (verso) 359158

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 5 (recto) 1556 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 4 vertical columns printed upon a grid. First column is decorated with an interlace pattern formed by intertwining stems with leaves; at the center of the interlace pattern is an image of a dotted white chimp holding a flower. Second column is decorated with coiling stems with leaves and flowers that flank a central image of a female composite creature with plant arms and legs. Third column is decorated with 2 superimposed curving vines, one of which has a black 3-petaled leaf at each point, and the other has a black circle. Fourth column is decorated with curving stems of solid black and white dotted leaves that emanate from a central dotted white floral element.. La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 5 (recto) 660362

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 16 (recto). Binder: Lloyd, Wallis & Lloyd (British, active London after 1821). Dimensions: 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm). Publisher: Matteo Pagano (Italian, 1515-1588). Date: 1554.Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 2 vertical columns printed upon a grid. Each column consists of 2 decorative sections that flank a central blank line, which all terminate at a single motif. Left column ends with a female figure, while right column ends with a vase. Museum: Metropolitan Museum of Art, New York, USA.

Opera Nova Universali intitulata Corona di racammi, page 12 (verso). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left shows a descending grape vine, and right is illustrated as set of 4 intersecting leaves with smaller leaves surrounding the central group. Museum: Metropolitan Museum of Art, New York, USA.

Spechio di pensieri delle belle et Virtudiose donne, page 3 (verso) 1546 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top bottom, and left to right:Design is decorated with overlapping diamonds, each containing a different pattern inside.. Spechio di pensieri delle belle et Virtudiose donne, page 3 (verso) 659977

Opera Nova Universali intitulata Corona di racammi, page 34 (recto). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is illustrated with larger floral pattern that has identifiable central flower flanked by 2 other floral motifs, and right is illustrated by curving vines between which various flowers are interspersed. Museum: Metropolitan Museum of Art, New York, USA.

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 12 (verso) April 12, 1532 Domenico da Sera French Published by Domenico da Sera Lyons.From top to bottom, and left to right:Design is decorated with diamond shapes formed by various geometric motifs. Framed in the center of these diamonds is a 4-petaled floral element.. Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 12 (verso) 662861

Newes Modelbuch in Kupffer (Page 21r) 1604 Johann Sibmacher German Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.. Newes Modelbuch in Kupffer (Page 21r) 682065

Les Singuliers et Nouveaux Portraicts... page 13 (recto) 1588 Federico de Vinciolo Italian Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is decorated with a curvilinear horizontal frieze that sits upon a rectangular base. The frieze is ornamented with a floral and foliage pattern. Base consists of 2 squares that are each ornamented with a different 8-petaled floral motif.. Les Singuliers et Nouveaux Portraicts... page 13 (recto) 358422

Convivio delle Belle Donne, page 16 (verso) August 1532 Nicolò Zoppino Italian Published by Nicolo Zoppino, Italian, active 16th century, Venice, designed by Matteo da Treviso, Italian, active 16th century.From top to bottom, and left to right:Design composed of a central section framed on top and bottom by decorative border. Central section is decorated with a pattern of intertwining lines forming diamonds that have coils at each corner. Inside each diamond is a large floral motif. Top border is decorated with a straight horizontal vine with leaves. Bottom border is decorated with small diamonds.. Convivio delle Belle Donne, page 16 (verso) 659794

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 39 (recto) 1603 Federico de Vinciolo Italian Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and has a central section consisting of 2 squares; each square is decorated with a different quatrefoil motif. The middle section is framed on the left and right by a border ornamented with a diverse floral pattern.. Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 39 (recto) 358421

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 4 (verso) 1556 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 2 vertical columns printed upon a grid. Left column is narrower and is decorated with a pattern of 3-sided white dotted leaves framed by a set of black leaves that form a heart-shape. Right column is wider and is decorated with a central image of Venus and Cupid; surrounding the central image are various floral and foliage elements.. La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 4 (verso) 660360

Fiori di Ricami Nuovamente Posti in Luce, page 11 (recto). Designer: Matteo Florimi (Italian, active Siena, ca. 1581-died 1613). Dimensions: Overall: 5 1/2 x 7 7/8 in. (14 x 20 cm). Published in: Venice. Publisher: Francesco de' Franceschi (Italian, active 16th century) , Venice. Date: 1591.Designed by Matteo Florimi, Italian, active Siena, ca. 1581-died 1613, published by Francesco de' Franceschi, Italian, active 16th century, Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is decorated with 5 upside-down triangular motifs hanging from a rectangular base ornamented with squares framing different shapes, including diamonds, circles, stars, flowers, and foliage. Middle register is decorated with 4 right-side up triangular motifs ornamented with the same pattern (8-petaled flower in the center). Bottom register is decorated with squares ornamented with a different floral motif in the center. Museum: Metropolitan Museum of Art, New Y

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano series (pl. 8); Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 7 (verso) April 12, 1532 Domenico da Sera French Published by Domenico da Sera Lyons.From top to bottom, and left to right:Design is decorated with a pattern of hexagons formed by thick lines with coils wrapped around them. In the center of each hexagon is either an interlace motif or a series of 3 knot work motifs and 2 hearts.. Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 7 (verso) 662851

Print, Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, Above, a panel decorated with a curved frame and rinceaux; below, a panel decorated with a central roundel and curved framing; corners made up of flowers., Netherlands, ca. 1700, architecture, Print

Ornamento delle belle & virtuose donne, page 16 (recto). Binder: Lloyd, Wallis & Lloyd (British, active London after 1821). Dimensions: Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1554.Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 2 vertical columns. Left column is narrower and is decorated with a straight vine with 4 curving leaves. Right column is wider and is decorated with an interlace pattern with leaves attached to the sides. Museum: Metropolitan Museum of Art, New York, USA.

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 13 (recto). Dimensions: Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1556.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 5 vertical columns printed upon a grid. First column is decorated with a pattern of circles, each containing a 4-petaled flower. Second column is decorated with a pattern of heart-shaped vines with a leaf at the center. Third column is decorated with a central wavy line that is framed on the top and bottom by halves of 6-petaled flowers. Fourth column is decorated with 2 intertwining lines forming oval shapes, each containing a different leaf or flower. Fifth column is decorated with a curving black vine with leaves at each point. Museum: Metropolitan Museum of Art, New York, USA.

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 8 (recto). Dimensions: Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1556.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design is similar to that printed on page 4 (verso); however, the columns are in a reverse order. It is composed of 2 vertical columns printed upon a grid. Left column is wider and is decorated with a central image of Venus and Cupid; surrounding the central image are various floral and foliage elements. Right column is narrower and is decorated with a pattern of 3-sided white dotted leaves framed by a set of black leaves that form a heart-shape. Museum: Metropolitan Museum of Art, New York, USA.

La Vera Perfettione del Disegno di varie sorti di recami, page 19 (verso). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers that are printed upon a grid. Top register is decorated with an alternating pattern of 2 different types of leaves. Middle register is decorated with leaves, grape bunches, and acorns that attach to a straight branch that runs through the center. Bottom register is decorated in the center with a 3-petaled flower that has leaves that curve outward at the

Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 3v). Dimensions: Overall: 5 11/16 x 8 1/16 in. (14.5 x 20.5 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1532.Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 60 (recto). Dedicatee: Catherine de Bourbon (French, 1558-1604). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm). Publisher: Jean Le Clerc , Paris. Date: 1603.Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and is decorated with 6 squares, which are each ornamented with a different floral motif at their center. Museum: Metropolitan Museum of Art, New York, USA.

Design for the landscaping of the Nijeveld Castle near Veldhuizen with the middle of the map of the Huis.n.b. The municipality of Veldhuizen was included in the municipality of Vleuten-De Meern on 1 January 1954; This municipality was added to the municipality of Utrecht on 1 January 2001.

Eyn new kunstlichboich, page 18r. Designer: Woodcut border designed by Anton Woensam von Worms (German, active first half 16th century, died 1538). Dimensions: Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1529.Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet. Museum: Metropolitan Museum of Art, New York, USA.

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 4 (verso). Dimensions: Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1556.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 2 vertical columns printed upon a grid. Left column is narrower and is decorated with a pattern of 3-sided white dotted leaves framed by a set of black leaves that form a heart-shape. Right column is wider and is decorated with a central image of Venus and Cupid; surrounding the central image are various floral and foliage elements. Museum: Metropolitan Museum of Art, New York, USA.

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 29 (recto). Dedicatee: Catherine de Bourbon (French, 1558-1604). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm). Publisher: Jean Le Clerc , Paris. Date: 1603.Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design is printed upon a grid and has a central section consisting of 2 squares; each square is ornamented with a different quatrefoil motif. The middle section is framed on the left and right by a border ornamented with a diverse foliage pattern. Museum: Metropolitan Museum of Art, New York, USA.

Ornamentierte Buchseite.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Livre de Moresques, page 17 (recto) 1546 Francesco di Pellegrino Italian This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrinos designs were reordered and presented in compressed form in the Livre de Moresque, which appears to have been published first by Cornelis Bos in Antwerp in 1543. Gormont subsequently published the book in Paris in 1546, possibly with the consent of Bos, whom had spent some time in Paris after his expulsion from Antwerp in 1544, and had settled in Germany (Nure

Ornamento delle belle & virtuose donne, page 10 (verso) 1554 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821. From top to bottom, and left to right:Design composed of 3 vertical columns. Left column is decorated with an interlace pattern formed by black triangles. Middle column is decorated with a black interlace pattern upon grey gridded background. Right column is decorated with 2 lines that form hexagons with another linear motif resembling a wrench that separates each hexagon.. Ornamento delle belle & virtuose donne, page 10 (verso) 359158

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 6 (recto) 1610 Isabella Catanea Parasole Italian Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome.From top to bottom, and left to right:Design is of a pattern of full and semi-ellipsis that are ornamented with a central floral element that is then surrounded by other shapes.. Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 6 (recto) 661614

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano (pl.5) series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 6 (verso). Dimensions: Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm). Printer: Willem Vosterman (Netherlandish, active Antwerp). Date: after 1527.Printed by Willem Vosterman.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with a pattern of diamonds that contain a smaller diamond in the center. Bottom register is decorated with a pattern of quatrefoils that contain a '#' in the center. Museum: Metropolitan Museum of Art, New York, USA.

La Vera Perfettione del Disegno di varie sorti di recami, page 20 (verso). Dimensions: Overall: 6 5/16 x 8 7/16 in. (16 x 21.5 cm). Illustrator: Woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520-ca. 1575 Venice). Publisher: Giovanni Ostaus (Italian, active Venice ca. 1554-91) , Venice. Date: 1567.Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers that are printed upon a grid. Each register is decorated with a different foliage pattern that is completely shaded in gray. Museum: Metropolitan Museum of Art, New York, USA.

Modelbuch aller Art Nehens vn Stickens (Page 11r). Dimensions: Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm). Published in: Frankfurt am Main. Publisher: Christian Egenolff (German, Hadamar 1502-1555 Frankfurt). Date: 1535.Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn.Illustrated title page, 26 pages of designs including 4 pages of animals and fish at the end. Museum: Metropolitan Museum of Art, New York, USA.

Newes Modelbuch in Kupffer (Page 59r) 1604 Johann Sibmacher German Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.. Newes Modelbuch in Kupffer (Page 59r) 682842

Trionfo Di Virtu. Libro Novo..., page 19 (recto) 1563 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 5 horizontal registers. First register is decorated with a pattern of sideways ' 's. Next four registers are all decorated with a different interlace pattern.. Trionfo Di Virtu. Libro Novo..., page 19 (recto) 662251

La Vera Perfettione del Disegno di varie sorti di recami, page 36 (verso) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is decorated with an alternating pattern of trees and birds. Middle register is decorated with a coiling vine, amongst which are 2 dogs and a bird in the center. Bottom register is decorated with a curving vine of leaves and flowers.. La Vera Perfettione del Disegno di varie sorti di recami, page 36 (verso) 662583

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 19 (recto). Designer: Isabella Catanea Parasole (Italian, ca. 1565/70-ca. 1625). Dimensions: Overall: 7 7/8 x 10 1/4 in. (20 x 26 cm). Publisher: Antonio Fachetti , Rome. Date: 1610.Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome.From top to bottom, and left to right:Design composed of 4 horizontal registers that are framed on the left by a border decorated with foliage and a border of the right decorated with an 'S' pattern. First register is decorated with wavy vine of 3-petaled flowers with black leaves. Second register is decorated with a curving vine of leaves. Third register is decorated with a pattern of flowers with curving stems that form heart-shapes around the center. Fourth register is decorated with coiling vines of leaves. Museum: Metropolitan Museum of Art, New York, USA.

Spechio di pensieri delle belle et Virtudiose donne, page 6 (recto) Publisher Matteo Pagano Italian 1546 Published by Matteo Pagano, Italian, 1515-1588, Venice.From top bottom, and left to right:Design is decorated with pattern of snowflakes and interlace motifs that are separated by a diamond and leaf motif.

Opera Nova Universali intitulata Corona di racammi, page 35 (verso). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 4 vertical columns. Each column is divided into at least two sections: white and black. The second column from the left is illustrated with rabbits flanking a plant in the middle. Museum: Metropolitan Museum of Art, New York, USA.

Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 1v) 1532 Peter Quentel German Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.. Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 1v) 681434

Print (France)

Jan Wilckens Van Valelt (-1692), Draft Stucdecoration in the hallway to the audience house in Frederiksborg, 1652

Les Singuliers et Nouveaux Portraicts... page 23 (recto). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design composed of 2 sections. Upper section is decorated with a rounded triangular motif ornamented with a floral pattern that sits upon a rectangular base formed by 2 squares decorated with diverse patterns that include hearts. Lower section is decorated with a wavy vine of flowers that sits upon 4 squares that are decorated with a floral pattern. Museum: Metropolitan Museum of Art, New

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 50 (recto) 1601 Cesare Vecellio Italian Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 3 flowers framed within an octagon. Bottom register is decorated with a pattern of flowers within hexagons, flowers with a central circular elements, and diamonds framing a square.. Corona delle Nobili et Virtuose Donne: Libro I-IV, page 50 (recto) 661853

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 16 (recto). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Domenico da Sera (French, active Italy, 16th century). Date: April 12, 1532.Published by Domenico da Sera Lyons.From top to bottom, and left to right:Design composed of 2 vertical columns. Left column is decorated with twisting branches of leaves. Right column is divided into 2 sections: upper section is decorated with the same pattern of twisting branches of leaves and lower section is decorated with a black-and-white checkerboard pattern of zigzagging lines. Museum: Metropolitan Museum of Art, New York, USA.

New Modelbüch (Page 27v). Designer: Andreas Bretschneider (German, Dresden ca. 1578-ca. 1640 Leipzig). Dimensions: Overall: 12 x 8 1/16 in. (30.5 x 20.5 cm). Printer: Henning Gross the younger , Leipzig. Date: 1615.Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates. Museum: Metropolitan Museum of Art, New York, USA.

Pilaster decoration (upper game), from the Loggie Di Rafaele Nel Vaticano (PL.6) series; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Schön newes Modelbuch (Page 69r). Dimensions: Overall: 4 1/2 x 6 11/16 in. (11.5 x 17 cm). Publisher: Sigismundus Latomus (German, active 1599-ca. 1627) , Frankfurt am Main. Date: 1608.Published by Sigismundus Latomus, Frankfurt a.M.Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery. Museum: Metropolitan Museum of Art, New York, USA.

Opera Nova Universali intitulata Corona di racammi, page 33 (recto). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is wider and is illustrated with Moresque pattern comprised of identifiable central motif with two flanking motifs, and right is narrower and is illustrated with a more compact Moresque pattern. Museum: Metropolitan Museum of Art, New York, USA.

Eyn new kunstlichboich, page 20v 1529 Peter Quentel German Published by Peter Guentel, Cologne, woodcut border designed by Anton Woensam von Worms, German, active first half 16th century, died 1538.Italian translation of title page, illustrated title page, portrait of Charles V, 46 pages of designs including pages of the alphabet.. Eyn new kunstlichboich, page 20v 681061

La Vera Perfettione del Disegno di varie sorti di recami, page 5 (verso) 1567 Giovanni Ostaus Italian Published by Giovanni Ostaus, Venice, woodcut of Lucrezia designed by Giuseppe Salviati (Giuseppe Porta, called Il Salviati), Italian, Castelnuova di Garfagnana ca. 1520-1575 Venice.From top to bottom, and left to right:Design composed of 3 horizontal registers that are printed upon a grid. Each register begins with a different floral and foliage pattern, which then terminates in a different image. Top register ends with a bird, middle register ends with a blindfolded cupid figure holding a bow and arrow, and bottom register ends with a vase.. La Vera Perfettione del Disegno di varie sorti di recami, page 5 (verso) 662355

Knoblauch Gustav (1833-1916), Nicolaikirche, Berlin. Conversion: 2 Details Wall Painting Sacristy. Pencil watercolored to transparent, 30.8 x 39.4 cm (including scan edges)

Rex F Bush, Valentine, c 1938 Valentine

New Modelbüch allen Nägerin u. Sydenstickern (Page 11r). Designer: Hans Hoffman (German, active Strasbourg, 1556). Dimensions: Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm). Publisher: Jacob Frölich , Strassburg. Date: 1556.Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frlich, Strasbourg.Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher's information, and narrative scene on last page. Museum: Metropolitan Museum of Art, New York, USA.

Schön newes Modelbuch (Page 7r). Dimensions: Overall: 4 1/2 x 6 11/16 in. (11.5 x 17 cm). Publisher: Sigismundus Latomus (German, active 1599-ca. 1627) , Frankfurt am Main. Date: 1608.Published by Sigismundus Latomus, Frankfurt a.M.Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery. Museum: Metropolitan Museum of Art, New York, USA.

Splendore delle virtuose giovani, page 15 (recto) 1564 Iseppo Foresto Italian Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice.From top to bottom, and left to right:Design composed of 4 vertical columns printed upon a grid. First column is decorated in the center with an interlace motif surrounding a 4-petaled flower in the middle, which is flanked on the top and bottom by leaves. Second column is decorated in the center with a double-headed bird that forms into leaves followed by coiling stems. Third column is decorated with a curving vine of leaves. Fourth column is decorated with a pattern of leaves that attach to illustrations of a bull's head.. Splendore delle virtuose giovani, page 15 (recto) 660777

Print (France)

GSELL-Laurent workshop. Album n ° 2; stained glass project: decorative patterns. Watercolor and gouache. Paris, Carnavalet museum. 39329-19 Album n ° 2, gouache, decorative motif, stained glass project, watercolor

Copies after the 'Livre contenant passement de moresques' (plate 16). Artist: After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 4 13/16 × 3 9/16 in. (12.2 × 9 cm)Plate: 4 1/2 × 3 5/16 in. (11.5 × 8.4 cm)Overall: 10 1/16 × 7 7/8 in. (25.5 × 20 cm). Date: 19th century ().Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau. Museum: Metropolitan Museum of Art, New York, USA.

Il Monte. Opera Nova di Recami, page 11 (verso) after 1557 Giovanni Antonio Bindoni Italian Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design composed of 2 vertical columns. Left column is narrower and is decorated with a central floral element flanked on both sides by a coiling stem of leaves. Right column is wider and is decorated with a large floral motif that has 2 curving stems at the bottom.. Il Monte. Opera Nova di Recami, page 11 (verso) 660604

Design for a cover for a publication by Honor Daumier and Erich Klossowski (Munich 1908). Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 300 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.

Il Monte. Opera Nova di Recami, page 11 (verso). Binder: Chambolle-Duru (French, 19th century). Designer: Giovanni Antonio Bindoni. Dimensions: Overall: 7 7/8 x 5 11/16 in. (20 x 14.5 cm). Publisher: Giovanni & Marchio Sessa (Italian, active 1557) , Venice. Date: after 1557.Designed by Giovanni Antonio Bindoni, published by Giovanni & Marchio Sessa, Venice, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design composed of 2 vertical columns. Left column is narrower and is decorated with a central floral element flanked on both sides by a coiling stem of leaves. Right column is wider and is decorated with a large floral motif that has 2 curving stems at the bottom. Museum: Metropolitan Museum of Art, New York, USA.

Les Singuliers et Nouveaux Portraicts... page 54 (verso). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right: Design is printed upon a grid and is decorated in the center with a pattern of diamonds that are ornamented with 2 different kinds of quatrefoil motifs. Museum: Metropolitan Museum of Art, New York, USA.

Les Singuliers et Nouveaux Portraicts... page 44 (verso). Binder: Chambolle-Duru (French, 19th century). Designer: Federico de Vinciolo (Italian, active Paris, ca. 1587-99). Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm). Publisher: Jean Le Clerc , Paris. Sitter: Frontispiece portrait of Henri III, King of France and Poland (1551-1589); Portrait of Louise de Lorraine-Vaudemont (French, Nomény 1553-1601 Moulins) , Queen of France. Date: 1588.Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is printed upon a grid and is decorated in the center with a plant that is surrounded on the left by a bird and on the right by a butterfly and toad. The design is framed on the left and right by decorative borders. Museum: Metropolitan Museum of Art, New York, USA.

Newes Modelbuch in Kupffer (Page 60r). Artist: Johann Sibmacher (German, active 1590-1611). Dimensions: Overall: 5 11/16 x 7 1/16 x 3/4 in. (14.5 x 18 x 1.9 cm). Date: 1604.Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Schön newes Modelbuch (Page 39r). Dimensions: Overall: 4 1/2 x 6 11/16 in. (11.5 x 17 cm). Publisher: Sigismundus Latomus (German, active 1599-ca. 1627) , Frankfurt am Main. Date: 1608.Published by Sigismundus Latomus, Frankfurt a.M.Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery. Museum: Metropolitan Museum of Art, New York, USA.

Newes Modelbuch in Kupffer (Page 55r) 1604 Johann Sibmacher German Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs.. Newes Modelbuch in Kupffer (Page 55r) 682673

Les Singuliers et Nouveaux Portraicts... page 15 (recto) 1588 Federico de Vinciolo Italian Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is decorated with a semi-ellipse motif that sits upon a rectangular base. Semi-ellipse is ornamented with a floral and foliage pattern and is flanked on either side by part of another flower. Base consists of 2 squares that are each ornamented with a diverse foliage pattern.. Les Singuliers et Nouveaux Portraicts... page 15 (recto). 1588. Woodcut. Jean Le Clerc , Paris. Frontispiece portrait of Henri III, King of France and Poland (French, Chteau de Fontainebleau 1551-1589 Chteau de Saint-Cloud)

Trionfo Di Virtu. Libro Novo..., page 25 (recto). Dimensions: Overall: 9 13/16 x 7 7/8 in. (25 x 20 cm). Publisher: Matteo Pagano (Italian, 1515-1588) , Venice. Date: 1563.Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with a pattern of diamonds; the central diamond appears to be ornamented with an image of a double-headed bird, while the other diamonds frame illustrations of flowers. Bottom register is decorated with a pattern of diamonds formed by lines with coils; inside each diamond is a snowflake motif. Museum: Metropolitan Museum of Art, New York, USA.

Blackwork Print with a Latin Cross and Four Motifs ca. 1620 Claes Jansz. Visscher Dutch. Blackwork Print with a Latin Cross and Four Motifs 419982

New Künstlichs Modelbuch (Page 39 recto) 1600 Bernhard Jobin Swiss Published by Bernhard Jobin, Strassburg ().Illustrated title page, poem (2 pages), and 45 pages of designs.. New Künstlichs Modelbuch (Page 39 recto). 1600. Woodcut. Bernhard Jobin (Swiss, Porrentruy (Jura) before 1545-1593/1597 Strasbourg)

Print, Ornament and Panel Designs; Designed by Jean Bérain, the elder (French, 1640 - 1711), Jean Bérain the Younger (1674-1726); Published by Nicolas Langlois; France; etching and engraving on laid paper

Ein ney Furmbüchlein, Page 17, recto ca. 1525-29 Johann Schönsperger the Younger German. Ein ney Furmbüchlein, Page 17, recto 680105

Ceiling decoration design; Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Opera Nova Universali intitulata Corona di racammi, page 28 (verso) 1530 Giovanni Andrea Vavassore Italian Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is illustrated with diamond pattern, and right is illustrated with floral and linear geometric interlace pattern.. Opera Nova Universali intitulata Corona di racammi, page 28 (verso) 358316

Flower beds map at the rear of Huis Clingendael; Second floorres or flower parks agter the large house; Gifted Schoone and entertainment pleasants in the Hofstede van Clingendaal located by 's Gravenhage. Flower beds at the rear of Huis Clingendael at The Hague.

'Plafond at Bayer near Naples'. France. Dimensions: 17,5x29,3 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Ein new Modelbuch..., page 12 (recto) October 22, 1524 Johann Schönsperger the Younger German Published by Johann Schӧnsperger the Younger, Zwickau.From top to bottom, and left to right:Design composed of 4 vertical columns. First column is decorated in the center with a flower that has curving stems of leaves and fruit. Second column is decorated in the center with a diamond-shaped interlace motif that connects curving vines of leaves. Third column is divided into 2 halves: upper half is decorated in the center with a vase that is flanked on both sides by a stag and lower half is decorated in the center with a pout of flowers that is flanked on both sides by a bird. Fourth column is divided into 2 halves: upper half is decorated with diamonds that each frame a 3-sided leaf at the center and lower half is decorated with a curving vine of leaves.. Ein new Modelbuch..., page 12 (recto) 665915

Weißgerber Otto, wall ornamentation. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1903): View. Print on paper, 32.5 x 23.8 cm (including scan edges) Weißgerber Otto (geb. 1880): Wandornamentik. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

Steenbock Ernst (1850-1878), wallpaper pattern. Monthly competition January 1874 (01.1874): View. Pencil watercolored on paper, 57.7 x 37.9 cm (including scan edges) Steenbock Ernst (1850-1878): Tapetenmuster. Monatskonkurrenz Januar 1874

Drawing, Design for a Ceiling; Italy; graphite, pen and ink, brush and watercolor on paper

Print, Letter H, from Baluze's "Histoire générale de la Maison d'Auvergne"; Sebastien Leclerc (French, 1637-1714); France; etching with engraving on white wove paper; 7.2 x 7.3 cm (2 13/16 x 2 7/8 in.); 1907-7-32-b

Opera Nova Universali intitulata Corona di racammi, page 27 (recto). Dimensions: Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm). Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: 1530.Published by Giovanni Andrea (called "Guadagnino") Vavassore, Italian, active 16th century, Venice.From top to bottom, and left to right:design composed of 2 vertical columns: left is divided into 2 halves: one with circles and flowers and other with various flowers and leaves, and right with interlace pattern. Museum: Metropolitan Museum of Art, New York, USA.

Unknown photographer, Alhambra, Granada (without dat.): Azueljos in the Sala de Embajadores. Photo on cardboard, 57.1 x 42 cm (including scan edges) N.N. : Alhambra, Granada

Arthur G Merkley, Tyler Coverlet, c 1940 Tyler Coverlet

Design for Lobby Ceiling after Piranesi, Chamber Story, Castlecoole, County Fermanagh, Ireland ca. 1790-97 James Wyatt British. Design for Lobby Ceiling after Piranesi, Chamber Story, Castlecoole, County Fermanagh, Ireland. James Wyatt (British, Weeford, Staffordshire 1746-1813 near Marlborough, Wiltshire). ca. 1790-97. Watercolor, pen and ink, over graphite

Wallpaper. Dated: 1935/1942. Dimensions: overall: 22.9 x 28.7 cm (9 x 11 5/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Esemplario di Lauori..., page 9 (verso). Designer: Woodcut title signed by Florio Vavassore (Italian, active 16th century). Dimensions: Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm). Published in: Venice. Publisher: Giovanni Andrea Vavassore (Italian, active Venice 1530-1573) , Venice. Date: August 1, 1532.Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's brother), Italian, active 16th century. Reissued by Macmillan & Co., British, London and New York.From top to bottom, and left to right:Design composed of 3 horizontal registers. Top register is illustrated with a ship. Middle register is illustrated with a griffon and a man carrying a pale on a stick. Bottom register is illustrated with a seated man, a centaur holding a bow and arrow, and 3 birds (2 flying and 1 on the ground). Museum: Metropolitan Museum of Art, New York, USA.

Wilford H Shurtliff, Hardanger, 1937 Hardanger

Sketchbook Page (USA); Designed by Frederick Krieg (American, b. Germany 1852-1932); drawing; 1984-125-108-7

Ein ney Furmbüchlein, Page 12, verso. Dimensions: 7 7/8 x 6 1/8 in. (20 x 15.5 cm). Publisher: Johann Schönsperger the Younger (German, active 1510-30). Date: ca. 1525-29. Museum: Metropolitan Museum of Art, New York, USA.

Renaissance mural from the Palazzo Imperiale (Ducal Palace), Mantua, Italy, painted by the school of Giulio Romano in the 16th century. Handcoloured lithograph by Berth from an illustration by Wilhelm Zahn from his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt." (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 15 (recto) 1610 Isabella Catanea Parasole Italian Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome.From top to bottom, and left to right:Design composed of 4 horizontal registers framed on the left and right by 2 vertical columns of foliage. First register is decorated with a wavy vine of small and large flowers. Second register is decorated with curving vine of flowers that alternate between an upside-down and right-side up positioning. Third register is decorated with a pattern of flowers with curving black-and-white striped stems. Fourth register is decorated with coiling black-and-white striped vines with flowers and leaves.. Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 15 (recto) 661653

Newes Modelbuch in Kupffer (Page 53r). Artist: Johann Sibmacher (German, active 1590-1611). Dimensions: Overall: 5 11/16 x 7 1/16 x 3/4 in. (14.5 x 18 x 1.9 cm). Date: 1604.Designed by Johann Sibmacher, German, active 1590-1611.2 illustrated title pages, 12 pages of text surrounded by decorative borders, and 56 pages of designs. Museum: Metropolitan Museum of Art, New York, USA.

Print, Impériale du Première Carrosse; Designed by Bernard Picart (1673-1733); France; engraving on laid paper

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 9 (recto). Designer: Isabella Catanea Parasole (Italian, ca. 1565/70-ca. 1625). Dimensions: Overall: 7 7/8 x 10 1/4 in. (20 x 26 cm). Publisher: Antonio Fachetti , Rome. Date: 1610.Designed by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Antonio Fachetti, Rome.From top to bottom, and left to right:Design divided into 2 halves. Left half is composed of 2 horizontal registers: top register is decorated with a pattern of 5-leafed plants that sit upon an ornamented base characterized by circles, diamonds, and an interlace pattern; bottom register is decorated with a pattern of diamonds with floral elements that form their highest corners, which sit upon an ornamented base. Right half is composed of 3 horizontal registers: top register is decorated with a pattern of semi-ellipses that sit upon a base ornamented with circles containing various diamond motifs, middle register is decorated with 3 triangular mot

Eight motifs; Chapelle De Wihou. Près D 'Argenteau. / Peinture .. In the middle, an arrow-shaped motif is depicted with a bird that is directed downwards. Top left is listed: MOTIFS the decoration, top right: Peinture, bottom right: n ° 14, G. 76.

Unknown architect, floor tiles. Monthly competition July 1871 (07.1871): View. Pencil and ink watercolor on paper, 32.3 x 30 cm (including scan edges) N.N. : Fußbodenfliesen. Monatskonkurrenz Juli 1871

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