Decorative Religious Crosses

Intricately designed religious crosses made from various materials, highlighting craftsmanship and historical styles from different centuries.

Cross on which Christ figure with sagging knees and feet placed to the left and almost horizontal arms, anonymous, c. 1220 sculpture The corpus shows briefly sagging knees to the left, the feet are side by side, the arms are almost horizontal. From the slightly bent head bent head with separate her tresses for the shoulders; The eyes are closed. The lend towel with belt hangs to the knees. The beams of the Kruishout broaden themselves on the intersections to a square; They end in a circular widening, transferring to an inner tapered protrusion; The lower part turns into a narrow inlet piece Catalonia wood (plant material). pine (wood). stucco. linen (material)

Cruz. Cobre campeado grabado, repujado, cincelado, esmaltado y dorado con elementos de fundición. 45x36 cm. Segunda mitad del siglo XIII. Abrucci, Italia. JESUS.

Abruzzo Teramo Castel Castagna S. Maria di Ronzano3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century); frescoes (12th century); baptismal font Objects in treasury (): processional cross, reliquary shrines, silver plate, wooden statue of the Virgin and Child Post-medieval: Sculpture (13th century, repainted 17th cent.), sculpture fragments; Easter candle, frescoes of Old and New Testament scenes including the Patriarchs and Christ in a mandorla. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cross on which Christ figure with sagging knees and feet placed to the left and almost horizontal arms, anonymous, c. 1220 sculpture The corpus shows briefly sagging knees to the left, the feet are side by side, the arms are almost horizontal. From the slightly bent head bent head with separate her tresses for the shoulders; The eyes are closed. The lend towel with belt hangs to the knees. The beams of the Kruishout broaden themselves on the intersections to a square; They end in a circular widening, transferring to an inner tapered protrusion; The lower part turns into a narrow inlet piece Catalonia wood (plant material). pine (wood). stucco. linen (material)

Cruz Procesional, siglo XV. Museo Diocesano de Barcelona.

Double-Sided Processional Cross Master of Monte del Lago (Italian, School of Umbria, second quarter 14th century). Double-Sided Processional Cross, 2nd quarter of the 14th century. Tempera and gold on panel, 39 1/16 x 16 9/16 x 4 5/8 in. (99.2 x 42.1 x 11.7 cm). Both sides of this crucifix show the bleeding Christ on the cross. One side depicts him, alive, with his left eye open and Mary Magdalene at his feet. The other side portrays him after death, with both eyes closed, with a pelican above to symbolize his Resurrection. Originally, this crucifix was likely attached to a pole and carried in processions among the faithful, allowing them to sequentially experience both moments in the narrative. Ethiopian Christians came to Italy in the early 1300s to forge anti-Muslim alliances with Europe. By the early 1400s, Ethiopian monks lived in Rome and other regions of Italy. They would have seen objects such as this, which evoked their own processional crosses, like those on view nearby. Eur

ENKOLPION: Crucifixion and Mother of God's plowing; Unknown Russian workshop (1700-1970); XVIII/19th century (1700-00-00-1850-00-00);Jesus Christ, Maria (Mother of Jesus Christ), crucifixion (iconogr.), Enkolpia, crosses, orants, message (provenance)

Crucifix 13th century French. Crucifix 464315

Double-Sided Processional Cross Master of Monte del Lago (Italian, School of Umbria, second quarter 14th century). Double-Sided Processional Cross, 2nd quarter of the 14th century. Tempera and gold on panel, 39 1/16 x 16 9/16 x 4 5/8 in. (99.2 x 42.1 x 11.7 cm). Both sides of this crucifix show the bleeding Christ on the cross. One side depicts him, alive, with his left eye open and Mary Magdalene at his feet. The other side portrays him after death, with both eyes closed, with a pelican above to symbolize his Resurrection. Originally, this crucifix was likely attached to a pole and carried in processions among the faithful, allowing them to sequentially experience both moments in the narrative. Ethiopian Christians came to Italy in the early 1300s to forge anti-Muslim alliances with Europe. By the early 1400s, Ethiopian monks lived in Rome and other regions of Italy. They would have seen objects such as this, which evoked their own processional crosses, like those on view nearby. Eur

Silversmith's art, Italy, 15th century. Nicola Gallucci da Guardiagrele (1385-1462), processional cross of Saint Maximus, 1434, in silver, enamel and copper. Height 90 cm. Front side.

Veracruz, siglo XV, Nº Inv. 31.39. Catedral de Santa Tecla de Tarragona.

Processioned Cross with Franciscan Saints (verso). Date/Period: 1500 - 1502. Panel. Height: 46.80 mm (1.84 in); Width: 31 mm (1.22 in). Author: Attributed to Raffaello Santi.

RELICARIO DE LIGNUM CRUCIS CON ENTIERRO DE CRISTO-S XIV. Location: CATEDRAL-INTERIOR. Sevilla. Seville. SPAIN.

Cross

Cross the thirteenth century preserved at the Hotel-Dieu de Troyes, vintage engraved illustration. Magasin Pittoresque 1880.

Ornamental religious cross against black background.

Bernat Llopart / Cruz de Santa Maria de Cervera, 1435. Author: BERNAT LLOPART (S. XV).

Cruz Procesional, siglo XV. Catedral de Santa Tecla de Tarragona.

Processional Cross early 20th century (original dated 15th century) Irish. Processional Cross 463594

Francesc Costa, Cruz Procesional, 1414, Iglesia parroquial Santa Coloma de Queralt.

an ornate metal cross

Pendant in the Form of a Cross probably late 16th century European While precise identification of this cross is difficult, the maker must have been familiar with more sophisticated goldsmiths work made in the second half of the sixteenth century. The schematic form of the crucified Christ, the inexpert use if basse-taille enameling techniques, resulting in the loss of most of the enamel that once covered the front of the cross; and the rather awkward chasing of some of the symbols of the Passion, overlaid with translucent enamels on the back, indicate that the cross was nor made in one of the major centers of European goldsmithing. The sides are inscribed ·ECCE·/·VT·/IMI/TERIS· and VT CONREGNES/COMPATERE [Behold. Suffer with Him in order that you may imitate Him and reign with Him (in Heaven). The cross is now a great deal more somber than its maker intended it to be, for, in addition to the loss of the dark blue enamel that once covered the front, only traces remain of the red, gre

Crucifix made of copper crucifix made of copper copyright: xzoonar.com/toloxbalaguerx 22568836

Goldsmith's art, Italy, 14th century. Giovanni Di Meo, processional cross, 1386.

Sainte-Croix (Holy Cross) cathedral, Orleans.Hanging cross

Veracruz, siglo XV, Nº Inv. 31.39. Catedral de Santa Tecla de Tarragona.

Spain. Catalonia. Montblanc. The Convent and Sanctuary de la Serra. Founded in 1295 by Irene Lascaris. The green cross. Detail. 13th century.

Cross

Reliquary Cross. Silver, glass; chasing. Russia. 1704. The State Hermitage Museum. Saint Petersburg. Russia.

Cruz de altar, siglo XIX, museo parroquial, iglesia de Santa Maria la Major, Inca, Mallorca, balearic islands, Spain.

Triple Crucifix. Culture: Kongo peoples; Kongo Kingdom. Dimensions: H. 10 1/4 in. (26 cm), W. 5 3/4 in. (14.5 cm), D. 1 in. (2.5 cm). Date: Central figure,16th-17th century; top and bottom figures, 18th-19th century.This composite artifact may be an interpretation of the Trinity. The three individually cast Christ figures were affixed to the wood cross with nails and copper loops. The central one is more finely rendered and may be earlier in date. Among the varieties of European crosses in eighteenth-century Kongo that may have served as a point of reference was the Caravaca form, brought to the region by Capuchin missionaries. It incorporates double crossbars with a lower horizontal extension of angels. Museum: Metropolitan Museum of Art, New York, USA.

Cross with passion

Byzantine relic cross with a depiction of St. Stephen. 9th-11th century. Bronze, engraved. Erwordben 1997. As a result of the crusades, many high-quality religious objects were brought back from the eastern Mediterranean to western Europe. They had a lasting influence on artistic developments. The German Historical Museum. Berlin. Germany.

Cross thorough; Unknown Ethiopian workshop (1400-1970); 20th century (1900-00-00-1978-00-00);Deposit of Wacław Korabiewicz, Ethiopian crosses, hand crosses

Cross: Saint Anthony of Padua. Culture: Kongo peoples; Kongo Kingdom. Dimensions: H. 12 3/4 in. (32.4 cm), W. 7 1/4 in. (18.4 cm), D. 1 in. (2.5 cm). Date: Pendant figure, 16th-18th century; cross, 19th century.This cross has been assembled from distinct components. The cross itself is composed of two pieces of wood with the horizontal element fitted into a notch in the vertical one so that both sections lie flush. In addition, niches have been carved into the surface of the wood for the inclusion of metalwork embellishments. The cross culminates in a rounded knob and a small band of cross-hatch patterning is carved at the center of the horizontal beam. The figure of a standing male, positioned in the niche at center, was originally a pendant that features a metal loop incorporated on the figure's back. The loop has been employed to attach the figure to the wooden frame (see 1999.295.1 for a detached pendant). The figure wears the tonsure and triple-knotted belt of the Franciscan orde

CRUZ PARROQUIAL DE USOZ-ANVERSO. Location: CATEDRAL-MUSEO DIOCESANO. Pamplona. NAVARRA. SPAIN.

Processional Cross by Francesc Vilardell, silver, 1383. Barcelona Cathedral. Museum: CATEDRAL DE BARCELONA.

The Cross of Cong was made in 1123 to encase a fragment of the True Cross that was brought to Ireland, Dublin, Republic of Ireland. Europe. Three Months In Ireland By Miss Marie Anne De Bovet (1855 - 1935) Limerick and the Clare Coast 1889, Le Tour du Monde 1890

Cross of Krzywopłoty issued by the Committee for the Construction of the Monument to the Fallen Legionnaires under Krzywopłoty Sztorc, Henryk

CRUZ PROCESIONAL DE MANSILLA DE LA SIERRA - SIGLO XII. Location: IGLESIA DE LA CONCEPCION. MANSILLA DE LA SIERRA. Rioja. SPAIN.

ARTE GOTICO. ESPAÑA. CRUZ PROCESIONAL DE NOGUERA. Pieza con ánima de madera recubierta de plata repujada y esmaltes. Data del siglo XIV. Museo Diocesano. Catedral de Albarracín. Provincia de Teruel. Aragón.

Crucifix, by Unknown artist, 12th Century, oil on panel. Italy: Lazio: Latina: Fondi: San Pietro Apostolo church. Whole artwork. Christ crucifix cross wings tondos/tondi faces Virgin Mary apostle St John the Evangelist pictorial fragments

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile12. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Interesting old 19th century vintage rusty metal cross with four other crosses integrated within the design, simple ascetic composition on conrete background

Reverse of an Ancient Cross found at Cork, Ireland, 1850. Engraving '...from a nicely-pencilled drawing by a lady, showing the reverse of an ancient Cross or reliquary found in Ireland. This curious specimen of ancient art was discovered in a highly sculptured stone coffin in a churchyard near Cork, containing also the usual reliques. The obverse of the Cross gives a representation of the Crucifixion, with 'INRI' over the head of the Saviour; on the limbs of the Cross are the first words of the penitent thief, "Domine memento mei". Three skeletons were in the coffin: the Cross wa

Commemorative cross

Commemorative cross

Central Plaque of a Cross ca. 1185-95 French The rose-colored face of Christ, his chalk-white torso with fine lines of gilded copper that articulate the interior and exterior lines of his body, and the knee-length deep-blue loincloth link this cross to a small number of others associated with the abbey at Grandmont.. Central Plaque of a Cross 464392

CRUCIFIJO DE PLATA. Location: CONGRESO DE LOS DIPUTADOS-OBJETOS. MADRID. SPAIN. CRISTO CRUCIFICADO.

Scandinavia. Crucifix. St. Halvardskirken. Oslo, 13th century. Norway. Historical Museum. Oslo. Norway.

Guinigi crucifix by an unknown 12th-Century Italian painter.

abstract cross in italy europe and the sky background

Lazio Rieti Rieti Museo del Tesoro del Duomo1. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site c

in europe greece a cross the cloudy sky

Reliquary or triple cross 19th century, after 17th century original British, after Russian original This electrotype is after a seventeenth-century original at Uspenski Sobor, Moscow, at the time of reproduction.. Reliquary or triple cross. British, after Russian original. 19th century, after 17th century original. Silver-gilt plates on wood. Metalwork-Electrotype

Pilgrim badge: Lourdes

CRUZ DE DESIDERIO - ARTE CAROLINGIO - SIGLO VIII-IX - ORO Y PIEDRAS PRECIOSAS - foto de KERAMI BOUNNERI. Location: MUSEO CIVICO. Brescia. ITALIA.

Portable, Double Sided Cross (recto). Date/Period: 1335 - 1340. Tempera on Panel. Height: 58.90 mm (2.31 in); Width: 33 mm (1.29 in). Author: Bernardo Daddi.

Madrid museum, Ivory Christ, vintage engraving. Madrid museum, Ivory Christ, vintage engraved illustration. Magasin Pittoresque 1870. Copyright: xZoonar.com/PatrickxGuenettex 10679338

Pendant ivory cross Cross; carved ivory

in europe greece a cross the cloudy sky

Crucifix. Culture: French. Dimensions: Overall: 7 7/8 x 5 x 3/8 in. (20 x 12.7 x 0.9 cm). Date: ca. 1180-90. Museum: Metropolitan Museum of Art, New York, USA.

Cross pusher; Unknown Russian workshop (1700-1970); 19th century (1801-00-00-1900-00-00);Golgota (iconogr.), Passion tools (iconogr.), Crucifixion (iconogr.), Inscriptions, crosses

High angle view of a cross with string around it

Cruz Procesional, siglo XV, Iglesia parroquial de Cuencabuena.

Reliquary Cross 14th century Italian. Reliquary Cross 464462

CRUZ PARROQUIAL-PLATA-1560. Author: MONTENEGRO. Location: IGLESIA DE SAN ESTEBAN. Villanueva. NAVARRA. SPAIN.

CRUCIFIJO ESMALTADO - S XX. Author: MONJAS BENEDICTINAS. Location: PRIVATE COLLECTION. MADRID. SPAIN. JESUS. SAN MARCO EVANGELISTA. CRISTO CRUCIFICADO. XXX. SAN JUAN EVANGELISTA Y APOSTOL. SAN LUCAS EVANGELISTA. SAN MATEO APOSTOL Y EVANGELISTA.

Egyptian cross ankh isolated. Vector illustration design.

Pontigny Abbey church. Jesus on the cross. The crucifixion. Crucifix. Pontigny. France.

CRUZ PROCESIONAL. Location: CATEDRAL. SEGOVIA. SPAIN.

Bliżej Kultury unknown

The Czech Cross a carved crucifix by Jindich Severa 1968. Coventry Cathedral, England

Cross in a funerary pantheon, cemetery, Gouveia,Serra Da Estrela, Beira Alta, Portugal, Europe.

ausgespartes Kreuz in einem Grabstein aus Sandsein, Waldfriedhof Dresden, Sachsen, Deutschland *** Recessed cross in a gravestone made of sandstone, Dresden Forest Cemetery, Saxony, Germany

Lazio Rieti Rieti Museo del Tesoro del Duomo. Hutzel, Max 1960-1990 Photos are all of metalwork: crucifixes, chalices and monstrances in most part. Negatives without prints also show some statuary. Owner: Cathedral Object Notes: Hutzel photo campaign date: December 27, 1982. His notes indicate that this is the "Museum of the Processional Cross," however TCI indicates that it is the Museo del Tesoro del Duomo. It is also possible that negatives without prints may belong to the Museo Civico in Rieti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site co

Pendant with the Crucifixion and Attendant Figures ca. 1520 German. Pendant with the Crucifixion and Attendant Figures 463514

Campania Caserta Capua Museo Campano95. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Double-Sided Crucifix Pendant. Spanish. Date: 1550-1600. Dimensions: 10.1 × 5.4 cm (4 × 2 1/8 in.). Gold, enamel, and pearls. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Cross

PECTORAL DE ORO ESMALTADO Y ESMERALDAS DEL S XVI. Location: CATEDRAL DE SAN MARTIN. Orense. SPAIN.

Crucifix British, after Russian original 19th century

Unknown painter of the Campania, Italy. Crucifixion, 1280-1290. Detail. Tempera and gold on table. National Museum of Capodimonte. Naples. Italy.

Metal cross, Puy de Dome department, Auvergne-Rhone-Alpes, France, Europe

Germanisches Museum. Gospel book. 10 th century. Nuremberg. Germany.

CRUZ PROCESIONAL DE PLATA DORADA - 1614. Author: MACIAS MIGUEL. Location: IGLESIA DE LA CONCEPCION. OROTAVA LA. TENERIFFA. SPAIN.

CRUZ PROCESIONAL. Author: CAPELLADES P. Location: Iglesia parroquial. Jérica. Castellón. SPAIN.

Cross reliquary unknown

Unknown painter of the Campania, Italy. Crucifixion, 1280-1290. Detail. Tempera and gold on table. National Museum of Capodimonte. Naples. Italy.

CRUCIFIJO DE HIERRO EN EL FARO DE SAN SEBASTIAN - SIGLO XX - FOTO AÑOS 80. Author: GICH JUAN / GICH JOAN. Location: FARO DE SAN SEBASTIAN. Palafrugell. GERONA. SPAIN. CRISTO CRUCIFICADO.

Crucifix 16th century Russian. Crucifix. Russian. 16th century. Wood. Sculpture-Wood

Petrus cross, 1122. Anonymous. Castile or Leon. Romanesque. Provenance unknown. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Reliquary from the Bernardine church in Vilnius. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Kellerhoven, Franz (ca 1814-1872), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Orphrey Cross

Orthodox cross, Vienna, Austria, Europe

CRUZ DE LAS NAVAS DE TOLOSA - SIGLO XIII - CRUZ QUE SEGUN LA TRADICION LLEVO A LA BATALLA DE LAS NAVAS EL ARZOBISPO RODRIGO JIMENEZ DE RADA. Location: MONASTERIO DE LAS HUELGAS-INTERIOR. BURGOS. SPANIEN. ARZOBISPO RODRIGO JIMENEZ DE RADA (1170-1247).

Cross (one handed) unknown

Cross on a scroll/ Kreuz auf Schriftrolle Cross on a scroll/ Kreuz auf Schriftrolle Copyright: xZoonar.com/curryx 2038863

CRUZ PROCESIONAL DE PLATA.S XVI. Location: CATEDRAL. JAEN. SPAIN.

Wooden cross with elements clover (it is isolated on a white background)

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