Decorative Vessel Designs

Architectural designs of ornate chalices and vases, emphasizing intricate details and ornamental elements, reflecting classic craftsmanship.

Design for a jug, 1776 Italy paper. ink. pencil pen / brush container of precious metal

Drawing, Design for a Chalice; Italy; pen and ink, brush and wash on paper

Vaas puts Guirlands, Unknown, C. Baquoy, After Jean Charles Delafosse, 1771 print An ornamented vase with garlands. Paris paper etching / engraving vase ~ ornament

Design for a can. .

Sitting women and vase; D 4th Suite d'Arabesques.twee sitting on either side of a standing woman surrounded by Arabesken, above a vase shuttering Arabesken.

Vase with garlands, anonymous, 1770 - 1780 print A vase with bow and garlands. Paris paper etching vase ~ ornament. ornament ~ festoon, garland

Design for a jug, 1776 Italy paper. ink. pencil pen / brush container of precious metal

Vase with putto and woman ending in leaf ornament, 1714 print Numbered top left: no. 76. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching jar ~ ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Design for a Candlestick 1510-63 Attributed to workshop of Ottavio Strada. Design for a Candlestick. Attributed to workshop of Ottavio Strada (Italian (naturalized), Nuremberg () 1550-1606 Prague). 1510-63. Pen and brown ink, brush and brown wash, over black chalk. Drawings

Three marble vases and a sarcophagus. Etching by G.B. Piranesi, ca. 1770.

A sitting sphynx supports with head and wings the top which is semi-circular. Below is a high base in the height of the lower frame of the dado of the room. The candlestick is a monumental column with, on top, one straight central and four curved branchs with candles. The four lower ones are burning. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1787-1793. Museum: Cooper Hewitt, Smithsonian Design Museum.

Silver vase by Odiot, Paris.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Vases

Neoklassie vaas met draperie, p. Moithi), p. Moithiye (L'Ainé), 1760 - 1780 print Neoclassic vase with lid. The button has the shape of a sphere. The belly is decorated with draperies, the foot with acanthus leaves. Up to the top left. paper etching vase ~ ornament

Fontein with around water basin in pointed Bassin, Anonymous, After Francesco Fanelli, 1680 - 1707 print At the top is a boy with a vase on his shoulders on a dolphin. From series of 16 magazines, second edition. after design by: Italy (possibly)publisher: Paris paper engraving

Drawing, A Pitcher; Italy; black chalk, pen and ink, brush and bistre wash on laid paper; 28.5 x 19 cm (11 1/4 x 7 1/2 in.)

Chalice with vines, corners and garlands, 1714 print Numbered top left: no. 5. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching chalice. vine. vine-tendril, leaf. plants and herbs: wheat. ornament ~ festoon, garland

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The circular bowl is supported by lion feet, two are visible upon two plinths. From the feet rise volutes with cherubim on top. In the center, above the front, is a bowknot from which hang a circular medallion with the representation of the baptism of Christ, and festoons toward the below the cherubim. The lif is framed by a round base, with a group of sitting and kneeling angels upon clouds together supporting a high chalice with the host hovering above it. Usual background., Rome, Italy, ca. 1775, architecture, Drawing, Drawing

Covered Cup with Grape Festoon, mid 1500s. Copy after Antonio Fantuzzi (Italian, c. 1510-c. 1550). Etching; sheet: 33.3 x 25.5 cm (13 1/8 x 10 1/16 in.); platemark: 31.7 x 24.8 cm (12 1/2 x 9 3/4 in.).

Paris, Crépy, Jean-Baptiste, C Nouveau Livre De Vases, Vase and cartouche, verso - stamped, An ornamented vase, below it a cartouche with garland., print, ornamental print, prints, ornamental prints, height 167 mm, width 134 mm, print maker, printmaker, 1770 - 1780, paper, papier, etching, etchings, Publication (Event), Publication, French - 1796, publisher

Paris, Stella, Claudine, France, Jacques, Bouzonnet, Françoise, Livre de Vases, Jug with leaves around the neck, The bottom is decorated with rod work, the handle rests with an animal paw on a mask and ends at the top in a snake's head. Sheet 12 from a series of 24 sheets, numbered: 1-21, 23-25. This series was followed by the series Second Livre de Vases, consisting of 25 sheets, in which the numbering continues., print, ornament print, prints, ornament prints, height 274 mm, width 204 mm, 1638 - 1691-04-18, print maker, printmaker, 1657 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, French, 1596 - 1657-04-29, after a design by, Publication (Event), Publication, 1636 - 1697-10-01, publisher

Vase with Meermannen and Mask, 1729 - 1737 print A vase with two Meermannen and a mask on a shell. Paris paper etching vase ~ ornament. merman. mask, mascaron ~ ornament. scallop, shell ~ ornament

Twee Bassins, 1667 print The basin at the bottom is decorated with the head of a ram and is worn by three sitting saters. Leaf 45 from series of 25 sheets, numbered: II (formerly 26), 27-50. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Gutturnium; Crockery such as jugs, pepper and salt vessels and a drinking scale. Can, whose belly is decorated with a fight between centaurs and two large mascarons. The ear ends at the neck in a bust of a woman, held by a child standing on the neck. Horizontal shaded background. From series of 12 sheets.

Print (France)

Design for a Round Tureen, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a round tureen intended to be executed in partly gilded silver. The round base is similar to that in 1938-88-651: a round base of two sections, the lower one showing a fret band. Four standing displayed eagles carrying festoons are intended upon the upper section, three shown. A round pedestal rises in the middle. Upon it stands upon four curved legs the bowl, described with leaf festoons hanging from Medusa masks at the upper ends of the legs. Pairs of snakes rise from the lateral masks, serving as handles. The upper part of the cover is shaped as a shell. Upon it stands the figure of Juno, raising a bowl with her right hand, the peacock beside her., Rome, Italy, early 19th century, tableware designs, Drawing, Drawing

Kandelaar met guirlandes; Chandelier a deux branches; Kandelaars; 55e Cahier.An oramic three-armed candlestick with garlands and leaf motifs. Print number 329.

Copper engraving by Agostino Veneziano depicting a vase with two handles, created in 1530, emphasizing classical form and ornamentation.

Paris, Langlois, Nicolas (II), Italy, Fanelli, Francesco, Fontaines Et Iets D'Eau, Fountain with shell-shaped basin on baluster-shaped trunk, On top of the fountain are a winged fox and a lion carrying a coat of arms., print, ornamental print, prints, ornamental prints, height 196 mm, width 156 mm, Work conception, Italian, 1585 - 1665, after a design by, 1680 - 1707, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1670 - 1707, publisher

Doopvont, anonymous, after Hendrick de Keyser (I), 1575 - 1629 paper etching

Design for a Water Urn with Stand, Joseph Anton Seethaler II, German, 1799-1868, Pen and black ink, brush and black, gray wash on wove paper, On circular plinth with four feet (three visible), a sphere, top section of which serves as cover and topped by Cupid in a chariot drawn by a snail. Supported by curved poles with lion feet and lion heads with wings. Spout starts from a dolphin's head which has a human face and which tops two bodies upon which two girls sit. Underneath are three blacksmiths around an anvil which would have been intended as a receptacle for spirits., Augsburg, Germany, 1820-35, metalwork, Drawing, Drawing

A pencil sketch by Emerich Alexius Swoboda showing a gas lamp decorated with human figures and ornamental tendrils, recorded in his sketchbook between March and July 1877.

Print, Ornamental Vase Design; Designed by Edmé Bouchardon (French, active Rome and France, 1698 - 1762); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching on paper

Design for the Decoration of the Surround of the Ramrod Pipe of a Firearm. Culture: French, Versailles. Designer: Workshop of Nicolas Noël Boutet (French, Versailles and Paris, 1761-1833). Dimensions: 3 1/4 x 1 7/8 in. (8.3 x 4.8 cm). Date: ca. 1795-1805. Museum: Metropolitan Museum of Art, New York, USA.

Print

Print, Vase de marbre blanc, dans la grande allée à Versailles; Print Maker: Marie Michelle Blondel (French, active mid 18th century); Published by François Blondel; France; etching on laid paper

Kandelaar Met Drie Cherubijnen; Different Kerkelijke Voorwen; Different drawings invented and outlined by Giovanni Gardens from Forlì.Numbered Upper Left: No. 35.

Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs Printed ca. 1750-56 Martin Engelbrecht Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by the figures of 2 cherubs at the top. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs. Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Design for a Rattle and Whistle (recto); Crude Sketches of an Equine Animal and a Figure in Exotic Costume (verso). Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 8-3/16 x 3-13/16 in. (20.8 x 9.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Vase de marbre blanc, dans la grande allée à Versailles; Print Maker: Marie Michelle Blondel (French, active mid 18th century); Published by François Blondel; France; etching on laid paper

Monumental decorative vase with two fauns, Anonymous, 1700 - 1800 drawing Monumental ornamental vase, with an ear turned to the front and two fauns against the neck. paper. ink. watercolor (paint) pen / brush containers

Print (France)

Design drawing of a candlestick, Anonymous, 1700 - 1799 drawing Candlestick with canalized trunk, with flowerguirles above and on the foot; as a bet a top view of the foot (half drawn); annotated in the lower margin; "Nº 2 the 12 P CES Defrance. France paper. ink pen / brush

Three vases, one on pedestal, Giovanni Battista Piranesi, 1778 print Three ornamental vases of which one, with a sacrificial scene, stands on a pedestal with sphinxes and garlands. Captions with the vases. Assignment in the end margin. Rome paper etching vase ~ ornament

Vase with two saters, Benigno Bossi, After Ennemond Alexandre Petitot, 1764 Vase on foot, decorated with acanthus leaves. A small sphere on the foot, on which the belly of the vase rests. Two saters who hold each other on a handle. No. 17 from series of 31. print is part of an album. Printed recto at the top right: 17. paper etching vase ~ ornament. satyr(s) (in general)

Print, Pot à Oille (Soup Tureen), plate 78, in Elements d'Orfevrerie (Elements of Goldsmithing), Second Part; Designed by Jacques III Roëttiers (French, 1707-84); Etched by Jean Jacques Pasquier (French, died 1785); France; etching on white laid paper; Sheet: 24.5 x 18.4 cm (9 5/8 x 7 1/4 in.) Platemark: 19.8 x 13.7 cm (7 13/16 x 5 3/8 in.)

Louis XV (king of France), Paris, Huquier, Gabriel, Meissonnier, Juste Aurèle, Oeuvre de Juste Aurele Meissonnier, Nef pour le roy, Ontwerp voor een ornamentaalstuk met de wapen van de Franse koning, This piece is called a 'schip' (French: nef de table), and is an ornamental piece on a table made of gold or silver, often intended to to keep the cutlery of the most important person at the table., print, album sheet, ornamental print, prints, height 178 mm, width 273 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1738 - 1749, paper, papier, etching, etchings, Work conception, 1693 - 1750-07-31, after a design by, Publication (Event), Publication, publisher, uitgeverij, 1710-02-15 - 1774-05-10, granter of privilege

Ewer and Basin 1862 Jules-Ferdinand Jacquemart. Ewer and Basin. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1862. Etching. Prints

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on light blue paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and white marble. Design for a candlestick with variations similar to 1938-88-593. Base supported by two lying golden griffons. Upon a half-circular base with decorations of garlands of trophies of vessels stands a column with the statue of Apollo on top. Two arms with burning candles are springing from ram heads, below the Ionic capital. A snake is wrapped around the column. Before the column stands a tripod, between two priestesses supporting with their erected outside arms cornucopias with a burning candle in each. At the bottom, the plan of the base., Italy, ca. 1800, lighting, Drawing, Drawing

Print, Ornamental Vase Design; Designed by P. Moithey (French, active 18th century); Published by Jean-Baptiste Crépy (French, active 1753 - d. 1796); France; etching on paper

Drawing, Design for a Vase; Italy; pen and ink, brush and wash on paper

Two Tureens, Pen and ink, brush and wash on paper, Europe, 1790, tableware designs, Drawing, Drawing

Ewer with a Siren n.d. Albrecht Altdorfer German. Ewer with a Siren 405589

Romansh capital; Style Roman. .

Design for a Reliquary for a Thorn of the Crown, Pen and ink, brush and blue, green, rose watercolor, graphite on paper, Vertical rectangle. The receptacle of the reliquary is shaped like a column, which is carried by a cherub who stands upon a base, which is supported by knobs. The top of the shaft of the column is surrounded by a crown of thorns, beneath which four cherubim are shown. At left and at right of the shaft are cherubim and leaf scrolls, the lower of which are connected with the cherub below by festoons. On top of the columns are a kind of onion dome and a cross. A cherub is very slightly sketched as a support of the reliquary., Italy, late 18th century, furniture, Drawing, Drawing

Girandole puts Ranken; A notebook of six girandoles for the use of goldsmiths and founders; Artworks with bronze sculptures, containing girandoles, torches, fire (...). Een Geornamenteerde Tweearmige Girandole puts Ranken in Blowen.

Wilkinson Tracing, Design for four pedestals and jardinieres, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

French Crown, Paris, Huquier, Gabriel, Bouchardon, Edme, Second livre de vases, Vase with griffins, verso - stamped, A vase with two griffins and a snake., print, ornament print, prints, ornament prints, height 198 mm, width 131 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1729 - 1737, paper, papier, etching, etchings, Work conception, 1698-05-29 - 1762-07-27, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Can with a spout and an ear, anonymous, after mathis zündt, c. 1508 - 1551 print The abdomen of the jug is decorated with leaf vine, garlands and mascarons. In the ear there is a satap that blows on a pans flute. From a series, consisting of a title page and 30 sheets with vascular work. Germany (possibly) paper engraving

Design for a Candelabrum, Graphite, pen and ink, brush and watercolor on white paper, Urn-shaped of mottled blue stone with gilt bronze mounting. About base of urn, rayed laurel leaves; at sides: two vertical volute handles with a satyr mask at the point of junction with sides; three branches emerging from top, with foliate decoration supporting each foliate candle socket. Framing ink line and stripe., France, ca. 1780, lighting, Drawing, Drawing

Birago, Giampietrino, Italy, Ornament panels, Fragment of a candelabrum constructed from a base with two sphinxes and a vase on a plinth and two wild men tied to the ears of the vase, verso middle - stamped, print, ornament print, prints, height 270 mm, width 72 mm, Italian, print maker, printmaker, 1500 - 1500, first quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Print, Ornamental Vase Design; Designed by P. Moithey (French, active 18th century); Published by Jean-Baptiste Crépy (French, active 1753 - d. 1796); France; etching on paper

Design for a Vase. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina). Dimensions: 12-5/8 x 8-1/8 in. (32.1 x 20.6 cm). Date: 1499-1543. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Candelabrum. Designer: James Byres (British (born Scotland), 1733-1817). Dimensions: sheet: 30 x 22 in. (76.2 x 55.9 cm). Date: 1765. Museum: Metropolitan Museum of Art, New York, USA.

Vase with a lid and two rings hanging in the mouth of a mascaron; Sic.romae.antiqui.sculptores.ex.aere.et./marmore.Paciebant; Vases and jugs. The belly of the vase is decorated with a garland above which a lion is on a branch. From series of 12 sheets.

Example of the Tuscan order from Trajan's Column, Rome, 113 AD. Base with double plinth, ornamented pedestal with Roman eagles, torus with oak leaves, shaft with carved frieze of Trajan's victories, and statue of Emperor Trajan at top. Copperplate engraving from Francis Fitzgeralds The Artists Repository and Drawing Magazine, Charles Taylor, London, 1785.

Drawing, Design for a Candlestick; France; pen and ink, brush and sepia wash, graphite on paper; 44 x 29.4 cm (17 5/16 x 11 9/16 in.)

Design for a Console Table. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Urn and weeping willow (TF)

Gothic style jug, with right below CA in monogram, Gift jug, draughtsman: anonymous, Germany, c. 1840 - c. 1850, paper, h 223 mm × w 188 mm

French crown, Paris, Chéreau, Jacques-François, Lalonde, Richard de, Saint-Morien, de, XXIIe Cahier Fragmens d'Architecture, Imposte, Vase et Autel Antique, Impost, vase and altar, verso - stamped, On the left an impost. In the middle a vase with a goat's head, handle and small jug. On the right an altar with volutes with acanthus leaves., print, ornamental print, prints, ornamental prints, height 188 mm, width 288 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Covered Goblet in a Niche Albrecht Altdorfer German. Covered Goblet in a Niche 430253

Vase, Putti and Swans, Laurent Guyot, After Francois Voisin, 1788 print An ornamented vase with putti, garlands, birds and ears. Below that two swans on a pedestal and arabesks. paper etching vase ~ ornament. cupids: 'amores', 'amoretti', 'putti'. water-birds: swan

Design for a Ewer 1734-91 Jean Charles Delafosse French. Design for a Ewer 335825

Print (France)

Chalice with Head of a Warrior. Dated: published 1579. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Georg Wechter I.

Vase. Dated: c. 1936. Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Janet Riza.

Corner View of Composite Capital, Black chalk, pen and ink, brush and bistre on paper, Decorated with two rows of calyxes., France, 1625-1650, architecture, Drawing, Drawing

Plate 7, Livre de vases (Book of Vases), François Boucher, French, 1703 - 1770, Gabriel Huquier, French, 1695-1772, Chez Le Pere et Avaulez, Paris, France, Etching on cream laid paper, Folio 7, plate 7 of a series of 12. Design for a vase to be executed in metal, placed on a pedestal. Shell-shaped forms near the neck and lid, the handle connected to the base by a snake-like chain. Sitting on the handle is a crouching dog baring its teeth. Reclining in the slope of the neck, at right, a putto figure., Paris, France, 1738-72, metalwork, Bound print, Bound print

Andrea Carlone draft of a vase design, executed in feder and ink, laved.

Design for Two Candlesticks with decorated Bases early 16th century Made by Giulio Romano Italian. Design for Two Candlesticks with decorated Bases 343967

Wandarm, Andreas Stöttrup, c. 1780 drawing Wall arm, decorated with a lion's head and crowned by a vase, with alternative solutions for the two arms. Hamburg paper. graphite (mineral) pen / brush

Three Elegant Vessels on a White Background. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: sheet: 8 1/4 x 5 9/16 in. (21 x 14.2 cm). Date: 1530. Museum: Metropolitan Museum of Art, New York, USA.

Candelabra. Italian renaissance.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Candelabras

Design for a Vase, Pen and ink, brush and wash on paper, Vertical rectangle showing a footed vase with bucraneum., Italy, 19th century, ornament, Drawing, Drawing

Vase; Cinquieme suite the vases. Print from a numbered series with twelve vases by Allou and Nicolet.

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various church objects, Candlestick with tiaras, keys and boys holding garlands of fruit, verso - stamped, Numbered top left: no. 32., print, ornamental print, prints, ornamental prints, height 299 mm, width 154 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Design for an Urn with Four Putti in Central Cartouche ca. 1810 Anonymous, Italian, early 19th century Italian. Design for an Urn with Four Putti in Central Cartouche 390406

Plate from Suite des Vases Tirée du Cabinet de Monsieur Du Tillot, Marquis de Felino, 1764, Ennemond-Alexandre Petitot; Etcher: Benigno Bossi, French, 1727 - 1801, 9 x 6 1/2 in. (22.86 x 16.51 cm) (plate, each varies)17 3/4 x 11 1/2 in. (45.09 x 29.21 cm) (sheet), Etching, France or Italy, 18th century

Aldegrever, Heinrich, Germany, Design for a dagger, Design for a dagger and its sheath. The grip is decorated with foliate scrolls. The sheath is decorated with foliate scrolls and medallions and on the mouthpiece are a naked man and a naked woman., print, ornament print, prints, height 323 mm, width 111 mm, width 47 mm, German, 1502 - 1561, print maker, printmaker, 1536 - 1536, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by

Vase and quick figures with winged head; A Premier Cahier d'Arabesques. On either side of a plant in a vase sit winged female attachments with a winged head between them in, on the bottom an oval medallion with a sitting woman.

Designs for two garden vases, with detailed studies of the handles. Draughtsman: C. Kayser. Dating: 1773. Measurements: h 228 mm × w 350 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Design for a Silver Candl; Attributed to Giuseppe Gagliardi (1697 - 1749), Giovanni Bettati (ca. 1700 - 1777); Italy; pen and brown ink, brown wash, black chalk support: white laid paper; 38.5 x 21.8 cm (15 3/16 x 8 9/16 in.) Mat: 91.4 x 71.1 cm (36 x 28 in.)

Globe with wine-drinking putti; Livre De Vases. The spout is decorated with vines. Leaf 5 from series of 24 sheets, numbered: 1-21, 23-25.

Three Classical Vases, One with Garlands. Dated: 1779. Dimensions: plate: 14.9 x 10.6 cm (5 7/8 x 4 3/16 in.) sheet: 16.2 x 11.9 cm (6 3/8 x 4 11/16 in.). Medium: etching printed in red on laid paper. Museum: National Gallery of Art, Washington DC. Author: Patrick Begbie.

Design for a Table with an Acanthus Leaf and Swan Base. Artist: Anonymous, French, 19th century. Dimensions: sheet: 6 1/4 x 7 9/16 in. (15.8 x 19.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Kaufmann Hans, Prunoklantern from wrought iron (without dat.): View. In the ink white heighted on the cardboard, 42.5 x 28 cm (including scan edges)

Three antique vases, one on pedestal, Giovanni Battista Piranesi, 1778 print Three antique vases, one on a pedestal. Text in STUDMARGE. Rome paper etching vase ~ ornament

Base carved ebony, vintage engraving. Base carved ebony, vintage engraved illustration. Magasin Pittoresque 1870. Copyright: xZoonar.com/PatrickxGuenettex 10679351

Plate 3: Vase with a satyr's mask and garlands, from Antique Vases (Vasa a Polydoro Caravagino) 1605 Aegidius Sadeler II Netherlandish These vases are reverse copies of Alberti's series of 1582.. Plate 3: Vase with a satyr's mask and garlands, from Antique Vases (Vasa a Polydoro Caravagino) 652409

Drawing, Epergne; Italy

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