Decorative Renaissance Ornaments

Intricate engravings of hand mirrors, pendants, and decorative motifs featuring mythological themes and elaborate floral designs, highlighting craftsmanship.

Jewelry or Ornament Design, 1593, Etchings, Engravings, approx. 5 7/8 x 3 7/8 in. (15 x 9.9 cm), Paper / Sheet approx. 7 11/16 x 5 1/2 in. (19.5 x 14 cm), Cream laid

Hand Mirror with Scenes from the Story of Medea, Etienne Delaune, French, 1519 - 1583, Engraving on white laid paper, Vertical rectangle showing the back of a hand mirror. The central scene shows Medea fleeing Corinth in a chariot drawn by winged dragons, which belonged to her grandfather Helios. Below, Medea rejuvenates Jasons father Aeson.The frame design is densely composed of strapwork and female figures. At top, an enthroned woman. Pearls hang from the frame on either side., France, France, 1561, metalwork, Print, Print

Front of a pendant (pendeloque), In the center a niche with a dome, In the niche the personification of Faith (Fides), a woman standing with a book in his left hand, a costume ornament, print maker: H. Collaert, Dating c. 1585 - before 1599

Hanger Met Spes, Daniel Mignot, 1593 - 1616 print Spes in a frame of curl work with two birds, two deer, two dogs and two peacocks. Leaf from series of hangers with virtues, consisting of a title page and 7 magazines. Three pearls hang on each pendant. Small costumes jewelry are displayed around the hangers. Germany (possibly) paper engraving Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Incense burner with two putti with coats of arms; Various ecclesiastical objects; Disegni Diversi Inventati E Deineati da Giovanni Giardini da Forlì ..

Plate Twelve, from A New Book of Ornaments Made 1704 France. Simon Gribelin IIís charming set of 12 engravings makes up a book of ornament patterns that could be copied by artists and perused by enthusiasts. The detailed images in the New Book of Ornament Useful to All Artists alternate between sinuous frames with historical and mythological cartouches and more schematic images in the shape of medallions, decorative bands, and jewelry.. Engraving on paper . Simon Gribelin, II

Jewelry or Ornament Design, 1593, Etchings, Engravings, approx. 5 7/8 x 3 7/8 in. (15 x 9.9 cm), Paper / Sheet approx. 7 11/16 x 5 1/2 in. (19.5 x 14 cm), Cream laid

Vertical Panel with Design for a Mirror 1580-1600 attributed to Abraham de Bruyn Flemish Ornament design for jewelry with square mirror at center, putto above, and cow's skull below. Flanking the skull are two half-length horses. From a series of six plates.. Vertical Panel with Design for a Mirror 423644

Plate 9, from Bullarum Inaurium etc. Archetypi Artificiosi Pars Altera (Pendants, Earrings, etc. Designs of the Most Skillful Nature, Part Two), Hans Collaert the Elder, Flemish, ca. 1530 - 1581, Adriaen Collaert, Flemish, ca. 1560 - 1618, Philips Galle, Flemish, 1537 - 1612, Engraving on paper, laid and gilded, A pendant in the form of a sea monster perched on a strapwork base is suspended from a bow knot. The base is composed of faceted gems, a mask and flowers, and is hung with three drop pearls. Riding on the monsters back is a nude woman seated on a shell, and an older man with an oar., Antwerp, Belgium, 1582, ornament, Print, Print

Sierkan Met Kroon, Jakob Gottlieb Thelott, after Christian Friedrich Rudolph, 1718 - 1760 print A decorative jug with rocaille ornaments and a snail is on a pedestal with the serial title. Around the can a rocaille framing with a crown and a dragon. Publishing number 20. Augsburg paper etching jar, jug (used as drinking-vessel). crown (symbol of sovereignty). molluscs: snail. rocaille ornament

Cartouche with jewel; Sainct Denis and France; Livre Nouveau de Toutes Sortes d'Ouurages d'Orpheuries Receuillies des Maylleurs Ouuriers de ce temps. Cartouche made up of a lion mask, leaf reflences, eagles, and forests of flowers, with a jewel in the middle in the shape of a bow. The view below has been cut off. From series of 12 magazines with designs of jewelry for goldsmiths and emailing. Third edition.

Cartouche with the arm of the Earl or Buccleugh. The cartouche has been awarded the arm of the Earl of Buccleugh, a helmet a deer. There is a woman on both sides of the cartouche. Design for a print.

Three handles, c. 1600 - c. 1699 print Button with a saat for the end of a DEEN, a handle with leaf vines and a handle in the form of a fish head. Netherlands (possibly) paper etching

Large Pendant, Surrounded by Thirteen Studs, 1593, Pendants, Medallions, and Studs: pl.4 Holl. 17-24, engraving, Hollstein, no. 20, State i/ii, Daniel Mignot (artist) German, active 1593/1596

Designs for Locksmiths. Jean Bérain I (French, 1640-1711); after Hugues Bris e Ville (French). Date: 1660-1711. Dimensions: 169 × 120 mm (image/plate); 316 × 215 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Large Pendant, Hope Standing at Centre. Dated: 1593. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Daniel Mignot.

Wierookbrande Op Driepoot; Designs to embellish the wheelchairs. Blad 6 Uit Serie Van 12 Bladen.

Carriage Design 17th-18th century Anonymous, Italian, 17th or 18th century Italian. Carriage Design 353460

Christ is bound to a pillar and flogged by two soldiers. The scene is framed in a cartouche and placed amidst the psalm text printed in a nodal pattern, Flogging of Christ The Seven Penitential Psalms (series title) Septem Psalmi Davidici (series title), print maker: Hieronymus Wierix, (mentioned on object), intermediary draughtsman: Hieronymus Wierix, (mentioned on object), Melchior Model, (mentioned on object), print maker: Antwerp, publisher: Paris, 1608, paper, engraving, h 153 mm × w 106 mm

Architecture fantasy with two bazing centuries at the bottom of two bazuines; Leviores et ut videtur Extemporaneeae Picturae Quas Grotteweschas Vulgo Vocant (...). The centaurs float on the water and have fish tails. From series of 20 sheets.

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Two cartouches, verso - stamped, Above a cartouche with a cherub in the edge. Below a cartouche with garlands with fruits and a fantasy head in the edge. The print is part of an album., print, picture, album sheet, ornamental print, prints, pictures, height 250 mm, width 165 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher

Front pendant: cross -section church with dome, c. 1570 - Before 1573 print Front of a pendant. In the middle the diameter of a church with dome with a smooth vase with lid. At the bottom left and bottom right an almost round costume ornament. One of 9 sheets from a series of 10 sheets with pendants. Three pearls hang on each pendant. Moreover, two or four small costume ornaments on each leaf. Netherlands (possibly) paper engraving During, Trinket, 'charm'

Familywapen van Lazarus Spengler, Anonymous, Erhard Schön (Possibly), 1520 - 1525 print paper armorial bearing, heraldry

Design for goldsmith work. Design for goldsmith work. Centrally a large oval ornament, at the top of a canopy. Legal under numbered: 6. One (no. 1, 3, 5, or 6) from a series of 6 vertical designs for goldsmiths.

Oval with a woman with wings in the middle. Both left and right of the woman is an owl.

Ornament with flowers and the monogram of Christ, IHS ('Iesus Hominum Salvator'), symbol of Christ, flowers, ornament, Wierix (attributed to), Antwerp, 1594, paper, letterpress printing, h 230 mm × w 146 mm

Four monograms between leaf and flower ornament; The aghste part Getrocke Name Arts made by Gerret Visscher lives on Singel at the Sluijs Beuling to Amsterdam ..

Two half panels with cartouche; Nouueau Liure de cartouches et orders. Left a kind of griffin, in the middle of a medallion with the bust of a man. From second edition.

Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis ca. 1600 after Paul Birckenhultz German Design for a jewelry pendant, hanging from a mask with ram's horns and a ribbon at top, with three pearls descending from the bottom. Perched on left and right of the pendant, two squirrels.. Reverse Copy of Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis 423618

Design for a Repouseé Cane Handle Juste Aurèle Meissonnier French. Design for a Repouseé Cane Handle. Juste Aurèle Meissonnier (French, Turin 1695-1750 Paris). Pen and gray ink with brush and gray wash over graphite underdrawing. Drawings

Mercurius, 1528 - 1583 print Mercury has the Caduceus in his hand and a rooster at his feet. From series of 6 magazines. France (possibly) paper engraving (story of) Mercury (Hermes)

Foot of a bowl, Anonymous, After Paul Flind (De Jonge), 1594 - 1635 print The decoration of the top of the foot, consisting of a landscape in a lying oval between two mascarons, is shown above the foot as a bent Frisian. Passionate copies of the series mentioned under Orn Cat I-324.a. Title page and 14 partly numbered sheets from a series of 25. after design by: Germany (possibly)publisher: Northern Netherlands (possibly) paper

Diverses Pieces de Serruriers, page 8 (recto). Artist: Jean Berain (French, Saint-Mihiel 1640-1711 Paris); Gabriel Ladame (French, active 1645-68); After Hugues Brisville (French, born ca. 1633, active Paris 1663). Dimensions: Sheet: 10 13/16 × 7 5/16 in. (27.5 × 18.5 cm)Plate: 6 11/16 × 4 3/4 in. (17 × 12 cm). Date: ca. 1663.Engravings by Jean I Berain, French, Saint-Mihiel 1640-1711 Paris and Gabriel Ladame, French, active 1645-68. Designs published by Francois Langlois after Hughes Brisville, French, born ca. 1633, active Paris 1663. From top to bottom, and left to right:Design is for a lock plate and is in the shape of a rectangle. In the center of the design is a grey-shaded key hole that is surrounded by coiling vines of acanthus leaves, flowers, and grotesque heads. To the left of the key hole are a bird and a serpent. To the right of the key hole is a composite man and plant figure. At each corner of the design is a diverse foliage element. Museum: Metropolitan Museum of Art, N

Panel with the Letter 'V' from the 'Newes ABC Büechlein', Lukas Kilian, German, 1579 - 1637, Engraving on off-white laid paper, Referring to a watchmaker ('uhrmacher'). An hourglass, sun dial, and clock are shown. Bottom part of panel is missing., Augsberg, Germany, 1627, Print, Print

Design for a Knife Handle with the Marriage at Cana 1580-1600 Johann Theodor de Bry Netherlandish Design for a knife handle with the Marriage at Cana in a rectangle at center showing Jesus turning water into wine, on a blackwork background with grotesques. Above, a design for a finial with a mermaid and merman above a putto head. Flanking the central design, two blades engraved with Biblical texts below alternate finial designs. From a series of twelve plates.. Design for a Knife Handle with the Marriage at Cana 424965

Design for Mirror or Picture Frame 1701-1800 England. Brown ink on paper .

Design for a Wall Fountain. Artist: Anonymous, Italian, Lombard, 16th century. Dimensions: 14 5/8 x 9 13/16 in. (37.1 x 24.9 cm). Series/Portfolio: 65.653.1-65.653.17. Date: 1550-1620. Museum: Metropolitan Museum of Art, New York, USA.

Depicts a column capital and base, created by Sebald Beham in 1543 using copper engraving. The work emphasizes classical architectural details and ornamental motifs.

Wall panel with two standing women under oval list; Livre De Diverses Grotesques. A landscape with a ruin can be seen in the list. Copy to Leaf 11 from the Livre series de Diverses Grotesques, Peintes Dans Le Cabinet de la Reine Régte, Au Palais Royal.

Otar, Markgraf von Steiermark.

Afternoon, 1745 print Personification of the afternoon in a rocaille cartouche. A putto is surrounded by food and drink, in his right hand he holds a spoon. A winged angel head blows to cool the warm food in the spoon. Publishing number 29. paper etching personification of the afternoon, 'Meridies'. cupids: 'amores', 'amoretti', 'putti'

A pencil sketch sheet by Rudolf Weyr depicting figures and compositional elements, showing preliminary study details.

Athena, from Grotesques à fond noir, Divinités et Allégories (Grotesques on Black Ground, Divinities and Allegories), Etienne Delaune, French, 1519 - 1583, Engraving on off-white laid paper, Vertical oval in rectangle showing a grotesque designs on a black ground. At center, under a baldacchino, is standing the divinity Athena surrounded by scrolls, fantastic creatures, vases, and fruits., France, ca. 1575, ornament, Print, Print

Oval-Shaped Pendant Design with Hebe Seated under a Niche. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp). Dimensions: Sheet: 5 3/4 × 3 13/16 in. (14.6 × 9.7 cm). Publisher: published by Hans Liefrinck (Augsburg () 1518-1573 Antwerp) , in Antwerp. Series/Portfolio: Pendant Designs with Deities in Niches and Flower-Arabesques. Date: before 1573.Vertical panel with a pendant design at center, with Hebe seated under a niche at center, surrounded by a flower-arabesque pattern. The ornament hangs from a ribbon and has three pearls descending from the bottom and left and right sides. At bottom left and right, heart-shaped ornaments that may have been designs for earrings or buttons. From a set of ten plates with pendant designs, five of which show deities in niches. Four designs in the series are decorated exclusively with ornate flower-arabesques and are most likely designs for pendant versos. This plate belongs to the first edition, published by Hans I Liefrinck i

Squatted satar without arms, 1516 - 1556 print The Sater wears a basket with fruit on his head, helped by two saters who each support the basket with one hand. Leaf from series of 9 sheets. Netherlands (possibly) paper engraving satyr(s) (in general). fruits and vegetables ~ ornament. ornament ~ grotesque

Print, Arabesque Design; Designed by François Voisin (French, active 18th century); Print Maker: Laurent Guyot (French, 1756 - 1808); France; etching and aquatint on laid paper

Decorated with a cherub, a rabbit, a dog and a mask. Leaf 2 from a series of 14.

Nine monograms of which a worn by putti; The Sesde part new T 'Saam Name Arts made by Gerrit Visscher also shaves on the Singel at the Schulingsloot to Amsterdam. .

An ornamented five-arm candelabra with flowers, garlands and a vase with rams heads in the center, Candlestick with vase, print maker: anonymous, Jean François Forty, (manner of), France, in or after 1775, paper, etching, h 190 mm × w 123 mm

Top and bottom a mask. Left and right a putto holds a garland with fruit, Cartouche with lobe ornament with two putti Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, publisher: Clement de Jonghe, Amsterdam, 1640 - 1655, paper, engraving, etching, h 241 mm × w 192 mm

Pendant with a diamond -shaped decoration, Corbinian Saur, c. 1575 - c. 1635 print Double in a round edge with white curl work on a black stock, surrounded by rolling work. There are ten costume ornaments around the pendant. From series Hic Liber Aurifecibus Valdilis ..., consisting of a title page and 5 magazines. Germany (possibly) paper engraving

Fragment of Kandelaber with vases and leaf drinks and weapent trophies awarded with breast kuras where torch protrudes; Ornament panels ..

Design for Dagger Sheath. Wenceslaus Hollar (Bohemian, 1607-1677). Etching;

Daniel Mignot, Large Pendant, Charity Standing at Centre, 1593 Large Pendant, Charity Standing at Centre

Two mouth cans and two small flat decorations; Parts of Degschede. Decorated with leaf raft.

Garden vase with monogram; The SWEENTING part New T Zame Name Name Arts made by Gerret Visscher inhabit to the Singel near the Beulinsluijs to Amsterdam. .

Print (Italy)

Adam edits the earth and Eva takes care of the children, Bernard Picart (workshop or), After Bernard Picart, 1683 - 1733 print Adam processes the earth and Eva takes care of their children Cain and Abel. In the middle of a reference to the Bible text in Gen. 3:17. The show is caught in an ornamental list of leaves, mascarons, garlands, snakes, skull and a shell. Amsterdam paper etching / engraving the labours of Adam and Eve; infancy of Cain and Abel (Genesis 4:1-2). ornament derived from animal forms. ornament ~ festoon, garland. mask, mascaron ~ ornament. foliage, tendrils, branches ~ ornament

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Coat of arms with helmet and leaf vines, 1625 print The helmet points to the right. There are three leaf vines on both sides of the helmet. Leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Mascaron in Bladranken ..

Ornament with shells, tritons and the coat of arms of Pope Clemens XI; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 92.

Pedestal with medallion; Y livre de gaînes dans le goût antique; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). An ornamented pedestal with rams heads, garlands and an oval medallion with portrait and profil.

Oval, flanked by two angels, Etienne Delaune, 1528 - 1573 print From series of 7 sheets with ornaments in the form of a Lorraine cross with a short, round top and bottom. France (possibly) paper engraving

Coat of arms crowned with two helmets, 1625 print There is a drapery on the left, there are two leaf vines on the right. In the shield a plant with flowers has been drawn with pencil. Against the seaside copy to Theodor de Bry coat of arms in the book Emblemata Nobilitati .... leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Design for a sheath, Heinrich Aldeglever, 1537 print Design for the lower part of a dagger sheath, the Oirband, decorated with leaf vines. In the middle of the top are three medallions with heads. The middle medallion partially overlaps the two outer ones. Germany paper engraving buckle

Flat decoration, in the middle of a braided basket with flowers, Hieronymus Wierix, 1594 print The basket is between Arabesken. In the middle an oval with the Christ monogram. Coming from series of 5 magazines from the book Adnotationes et Meditationes ... by P. Jeronimo Nadal. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Antwerp paper engraving

Design for a Coat of Arms 17th century Anonymous, Italian, 17th century Italian. Design for a Coat of Arms 346318

Cartouche with two young saters, half a cardinal hat and half a helmet; Twelve cartouches; Nouvelles Inventions the cartouches. .

Front of pendant with naked deity with shield, standing on a sphere, anonymous, after Hans Collaert (I), 1581 print Man standing on sphere with a sitting man on either side. No. 2 from series of 10 sheets with fronts of pendants. Precious stones in settlements of grotesken and rolling work. Netherlands (possibly) paper engraving During, Trinket, 'charm'

Copper engraving by Meister E.S. from the second third of the 15th century depicting an ornamental sheet design.

Ornamental Drawing 19th century Anonymous, French, 19th century French. Ornamental Drawing 343763

The middle handle is crowned with a knob. Top left the serial number is: N, print maker: Michiel le Blon, (mentioned on object), Michiel le Blon, publisher: Michiel le Blon, (mentioned on object), Amsterdam, 1626, paper, etching, h 107 mm × w 70 mm

Paris, Roupert, Louis, Ornaments for goldsmiths, Motifs of leaf tendrils, flowers and fruit, At the bottom left is a bellows. From a series of 7 sheets, first edition., print, ornamental print, prints, ornamental prints, height 114 mm, width 220 mm, Work conception, French, after a design by, 1668 - 1668, third quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Two coats of arms side by side; Wearing shifts. There is a helmet with a drapery on both sides. Obachi copy to coats of arms from Theodor de Bry in the book emblemata nobilitati .... Sheet from series coats of arms with empty compartments.

Design with vases and winged head, Balthasar Sigmund Setletzky, After Christian Friedrich Rudolph, 1724 - 1754 print Design for an altar or epitaph with rocaille ornaments and rocaille vases on either side. At the top a skull and a men's face with beard surrounded by wings. Augsburg paper etching / engraving altar. epitaph. vase ~ ornament. fabulous beings with wings. skull as symbol of 'Vanitas'

Coat of arms in architectural frame ..

Ornamented frame with six representations of New Testament stories, including Christ washing the disciples' feet, Christ in the Garden of Gethsemane, and Christ's carrying of the cross. Bottom right 'No. III.', Framing with scenes from the New Testament, print maker: Hendrik Numan, (mentioned on object), publisher: Erven de Weduwe Jacobus van Egmont, (mentioned on object), print maker: Haarlem, publisher: Amsterdam, 1761 - 1804, paper, h 405 mm × w 330 mm

Wenceslaus Hollar after Hans Holbein the Younger, Ornamentation for a Dagger and Scabbard, 1644 Ornamentation for a Dagger and Scabbard

Candelabra Grotesque with a Naked Boy in a Strapwork Contraption 1540 after Anonymous, Italian, 16th century Italian Three quarters of a candelabra grotesque, copied after a print published by Cornelis Bos around 1540. The design is characterized by a semi-circular strapwork contraption, in which a young, naked boy is placed.. Candelabra Grotesque with a Naked Boy in a Strapwork Contraption 407178

Flat decoration with figures, 1557 print Sitting in the middle and man and woman with child on the floor. A Sater gives them wine. They are flanked by squatted saters who each wear a Herme. In addition, a construction in which on the left and right an oval with a representation. On the left the worship of the copper snake; On the right the worship of the Golden Calf. In the middle of Venus and Amor under a canopy. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching ornaments ~ art

Design for a Coat of Arms with Putti holding Garlands 1550-84 Tobias Stimmer Swiss Coat of arms in an escutcheon, surrounded by four putti holding garlands.. Design for a Coat of Arms with Putti holding Garlands 335703

Ornament with two marine animals and two snails, 1520 - 1562 print paper engraving molluscs: snail

Drawing, Grotesque Design; Italy; charcoal, pen and ink on paper

Print, Escutcheon, No. 3 from "Raccolta di varii cappriccii et nove inventioni di cartelle et ornamenti"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy; etching on paper; 25.3 × 18.8 cm (9 15/16 × 7 3/8 in.)

Epitaph (page 3, non summarized table) in the album: Various Drawings of Deposits O'Spulcri Invented by Bernardino Radio from Cartona, in Rome the Year 1619 Fulcaro, Sebastiano (fl. 1612 1640), Radi, Bernardino (1581 1643)

Greeting letter with Arrenslead. Greeting letter with unwritten cartouche inside a decorative framework with performances of a Arrensle tube and skating people. Numbered at the top right: 24.

Plate Three, from A New Book of Ornaments. Simon Gribelin II; French, 1661-1733. Date: 1704. Dimensions: 190 × 154 mm (image/plate); 295 × 233 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Degengevesten, anonymous, after Jeremias Wachsmuth, 1721 - 1756 print Two ornamented swords with left under a bird head. Print number 156. Augsburg paper etching hacking and thrusting weapons: rapier. parts of hacking and thrusting weapons: grip

Carlo Antonio Buffagnotti (Italian, c. 1660-after 1710), Architectural Motif with Fruit in a Vase, c. 1690, etching on laid paper

Peregrino da Cesena, Italy, Ornament with candelabrum crowned with goats above winged woman with horns of plenty and mythical animals and satyrs, verso below - stamped, print, ornament print, prints, height 83 mm, width 36 mm, Italian, print maker, printmaker, 1500 - 1520, first quarter 16th century, paper, niello (technique), niello technique, Work conception, after own design by

Bologna, Santi, Domenico, Mattioli, Lodovico, Cartouches, Cartouche against a pedestal, Above the cartouche are two children holding an open crown., print, engraving, ornament print, prints, engravings, ornament prints, height 241 mm, width 172 mm, Italian, 1662-01-02 - 1747-10-20, print maker, printmaker, 1670 - 1680, first quarter 18th century, paper, papier, etching, etchings, Work conception, 1621 - 1694-02-08, after a design by, Publication (Event), Publication, publisher

Incense burner, 1714 print Numbered in the top left: no. 65. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching censer

Left and right two children hold a garland of flowers and fruit, Cartouche with lobe ornament, above and below a mask Veelderhande Niewe Compartemente (series title), print maker: Michiel Mosijn, Gerbrand van den Eeckhout, publisher: Clement de Jonghe, Amsterdam, 1640 - 1655, paper, engraving, etching, h 240 mm × w 190 mm

Design with a cross. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 425 mm × w 285 mm. Museum: Rijksmuseum, Amsterdam.

Pilgrim with a dog, Gilliam van der Gouwen, After Bernard Picart, 1670 - 1740 print Emblematic show: Mercury as a pilgrim with a dog. In his hand a shield with a sun and three stars. Around the performance ornaments with fable being. Amsterdam paper engraving (story of) Mercury (Hermes). dog. pilgrim(s). ornament ~ hybrid animals

Statiekeeper of the Duke of Ossuna, 1713, 1714 print Leaf with four examples of the ornaments on the Golden Carriage. Part of a series of 7 plates with the Statiekaste of the Spanish envoy De Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Numbered below: 7. Amsterdam paper etching / engraving four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach Utrecht

Design for an oil lamp for a church, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching other objects ~ the church (not necessarily liturgical. oil-lamp. work of applied art

. Portion of print. Leaf from a series of 14.

Oval with stylized tiflines in which heads are incorporated, Anonymous, After Hans Janssen, 1615 - c. 1630 print There are three children on the tenders. There is a flower vase on the floor. Amsterdam (possibly) paper engraving

Autumn; Der Herbst / L'Automne; Four Seasons. In an oval medallion a representation of five grape picking figures. Around the medallion grape drinks and seed beads. On the top a winged vase and a bowl of fruits. A satell head at the bottom. Publisher number 51.

of 3