Decorative Title Prints

Ornate title prints featuring allegorical figures, designs, and historical references. Showcase intricate engravings and decorative frames.

Amsterdam, Picart, Bernard, Premier of the Magnificent Coaches of Monseigneur le duc d'Ossuna Extraordinary Ambassador and First Plenipotentiary of Sa Majesté Catholique Philippe: V. pour la Paix faits Pour l'Entreé Public de son Excellence a Utrecht MDCCXIII, Title print for the series of plates of the state carriage of the Duke of Ossuna, 1713, recto lower right - stamped, Title in a richly decorated ornamental frame with two female figures, angels, sphinxes and foliage. Title print for the series of plates of the state carriage of the Spanish ambassador the Duke of Ossuna, used during his public entry into Utrecht for the peace negotiations in 1713., print, title print, prints, height 316 mm, width 231 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1714 - 1714, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Amsterdam, Picart, Bernard, Premier of the Magnificent Coaches of Monseigneur le duc d'Ossuna Extraordinary Ambassador and First Plenipotentiary of Sa Majesté Catholique Philippe: V. pour la Paix faits Pour l'Entreé Public de son Excellence a Utrecht MDCCXIII, Title print for the series of plates of the state carriage of the Duke of Ossuna, 1713, recto lower right - stamped, Title in a richly decorated ornamental frame with two female figures, angels, sphinxes and foliage. Title print for the series of plates of the state carriage of the Spanish ambassador the Duke of Ossuna, used during his public entry into Utrecht for the peace negotiations in 1713., print, title print, prints, height 316 mm, width 231 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1714 - 1714, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Title print with text, women with branches, coat of arms, ornament and putti; Title print of part 4 of Austriacae Gentis Imaginum; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Mt, Tiberius.

Juno recommends sleeping sleep on Jupiter; Love, anger and jealousy of Juno; Amori Sdegni et Gielosie di Giunone. Juno and the God of sleep standing in front of a wall with bow. Juno asks him to descend on Jupiter. Under a four-line verse in Italian. The show is caught in a decorative frame with putti and sphinxes.

Allegorical ship, 1561 - 1562 Allegorical ship van Vuugden sailing on the sea of the world's unrest. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Allegorical ship van Vuugden sailing on the sea of the world's unrest. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Frontispiece for 'Adversaria sacra' 1626 Charles Audran. Frontispiece for 'Adversaria sacra'. Charles Audran (French, Paris 1594-1674 Paris). 1626. Etching. Prints

Title page with the action window or the front court of Quinquenpoix, 1720, 1720 Title page with the action window or the Voorhof of Quinquenpoix. In the central performance, a man with a love declaration for a woman who rejects him (according to the text: John Law and SCHOOD), in the Cupidos and Arrow Thokers frame. With two lines in the caption. This plate is printed in the middle of a larger plate with a wreath made up of all kinds of objects that have to do with the wind trade. At the bottom are Mercury and Neptune. In the plate a caption with two verses. Title page in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. print maker: Amsterdamprint maker: Northern Netherlands paper etching / engraving Title page with the action window or the Voorhof of Quinquenpoix. In the central performance, a man with a love declaration for a woman who rejects him (according to the text: John Law and SCHOOD), in the Cupidos

Zeiler, Martin.

Title page of a collective beam of classical authors under the edition of M. Zuerius van Boxhorn; Aelius Spartianus, Julius Capitolinus, Aelius Lampridius (...). In the middle a Vellum with the title of the book, above the canvas is a goddess with a cornucopia and a lobster in her hands. Next to her is a vase with ears of corn. There is a river god under the Vellum with cornucopia and palm branch. Besides him a dog and a lizard. To the right of the Vellum a pillar with an owl, left a woman with twins on her arms and a crown floating in between the twins.

Cornelis Galle I, Frontispiece for Goltzius, Images of the Roman Emperors, 1645, engraving on paper.

Title page for: Sam. Marolois, geometry, 1616. Title page with a cartouche in the middle with the imprint, flanked by two female figures. On the left a woman with the cornucopia on her shoulder and at her feet different measuring instruments. On the right a woman with helmet, palm branch and a laurel wreath.

Two shepherds with staffs, dogs and goat in front of a monument with the title of the book. Above is an allegorical female figure with wreath or ring in hand. In the background on the right, a domed building. Shepherds at monument Title page for: Guidubaldo Bonarelli and Katharina Johanna de With, Fillis of Scirus, Shepherd's Play, 1728, print maker: anonymous, publisher: erven Gerard onder de Linden, (mentioned on object), publisher: Adriaan Wor, (mentioned on object), Amsterdam, 1728 and/or 1729, paper, etching, h 151 mm - w 99 mm

Justitia, War and Peace; Title page for: Hugo de Groot, of the right of the warhs and des peace, 1657. On top of a cartouche with the title of the book is the blindfolded Justitia with sword and scales. On either side of her stand Mars and Pax as Personifications of War and Peace.

Medaillon met twee putti; Putti die Gods woord verbeelden; Verbum Dei.Medallion with two putti holding a sloping book and a burning torch and an incense vessel. Between them a halo with the serene title in Latin. With a peripheral in Latin. The print is part of an album.

Altar with Justice on the left and Faith on the right. At top two lions as shield bearers of a crowned coat of arms. At bottom two more lions each holding a coat of arms. In the center the title of the book and the imprint, Altar with allegorical figures Title page of: Tweeden Placaet-bouck (...), 1629, print maker: Barend van Someren, (mentioned on object), publisher: Anna van den Steene, (mentioned on object), Raad van Vlaanderen, (mentioned on object), Ghent, 1629, paper, engraving, h 265 mm × w 175 mm

Cartouche with a frame of rolling work, decorated with birds and artist trophies, 1564 print Title print with a cartouche in a frame of rolling work. Different birds in the upper half of the performance. In the middle an owl sees itself in a mirror. At the top left an oil lamp and a winged hourglass at the top right. In the lower half of the performance, trophies with attributes of goldsmiths, painters, imagers etc. in the middle of a flower vase. Antwerp paper engraving ornament ~ cartouche. owls. reflection (in a mirror). birds. hourglass. oil-lamp. trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. tools, implements of painter. tools, implements of graphic artist. the arts; artists

Left Writing History in a Book Father Time, with scythe and hourglass, points to the title Right Fame, standing on the Envy Title page for a book about famous people, History, Father Time and Fame Title page for: Franciscus Heerman, Guldene annotatien, 1642, print maker: Jacob van Meurs, (mentioned on object), publisher: Gysbert Sybes, (mentioned on object), Leeuwarden, 1642, paper, engraving, h 165 mm × w 119 mm

Léonard Gaultier (1561-1641). "The wishes and reception of the city of Paris". Chisel. 1616. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-22 Chisel, 17th XVIIth XVII 17th 17th 17th century

Filosofen Zeno en Cleanthes, Theodoor Galle, after Peter Paul Rubens, 1652 print Central to a rectangular framework the title of the book. On either side of the framework the classic philosophers Zeno and Cleanthes. At the top of the portraits of Hercules, Minerva and Odysseus in oval lists. At the bottom of the print the portraits of Seneca and Epictetus. paper engraving male persons from classical history (ZENO). male persons from classical history (CLEANTHES)

Louis XIV (king of France), Paris, Mariette, Jean, France, Lepautre, Nouueau Liure de Cartouches et Ornemens, Title page: Nouueau Liure de Cartouches et Ornemens, Two half-depicted panels, with leaf vines and putti. The title is in a cartouche at the top. From second edition., print, ornament print, prints, ornament prints, height 238 mm, width 153 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1682 - 1734, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1660-07-22 - 1742-09-21, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Title in architectural frame with coat of arms; Title Present For: P. Basilio Boating, Guerra de Flades, Escrita Por El Eminentissimo Cardenal Bentivollo Madrid MDCXLIII.

Frontispiece. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Fame and minerva with the weapon of Maria de 'Medici; Histoire de L Entrance de la Reine Mere du Roy Tres Chrestien, Dans La Grande Bretaigne. The crowned weapon of Maria de 'Medici, held by fame and Minerva, possibly referred to as patroness of the arts. Both women also hold a banana with a part of the title. Among them an altar with the monogram am (Alma Mater). There are three crowns on the altar. They symbolize the three children of Maria de "Medici who were in 1639 at the throne: Louis was king of France, Elisabeth was Queen of Spain and Henrietta Maria was married to Karel I van England. Two young women with stick and mirror hold a laurel wreath above the crowns.

Title page for Lucas Fopsz Lely, Jeughts Nutlijck A.B.C., 1621, Gerrit Gauw, 1621 print Central an empty cartouche where the title should come. On either side of the Cartouche Mercury and the personification writing art. Two writing students under the cartouche. Above two ovals with a view of Amsterdam on the left and to the right face on Hoorn. Centrally at the top of the portrait of Lucas Fopsz Lely, bust to the left. The print is a proof of the title page of Lucas Fopsz Lely's Jeughts Nutlijck A.B.C. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving ornament ~ cartouche. (story of) Mercury (Hermes). 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa) Amsterdam. Hoorn (North Holland)

Allegory of the history of the Netherlands, Willem Jacobsz Delff, 1623 print On pedestal with title, personification of Southern Netherlands, Belgica, sitting between symbols of trade, arts and sciences. Two obelisks on both sides. Under a basement with two figures that symbolize war and pigeon with olive branch as a symbol of peace. Title printed with separate plate. print maker: Delftpublisher: The Hague paper engraving Government, The State; 'Political', 'Averestrarua or Potest' (Ripa)

Bridle portrait of Jeanne d'Arc, Leonard Gaultier, 1612 print France paper engraving / letterpress printing St. Joan of Arc on horseback leading an army into battle. ornament ~ medallion

Trade card of David Deuchar, 1743-1808, Scottish engraver and stone cutter. Lapidary, Edinburgh. Cuts and sels all sorts of fine stone viz rings, stones, seals, picture backs & glasses, and many others, NB sels, emery, rotten ston &. Gives the highest price for uncut stones.

Heraclitus and Democritus lean on a ball, 1635 print Two other performances can be seen above and below the central performance, numbered I and III. The upper performance shows a personification of religion with a Bible on their lap. The seven virtues are around her. The lower performance shows a carriage that drives towards a city. paper engraving / letterpress printing the Seven Virtues (symbolized). Hebrew script. Heraclitus, the weeping philosopher, and Democritus, the laughing philosopher. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. outskirts of city (+ city (-scape) with figures, staffage)

Allegorische titelpagina met personificaties van Goed bestuur en Overvloed; Titelpagina voor: C. Scribani, Politico-Christianus, Antwerpen, 1624.A cartouche in the middle with the title of the book. On the left a woman with townrown crown and a scepter with an eye. Probably a personification of good governance, or in conjunction with the content of the book, Christian governance. On the right a woman with cornucopia and a crown of ears of corn and poppies, the personnelification of the abundance, the result of good governance.

Title page for Chronique or Historical History of Vrieslant, 1622, Pieter Feddes van Harlingen, 1622 print A man spreads a cloth with text. There are two female personifications next to him; One with a sword, the other blindfolded with books and a goose feather. In addition to a round arch father time and fame. At the bottom two cartouches with a battle and a siege. Text on the back. Title page for Chronique or Historical History of Vrieslant, Van Pierius Winsemius, Franeker, 1622. print maker: Frieslandafter own design by: Frieslandpublisher: FranekerFriesland paper etching Friesland

Illustration from Le Pegme by Lanteaume de Romieu Cousteau, plate 77 from Woodcuts from Books of the XVI Century 1560 France. Woodcut on paper . Unknown artist

Ferdinand II (German Emperor), Antwerp, Plantiniana, Officina, Rubens, Peter Paul, Diepenbeeck, Abraham van, Southern Netherlands, Galle, Cornelis (I), Various saints in a landscape, verso - stamped, Various saints and biblical figures are placed in a landscape. Above Elijah and John the Baptist on either side of a cave. In the cave sit Saints Paul and Anthony. Next to a cloth with the title of the book sit four women, personifications of: Prayer, Conversion, Silence and Self-discipline. Below two female saints. On the left Saint Euphrosina and on the right a naked woman with long hair. Possibly this is St. Eugenia or St. Mary of Egypt., print, title page, prints, height 310 mm, width 195 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1628 - 1628, paper, engraving, engraving (printing process), 1596-05-09 - 1675, intermediary draughtsman, after a drawing by, Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, Ger

Richard Haydock. Line engraving, 1598.

Sorbait, Paul of.

Ferdinand I., Roman-German Kaiser.

Woodcut title page by Lucas Cranach the Younger, created in 1563, depicting August, Duke of Saxony, with heraldic and decorative elements.

Façade with personifications of five population groups, 1646 print A façade of a building with a tablet with the book title at the top. Five personifications of population groups around pedestals and niches: a Roman, a Dane, a Brit, a Norman and a sax with accompanying coats of arms. At the top the weapon of the order of the garter. paper engraving façade (of house or building). Europeans

11. To virility / 12. At old age (IT)

Advertising learns to live well, Gaspar Bouttats, 1679 print Page from a book (p. 90) with text and a vignje on the verso. In an oval cartouche the interior of a room in a hospital. The room contains four alkoven. A man is sick in each of the Alkoven. Some have a cross while others target their hands to heaven. Above the cartouche the title (motto) of the print and a quote from the Bible (Preacher 31: 2). Under the print a caption: 'Seer Sieck is to be Medecijn' and a description that the print explains. Those who have been sick have more respect for life. So adversity teaches us to love life print maker: AntwerpDiestpublisher: Utrecht paper etching / letterpress printing Abstract Ideas and Concepts (+ emblematical representation of concept). ward; room (in hospital). Adversity, Misfortune, Bad Luck; 'Fortuna infelice', 'Infortunio' (Ripa)

Title page for D. Heinsius Rervm ad Sylvam-Dvcis atqve alibi in Belgio avt a Belgis anno M DCXXIX gestarvm historia. 1631, Cornelis Claesz. Duysend, Lowijs Elzevier, unknown, 1631.

Sjoerd Wiarda and Haring Haringsma, 14th and 15th Potestaat of Friesland, Pieter Feddes van Harlingen, 1618 - 1620 print Sjoerd Wiarda and Haring Haringsma, 14th and 15th potestate of Friesland. Standing in front, peak and sword in hand. Illustration, with text on the back, from the book: Frisia Seu de Viris Rebusque Frisiae Illustribus Libri Duo. Friesland paper etching / letterpress printing Ruler, Sovereign Friesland

Portret Van Chilperik 2, Koning der Franken, Virgil, 1598 print Nuremberg paper etching / engraving historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament

Allegorical performance with women on Globe; Title page for: A.P. de la Croix, General Wervelborate, 1705. Two allegorical women's figures with passer, pointer, lion and arrows bundle are on a globe focused on Gaul and Italy. Behind them the zodiac. In the foreground are four putti with paper roll, book and cards on a cartouche with title.

Keulen, Passe, Crispijn van de (I), Vos, Maerten de, Parabola V. Virginvm Typis Aen: Expressa, Parable of the five wise and the five foolish virgins, Ornamental frame with two female personifications, Ornamental frame with a reference to the Bible text in Mat. 25 in Latin and a five-line text in Latin. The frame is flanked by two female personifications. At the very top Christ knocking on the door. Top left a crane with a raised leg and a stone in its claw as a symbol of vigilance. Top right a nest with hungry, young birds. In the frame at the bottom a putto with an hourglass and skull as vanitas symbols. Title print for a series of seven with the parable of the five wise and the five foolish virgins. This print is part of an album., print, title print, album leaf, prints, height 224 mm, width 179 mm, 1564 - 1637, print maker, printmaker, 1589 - 1611, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (E

Ornamental frame with two female personifications, 1589 - 1611 print Ornamental frame with a reference to the Bible text in mat. 25 In Latin and a five -line text in Latin. The frame is flanked by two female personifications. All over Christ who knocks on the door. At the top left a crane with a raised leg and a stone in its claw as a symbol of vigilance. At the top right a nest with hungry, young birds. In the context at the bottom of a putto with hourglass and skull as vanitas symbols. Title print for a series of seven with the parable of the five wise and the five foolish virgins. This print is part of an album. paper engraving Knocking at the door. 'Vanitas' Symbols. Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa)

Wszyscy Święci w MNK Unknown, Jabłoński, Izydor (1835 1905), Bartoszowice, Marcin (1647 Ca 1705), Litography Time (Krakow)

Blackwork in the Shape of a Heart, 1619 print Black ornament in the form of a heart, caught in a frame with mascarons and two bunches of fruit. Below that, a well -to -do woman with a basket on her arm gives an alms to two poor men. Nummered at the bottom left 4. The print is part of an album. paper engraving ornaments ~ art. giving alms; collection. insects: bee. the rich. the poor

Wenceslaus Hollar, Title Page, 1646 Title Page

Architectural nis awarded the coat of arms of the Republic of the Seven United Netherlands, on which angels, who hold two a canvas with the title in Dutch. In caution and strength, in the middle of angels. At the bottom of a cartouche with a face on The Hague.

Bath House from Hyperotomachie ou discours du son gede Poliphile, plate 69 from Woodcuts from Books of the XVI Century 1554 France. Woodcut on paper . Jean Goujon

Titelprent Voor 'The plans and profiles of the main cities, and considerable places of the Duchy of Limburg' Van Sébastien Beaulieu de Pontault, Romeyn de Hooghe, 1666 - 1670 print Two putti hold a lion skin with a French -speaking text for a pedestal on which the weapon of Belgian Limburg is adorned. A Limburg landscape in the background. print maker: Amsterdampublisher: Paris paper etching armorial bearing, heraldry. title-page Limburg (Belgian province)

Portretten van Barnabé Brisson en Johann Gottlieb Heineccius, Johann Christoph Sysang, after Gottfried August Gründler, 1743 print Title page with above the portraits of Barnabé Brisson and Johann Gottlieb Heineccius in a frame with an angel with a trumpet and two putti. Below that a library with a man behind a writing table, probably Heineccius. paper etching / engraving historical persons. study; 'studiolo'; library. writing-table, writing-desk. bookshelves. cupids: 'amores', 'amoretti', 'putti'. Fama as Roman personification

Blasoen of the Chamber of Rhetoric "De witte Angieren" Haarlem, Jan Pottey, 1625-1700, The Netherlands

British 17th Century, Frontispiece, published 1625 Frontispiece

God Mars Tront on column with war bounce and portrait of Publius Cornelius Tacitus in Cartouche flanked by two Roman soldiers; Title page for: Vande Demenwikerige Histories of the Romans, Amsterdam 1645; Vande Hutwendige Histories of the Romans ..

Ascension; Pentacost; Trinity; Corpus Christi. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Title Page. Dated: 1585. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Adriaen Collaert after Hans Bol.

Portrait of Petrus Kirstenius

Illustration at Canto XVI of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto XVI of Tasso's 'Gerusalemme Liberata'. The knights Carlo and Ubaldo, together with Rinaldo, leave the island of Armida in a rowing boat. Armida is on the ground on the right. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche. rowing-boat, canoe, etc.

H. Dorothea. The holy dorothea in a wreath hanging on a flower gluce. Two vases with flowers on either side. A peacock under the wreath on the ground.

Allegorical representation on the principalities of the world, Adriaen Matham, 1647 print A portrait of Maurits, Prince of Orange, flanked by two female personifications. On the left in a niche the personification of the church, on the right that of politics, in imperial clothes with sword and government apple. Around four personifications of Europe, Asia, America and Africa. Under the title a portrait of Emanuel van Meteren at the age of 76. At the top and at the bottom a row with five images of kings and emperors. Dordrecht paper engraving / letterpress printing continents represented allegorically. government, the State; 'Politica', 'Auttorití o Potestí' (Ripa). the Church symbolized

Cartouche with lobe ornament for which a fisherman is sitting; Gifted aerweic compartments and tables. A cartouche with lobe ornaments and serene title. On the left is a fisherman with fish and just.

Frontispiece for Callot's "The Mysteries of the Passion". Dated: c. 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

Minerva Lauwert writer; Title page for: Johannes Carolus de Roo, Dissertatio Juridica Inauguralis, Ad tit. Ff. SOLUTO MATRIMONIO QUEMADMODUM DOS Peturatur, 1722. Frame with an oval medallion at the bottom. Minerva sitting on a throne laurel a standing man seen on the back, possibly the writer. All around four female allegorical figures, including Justitia.

Delorme, Charles.

Frontispiece for Callot's "The New Testament". Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

On the right a plaque with text and female figure with horn of plenty In the foreground a writing man, a man with smoking bag or quiver, a kneeling man and a man putting a shovel in the ground, Title print for 'De rerum inventoribus' by Polydorus Vergilius and Alessandro Sardi Polydorus Vergilius et Alexander Sardus De rerum inventoribus , print maker: Romeyn de Hooghe, (mentioned on object), Romeyn de Hooghe, publisher: Regnerus Smetius, (mentioned on object), print maker: Amsterdam, publisher: Nijmegen, 1671, paper, etching, h 99 mm × w 57 mm

Title print with putti; Paintings in the Loggia of Rafael; La Sacra Genesi. Title Print with title in a cartouche, flanked by four putti. Above a coat of arms and under a mascaron.

Camping, Sigismund.

Reproduction of a title page with different mythological figures by Adriaan de Bruyne, Anonymous, After Abraham de Bruyn, after Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography title-page. Classical Mythology and Ancient History

Harvesting with sickle and wine press, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1585 print Four angels harvest grapes and grain with a sickle and throw grapes in a wine press. In the clouds a crowned figure with sickle in hand, sitting on a throne, flanked by two angels. In the margin a four -line caption in Latin. Seventeenth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving an angel thrusts his sickle into the earth, and gathers the vine

Title page for Fasti Magistratuum et Triumphorvum Romanorum, 1566. On a monumental wall in the middle the title of the book work. On the wall left the personification of the tiber, on the right the wolvin with Romulus and Remus. Central to the wall The three unknown Roman personifications in armor. In the foreground mourning people, sitting on Roman harnesses. Lands either side of the wall a Roman soldier harness.

unknown, Paris, Langlois, Nicolas (I), Loir, Alexis (I), Nouveaux desseins d'Ornemens de Paneaux, Lambris, Carosse &c., Title page: Nouveaux desseins d'Ornemens de Paneaux, The title is on a trapezoidal panel in the middle with two putti above it. Title page from the second edition, third impression., print, ornament print, title page, prints, ornament prints, height 162 mm, width 248 mm, French, 1640 - 1713-04-15, print maker, printmaker, 1670 - 1703, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1640 - 1703, publisher, granter of privilege

The Capture of Valencia in Italy (La Prise de Valence en Italie). Artist: Ludovicus Simonneau (French); After Jean Berain (French, Saint-Mihiel 1640-1711 Paris). Dimensions: Image: 12 9/16 x 8 1/4 in. (31.9 x 21 cm)Plate: 12 11/16 x 8 7/16 in. (32.3 x 21.4 cm)Sheet: 17 1/16 x 11 5/16 in. (43.3 x 28.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Orpheus pro Eurydice supplicat Orco, Iohan. Posthii Germershemii Tetrasticha in Ovidii Metam. lib. XV. qvibus accesserunt Vergilij Solis figurae elegantiss. and iam primùm in lucem editae, Posthius, Johannes, 1537-1597, Solis, Virgil, 1514-1562, Woodcut, black-and-white, 1563

Title print with cardinal weapon flanked by truth and fame above a cartouche with text, Antonio Tempesta, 1598 print paper etching coat of arms (as symbol of the state, etc.). Fama as Roman personification. Truth; 'Verití' (Ripa)

Coat of arms of Albrecht Dürer; Coats of arms. The monogram ad is in the coat of arms. From series of 20 sheets.

Brussels, Austria, Albrecht Archduke of, Antwerp, Moretus, widow of John II, Rubens, Peter Paul, Galle, Theodoor, Annales Sacri - Tomvs 2, Title page for Annales Sacri - Second book, verso center - stamped, Centrally in a rectangular frame the Latin title of the book. On either side of this frame Moses and Aaron, as representatives of the law and the prophets. Centrally at the top in a cartouche the Holy Trinity. In a cartouche at the top left the ark of Noah, the symbol of God's justice. In a cartouche at the top right the sacrifice of Noah, the symbol of God's peacefulness. Below the rectangular frame with the title a representation of Christ giving the apostle Peter the keys of the Kingdom of Heaven., print, title page, prints, height 330 mm, width 206 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1620 - 1620, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, 1559-1

Title page of the Comptoir Almanach from 1616, 1615 print Title page of the Comptoir Almanach from 1616. On either side of the title a standing young woman and a sailor, at the top of the coat of arms of the city of Amsterdam, at the bottom of the fair. The title printed of a separate plate within the figurative frame. print maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching / engraving / letterpress printing calendar, almanac Fair of Hendrik de Keyser

Philosophers zeno and cleanhes; Title page for Justius Lipsius, L. Annaei Senecae Philosophi Opera, 1615. Central to a rectangular framework The title of the book work. On either side of the frame the classic philosophers Zeno and cleanhes. At the top of the portraits of Hercules, Minerva and Odysseus in oval lists. At the bottom of the portraits of Seneca and Epictetus.

Allegorical show with a woman and a Roman soldier, Pieter Serwouters, 1630 print On the right there is a woman on a piercing stable. She looks at a soldier in Roman armor on a Pieth stable on the left. Between them in a monument with the author and title of the work. In addition, a wreath of Jacobsschelpen for two crowned coats of arms. At the bottom in a cartouche the impressum. print maker: Amsterdampublisher: Leiden paper engraving the soldier; the soldier's life. adult woman

Cornelis Galle I, Frontispiece for Lessius, De Iustitia et Iure (7th edition), 1632, engraving on paper.

Invention of painting; Le Cabinet des Beaux Arts, Ou Recueil Des Plus Belles Estampes, Gravées D'Aprés Les Tableaux Originaux (...). Amor as an inventor of painting. A shepherd draws the contours of the face of her loved one, which are projected by means of lamp light, over on the wall. Amor leads her hand. Presentation in an ornamental frame. Above the print text in French, page 42. Prent is part of an album.

Abbildungen der jagtbaren Thiere mit derselben angefuegten Faehrten und Spuhren, Wandel, Gaenge, Abspruenge, Wendungen, Widergaengen, Flucht, und anderer Zeichen mehr mit vielem Fleiss, Zeit und Muehe nach der Natur gezeichnet, samt einer Erklaerung darueber, page. Ridinger, Johann Elias (1698-1767). Prints, Illustrations, Scientific illustrations, Title pages. 1740. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Nehalennia altars, Jan de Mel, 1648 - 1650 print Leaf with overview of altars with Nehalennia, numbered 10-18. Coming from: Olivier de Wree, Historiae Commitum Flandriae Libri Prodromiduo, Lucas van den Kerchove, Bruges 1650. First State with top right: p. ..., No. 2. Netherlands paper engraving other foreign deities included in the classical Pantheon (with NAME)

Portret Van de Arts Charles Delorme, Jacques Callot, 1630 print Oval BostePortret of Charles Delorme, personal physician of the Kings Hendrik IV and Louis XIII of France. To the oval with the image a hexagonal star and around it a snake that bites in its own tail. This whole is held by the branches of two trees. At the top left a rooster, at the top right an eagle, below a dragon and bottom left a dog. With Latin and Greek texts in banderollen, as margins and as a caption. Nancy paper etching historical persons. physician, doctor. serpent Ouroboros

Boleslaw I, the cruel Duke of Bohemia.

Dibbaldus, first king of the West Frisians; Dibbaldus. Rex Frisiae Occidentalis Primus; Kings and potestocks from Friesland; Frisia, SEV, the viris. Dibbaldus, first king of the West Frisians. Standing for feet, scepter and sword fat in hand. In an ornamental frame. Illustration, with text on the back, coming from the book: Frisia Seu de Viris Rebusque Frisiae Illustrus Libri Duo.

Decker, Coenraet, Title page for: Jan van Westerhoven, Den Schepper Verheerlykt inde Schepselen, 1685, Centaur and eagle with fish tail, verso - stamped, On either side of a monument with the title of the book, a centaur and an eagle with a fish tail are blowing trumpets. Below that, a landscape., print, title page, prints, etching, height 146 mm, width 99 mm, Dutch, 1650 - 1685-03-02, print maker, printmaker, 1685 - 1685, paper, papier, etchings

Vignette depicting the personified Vice surrounded by snakes and thorny branches, atop the architectural frame is a skull Virtue has devil's ears and holds a branch with thorns With her right foot she kicks on two stone tablets on which the Ten Commandments are written The print is part of a series of book illustrations on virtues and vices, Vignette with the personification of Vice Vice Virtues and vices , print maker: Jacob Folkema, (mentioned on object), intermediary draughtsman: Johannes de Bosch, (mentioned on object), 1723 - 1767, paper, etching, letterpress printing, h 91 mm × w 120 mm

Historical engraving, 1605, cover of the first edition of Don Quixote by Miguel de Cervantes Saavedra, 1547-1616, Spanish writer

A baroque monument decorated with Apollo holding a lyre and Aesculapius holding a book and a cockerel; a portrait of Johann Freitag the Younger in a roundel on the pediment. Engraving, 1644.

Naakte Fortuna op wereldbol draait het rad van fortuin rond; Titelpagina voor: Historia regni Henrici Septimi Angliæ regis, Leiden 1642; Historia regni Henrici Septimi Angliæ regis.Naked Fortuna stands on a globe, in her right hand, she holds a vase and a bit, with the left hand she turns the wheel of fortune around. Different headwids and attributes are attached to the wheel that can be associated with different positions such as an emperor crown, king wreath, broom and kick. On the left are Hendrik VII and a soldier who touch Fortuna and on the right Hendrik VII who puts a stick in the wheel and a soldier who gestures to the globe. The title is stated on a cloth above the performance.

Portret Van Keizer Karel V, 1559 Portrait of Emperor Charles V, on a coin with edge. The print is part of a book about the emperors from Julius Caesar to Charles V and his brother Ferdinand. Antwerp paper etching / letterpress printing Portrait of Emperor Charles V, on a coin with edge. The print is part of a book about the emperors from Julius Caesar to Charles V and his brother Ferdinand. Antwerp paper etching / letterpress printing

Frontispiece to 'Traittez de barometres, thermometres, et notiometres, ou hygrometres' by Joachim d'Alence, d. 1707. Published in 1688

Title print for the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582, 1579 - 1581 Allegorical monument with two obelisks and the figures abundance, Neptune and the personification of industry, a lion at the bottom. The title and imprint is printed in three -saved cartouches. The show cut out and glued. Title print in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. print maker: Netherlandsprint maker: Netherlandspublisher: Antwerp paper etching / letterpress printing Antwerp Allegorical monument with two obelisks and the figures abundance, Neptune and the personification of industry, a lion at the bottom. The title and imprint is printed in three -saved cartouches. The show cut out and glued. Title print in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. print maker: Netherlandsprint maker: Netherlandspublisher: Antwerp paper etching / letterpress printing Antwerp

Amsterdam, Ravesteyn, Johannes van, Netherlands, Santvoort, Abraham Dircksz., Title page for: Zinkgreven, Julius Wilhelm and Weidner, Johan Leonard. Duytsche apophthegmata of sharp-witted sayings, 1669, Allegory of eternal fame, verso lower right - stamped, On the left stands the personification of History with writing implements on Father Time's lap. Father Time has a winged hourglass on his head. On the right, Fame tramples Death in the shape of a skeleton. Above five putti around a tomb. Two of them are carrying a band of sayings with the Latin translation of 'Virtue survives death'. At the bottom a cartouche with the publisher's details and a garland., print, engraving, title page, prints, engravings, height 134 mm, width 75 mm, Noord-Nederlands, 1634 - 1669, print maker, printmaker, 1669 - 1669, paper, papier, etching, etchings, Publication (Event), Publicatie, Nederlands, publisher

Dedication sheet of Albrecht Dürers Small Passion 1612 edition, combining woodcut and type print, showing figures, composition, text, and decorative elements.

Title Plate, from Pendant Designs with Architectural Elements and Vegetal-Arabesques before 1573 Jan Collaert I Netherlandish Vertical panel with pendant design at center with the text on a cartouche set in an ornament with a vegetal-arabesque pattern. Above, a circular temple flanked by two small heart motifs. From a set of ten plates with pendant designs incorporating arabesque decoration. This plate belongs to the first edition, published by Hans I Liefrinck in Antwerp before 1573.. Title Plate, from Pendant Designs with Architectural Elements and Vegetal-Arabesques 425899

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