Decorative Tile Designs

Various tiles featuring intricate floral and scrollwork patterns, showcasing 18th-century decorative arts in tin-glazed earthenware.

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Panel, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Panel

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing, Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wide

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze; 5 tiles tall, various wide

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty-seven tiles wide and twenty-one high with opening for door or window nineteen and one-half tiles high and twelve wide. To left and right of opening, centered canopy above. Left, woman representing Hope, right, a sculputure urn. Centered above opening, a mascaron. Arabesque design of foliage., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile

Tile with a Chinese Gentlegen on a Horse. Porcelain tile, painted in underglaze blue. In the center a Chinese gentleman on a horse with a whip and a flag in his hands. A European Fleur-de-Lis motif in every corner. Blue White.

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

Tile Wall Facing (Holland); tin-glazed earthenware, underglaze

Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Wall Facing (Holland); tin-glazed earthenware, underglaze

Panel, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Panel

Writing Box (Suzuribako) with The Lady of the Bridge” Design 18th century Japan The exterior of this writing box shows two aristocratic ladies reading a letter on a veranda, surrounded by a garden of autumn grasses. The first two lines of a poem from the Collection of Poems Ancient and Modern (Kokin wakash?, ca. 905) are inscribed in inlaid characters on the lid’s exterior and continue on the interior, after which readers are left to complete the poem:Does she wait for meAgain tonight, having spreadBut a single robeOn her woven rush matting—The maiden at Uji Bridge?—Translation by H. C. McCulloughThe scene and the poem might refer to the Genji chapter The Divine Princess at Uji Bridge” (Hashihime).. Writing Box (Suzuribako) with The Lady of the Bridge” Design. Japan. 18th century. Lacquered wood with gold and silver takamaki-e and hiramaki-e, and silver inlay on gold nashiji (pear-skin”) ground. Edo period (1615-1868). Lacquer

Elongated scarf on which blue and gray fantasy figures, leaves and flowers, with a long blue and gray frills along the edge, Wiener Werkstätte (Possible), c. 1910 - c. 1914 Elongated scarf on which a pattern of blue and gray fantasy figures in watercolor or watercolor, including flowers from spiral -shaped chalices and loose leaves. Along the edge is a long blue and gray frills tied Vienna versiering: watercolor (paint) Elongated scarf on which a pattern of blue and gray fantasy figures in watercolor or watercolor, including flowers from spiral -shaped chalices and loose leaves. Along the edge is a long blue and gray frills tied Vienna versiering: watercolor (paint)

Tile (Netherlands); earthenware; 1936-18-2

The Certitude of the Never Seen. Yves Tanguy; American, born France, 1900-1955. Date: 1933. Dimensions: Frame: 8 3/4 × 11 × 3 in. Oil on board in carved and freestanding wooden frame with gesso, carved wood objects, and hair. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 12.8 × 22.6 cm (5 1/16 × 8 7/8 in.) Right and bottom edges: 29.6 × 10.3 cm (11 5/8 × 4 1/16 in.)

Window with the presentation of Rachel and Laban, Anonymous, c. 1480 - c. 1500 Round stained glass window with a representation of Rachel and Laban. On the right a tent with Laban and a servant. There are two men behind Laban. Rachel is in the foreground. Northern Netherlands glass.. silver stain. lead (metal) Round stained glass window with a representation of Rachel and Laban. On the right a tent with Laban and a servant. There are two men behind Laban. Rachel is in the foreground. Northern Netherlands glass.. silver stain. lead (metal)

Wall facing, tin-glazed earthenware, underglaze, Running design for a frieze or a dado, composed of scrolls of foliage and strapwork, and four repeating motifs--a seated woman in a small upright oval medallion, a putto seated on a rocailled base, and strapwork in axial pattern. The various panels, A to F, show various repeats of the same design, all being five tiles high and a varying number of tiles wide., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Wall facing

untitled work' 1983, by Henri Guédon; painter and jazz musician from Martinique. (1944-2006).

Degeorges, Charles Jean Marie (n.1837-03-31-D.1888-11-02), Portrait of Henri Régnault (1843-1871), painter. Plaster. Carnavalet museum, history of Paris. Henri Régnault

The Mystic Marriage of St. Catherine, Gilt bronze, ebonized wood, (a) Relief plaque. The Virgin seated at the right, in front of a pillar base, holding the Christ Child who slips the ring on the finger of St. Catherine, at left; (b) wooden frame, flat except for molding on inner edge, painted black., Italy, late 16th-early 17th century, metalwork, Decorative Arts, Panel and frame, Panel and frame

Fragment of a terracotta skyphos (deep drinking cup) ca. 490 B.C. Attributed to a follower of Douris Peitho (the personification of persuasion), Aphrodite, and ErosThese three figures belonged to a representation of either the Judgement of Paris or Menelaos reclaiming his wife, Helen, at Troy. At this time, large skyphoi were favored for elaborate mythological decorations, especially by painters around Douris and Makron. The ladies are exceptionally grand and statuesque.. Fragment of a terracotta skyphos (deep drinking cup). Greek, Attic. ca. 490 B.C.. Terracotta; red-figure. Archaic. Vases

Textile, Medium: cotton Technique: block-printed resist, vat dyed in indigo, on cotton plain weave, Three pieces of what once was the same length of fabric with manufacturer's marks (no name) on the back. Design of pomegranite-like shape and arching leaves in white on a blue ground., France, 1750-1800, printed, dyed & painted textiles, Textile

Two marbled tiles ..

Wooden Sliding Doors(Itado). Artist: Mori Kansai, Japanese, 1814-1894

Wall Facing (Holland); tin-glazed earthenware, underglaze

Field of sixteen tiles with birds. Field of sixteen tiles (4 x 4) each with a multicolored (blue, orange and purple) painted bird on a branch and in the corners, an oxen head.

Tile Mueller Mosaic Company. , ca. 1910. Glazed terracotta, 4 x 4 x 5/8 in. (10.2 x 10.2 x 1.6 cm). Decorative Arts ca. 1910

Grisaille Panel ca. 1325 French. Grisaille Panel. French. ca. 1325. Pot-metal glass and vitreous paint. Made in Rouen, Normandy, France. Glass-Stained

Louis-Comfort Tiffany (1843-1933). Flat. Glass. 1897. Museum of Fine Arts of the City of Paris, Petit Palais. 54215-11 Art Nouveau, Floral Decor, Detail, Flower, Decorative Subject, Glass, Glassry, Date

Tile from a Frieze 13th-14th century. Tile from a Frieze 448204

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