Decorative Prints and Vignettes

A collection of etchings featuring intricate designs, including hunting trophies, mythical figures, and decorative elements. Themes of nature and artistry are prominent.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributes Hierogliphyques, E Trophées des arts, La Charpente, L'Agriculture, Raamwerk en agricultuur, verso - stamped, On the left a trophy with attributes belonging to frameworks and a frame with a beaver. On the right a trophy with attributes belonging to agriculture and a medallion with a globe with a shovel and a lion. Print number 106., print, ornamental print, prints, ornamental prints, height 380 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Vignette with Statuary and a Bird, Alexis Peyrotte, French, 1699-1769, D. P. Pariset, French, 1740 - ca. 1783, Etching on paper, Choinserie Vignette with Statuary and a Bird, France, mid- 18th-late 18th century, Print, Print

Adam et Eve, state II. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Meunier, Henri Georges Jean Isidore (1873-1922), printer of graphic prints

Trophies with hunting attributes and weapons; Ive Cahier de Trophées. Six trophies with various attributes such as shot wild, baskets, birds, spears, an arrow sleeve and torches with a snake and a mask.

Jachttrofee, Pierre Gabriel Berthault, after Pierre Ranson, 1778 print Hunting trophy with boar head, birds, arrow sleeve, gun, hunting horn, bag and bottle. Paris paper etching hunting trophies

Masks and hats. 1688. Mitelli, Agostino, 1671-1696. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print, Frieze, from "Ornament I Di Fregi"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy; etching on paper; 8 × 25 cm (3 1/8 × 9 13/16 in.)

Aix-en-Provence, Blanc, Honoré, Turreau, Jean Bernard Honoré, Desseins a pleusieurs Usages, Two ornamental helmets, verso - stamped, On the left a helmet with rocaille ornaments, putti with trumpets, a male sphinx with a club, a cartouche, masks and a trumpet with flag. On the right a helmet with rocaille ornaments, a putto, masks, cartouches and a sphinx., print, engraving, ornamental print, prints, ornamental prints, height 213 mm, width 330 mm, French, print maker, printmaker, 1718 - 1725, paper, etching, etchings, engraving (printing process), Work conception, 1672 - 1731-01-28, after a design by, Publication (Event), Publication, publisher

Trophy, Etching on paper, Europe, France, Europe, 18th century, Print, Print

Trofee met vos en jachthoorn; A New Book of Hunting Trophies.A yacht trophy with a fox, a gun, a hunting horn, a bottle and a bag.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributes Hierogliphyques, E Trophées des arts, La Charpente, L'Agriculture, Raamwerk en agricultuur, verso - stamped, On the left a trophy with attributes belonging to frameworks and a frame with a beaver. On the right a trophy with attributes belonging to agriculture and a medallion with a globe with a shovel and a lion. Print number 106., print, ornamental print, prints, ornamental prints, height 380 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Festoen of leaves and fruit, anonymous, after artus quellinus (i), after 1665 - c. 1700 print Copy to Festoen from the Prims Praecipuarum series .../ the first part of the previous statues and the cieraten .../ La Premier Partie .... Amsterdam (possibly) paper etching

Ornament of musical instruments, Abraham Meertens, 1767 - 1823 drawing paper. pencil (other) ornaments derived from objects. musical instruments; group of musical instruments

William Miller, 1796-1882, British, St. Michael's Mount - Shipwreck of Lycidas, 1835. Line engraving.

Lente, Cherubino Alberti, After Polidoro da Caravaggio, 1563 - 1615 print Zwik with the personification of spring: a woman with a flower wreath on her head. Italy paper engraving spring, 'Ver'; 'Primavera' (Ripa)

Perzië, Etienne Claude Voysard, Charles Le Père & Pierre -Michel Avaulez, After Jean Charles Delafosse, 1772 - 1779 print Two trophies with shields. Left with a dagger, a snake, a book, a smoking vessel and a shield with an angel and a snake. On the right with weapons, ears, grapes, keys, a mask and a shield with an animal and a mermaid. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. Persia (one of the four world empires)

Ornamenti o Grottesche (Grotesque Ornament), Stefano della Bella, Italian, 1610-1664, Etching on off-white laid paper, Vertical rectangle showing putti with acanthus tails blowing bubbles, a bat and a swag., Italy, ca. 1653, ornament, Print, Print

Rape of Ganymede 1600-1699 Netherlands. Pen and brown ink, over graphite, on off-white laid paper, tipped onto board .

A Diplomatic (Chinese) Design Presented to U.S., 1881, wood engraving in black on newsprint, sheet: 40.32 × 28.58 cm (15 7/8 × 11 1/4 in.), Thomas Nast (artist) American, born Germany, 1840 - 1902

Plate 3 from a Set of Trophies of Weapons, Johann Ulrich Stapff, German, active 17th century, Engraving on paper, The numbers are in the right bottom corners. Framing line., Germany, ca. 1665, Print, Print

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Figure in full drapery, standing, facing to the left, with her left arm extended., USA, ca. 1895, figures, Drawing, Drawing

Shell-shaped scale, worn by a man; Ne inteaser Vinum Quando Flauescit (...). The man is decorated with vines at a foot. From series of 14 sheets with scales, bowls and boxes.

The mermaid and merman stand with intertwined tails on a snail shell. On the shoulders of a second merman supporting the shell sits Amor. Belonging to a series consisting of a title page and 20 leaves., Bowl in the form of a shell, supported by a mermaid and a merman Vases, jugs and bowls with grotesques (series title), print maker: Balthazar van den Bos, Cornelis Floris (II), publisher: Hieronymus Cock, Netherlands, (possibly), 1548, paper, engraving, h 224 mm × w 168 mm

Fame 1649-50 Stefano della Bella Italian. Fame 377683

Dans la Püsta - large plate. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1879. Prints; etchings. Etching

Vignette with Lier, Burning Heart, Shield, Freedom Hood and Zon, Willem Bilderdijk, 1777 print Netherlands paper etching lyre, cithara, psaltery. heart symbolism. sun as celestial body. vignette

Willemynken lies with traces by a donkey and Duyfken reprimanded her, Boëtius Adamsz. Bolswert, 1590 - 1627 print Willemynken lies with traces by a donkey and Duyfken reprimanded her. A second scene in the landscape shows the two sisters at an inn where a woman and child accept a pouch. Later the two women wash again by the river to get rid of their sins. paper engraving ass, donkey. spur. pilgrimage, pilgrim(s) under way

George Frederick Watts, 1817-1904, British, Study for a Circular Ceiling Decoration, undated. Pen and brown ink and black ink and graphite on medium, smooth, cream wove paper.

Bretsoe Spinster, François Bonvin, 1861 print Paris paper etching spinning (manufacture of yarn). spinning-wheel. spindle. distaff

Allegory of Autumn, illustration from L'Illustration, Journal Universel, No 451, Volume XVIII, October 16-23, 1851.

Drawing, Drapery Study; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on tracing paper; 20.4 × 17.3 cm (8 1/16 × 6 13/16 in.); 1914-38-153

Drawing, Drapery Study; Francis Augustus Lathrop (American, 1849 - 1909); USA; charcoal on heavy cream paper; 49.7 × 30.7 cm (19 9/16 × 12 1/16 in.); 1914-38-168

Fantastic being beside a man with a whole body; Das Neuw Grottesken Buch Nürnberg 1610; Grayy with candle in the hands. Left a fantastic being with a boar chop that runs with a stool. On his tail the being wearing a burning candle that is sniffed by a dog sitting on the back of the creature. The man right holds a burning candle in his hand. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

. The personified laziness; A woman's figure with a snail, next to her a lying donkey.

The Letter E, from The Alphabet. Artist: Master ES (German, active ca. 1450-67). Dimensions: 5 9/16 × 4 1/2 in. (14.1 × 11.4 cm). Date: 1466-67.Among Master ES's most remarkable engravings is a delightful series of letters consisting of twenty-three rare individual prints that once formed an alphabet (alphabets of this period normally lack the letters j, v, and w). The artist composed each lower case letter by cleverly interweaving both real and mythical people and animals. Here two dogs fight with a cat and a bird over the head of a man. The cat's gently curving tail defines the upper portion of the letter. Little is known about the master whose name derives from the initals that appear on later works. Evidence points to Master ES having been trained as a goldsmith, most notably the fact that he used goldsmith punches, tools that are hammered into the metal printing plate, to create patterns such as the small flowers and circles on the figure's tunic. Museum: Metropolitan Museum of Ar

Paris, Daumont, Jean-François, Delafosse, Jean Charles, Tardieu, Pierre François, Troisiéme Livre De Trophées, Attributs Militaires, Trophies with shield and drum, verso - stamped, On the left a trophy with a helmet, a shield with a lion and an obelisk, a fasces, a book, a mirror, a snake and a painter's palette. On the right a trophy with flags, a drum, trumpets, helmets and weapons., print, engraving, ornamental print, prints, engravings, height 384 mm, width 237 mm, French, 1711-12-24 - 1771-01-15, print maker, printmaker, 1771 - 1775, paper, etching, etchings, engraving (printing process), Work conception, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, French - 1775, publisher

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), Mélusine (main title), 1900. Gypsography, black and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for an with Tournament Headdress. Artist: Possibly by Baccio del Bianco (Italian, Florence 1604-1656 Escorial) (and workshop). Dimensions: Sheet: 17 x 11 5/16 in. (43.2 x 28.7 cm). Date: ca. 1620-56.Side view of a design for an armor helmet with an open visor (facing the left). The design of the helmet itself is relatively simple, but it has been decorated with an elaborate headdress made up out of tiers of feathers reaching upward. On top of the highest plume is a small figure of cupid with bow and arrow. Museum: Metropolitan Museum of Art, New York, USA.

Festoon of shells and flowers; Velded new festons.

Decorated helmet, Louis Joseph Greuse, 1879 print Bergen (Belgium) paper etching helmet

Print, Nef pour le Roy., Nef aux armes royales, (1728-1729), 4th Plate; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Etched by Gabriel Huquier (French, 1695-1772); France; etching and engraving on off-white laid paper; Platemark: 17.7 x 27.4 cm (6 15/16 x 10 13/16 in.)

Hector Van Troje, Anonymous, 1870 - 1899 print 19th-century reprint of 16th-century block. Hector of Troy on horseback. His weapon appears twice on the breast of the horse. He wears fantastic armor and a crown with a bunch of pointed feathers. Northern Netherlands paper Hector (one of the nine worthies)

Lazio Roma Rome SS. Giovanni e Paolo4. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Lazio Roma Rome SS. Giovanni e Paolo5. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Luigi Conconi, The Wave (L'Onda), 1896 The Wave (L'Onda)

Design for an Armor with Tournament Headdress. Artist: Possibly by Baccio del Bianco (Italian, Florence 1604-1656 Escorial) (and workshop). Dimensions: Sheet: 16 11/16 x 11 7/16 in. (42.4 x 29.1 cm). Date: ca. 1620-56.View in three-quarters of a design for an armor (facing the right). The armor itself is relatively simple, but the helmet has been decorated with an elaborate headdress, shaped like a lizard with a very lavish tail made up out of feathers and plumes. Museum: Metropolitan Museum of Art, New York, USA.

Satyr Mask with a Spiral-Shaped Beard and Ivy Grouped Around Each Horn, from Divers Masques. Artist: François Chauveau (French, Paris 1613-1676 Paris). Dimensions: Sheet: 2 1/2 × 1 5/8 in. (6.3 × 4.2 cm). Publisher: Published by Jacques Van Merlen (Flemish, Antwerp 1616-1682 Paris). Series/Portfolio: Divers Masques. Date: ca. 1635-45.From a series of nineteen plates with grotesque masks dedicated to Jean de Leins, goldsmith to the Queen of England and published by Jacques van Merlen in Paris. The plates are not numbered and appear in various orders. Museum: Metropolitan Museum of Art, New York, USA.

Two ornamental helmets; Dessseins a plea in users. Left a helmet with rocaille ornaments, putti with bazuinen, a male sphinx with a club, a cartouche, masks and a bazuin with flag. On the right a helmet with rocaille ornaments, a putto, masks, cartouches and a sphinx.

Amsterdam, Visscher, Claes Jansz. (II), Paris, Caillard, Jacques, The Hague, Hondius, Willem, Looff-werck Boeck Seer Constich Geteijckent, Goldsmith's bouquet with stylized flowers and leaves, Attached is a sheet with handwritten Latin text on the front and back. From a series of 6 sheets with reverse copies after the original series from 1627. Second edition., print, ornamental print, prints, ornamental prints, height 187 mm, width 145 mm, 1597 - 1660-07-18, print maker, printmaker, 1638 - 1638, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Man leaning on a stick near a brick wall, 1895 The man stands on a path paved with stone, under which there is a fantasy figure, presumably an animal. Page 3 Recto from a sketchbook with 11 sheets. paper. chalk adult man. walking-stick, staff. fence, wall, paling. anthropomorphic beings (legendary or not) with heads, limbs or organs of an abnormal number, in abnormal places or of an abnormal shape)

Netherlands, Floris, Cornelis (II), Italy, Monogrammist IHS, Libro di variate mascar, Mask with saucers around the eyes and sharply serrated crests on the cheeks and forehead, Copy of the sheet with object number RP-P-1888-A-12652. 1 Sheet from a series of 24. Shaded background., print, ornamental print, prints, ornamental prints, height 155 mm, width 147 mm, Italian, print maker, printmaker, 1560 - 1560, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands (before 1775), 1514 - 1575-10-20

Two Helmets, Christian Bernhard Rode, After Andreas Schlüter, 1759 print paper etching helmet Armory

Design for Trophy with Military Attributes, Jean-Charles Delafosse, French, 1734-1791, Pen and black ink, brush and wash, black chalk on white laid paper, Military trophy consisting of a helmet, shield, banners, arrows, and hatchets., France, 1770, ornament, Drawing, Drawing

Paris, Le Père & Pierre-Michel Avaulez, Charles, Pillement, Jean Baptiste, Deny, Jeanne, Recueil des Tentes Chinoises, Man with parasol underneath tent, verso - stamped, In a landscape a man is seated, seen from the back, holding a parasol. Above him a tent with awnings and a mill. Print number 48., print, ornamental print, prints, ornamental prints, height 241 mm, width 163 mm, French, 1749 - 1815, print maker, printmaker, 1772 - 1779, first quarter 16th century, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, etchings, Work conception, 1728-05-24 - 1808-04-26, after a design by, seller

'The Donkey Cabbages', 1901. Artist: Edward Henry Wehnert.

The Devil and the fairy , Devil, Fairies. Sir David Young Cameron (1865-1945). Prints

Charles Germain de Saint-Aubin (French, 1721 - 1786), Le Duel, in or after 1756, etching

Le Magot (Małpa Makak (Macaca Sylvanus), W: Draw at the pen by Huet fils. Drawing of the natural history cabinet 1810 Has, nicolas (ca 1770 1830)

Design for a Trophy of Roman Arms. Joseph Wilton (England, London, 1722-1803). England, circa 1780-1790. Drawings. Black chalk, pen and brown ink, and brown wash

Vignette with putto with trumpet and palm branch, Willem Bilderdijk, 1766 - 1831 print Netherlands paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. Horn, Trumpet, Cornet, Trombone, Tuba. vignettes

Paris, Stella, Claudine, France, Jacques, Bouzonnet, Françoise, Livre de Vases, Jug in the shape of a man, The handle is in the shape of a swan. Sheet 16 from a series of 24 sheets, numbered: 1-21, 23-25., print, ornamental print, prints, ornamental prints, height 268 mm, width 205 mm, 1638 - 1691-04-18, print maker, printmaker, 1657 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, French, 1596 - 1657-04-29, after a design by, Publication (Event), Publication, 1636 - 1697-10-01, publisher

The Grand Veneur (German Legend)

Heads; The sign book of Abraham Bloemaert. Study of three women's heads, twice the face to the right, once the head of behind.

Design for a jug with under the spout a naked lying man and on the body two naked boys, draughtsman: anonymous, draughtsman: Giovanni Battista Foggini, (rejected attribution), Italy, c. 1650 - c. 1670, paper, pen, h 105 mm × w 72 mm

Jacques Callot, Masked Man with Twisted Feet, c 1622 Masked Man with Twisted Feet

A brown ink study by Daniel Gran from 1740 depicting Archangel Michael for the fresco design at Sonntagsberg.

Trophy with mask and guitar, Johann Heinrich Hess (1746-1816), After Jean Baptiste Pillement, 1770 print A trophy with a hat, a staff, a mask, a guitar and a star -shaped shield. Paris paper etching trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. mask. cithern, mandolin, guitar, balalaika

Trophy with attributes belonging to Arts, 1763 - 1793 print A trophy on clouds with attributes belonging to the arts such as an easel, a bust, a globe, a sketch, a palette and a base. paper trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. the arts; artists

The Ostrich, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 266 x 220 mm (image); 362 x 280 mm (sheet). Aquatint and etching on copper in black on off-white laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Chagall, Marc (1887-1985) Private Collection Graphic arts 38x28,4 Mythology, Allegory and Literature Illustration for the poem The Dead Souls by N. Gogol

enthroned goddess on a dragon and bamboo stem, draughtsman: Yamamoto Shinryo Baiitsu, 1799 - 1857, paper, pen, pen, brush, h 274 mm × w 180 mm

Design for Jewelry 19th century Anonymous, French, 19th century French. Design for Jewelry 362716

Walk in the Boulougne Wood. Dated: 1888/1890. Dimensions: plate: 15 x 11.9 cm (5 7/8 x 4 11/16 in.) sheet: 35.4 x 27.8 cm (13 15/16 x 10 15/16 in.). Medium: drypoint reprinted by Ambroise Vollard. Museum: National Gallery of Art, Washington DC. Author: Berthe Morisot.

Bones of an ox; Hassen pan from a very large os, with the bones of the horns. Bones that were washed up during the flood of 1809 in which large parts of Central Netherlands flooded.

Two heads of men with headwear, Jacopo Ripanda (attributed to), 1500 - 1525 drawing prepared paper. ink pen / brush

Pencil drawing by Carl Pischinger showing a man lying on his stomach viewed from behind.

Decorative Ram's Head first half 19th century () Anonymous, British, 19th century British. Decorative Ram's Head. () Anonymous, British, 19th century. first half 19th century. Pen and ink, brush and wash

Floral ornament. Design for a pottery decoration.

Frontispiece for El Moghreb al Aksa by Edmond Picard. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 244 × 186 mm (image/chine); 423 × 314 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Femme Assis. (Robert-Dumesnil 41; MANNOCCI 7) Claude Gell�e (said Lorrain) (around 1600-1682). Woman sitting. (Robert-Dumesnil 41, Mannocci 7). Etching. 1630. Museum of Fine Arts in the city of Paris, small palace.

Study for 'The Shearers', Samuel Palmer, 1805-1881, British, active in Italy (1837-39), between 1833 and 1834, Graphite and gray wash on medium, slightly textured, cream wove paper, Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm) and Sheet: 13 1/4 × 10 5/16 inches (33.7 × 26.2 cm), hat, scythe, still life, tools

'Fortune', 19th century (1900). Artist: Unknown

Horse in the sea. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 133 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Ornamental Border with a Putto, Scroll, Mask, and Floral Garland. Artist: Anonymous, Italian, 17th century. Dimensions: 11 5/8 x 3 7/16 in. (29.6 x 8.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for an ornament. Draughtsman: Mathieu Lauweriks. Dating: 1874 - 1932. Measurements: h 64 mm × w 42 mm. Museum: Rijksmuseum, Amsterdam.

Copper engraving by Martin Schongauer depicting two coats of arms with a rabbit and Mohrenkopf held by a wild man, created in the last third of the 15th century.

Cartouche with a mask at the top and at the bottom, Jacob Lutma, after Johannes Lutma (1584-1669), c. 1654 - c. 1678 print Amsterdam paper etching ornament ~ cartouche. mask, mascaron ~ ornament

Wenceslaus Hollar, Shell (Murex brandaris), c 1645 Shell (Murex brandaris)

Netherlands, Weissenbruch, Isaac, Vignette with two banners, print, prints, height 127 mm, width 111 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, 1836 - 1912, paper, wood engraving

Captain of the Infantry, Anonymous, After Hendrick Goltzius, 1587 - 1596 print In the foreground the captain, marching to the right, his gaze is aimed at the viewer. Soldiers march in the background. In the lower margin a two -line Latin text. Pendant of the print of the standard carrier. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments. Northern Netherlands paper engraving officer

Mary Magdalen carried to Heaven ca. 1544 Anonymous, French, School of Fontainebleau, 16th century French. Mary Magdalen carried to Heaven 337464

ROMANCERO GITANO DE FEDERICO GARCIA LORCA-LITOGRAFIA. Author: RAFAEL ALBERTI (1902-1999).

Adolfo De Carolis, Ila e le ninfe (Hylas and the Nymphs), 1916 Ila e le ninfe (Hylas and the Nymphs)

Puck on Pegasus. George Cruikshank (England, London, 1792-1878). England, 1861. Prints; etchings. Etching on chine colle

Trophy with shield and weapons; Recueil des Trophés Chinoises. A trophy with a shield and weapons such as a bow, a fascity, a stab weapon, an arrow sleeve and a poultry helmet.

Horse and rider, from behind. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 2-Jan-1648. Place: Zwolle. Measurements: h 210 mm × w 92 mm. Museum: Rijksmuseum, Amsterdam.

Ila e le ninfe (Hylas and the Nymphs). Dated: 1916. Dimensions: block: 23.6 × 17.1 cm (9 5/16 × 6 3/4 in.) sheet: 32 × 24.8 cm (12 5/8 × 9 3/4 in.). Medium: chiaroscuro woodcut in teal and black on wove paper. Museum: National Gallery of Art, Washington DC. Author: ADOLFO DE CAROLIS.

Vignette project with a paradise bird; Scholtz, Julius (1825-1893); around 1850 (1845-00-00-1855-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - gift, ornaments, vignette projects, German drawings, vignettes (decorations)

Campania Caserta Carditello Plazzo Reale02. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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