Decorative Wallpaper Designs

Varied wallpapers showcasing intricate floral and arabesque patterns, utilizing vibrant colors and metallic accents, reflecting 19th-century design trends.

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper, liquid mica; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper, liquid mica; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Frieze, Machine-printed paper, liquid mica, On gray-white gradient ground, alternating anthemion motifs printed in brown, white, dark green, and dark burgundy. Rinceaux, flowers, scrolls, and heart shapes., USA, 1905-1915, Wallcoverings, Frieze

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 5/8 x 8 1/4 in. (27 x 21 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall, Block-printed paper, embossed, Against a light blue ground, finely embossed, is printed an arabesque design with circular motifs composed of addorsed griffins, an urn, a chalice, bunches of roses and wheat, connected by thin, serpentine ribbons and leafy branches. Printed in several values of warm gray, with gold details. Drop match straight repeat. Printed in margin: '590'., possibly France, 1850-1855, Wallcoverings, Sidewall

Napkin with the history of Susanna, Anonymous, c. 1600 Linnamast napkin with the history of Susanna. Midfield: The symmetrically doubled pattern shows three scenes from bottom to top: 1 Susanna in the bath (halved). 2 false witness of the elders. In front of a court, in the middle, Susanna stands with uncovered head, a pleated remark around the neck, puffed sleeves, and a wide Vertugadin skirt. The two elders, one the mirror image of the other, lay a hand on her head. 3 Daniël's judgment. A man was sitting on a right chair with inscription Daniel who had asked the elders individually under which tree they had seen Susanna. Standing edges: Single slender with flowers and birds. Northern Netherlands linen (material) damask Linnamast napkin with the history of Susanna. Midfield: The symmetrically doubled pattern shows three scenes from bottom to top: 1 Susanna in the bath (halved). 2 false witness of the elders. In front of a court, in the middle, Susanna stands with uncovered head, a ple

Napkin with Frisian weapons and Orpheus in the middle of the animals, Quirijn Jansz. Damast (Possible), 1645 Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking edge. Haarlem linen (material) damask Friesland Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking

Print, Ceiling Design; Designed by Nicolas Pineau (French, 1684-1754), Jacques-François Blondel (French, 1705 - 1774); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758), Jean François Daumont (French, active 1740-1775); France; etching and engraving on laid paper

Frieze (USA); Manufactured by Howell and Brothers; machine-printed paper; 181.5 x 50 cm (71 7/16 x 19 11/16 in.)

Putti with floral basket and arabesken. Putti with floral basket in an oval cartouche of leaf refrences, surrounded by garlands, birds and arabesque.

Ceiling paper, Maxwell & Co., S.A., Chicago, Illinois, USA, Machine-printed paper, liquid mica, On light gray ground, joined squares and circles containing scroll motifs and wreaths in green, white, and pink., USA, 1905-1915, Wallcoverings, Ceiling paper

Frieze (USA); machine-printed paper; 91 x 49 cm (35 13/16 x 19 5/16 in.)

PUTTTI Met BlossMand an Araviax, Gilles Dreams Departeau, According Jean Baptists (Le Vieux), 1776 print Putti with a flower basket in an oval cartouche of leaf vines, surrounded by garlands, birds and arabesken. paper etching cupids: 'amores', 'amoretti', 'putti'. container made of plant material other than wood: basket. ornament ~ arabesque

Ceiling paper, Machine-printed on paper, On pink ground, rinceaux in gray and pink scrolls, circular medallion in red and pink framed by tan; cartouches framed by pink scrolls and tan fleurs-de-lis., USA, 1907-08, Wallcoverings, Ceiling paper

Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (9) ca. 1600-1617 Theodor Bang German Frieze made up out of two horizontal borders. The lower border is four times as wide as the upper border which is decorated with a pattern of meandering vegetal rinceaux and flowers. The lower border has rinceaux and strapwork hanging from the upper edge with a large central motif in the middle. On either side, a hanging stylized flower calyx and a garland with fruit are visible.. Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (9) 406541

Frieze, William H. Gledhill, Machine-printed paper, embossed, Stylized rose alternating with acanthus or foliate medallions. Strung beads along top and bottom edges, also outlining medallions. Printed in soft pink and green on light yellow ground., Irvington, New Jersey, USA, 1905-1915, Wallcoverings, Frieze

Arabues and Grotesken, 1778 print Leaf with five numbered performances. XLII: Ornamental Frisian. XLIII: Grotesken with birds, vases and a medallion with a portrait. XLIV: Arabesken. XLV: Grotesken with a medallion with a portrait of a man with a helmet. XLVI: Ornamental Frisian with flowers. Italy paper etching foliage ~ ornament. ornaments ~ art

Herderin and musician shepherd in Landschap, Louis Crépy, After Jean Antoine Watteau, in Or Before 1727 print In a landscape there is a shepherdin leaning against a tree at a waterfall. She listens to a shepherd playing on a whistling. There are two sheep on the left and a dog. Around the show a ornamental frame with dolphins, torches and dods. Paris paper etching sitting figure - AA - female human figure. making music; musician with instrument. landscapes (+ landscape with figures, staffage)

Napkin with Frisian weapons and Orpheus in the middle of the animals, Quirijn Jansz. Damast (Possible), 1645 Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking edge. Haarlem linen (material) damask Friesland Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking

Napkin with David and Abigain. Napkin of Linnendamast with David and Abigain. Midfield: David and Abigain. Running edges: leaf and flower drinks and birds; Beyond: Block edge.

Panel Made 1601-1700 Turkey. Scutari velvet brocade .

Design for a ceiling second half 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling 388260

Ceiling Paper (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper, liquid mica; 92 x 49 cm (36 1/4 x 19 5/16 in.)

Frieze (USA); Manufactured by Imperial Wallcoverings Inc. (United States); machine-printed paper, mica flakes; 92 x 49 cm (36 1/4 x 19 5/16 in.)

Schick Carl, family book cover (1885): View. Ink on cardboard, 40.2 x 30.2 cm (including scan edges)

Sheet with overall leaf and vine pattern 19th century Anonymous. Sheet with overall leaf and vine pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Design for a Book Cover, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, On light green ground, vertical registers containing green stars; upper center four overlapping circles with gold details inside. Verso: graphite sketches., USA, ca. 1887-1903, graphic design, Drawing, Drawing

Napkin with Louis XIV, anonymous, c. 1670 Linnamast napkin with Louis XIV. Midfield: The symmetrically doubled pattern shows four scenes from bottom to top: 1 two coats of arms (Bourbon and Navarra) are covered by a crown and surrounded by the order chains of St. Michel and St. Esprit, which are a medallion with Michael and the Maltzerkruis With pigeon. 2 On a horses used to the middle, with the marshal staff in hand, Louis XIV is seated, with allone -using and relatively low -widely -rooted hat with plume. 3 Weapon trophy, above which Vive Rex FR exhawed by a flying angel, who holds a laurel wreath above the prince. 4 Left and right of a crowned L, covered by a bourbonlelie, is a trophy wreath, in which: Lu Dovicus XIIII d G fr et nav rex plenus Victoria. Standing edges: Tropheas, Fleur de Lis and acclaimed L; Outside of it blocks. Satin 5 Binding. Southern Netherlands (Possible) linen (material) damask Linnamast napkin with Louis XIV. Midfield: The symmetrically doubled pattern shows

Frieze (USA); Manufactured by Wm. Campbell Wall Paper Company; machine-printed paper; 233.5 x 49 cm (91 15/16 x 19 5/16 in.)

Gustav garlic (1833-1916), plant ornaments (without date): View. Pencil watercolor on the box, 45.4 x 32.9 cm (including scan edges) Knoblauch Gustav (1833-1916): Pflanzenornamente

Design for a ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 8 5/8 x 11 1/16 in. (21.9 x 28.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Luc-Olivier Merson (1846-1920). The months: January (skating - Les Entrennes - Le Chauffage - The Festival of Kings). Museum of Fine Arts of the City of Paris, Petit Palais. 37956-20 Arabesque, heating, cherubin, floral decor, being, kings party, January, months, skating, ceiling, classical statue

Design for decorations on a wall, Jacob van Campen, 1600 - 1699 drawing Design for the decorations on a wall around a door with putti and garlands. paper. ink pen / brush children's bacchanal. ornament ~ festoon, garland. wall-covering. surface decorations ~ architecture

Ceiling paper, William H. Mairs and Company, Brooklyn, New York, Machine-printed paper, textured, liquid mica, Overall waving scrolls pattern with individual pink roses with foliage. Ground is cream and embossed with a treillage and flower design. Printed in gold mica, green, pinks, white, and grey., Printed in selvedge: 'Wm. H. Mairs & Co. 2635', Brooklyn, New York, USA, 1905-1915, Wallcoverings, Ceiling paper

Frieze (USA); machine-printed paper; 233.5 x 49.5 cm (91 15/16 x 19 1/2 in.)

Frieze (USA); machine-printed paper, mica flakes; 91.5 x 56 cm (36 x 22 1/16 in.)

Sidewall, Wm. Campbell Wall Paper Company, 1872, Machine-printed paper, liquid mica, On green ground, treillage of floral rinceaux in white and pink, scrolls in green and gold; at center vase of bouquet of white and pink surrounded by black trellis, framed by gold beads., Hackensack, New Jersey, USA, 1905-1915, Wallcoverings, Sidewall

Cartoon for Printed Cotton: Les Quatre Elements, Hartmann et Fils, (Munster, France), Pen and black ink, brush and grey wash on cream laid paper, mounted, An unfinished cartoon for cotton printing. Within vertically-disposed ornamental arabesques are: upper left, Juno seated in a chariot drawn ove the clouds by peacocks, and supporting the vignette are kneeling zephyrs facing each other (personifying Air); lower left, Vulcan forging armor, and supporting the vignette are two cyclopes (personifying Fire); upper right, sirens supporting the vignette showing Venus (shown below), center right, Saturn seated in a landscape, his right arm resting on a globe and attended by animals, and supporting the vignette are two standing Herculeses (personifying Earth); lower right, Venus borne over the water on a shell and accompanied by two tortoises (personifying Water). In the center of the composition and along the left edge are vertical strips composed of tophies symolizing the elements (uncomplet

Mosquée cathédrale de Qous : détails du mimbar (XIIe. siècle) : 6. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Minbars, Decoration and ornament, Islamic

Frieze, Philadelphia Wall Paper Mills, Machine-printed paper, A repeating design of upside down bouquets of pink and magenta flowers incorporated in a scrolling acanthus leaf design in mica. Printed on ivory ground., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes), Claude Audran III, French, 1658 - 1734, Red chalk, pen and brown ink on cream laid paper, Three vertical panels depicting the months of April, June and October, in reverse from the engraved designs for tapestries. 'April' shows the bull in a wreath medallion at top, with Venus and Cupid in a frame at the center of the drawing. Below the frame is a swan between billing pairs of doves, all resting on a pedestal supported by dolphins. In 'June', Cancer is omitted. Mercury is placed in the central framing structure surmounted by a cock. A ram is below. 'October' shows Scorpio in a wreath at top, Minerva in the central frame, and Arachne() making a tapestry below., France, 1709-10, textile designs, Drawing, Drawing

Border, Medium: linen Technique: bobbin lace, discontinuous tape, Border with a design of a symmetrical curving floral vine sheltering animals and birds. A siren is on the vertical center line., Italy, 18th century, lace, Border

Textile, Medium: silk Technique: 7&1 satin with weft floats bound by supplementary warp, Green and white panel with equestrian and mythological figures, animals and stylized floral motifs. Two attached pieces represent a portion of a larger repeat. The lower panel has addorsed figures of Pan piping along with stylized frames, flowers, medallions, water birds, and a lion. The upper portion depicts a central group mounted on horseback within a frame. Flowers and garlands surround the sides of the frame., France, early 19th century, woven textiles, Textile

Design for stained glass, Alice Cordelia Morse, American, 1863-1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with tripartite panels, all containing vines with blue flowers on yellow ground; at center, circular frame with green wreath., USA, late 19th century, architecture, interiors, Drawing, Drawing

Frieze (USA); Manufactured by Robert Graves Co. (United States); machine-printed paper; Overall: 76.2 cm (30 in.)

Wish letter with decorative framework, widow C. Kok -van Kolm, 1800 - 1850 print Wish letter with unwritten cartouche within a decorative framework with three performances of Pentecost and from the life of Christ. Ca. 1800-1850. printer: Amsterdamprint maker: Netherlands paper New Testament

Frieze (USA); Manufactured by Hitchner and Yerkes; machine-printed paper; 199.5 x 49.5 cm (78 9/16 x 19 1/2 in.)

Fragment of a table fakes from Linnamast with show: History of Susanna; Rand with musicians and women, c. 1531 - c. 1540 On panel. Southern Netherlands linen (material) damask On panel. Southern Netherlands linen (material) damask

Textile; cotton; Repeat H: 44.5 cm (17 1/2 in.) Warp x Weft (a): 210 x 74 cm (6 ft. 10 11/16 in. x 29 1/8 in.) Warp x Weft (b): 209 x 74 cm (6 ft. 10 5/16 in. x 29 1/8 in.) Warp x Weft (c): 210 x 74 cm (6 ft. 10 11/16 in. x 29 1/8 in.)

Napkin Spanish Succession War, c. 1825 - c. 1850 linen (material) linen (material)

Ornamentation and a monkey with a skull, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 191 x 49.5 cm (75 3/16 x 19 1/2 in.)

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Alternating large and small floral bouquets, each set within a beaded circle, then within a larger architectural framework. The medallions are connected by floral and foliate swags., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Design for Panel Decoration. Artist: J. Hulme (British, active 1828-40). Dimensions: sheet: 6 7/16 x 10 13/16 in. (16.4 x 27.5 cm). Date: 1828-40. Museum: Metropolitan Museum of Art, New York, USA.

Decorative design with leaf motif, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. pencil brush

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 91 x 49 cm (35 13/16 x 19 5/16 in.)

Front doubleur. Shelley, Percy Bysshe (1792-1822). bindings (gathered matter components), Book covers. 1910. Spencer Collection. Bookbinding

Panel Made 1801-1825 France. Silk, warp-float faced 7 1 satin weave with plain interlacings of secondary binding warps and self-patterning ground wefts .

Napkin with Frisian weapons and Orpheus in the middle of the animals, Quirijn Jansz. Damast (Possible), 1645 Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking edge. Haarlem linen (material) damask Friesland Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 234 x 49.5 cm (92 1/8 x 19 1/2 in.)

Frieze, Machine-printed, Brown and tan design on mustard yellow field. Top and bottom identical narrow bands of alternating rosettes and banded reeds. Center consists of a continuous floral scroll with leaves similar to the acanthus. On margin is printed : 'A.W.P.M.A. 3133'., USA, 1880-87, Wallcoverings, Frieze

Design for a Painted Ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 7 3/8 x 10 7/8 in. (18.7 x 27.6 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 234 x 49.5 cm (92 1/8 x 19 1/2 in.)

Frieze (USA); Manufactured by Maxwell & Co., S.A. (United States); machine-printed paper; 91.5 x 48.5 cm (36 x 19 1/8 in.)

Frieze (USA); machine-printed paper; L x W: 45.7 × 49.5 cm (18 in. × 19 1/2 in.); 1973-40-2

Ingrain Carpet. Dated: c. 1936. Dimensions: overall: 71.4 x 50.8 cm (28 1/8 x 20 in.). Medium: gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart.

Design for a Valance with Bundles and Garlands of Flowers and Leaves 1870-1900 () Anonymous, French, 19th century Rectangular sheet of paper with a design for a valance from the second half of the nineteenth century, inspired on the style of Louis XVI, inspired on the style of Louis XVI, forming part of the Neo-Classical Revival that took place in France and Britain from the 1850s on. The style was part of the Classical and Renaissance Revival that took place from about 1850, where the interest on the art and architecture from Ancient Rome and the 15th and 16th centuries was propelled by archaeological discoveries in Greece, Italy and Egypt. Through this style, Classical and Renaissance pieces of art and design were reinterpreted in a variety of forms and motifs, and classical figures, scrolling decorations, strapwork, and grotesques and moresques, became central element in design. This Revival was characterized by the use of design motifs that alluded to Classical Antiquity, includin

Three tile panels with Autumn, Summer and Spring, Johannes Aelmis (I), c. 1760 - c. 1780 Tile tableau of twenty -eight tiles (7 x 4) with a blue -painted representation of a dancing pair, the woman of which holds a grapesross. This performance proposes one of the four seasons, autumn, and is surrounded by a frame of Rococo ornament. Among the figures, the signature: I: Aalmis Rotterdam. Rotterdam earthenware. tin glaze majolica Tile tableau of twenty -eight tiles (7 x 4) with a blue -painted representation of a dancing pair, the woman of which holds a grapesross. This performance proposes one of the four seasons, autumn, and is surrounded by a frame of Rococo ornament. Among the figures, the signature: I: Aalmis Rotterdam. Rotterdam earthenware. tin glaze majolica

Design for a Pair of Doors Joined by an Ornamental Panel second half 19th century Jules-Edmond-Charles Lachaise French. Design for a Pair of Doors Joined by an Ornamental Panel 345522

Ceiling Paper (USA); machine-printed paper, liquid mica; 92 x 49 cm (36 1/4 x 19 5/16 in.)

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, A repeating design of geometric flowering trees within scrolling acanthus-like borders connected by complementary flowering vines upon a background of brown, resembling water, turning into cream with horizontal splashes, complementing the darker area below, between complementary borders of gilt and bronze. Printed in cream, beige, brown, olive green, rust, gilt and bronze., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Frieze, Machine-printed paper, On cream-beige ground, scrolls and arabesques in gold with brown and pinkish-green and white roses., USA, 1905-1915, Wallcoverings, Frieze

Frieze, Wm. Campbell Wall Paper Company, 1872, Machine-printed paper, Floral bouquet set within foliate scroll medallions, alternating large and small., Hackensack, New Jersey, USA, 1905-1915, Wallcoverings, Frieze

Frieze (France); block-printed and flocked on handmade paper; 89.5 x 57 cm (35 1/4 x 22 7/16 in.)

The Lord's Prayer paper cut-out, David Davidson, American, 1881-1967, Pen and ink, brush and ink on white paper, Lacey paper cut-out with the Lords Prayer inscribed at center. It is dedicated to Peter Cooper., USA, May 13, 1858, ornament, Paper cut-out, Paper cut-out

Scarf, Medium: piña (pineapple) fiber, silk, cotton Technique: embroidered in satin stitch and drawn work on plain weave, A long, rectangular scarf in sheer piña and silk cloth with cotton embroidery in a design depicting a flowering tree in a bowl at each end, surrounded by a deep floral border on four sides. Edges are scalloped., Philippines, ca. 1770, embroidery & stitching, Scarf

Schick Carl, pressure decorations for the magazine art and trade, 1880-1882 (1880-1882): View Ornament. Pressure on paper, 29.4 x 21 cm (including scan edges)

Ceiling paper, Machine-printed paper, liquid mica, The central decorative motif is a gold double fleur-de-lis surrounded by red scrolls and foliage. S-shaped lines make up the web between the alternating registers. Smaller gold double fleur-de-lis motifs are connected to the central scrolling designs by the S-shaped lines. Printed with mica on a light pink ground., USA, 1905-1915, Wallcoverings, Ceiling paper

Panel Made 1690-1710 France. Linen and wool, plain weave with supplementary pile warps forming cut and voided velvet .

Sidewall (France); block-printed paper, embossed; 58 x 50 cm (22 13/16 x 19 11/16 in.)

lacquer worker: Lodewijk Johannes Nooijen, Metal plate, painted in colors and gold on black, with decorative 'western' edge, leaf branch, lacquer plate sample lacquer, Four metal plates lacquered in colors and gold on black all with decorative 'western' edges: lacquer sample test plate pattern adorn Nooyen

Frieze, F. E. James Co., New York, New York, Machine-printed paper, liquid mica, Large rinceau adorned with bouquets across the middle. Undulate band of acanthus leaves and white and green stipes on bottom. Foliate arches and metalic gold, white, and green stripes on top. Printed in white, green, metalic gold, and tan on green background., New York, New York, USA, 1905-1915, Wallcoverings, Frieze

COCINA DE FINALES DEL SIGLO XVIII - DETALLE DE LOS AZULEJOS DE ALCORA. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.

Partial design for a painted ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 13/16 x 8 11/16 in. (27.4 x 22 cm)image: 5 13/16 x 4 3/4 in. (14.7 x 12 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

One painted panel. Unknown

Seven Mice connected to the tails, Willem Wenckebach, 1898 drawing The mice each seem to run away in a different direction. Towards around the mice. tracing paper. cardboard. ink. deck paint. pencil pen / brush rodents: mouse. foliage, tendrils, branches ~ ornament

Sidewall - Sample (USA); machine-printed; 69 x 48 cm (27 3/16 x 18 7/8 in.)

GSELL-Laurent. Album n ° 1. Stained glass project: decorative patterns. Ink on pencil and gouache. Paris, Carnavalet museum. 37117-16 Drawing, ink, gouache, decorative motif, stained glass project, pencil line

Design for a Painted Ceiling. Artist: Anonymous, Italian, 19th century. Dimensions: 9-3/4 x 12-1/8 in. Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Ornament, c. 1900 - c. 1930 copper (metal) engraving

Designs for Arabesque Panels, François Marie Isidore Queverdo, 1748 - 1797, Pen and ink with sepia wash, In the center, Bacchus standing under a grape arbor issuing from urns, and a brazier at the top. At the bottom, a herm, flanked by drum and tambourine, hanging from garlands., France, 1788, drawing, drawing

Design for an Ornamental Border, Used for the Surround to the General Chart in John Pine's "Tapestry Hangings in the House of Lords" (published 1739). Date/Period: Ca. 1739. Drawing. Brush and brown ink and brown wash, over gray ink on white laid paper. Height: 375 mm (14.76 in); Width: 609 mm (23.97 in). Author: Hubert-François Gravelot.

Wall panels and door in Queen Marie Antoinette's room, Palace of Fontainebleau, 18th century. Cabinet der Koeingin Marie Antoinette, Chateau de Fontainebleau. Chromolithograph by Richard Hendorf from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1896.

Design for ceiling, draughtsman: Bernardo Castello, (attributed to), draughtsman: Perino del Vaga, 1511 - 1629, paper, pen, brush, h 523 mm × w 307 mm

Design for an ex libris with monogram and lions. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 296 mm × w 209 mm. Museum: Rijksmuseum, Amsterdam.

Project for the Painted Decoration of a Wall, with Alternative Suggestions. Date/Period: 1840-60. Drawing. Brush and watercolor and graphite on white wove paper. Author: UNKNOWN.

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 127 x 49 cm (50 x 19 5/16 in.)

Funeral of Lord Nelson, Medium: cotton Technique: copperplate and block-printed on plain weave, Panel of cotton printed in dark brown and red, probably a combination of copper plate and block printing. Red appears to be added over dark brown. Scenes from the death and burial of Lord Nelson with inscriptions. Both selvages are present in which there are three blue threads., England, 1806, printed, dyed & painted textiles, Textile, Textile

Drawing, Design for Woven Horizontal Border; France; pen and black ink, brush and wash, black chalk on paper; 22.6 x 58.1 cm (8 7/8 x 22 7/8 in.)

Runner (from a set of table linens) Belgian late 19th century

Frieze (USA); Distributed by Maxwell & Co., S.A. (United States); machine-printed paper; 234.5 x 49 cm (92 5/16 x 19 5/16 in.)

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