Decorative Title Leaves

Sets of ornate copper engravings and etchings depicting elaborate title leaves with classical motifs and decorative elements.

Bound Print, Plate 3, Le Feu (The Fire), Arabesques (Arabesques); Designed by Jean Démosthène Dugourc (French, 1749-1825); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on paper; 26 x 18.5 cm (10 1/4 x 7 5/16 in.)

Copper engraving print by Jean Frosne between 1643 and 1676 showing a decorative title leaf.

Etching and copper engraving by Jean Pesne of a title leaf, created in 1678.

Bound Print, Plate 3, Le Feu (The Fire), Arabesques (Arabesques); Designed by Jean Démosthène Dugourc (French, 1749-1825); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on paper; 26 x 18.5 cm (10 1/4 x 7 5/16 in.)

Etching by Pietro Antonio Martini from 1771 depicting the scene of Silvie being delivered by Aminte.

Print

Etching by Jac. de Zettre depicting the historical figures Mucius and Porsenna, created between 1600 and 1650, illustrating classical narrative, attire, and pose.

This 1581-1641 copper engraving by Léonard Gaultier illustrates the Last Judgement, showing detailed figures, compositional arrangement, and symbolic Christian themes.

Woodcut by Hans Brosamer between 1495 and 1554 depicting a title frame with Atlas and a globe, showing decorative and symbolic elements.

Etching by Antonio Tempesta depicting a frontispiece featuring the coat of arms of Jacopo Bosio, created in 1596, showing heraldic symbols and decorative motifs.

Copper engraving by Michel Lasne depicting Jean-Baptiste Hautin and Isaac de Laffemas, created in 1639, showing detailed facial features and attire.

Print (France)

Etching by Lambert Hopfer showing an ensign alongside a depiction of a sea god, dated between 1525 and 1550.

Print (France)

Copper engraving and etching by an unknown engraver depicting decorative title cartridges in a 17th-century book, showing ornamental motifs and borders.

Print (France)

Print

Etching by Michel Dorigny from 1647 featuring ornaments and grotesque motifs arranged in classical decorative composition with intricate details.

Print (France)

Woodcut by Albrecht Dürer workshop depicting Albrecht II as the happy prince on the left outdoor pairs of Emperor Maximilian I's honorary gate, created in 1515.

Fasting breeze cleaning and play, 1720; Fasting evening joy wreath and stage piece; The great scene of foolishness. Fastening breeze and play. Central performance in which Cupido Pan (or Marsyas) learns to play the flute, a naked Nymph in the background. Here the show should be interpreted as John Law who has discontinued his mask and if the god of the wind trade is recommended by the good mind from the wind trade. The Nymph then has to imagine Mrs. Law. In a separately printed frame with dwarfs, musical instruments and food that refer to fast. With different verses. Print (cut out and pasted) in the bound first edition (304/11) of the great scene of foolishness with cartriders at the wind trade or action trade of 1720.

Print (France)

Print, Plate 1, Title page from a suite of ten, entitled Monilium Bullarum Inauriumque Artificiocissimae Icones, Ioannis Collaert Opus Postremum (Designs for Necklaces, Pendants and Earrings of the Highest Skill, the Final Work by Joannis Collaert); Designed by Hans Collaert the Elder (Flemish, ca. 1530 - 1581); Published by Philips Galle (Flemish, 1537 - 1612); Netherlands; engraving on paper, laid and gilded

"Copper engraving and etching by Jean Louis Anselin depicting 'You Have the Key, but He Found the Lock', showing figures, gestures, lock, key, and interior elements between 1770 and 1823."

Etching by Jacques Gabriel Huquier depicting a cartouche with a farmer and a dog, showing rural life and agricultural elements, created between 1750 and 1772.

Print, Ornamental Vignette; Designed by Robert Menge Pariset (French, active 1732 - 1762); France; etching on laid paper

Etching by Gabriel Huquier showing a cartridge ornament with a pastoral scene, including figures, animals, and landscape elements, emphasizing composition and decoration.

Copper engraving and etching by Jean-Baptiste Tilliard from 1773 illustrating scenes from Livre III of 'The Adventures of Telemach' as a book illustration.

Print (France)

Bas-relief on the altar for the Holy Jacobus The several in the Cathedral of Pistoia, representing the annunciation and the visitation; Autel d'Argent de Saint Jacques à Pistoia - Bas-Relief de Andrea Ognabene 1316; Orfékererie ..

Bound Print (France)

An etching attributed to Joseph Fischer featuring figures including Jaques from Artois, Bonaventure Peeters, Thomas Wyck, Jean Wynants, A. van der Neer, and B. Breenberg, created after 1822, executed with feather technique.

Cartouche with rolling work and a drapery, Charles Mavelot, 1685 Numbered at the top right: 17. Print is part of an album. paper etching / engraving Numbered at the top right: 17. Print is part of an album. paper etching / engraving

Copper engraving and etching by Jean-Baptiste Tilliard from 1773 illustrating scenes from Livre VI of 'The Adventures of Telemach' in a detailed 18th-century book format.

Print (France)

Title print for a series of designs for clocks, Gabriel Huquier, Gilles Marie Oppenort, c. 1725 - c. 1750 print This print is part of an album. Paris leather etching ornaments ~ art. clock

Personification of Friuli, Robert van Audenaerd, 1673 - 1743 print A console with the personification of the Italian region of Friuli. It is a woman with a tower on the head. In her right hand she has a skewer and a privilege with stamps. A book in her left hand. She leans against a vine and is filled on two cornucopia with corners and tree fruits. The print is part of an album. paper engraving 'Cornucopia', Horn of Plenty. personifications of countries, nations, states, districts, etc. Friuli Venezia Giulia

Print (Germany)

Print (Germany)

Etching by François Denis Née between 1781 and 1796 depicting historical seals of the House of Foix.

Etching by Joseph Fischer after 1822 depicting landscapes and works of Iacob Ruisdael, Iean Ruischer, Hendrik Nauwincx, and Ludolf Bakhuizen, showing natural scenery and architectural elements.

Fotoreproductie van een gravure van Titus en Vespasian door Marcantonio Raimondi, Benjamin Deserters, after Marcantonio Raimondi, c. 1848 - in or before 1853 photograph photographic support salted paper print (story of) the emperor Titus. (story of) the emperor Vespasian

Reproduction of two cartouches from the Spieghel der Zeevaart by Lucas Janszoon Waghenaer, Anonymous, After Lucas Janszoon Waghenaer, after Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography ornaments, jewels

Print, Design for a Frame; Published by Louis Crépy; France; etching on laid paper

Print, Design for a Frame; Designed by Jean-Baptiste Fay (active 1780 - 1790); Published by Chez Mondhare et Jean, Louis-Joseph Mondhare (French, 1734-1799), Pierre Jean (French, 1754-1829); France; etching on laid paper

Title page etching from 1737 by Jacques de Lajoue for 'Oeuvres de Phpe. Wouvermens Hollandois', executed in copper engraving, showcasing decorative motifs and typographic design.

Oval Watch Plate with Diana and Endymion

Print, Design for a Cartouche with Large and Small Compartments; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 35.5 x 22.9 cm (14 x 9 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Copper engraving by René Boyvin, 1540-1600, depicting a nymph of Fontainebleau, showing figure, pose, and drapery.

De Kleine Mens Amazoonse Struik-Rooveres, 1716, 1716 The Bavarian little man amazoon reaveres, in one hand a chopping knife and a basket with eggs, with the other she makes an obscene gesture. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with small people. Numbered right in the middle: 42. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The Bavarian little man amazoon reaveres, in one hand a chopping knife and a basket with eggs, with the other she makes an obscene gesture. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with small people. Numbered right in the middle: 42. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, kn

Copper engraving by Étienne Delaune from 1538-1583 depicting various scenes, showing multiple figures, gestures, attire, landscape, and narrative elements in classical composition.

The little man knight man Soek in plenty of robe of Vederhans van Haarburg as a general of the cavalry, 1716, 1716 The little man knight man Soek in plenty of robe of Vederhans van Haarburg as a general of the cavalry. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with a small person at the bottom who makes a head roll. Numbered right in the middle: 7. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The little man knight man Soek in plenty of robe of Vederhans van Haarburg as a general of the cavalry. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with a small person at the bottom who makes a head roll. Numbered right in the middle: 7. Part of the Dutch -boun

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

Print (France)

Copper engraving and etching by Angélique Moitte in 1768 showing a title leaf decorated with figures in Italian costume.

Print (France)

Print, Design for an Andiron; Designed by Jean Cotelle (French, 1607-1676); Published by François de Poilly (French, 1622 - 1693); France; etching

Print (Germany)

Bound Print, Panel Design of Grotesque Ornamentation; Designed by Jean Bérain the Elder (French, 1640-1711); Published by Jacques Thuret (French, 1669-1738); France; engraving

Duplicate entry: Etching by Stefano della Bella depicting cartridges, created in 1646, showing ornamental and decorative design elements.

Wild Kuyken, 1731 - 1732 Koddige figure, in the caption in the overviewsprent, this figure bears the name: Wild Kuyken. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overviewsprent, this figure bears the name: Wild Kuyken. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Print, AU LECTEUR; Designed by Claude Gillot (French, 1673 - 1722); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching and engraving on laid paper

Various Ornaments, Pierre-Nicolas Beauvallet, 1820 Ornament print with view and map of a temple and a statue of a woman on a sheep. Part (10th CAH. F.LE 1) of the Prentalbum with two series of a total of 138 ornament prints by Beauvallet and Normand, 'Fragmens d'Ortuens Dans Le Style Antique'. paper etching ornaments ~ art. piece of sculpture, reproduction of a piece of sculpture

Design for a Cartouche, Plate 1 from 'Allerneueste Façon einiger Schild oder Cartouches' Printed ca. 1750-56 Andreas Hofer Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Augsburg.. Design for a Cartouche, Plate 1 from 'Allerneueste Façon einiger Schild oder Cartouches'. Jeremias Wachsmuth (German, 1712-1771). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Andreas Hofer (Central European, active Augsburg ca. 1740-60)

A copper engraving by Karel van Mallery from around 1595 depicting the title page Vermis Sericus, showing the market launch of the Seidenraupe and European silk production, including weaving and sericulture.

Photo production of a painting, representing a symposion with a dancing woman. .

Carl Gustav Amlings 1697 copper engraving and etching depicts Karl Welser from Neuhof, showing facial features, attire, and portrait composition in early modern European printmaking.

Copper engraving and etching by Richard Saint-Non depicting scenes from a picturesque journey through the kingdoms of Naples and Sicily, created in 1781.

Copper engraving by Jean Louis Roullet from 1665-1699 depicting ornaments with biblical scenes, showing decorative motifs, figures, and narrative elements.

Copper engraving and etching by Jean-Baptiste Delafosse from 1765 depicting Gaspar-Franis Fabsay, showing facial features, attire, and seated pose.

Print (Italy)

An etching by Adriaen van Ostade from 1627-1685 depicting four singers performing by candlelight.

Copper engraving and etching by Cornelis Visscher depicting Florens I of Holland, created in 1650.

Photo production of an illustration by Thomas Stothard once Christens Reize to eternity by John Bunyan, Anonymous, After Thomas Stothard, c. 1871 - In or Before 1881 photomechanical print Illustration is a man who pulls his sword towards two lions. paper print, e.g.: engraving, etching, lithograph

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 49) 1773 After Georges Reverdy Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point.. Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 49). After Georges Reverdy (French, active Lyon, 1529-57). 1773. Etching and engraving. Carlo Losi (Italian, 1757- after 1805)

Print (France)

Print, Title Page; Designed by Jean-Jacques Bachelier (French, 1724 - 1806); Print Maker: P.P. Choffard; Published by Geneviève-Marguerite Chéreau (French, active 1755-1768); France; etching and engraving on laid paper; Sheet: 26.8 x 21.3 cm (10 9/16 x 8 3/8 in.)

Print (France); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.)

Print (France)

P. di Cosimo, Albertina, 1863. Christ child adored by blessed virgin and angels.. Illustrations, Prints. 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , Tuscany (Italy), Painters , Florence (Italy), Drawing, Arches, Angels, Jesus Christ , Nativity

Photo production from a print to a painting by William Hodges, representing a scene from the merchant of Venice by William Shakespeare, Stephen Ayling, After John Browne, After William Hodges, c. 1854 - in or before 1864 photograph You can see deed V, scene 1 with Jessica and Lorenzo on a bench and Stephano watching. London photographic support albumen print specific works of literature

Print (France)

A small person with hat reading a roll of paper, 1720, 1716 - 1720 A small person with hat reading a roll of paper. In the caption a verse in Dutch. Numbered right in the middle: 8. Print within a decorative frame printed of a separate plate with saters, an eagle at the bottom. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures of small people, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching A small person with hat reading a roll of paper. In the caption a verse in Dutch. Numbered right in the middle: 8. Print within a decorative frame printed of a separate plate with saters, an eagle at the bottom. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures of small people, known as the dwarf toneel, partly copied to an older German exa

Vastenavond Vreingkrans and play, 1720, 1720 Lent evening of joy wreath and play. Central performance in which Cupido Pan (or Marsyas) learns to play the flute, a naked nymph in the background. Here the show should be interpreted as John Law who has dismissed his mask and if the god of the wind trade is advised by the good spirit to abandon the wind trade. The nymph must then introduce Mrs. Law. In a separately printed frame with small people, musical instruments and food that refer to fasting evening. With different verses. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. print maker: Northern Netherlandsprint maker: Franceprint maker: Amsterdamprint maker: Amsterdam paper etching / engraving Lent evening of joy wreath and play. Central performance in which Cupido Pan (or Marsyas) learns to play the flute, a naked nymph in the background. Here the show should be interpreted as John Law who has dismi

Fountain with dolphins and tritons on hippocampuses, 1714 print Numbered top left: no. 86. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching triton(s). dolphin ~ ornament. bony fishes: hippocampus. ornamental fountain

Landscape containing four silhouettes 1793-1800 Anonymous, German, 18th century. Landscape containing four silhouettes. Anonymous, German, 18th century. 1793-1800. Etching

Print (France)

Etching by Joseph Fischer after 1822 depicting works of Anthony van Dyck, showing figures, portraits, and details from the artist's compositions.

Print, Plate 13, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers); Engraved by René Boyvin (French, 1525 - 1625); After Léonard Thiry (Flemish, 1550), Rosso Fiorentino (Italian,1494 - 1540); Published by Paul de la Houve (French, 1575 - 1643); France; engraving on paper

Bronze statue in Gothic style, Anselm Schmitz (Possible), c. 1871 - In or Before 1876 photograph photographic support albumen print sculpture

De Kleine Mens Neef Jan van Spain, 1720, 1716 - 1720 The little man cousin Jan van Spain. In the caption verses in German, French and Dutch. Numbered right in the middle: 10. Print within a decorative frame printed from a separate plate with harlekins. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures of small people, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The little man cousin Jan van Spain. In the caption verses in German, French and Dutch. Numbered right in the middle: 10. Print within a decorative frame printed from a separate plate with harlekins. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures of small people, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherland

Print (France)

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Zampieri, Domenice (1581 1641), Blanchon, Jean Andre

Fireworks at the entry of William IV in Breda, 1737, 1737 Fireworks set off for the Prinsenhof at the entry of William IV and his consort Anna van Hannover in Breda on September 13, 1737. At the entrance gate a monogram with the letters wa. Without page number. Northern Netherlands paper etching Breda Fireworks set off for the Prinsenhof at the entry of William IV and his consort Anna van Hannover in Breda on September 13, 1737. At the entrance gate a monogram with the letters wa. Without page number. Northern Netherlands paper etching Breda

The little man Puer Orcanius as wild officer, 1716, 1716 The little man Puer Orcanius as a fierce officer with raised sword. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with flowers. Numbered right in the middle: 33. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The little man Puer Orcanius as a fierce officer with raised sword. In the caption verses in German, French and Dutch. Print printed within a decorative frame of a separate plate with flowers. Numbered right in the middle: 33. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching

Copper engraving and etching by Bernard Picart depicting an allegory of a wedding, created in 1718, using dotting manner to illustrate symbolic elements of marriage.

Reproduction of a print with details of the coach of Philip V of Spain during his entry into Utrecht in 1713 by Bernard Picart, Anonymous, After Bernard Picart, After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach

Suggodins with lifetime, above Chronos next to the wheel of adventure (left plate), Andries van Buysen, after Johannes Folkema, 1723 print Numbered on print on the left side of the leaf: II part.; Page: 287. On print on the right side of the magazine: II part.; Page: 190. paper etching / letterpress printing Fates, Parcae (Moirae). Father Time, man with wings and scythe. Turn of Fate, Wheel of Fortune. shipwreck. accidents with lightning

Two photo productions of paintings, representing a woman shows a man a writing and a hunter next to a farmer's wife, Anonymous, c. 1890 - in or before 1895 photomechanical print Prague paper farmers - AA - female farmer, farmer's wife. hunter

Bound Print, Design for Ceiling Ornament; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 18.3 × 21.8 cm (7 3/16 × 8 9/16 in.)

Wooden wing altar with reliefs, representing Mary with child and saints; Rétable à Volets - Travail Allemand; Sculpture and Bois ..

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