Dramatic and Mythological Narratives

Employing grandeur in etching, these artworks illustrate rich narratives involving historical figures and themes of honor and sacrifice.

Allegory at marriage, Jacob Folkema, After Nicolaas Verkolje, 1723 print A love couple walks hand in hand a temple and is checked by Juno, Waakster about marriage and birth. Two putti run for the pair and sprinkle flowers. On the left is an angel with a torch with a burning altar on which the text "Purae de Puro Lumine Flammae Lucebunt". paper engraving Castití marriage ',' Fed Maritale ',' married '(Ripa). Juno Juna, Juno bridesmaid, Protectress of Marriage

Sleeping figures under a canopy. During a speech, all listenger under a canopy have fallen asleep. Even the orator has fallen asleep behind his desk.

Droom van Nebukadnessar, Quiryn Fonbonne, after Bernard Picart, 1711 print Amsterdam paper etching / engraving King Nebuchadnezzar dreams of a great statue

A Scene of Judgment. Artist: Johann Daniel Preissler (German, Nuremberg 1666-1737 Nuremberg); Johann Melchior Füssli (Swiss, Zurich 1677-1736 Zurich). Dimensions: 10 13/16 x 15 13/16 in. (27.4 x 40.2 cm). Date: ca. 1730. Museum: Metropolitan Museum of Art, New York, USA.

Mendicsman from Rotterdam receives gifts. An Indian, African and an Eastern figure offer the city council of Rotterdam gifts. Behind her a statue of Erasmus. In the foreground a nymph on a car, continued by swans on the river. In the background a cityscape with the Laurenskerk.

Tigranes gives over. King Tigranes has decreased his crown and wants to kneel for Pompeius. However, it grabs him to hand and kneels next to him to save Tigranes the humiliation. In the background in the opening of the labeling tent the ax wear with the sword of the king.

Birth of Maria, Edme Jeaurat, After Nicolas Vleughels, 1717 print paper engraving / etching birth of Mary

Couple by the fire under the supervision of a dog and an old woman, Pierre Adrien Le Beau, after Charles Joseph Dominique Eisen, 1772 print France paper etching / engraving courting. dog. open hearth, fire-place

Bust of Pierre de Villiers surrounded by virtues; Title page for: P. Villiers, oeuvres and verse, 1717. In a library, the bust of the writer Pierre de Villiers is on a base. Around the personification of faith (FIDES), the truth (Veritas) and justice (Justitia) are. In the air, a putto flies with a winch and a laurel wreath in his hands towards the image, in the foreground two putti give each other's hand.

Allegory at marriage, Jacob Folkema, After Nicolaas Verkolje, 1723 print A love couple walks hand in hand a temple and is checked by Juno, Waakster about marriage and birth. Two putti run for the pair and sprinkle flowers. On the left is an angel with a torch with a burning altar on which the text "Purae de Puro Lumine Flammae Lucebunt". paper engraving Castití marriage ',' Fed Maritale ',' married '(Ripa). Juno Juna, Juno bridesmaid, Protectress of Marriage

A violinist and two young women in an interior, a seated man looks; Le Chemin de la Fortune. A young violinist stands with violin and stick in lifted hands in a departure and looks at the leg of a young lady, who ceases her skirt. A second lady is on her knees and points to the bare lower leg. On the right in an armchair an older gentleman who watches. On the table right a rug, a helmet and a few books. On one of the books the title Castor and Pollux. Left a cello against a tabouret. At the rear wall a painting in oval list with the representation of a sleeping, half-naked woman. A chandelier on the ceiling.

The poet Juvenalis kneels for Melpomenene, Bernard Picart (Possible), 1711 print The poet Juvenalis kneels for Melpomene, the muse of the mourning game. On the right in the background Venus and Amor, death, envy and a veiled woman. From heaven, a woman pays the contents of a horn of abundance on the poet. Bystanders watch. In the margin the title in Dutch. Amsterdam paper etching / engraving Melpomene (one of the Muses); 'Melpomene' (Ripa). writer, poet, author. Death as skeleton. Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros). 'Cornucopia', Horn of Plenty

Vignet with Minerva and Putti. Three putti holds a role with image of minerva with shield and lance sitting on a pedestal at which books by David van Goorle (Gorlaeus) and Johann Ludwig Gottfried. With her foot, she rests on a flowing jug. In addition, a lion with sword and weapon of Leiden. In the background the castle and University of Leiden.

Justitia sitting on her throne; Title page for: Hugo de Groot, the Jure Belli AC Pacis Libri Tres, 1712. Justitia is blindfolded on her throne, with scales and sword in her hand. Left of her state freedom with freedom hat, cornucopia and a lamb. On the right is a soldier with weapons and a lion at his feet.

Two biblical performances from 2 Kron. 34. Safan reads King Josia, and king Josiah destroyed the temples, shows images of idols in pieces and kill priests. Two representations of one plate, each with a title in Dutch and French. Numbered at the bottom right: 68.

Job on the Mesthoop, Louis Surugue, After Bernard Picart, 1691 - 1733 print paper etching / engraving Job on the dunghill (Job 2:7-13)

Amsterdam, Baptist, Jacobus, Allegorical representation of the marriage of William III and Mary Stuart, 1677, 4 November 1677. William III and Mary Stuart stand in a large hall and hold each other's hands. Three women and a lion stand around them. In the background, the people wait behind a balustrade. Gods look down from heaven on the scene, an angel blows a trumpet., print, picture, history print, book illustration, prints, pictures, Frederik Muller History Plates, height 172 mm, width 127 mm, Northern Netherlands - 1704-05-20, print maker, printmaker, 1696 - 1700, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, engraving, engraving (printing process)

Simson a Delila, Reinier Angle (I), After Jacobus Buys, 1797 print The hairs of Simson are cut by a Philistine while he is sleeping in Delila's shot. Soldiers are ready in the doorway to capture Simson, after his hair will have disappeared with his hair. Amsterdam paper etching / engraving story of Samson and Delilah (Judges 16:4-21). Samson's hairlocks are shaved, or cut off (usually with scissors) by a Philistine

Allegory of the founding of the Hollandsche Maatschappij der Wetenschappen, 1752, Simon Fokke, 1752, Allegory of the founding of the Hollandsche Maatschappij der Wetenschappen at Haarlem on May 21, 1752. Above Minerva with a portrait of its patron Prince William V, in the background a gathering of scientists. Below sides of commemorative medal showing naked Truth with sun on head, holding in left hand a palm branch and in right hand an olive wreath; in background view of city of Haarlem on the Spaarne, below the city arms of Haarlem. Reverse: two women seated at altar, depicting Religion with flame on head and leaning on Bible and Holland with coat of arms and freedom hat on spear. Design for a print., draughtsman: Simon Fokke, (signed by artist), Northern Netherlands, 1752, paper, h 165 mm × w 108 mm

Onvoering Van Helena; Suite of seven ornamental planks (1733-1734) .Kidnappping of Helena, ON A TERRACE WITH BALCONY AND STARS. Fifth Leaf from Series of Seven from seven ornamental boards. In Album 'Work of Just Aurelle Meissonnier, Ed. Huquier, Paris, 1735-1750

Allegorical representation with history, truth, antiquity knowledge and caution, Reinier Vinkeles (I), 1768 print The personification of history that the history records from her throne. It is supported by the truth, antiquity knowledge and caution. In the foreground, Mercury, three putti and two men with tulips. paper etching / engraving 'History'; 'History' (ripe). Truth; 'Veritã ' (ripe). Classical Mythology and Ancient History. prudence, 'prudentia'; 'Prudenza' (ripa) ~ One of the Four Cardinal Virtues

Hertog Willem II van Gelre submits to Charles V, 1543, 1796 print William II, Duke of Gelre, submits to Emperor Charles V and allows him Gelder and Zutphen, 1543. The Hertog kneels for the emperor. paper etching defeat ~ armed conflict

Mentor encourages Telemachus to fight the Daunii, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print Mentor, seated on a Portico, hands over telemachus, standing on his right side, a sword. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. I. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. ornament ~ festoon, garland

Edelwoman Knelt for Graaf, Simon Fokke, 1771 print A noble woman kneels for a count and grabbed his hand. Three women and a man stand around them and watch the scene. This print is made for the mourning game "Ada, countess of Holland and Zeeland" (1765) by F. van Steenwijk. Amsterdam paper etching tragedy. kneeling on both knees - AA - female human figure

Delilah discusses the secret of the strength of Samson; Illustration from Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Allegorical performance with Telemachus and Minerva, Jacob Folkema, After Bernard Picart, 1733 print Telemachus is accompanied by Minerva who points him to the countless allegorical figures that surround them. In the margin there is a five -line text in French in which the performance is explained in more detail. publisher: Amsterdampublisher: Amsterdampublisher: Rotterdam paper engraving / etching (story of) Telemachus. (story of) Minerva (Pallas, Athena)

View of a destroyed city. Groups of men and women panic together after their city is affected by nature violence. In the foreground a man is growing at his dead woman and child. Buildings collapsed in the background. A volcano has been broed out and the lava syringe. The air is filled with lightning bolts. Numbered in the middle of: VI.

Christ Before Pilate: the large plate 1636 Rembrandt (Rembrandt van Rijn) Dutch. Christ Before Pilate: the large plate 373921

Bourbon, Duke of Maine, Louis I. Auguste de.

Nicolas Delaunay after Sigmund Freudenberger, Le Petit Jour, 1779 Le Petit Jour

Ontmoieting van Jacob in Rachel, Charles Nicolas Cochin (II), After François Le Moine, c. 1732 print publisher: Parispublisher: ParisFrance paper etching / engraving Jacob sees Rachel coming to the well to water Laban's sheep

Twee figuren knielen voor een koning; La Princesse Rosette.Illustration from the fairy tale La Princesse Rosette van Mme d'Aulnoy. Two figures kneel for a throne king whose crown is torn with springs. The king is flanked by two bearded men and holds a scepter. Right for him is a handdling handkerchief. Print at the top right labeled: No. 7. PAG. 270.

Mother appeals to her child's admonished; The child's careful.

Allegorical performance with the personnemations of painting and sculpture; ORIUNTUR AB VNO; Title page for: F. Le Comte, Cabinet des Singularyz d'Architecture, Peinture, Sculpture, et graveure, 1699-1700. Painting points to an angel, above his head, the flame of inspiration flares. Sculpture points to attributes that refer to practicing the arts. In the background a statue of Minerva, patrones of the arts.

The Art of Dying, pl. 1 of4. Engraver: Karel van Mallery, Flemish, 1571-after 1635 After: Stradanus (Jan van der Straet), Flemish, 1523-1605 Publisher: Philip Galle, Flemish, 1537-1612

Allegory on the deception of Aron Abrams, 1737, Simon Fokke, 1737 drawing Allegory on the deception of the Amsterdam Jewish usury Aron Abrams (or Abrahams). A man hands over a bag of money on which 2600 stands and receives a switch of 4000. This central performance surrounded by a few smaller scenes. Design for a print. Northern Netherlands paper fraudulence, swindling

Atalja and Joas, c. 1711 - c. 1720 print The high priest Jojada raises the boy Joas to king. His grandmother Atalja tries to kill him and is captured by the palace guards. Illustration for the Old Testament, 2 Kon. 11. Under the show a title in Hebrew, English, German, Latin, French and Dutch. Amsterdam paper engraving Joash is proclaimed king at the age of seven. Athalia hearing the noise of the people acclaiming King Joash, comes to the temple and sees the new king standing by a pillar; she tears her clothes in dismay

Allegorical performance with Minerva, Mercury, Neptune and Hercules, 1688 print A woman with tablet with title is on a capital. To the left of her are Minerva with lance and shield and mercury with Caduceus. On the right Neptunus is along the water with its trident. On the left between four columns is Hercules with the many -headed snake Lerna. Upstairs an angel (possibly fame) with a portrait medallion flies. Juno is sitting with a peacock on the left in the clouds. In the background ships sail at sea. paper etching (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes). (story of) Neptune (Poseidon). (story of) Hercules (Heracles)

Etching by Giuseppe Maria Mitelli depicting the triumph of Job from the Bible, created between 1654 and 1718.

Portrait of Frederik I van Prussen. Frederik I van Prussen sits leaning against a pedestal with a French text. He is crowned with a laurel wreath by love (Caritas), with a child on her shoulder and a flame on her head. In the background a monumental obelisk and the personnifications believe (fides) and hope (SPES).

Umbria Perugia Bettona S. Maria Maggiore1. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 17th century remodel Specific Location: Piazza Cavour Antiquities: Architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dreamed Sloker, Gerard de Lairesse, 1685 - 1689 print A sleeping man is in a room filled with figures who give him tormenting dreams. In addition to his bed, a woman urges the figures to silence and points them the door. At the foot end, someone tries to prevent a griffin from jumping on the bed, on the left a sleeping naked figure supports a pedestal. Above the bed a dragon, a putto with jug and a winged figure have appeared in the clouds. The latter tries to ward off the personal envy. Amsterdam paper etching dream. sleeping; unconsciousness. Diana (Luna) visiting the sleeping Endymion

Fokke, Simon, Amsterdam, Ada, Noblewoman kneels before a count, verso - stamped, A noblewoman kneels before a count and has taken his hand. Three women and a man stand around them and watch the scene. This print was made for the tragedy 'Ada, Countess of Holland and Zeeland' (1765) by F. van Steenwijk., print, prints, height 140 mm, width 87 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Scipio returns the fair maiden, offered to him as a reward for the conquest of New Carthage, to her bridegroom-to-be and her mother. The ransom, offered by the bride's parents, Scipio returns as a wedding gift. Presentation above one of the doors of the Council Chamber of the Court of Justice of Holland, Zeeland and West Friesland in the Binnenhof at The Hague, Nobility of Scipio Tafereelen, in the Council Chamber of the Court of Justice of Holland, Zeeland, and West Friesland , print maker: Pieter Tanjé, after: Gerard de Lairesse, intermediary draughtsman: Nicolaas Verkolje, Amsterdam, 1737, paper, engraving, etching, h 420 mm × w 247 mm

Winning soldier along with his trophy and the winged goddess Victoria, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 39, 1757-1787, Naples.

Allegory on Rotterdam Trade, 1750 print Personifications of the four continents -America with a fence and skirt, Africa with elephant hat and tusk, Asia with turban and turban and Europe with armor and scepter -offer the city virgin of Rotterdam gifts. Behind her a statue of Erasmus. In the foreground a nymph on a car pulled through swans on the river. In the background a cityscape with the Sint-Laurenskerk. paper etching / engraving personifications of countries, nations, states, districts, etc. (+ nation; national). Europe represented allegorically; 'Europa' (Ripa). Asia represented allegorically; 'Asia' (Ripa). Africa represented allegorically; 'Africa' (Ripa). America represented allegorically; 'America' (Ripa). Native peoples of the Americas. Asiatic races and peoples. Africans. Europeans Large or Sint-Laurenskerk. Rotterdam

Annunciation of Mary; Rubens, Peter Paul (1577-1640), Bolswert, Schelte (CA 1586-1659), Enden, Maarten Van Den (1605-1673); around 1640 (1645-00-00-1655-00-00);

The evening; The four times of the day. Elegant company to a richly filled table. An employee, seen on the back, donates wine. Through a window, the goddess Diana can be seen on a cloud over a festive company on the street.

Minerva as patroness of science and arts; Title page for: Republick of the scholars or booking room of Europe, 1746. Minerva is surrounded by attributes of science and arts and is in the company of two putti that studying a globe with passer and map. She points into the background where figures are in classical clothing on a square. To the right of her is a covered allegorical figure on base with a torch and book in the hands.

Safan reads King Josia The Code for and King Josia destroys the temples, Jacob Folkema, 1791 print Two Biblical performances from 2 Kron. 34. Safan reads King Josia the Code, and King Josia destroys the temples, lets images of idols hit pieces and kill priests. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 68. publisher: Amsterdampublisher: Dordrecht paper etching Saphan reads the book of Law aloud to the king who tears his clothes in dismay. Josiah does away with pagan worship

Shadow on sundial reset for Hizkia. .

. Departure with the Dutch Virgin on a throne, in conversation with a knight. Behind them the coat of arms of the province. They are accompanied by the cities' days of Dordrecht, Haarlem, Delft and Leiden. In the background a face at the Binnenhof in The Hague. In the margin a six-line caption in Dutch.

Allegorical title plate with offering the keys, 1751, Jacob Folkema, After Aert Schouman, 1753 Allegorical title plate with offering the keys of the city to the stadholder. In the foreground the Stadsmandag van Vlissingen with Mars, on the right history, in the air fame. Illustration in the book about the inauguration of William IV as heir to Vlissingen on 5 June 1751. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Flushing Allegorical title plate with offering the keys of the city to the stadholder. In the foreground the Stadsmandag van Vlissingen with Mars, on the right history, in the air fame. Illustration in the book about the inauguration of William IV as heir to Vlissingen on 5 June 1751. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Flushing

Allegory of true faith, Jan Punt, 1751 print Justice sits on a cloud, next to her the tables of the law. A putto shows her a mirror. For her an altar on which three religious books. Truth kneels for the altar and is honored by an allegorical female figure. With them a putto that lets a shooting shell commute. On the right, an allegorical female figure with a scourge drives away two figures. Amsterdam paper etching / engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. the new tables of the law (Exodus 34). Truth; 'Verití' (Ripa). crowning with laurel. tools and machines ~ building: plumb-line. instruments of torture, execution or punishment: scourge

David is instructed to kill the man who gave Saul the genadoot, 1728 print David is instructed to kill the man who gave Saul the genade. As a messenger of the battlefield, this man brings the headband and bracelet of Saul. Under the show is the title in six different languages. print maker: Amsterdampublisher: The Hague paper engraving the messenger who brought David the message of Saul's death is put to death by one of David's soldiers

City Virgin of Haarlem, Cornelis van Noorde, 1741 - 1795 print The Stedsmijd van Haarlem is under the Wapen van Haarlem with a staff with Banderol in her hands. The Banderol says: Salvus Publica, General Welfare. The Stedensmaag lets her hand rest on a piedestal with the words: deo et patriae. For the Putti Throne with papers and books, passer and ruler and a globe. Allegorical performance in which the city of Haarlem is presented as a promoter of science and the arts. Haarlem paper etching personification of a city, town-patron(ess). cupids: 'amores', 'amoretti', 'putti'. symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa). sailing-ship, sailing-boat

David parading the head of Goliath. Engraving by F. Holl after N. Poussin.

Death of Cato, 46 BC, Pietro Testa, 1648 print The statesman Cato has pierced himself in his sleeping room. Lying on a bed he pulls entrails from his body. A group of bystanders watches. Seven lines of Latin text in Cartouche bottom right. 46 BC. paper etching death of Marcus Porcius Cato the Younger surnamed Uticensis: he stabs himself on his couch, after reading Plato's Phaedo; he may be seen tearing out his entrails

Jozef is familiar with his brothers / Jacob blessing Manasse and Ephraim, Pieter Tanjé, 1791 print Two biblical performances. Upstairs: Joseph makes himself known, as a vicerity of Egypt, to his brothers who did not recognize him. Under: Jakob blesses Joseph's sons Manasse and Ephraim from his bed and puts their hands on them with crossed arms. Joseph is there. Among the performances a reference to the Bible texts and the titles in Dutch and French. Amsterdam paper etching / engraving Joseph reveals his identity and in tears forgives his brothers' past misdeed. Jacob blesses Manasseh and Ephraim with arms crossed; Joseph may be shown trying to uncross them or expressing (with Asenath) his disapproval

Allegory with the coat of arms of the Calkoen family, Reinier Vinkeles (I), after Johannes de Bosch, 1751 - 1816 print The coat of arms of the Calkoen family flanked by Amor, with a flag of the V.O.C. In hand, and the city virgin of Amsterdam. For the weapon an image of Buddha, Chinese porcelain, an ointment pot and possibly a roll silk. Two phases behind the weapon. In the background the town hall on Dam Square and Masts of sailing ships. The allegory is caught in a frame decorated with plants. On the right also the horn of abundance. Amsterdam paper etching Buddha, founder of Buddhism. walker and runner birds: turkey. sailing-ship, sailing-boat. personification of a city, town-patron(ess). 'Cornucopia', Horn of Plenty City Hall of Amsterdam (1655-1808). Amsterdam

Print made by Anker Smith, 1759-1819, British, The Young Earl of Richmond before Henry VI, 1810. Etching and line engraving on thin, slightly textured, cream wove paper.

Dood van Julius Caesar, anonymous, Jean Lepautre, 1628 - in or after 1682 print paper etching historical persons. death of Caesar, i.e. the murder of Caesar: he is slain in the Senate at the foot of Pompey's statue, exclaiming 'et tu Brute'

The first major meeting of the States General, held in the Ridderzaal from 18 to 21 January 1651. Eendracht unites the seven provinces. They reach the hand and form a circle. The show is flanked by two medallions on which two political events are depicted.

Maria de Medici crowned, Charles Louis Simonneau, after Peter Paul Rubens, 1655 - 1728 print paper engraving / etching historical persons. coronation of a ruler - BB - female ruler

Judgment of Solomon. Solomon recommends a soldier to kill the living child, the real mother of the child reacts shocked and tries to stop the soldier.

Jozef explains the dreams of the donor and the bakery, and Joseph explains the dreams of the pharaoh; Josef ordered him to be good (...) / the two dreams, ô frost! mean but one case (...); Performances from the Old Testament.Scenes from the Old Testament. Above: Joseph Explains The Dreams of the Donor and the Baker in Prison. Below: Joseph stands for the throne of the pharaoh and explains Him and His consequence. Two Representations of One Plate, at the Top Right Labeled: PL. IV.

In the Grotto of Merlin, the Magician, 1771. Nicolas Delaunay (French, 1739-1792). Engraving and etching;

Illustration for the Decamerone Vam Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Decamerone of Boccaccio, History L. Fransisco and his wife are talking to the right. Richard is on the left and points. Through the doorway you can see the horse that Richard wants to offer to Fransisco, so that he can talk to his wife. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

Flora in a garden; That pozy as flowers t 'sat down; Vondel. Flora is in a garden, in the group of two putti that sprinkle flowers. Next to her is a basket with flowers. In the background a gardener is working. The show is caught in an elegant frame with a satellite head at the bottom.

Bediligzucht, Johann Esaias Nilson, 1771 print For a semi -circular building there is a statue of a nar with a staff and mask in his hand. On the left, a man and a woman with their child walk, they advise him not to be attributed people. On the right are two masked men with a money pouch, a whip and an open book with the text Momo Sacrum. The text refers to Momus, personification of the criticism and God of poets and writers. A German text in the lower margin. Publishing number XXXXV. Augsburg paper etching (story of) Momus. Disapprobation, Disapproval, Rebuking. family group, especially parents with their child(ren). mask

Meeting of Tobias and Engel Rafael; Story of Tobias.

Gekroonde Cupido, Anonymous, After François -Thomas Mondon, 1736 - 1762 print On a rocaille ornament and clouds there are two putti with a arrow sleeve and an arc. The front putto crowns the other putto with a wreath. Nummered above K. Augsburg paper etching cupids: 'amores', 'amoretti', 'putti'. angels crowning and/or bringing palm-branches

unknown, Amsterdam, Danckerts, Cornelis (II), Netherlands, France, Lepautre, Jean, Ornamental panels, Title page: ornamental panels, Landscape with buildings in the background, two putti show a tapestry to Minerva who holds a coat of arms with the address., print, ornamental print, title page, prints, ornamental prints, height 131 mm, width 195 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1696 - 1717, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1664-03-02 - 1717-07-22, publisher, uitgever van privilege

Laatste dag van Gaius Sempronius Gracchus.Gracchus walks along with the result of flaccus in a mass rot test towards the Aventijn. He just holds a dagger. His wife Licinia tries to stop him.

Holy-informed from the Grotta family; S. Grata Regina, in Compagnia de 'ss. Fermo, E Rustico, Mostra Il Reco Capo Di S. Alessandro M.A SS. Lupo Ed Adelaide Principi di Bergamo Suoi genitori; New and Old Testament. View in a palace hall with an old man on a seat on the left. In addition to and for him, three canon-stored members from the Grotta family and other figures. Text in undermarge.

Young Bacchus pouring wine to a satyr lying at his feet, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 37, 1757-1787, Naples.

Pusch, Andreas.

Le Lavement des Pieds (The Washing of the Feet), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Le Lavement des Pieds (The Washing of the Feet), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of three (Lieure). Prints

Alkoof with the death of Cleopatra, Jean Lepautre, 1657 - 1716 print Alcove with Cleopatra lying on a bed under a canopy. Sunning women and soldiers surround her. Under 2 numbered. Paris paper etching death of Cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs

Achilles refuses the gifts of Agamemnon, Bernard Picart (workshop or), After Bernard Picart, 1710 print Phoenix, Ajax and Odysseus visit Achilles and offer him gifts on behalf of King Agamemnon to win him back. He refuses them. In the margin a caption in French. Amsterdam paper etching / engraving Agamemnon repents and sends envoys with gifts to Achilles, who refuses them

Death of Dido, Gerard de Lairesse, 1668 print Dido pierced herself with the sword of Aeneas after her loved one left by boat. She is located on the stake, made up of possessions of Aeneas, which she had set up herself. Iris, the female messenger of Juno, has appeared behind Dido to cut a lock of locks. On the left, Dido's sister Anna is in great despair. In the margin there is a two -way caption in Dutch. This illustration was made at the third company of the Treurpel "Didoos Doot" (1668), written by Andries Pels. The print is part of a four -part series with scenes from this mourning game. paper etching (story of) Dido - death

Amsterdam, Picart, Bernard, Title page for: P. de Villiers, Oeuvres en vers, 1717, Bust of Pierre de Villiers surrounded by virtues, verso - stamped, In a library stands the bust of the writer Pierre de Villiers on a pedestal. Around it are the personifications of faith (Fides), truth (Veritas) and justice (Justitia). In the air a putto flies towards the statue with a lyre and a laurel wreath in his hands, in the foreground two putti shake hands., print, engraving, title page, prints, engravings, height 141 mm, width 86 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, wig maker, 1717 - 1717, paper, papier, etching, etchings, Work conception

Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse) 1745 Bernard Picart. Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse). Don Quixote. Bernard Picart (French, Paris 1673-1733 Amsterdam). 1745. Etching and engraving. Prints

Charles Emmanuel Patas after Jean Honoré Fragonard, Le pate d'anguilles Le pate d'anguilles

Portrait bust of Andrea Palladio surrounded by personifications of time, fame and wisdom, Bernard Picart, 1716 print The portrait bust of the architect Andrea Palladio is unveiled by father Tijd. A putto shines the bust with light rays. In the foreground fame, with a laurel wreath and trumpet in the hands. She looks up at Minerva who is accompanied by two putti that holds the coat of arms of King George I of England up. On the right of the floor a passer as a reference to Palladio's profession. Amsterdam paper etching / engraving Father Time, man with wings and scythe. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). (story of) Minerva (Pallas, Athena). compasses

Dress nudes, Jan Luyken, 1700 print A performance in a cartouche of palm branches. In front of his house, a man hands out clothes to naked arms, one of the works of mercy. Amsterdam paper etching ornament ~ cartouche. the poor. clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy

Le Lavement des Pieds (The Washing of the Feet), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Le Lavement des Pieds (The Washing of the Feet), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of three (Lieure). Prints

France, Lafage, Raymond de, Paris, Ertinger, Franz, Wedding at Cana, verso - stamped, During the wedding dinner at Cana, Christ has stone vessels filled with water, after which he changes it into wine. At the table, in the middle, the bride. Above her head a dove and on the balcony a group of musicians and singers. John 2:1-11., print, prints, height 308 mm, width 397 mm, 1640, print maker, printmaker, 1689 - 1689, paper, papier, etching, etsen, Frans, 1656-10-01 - 1690-11-04, intermediary draughtsman

Wolfgang, Johann Georg, inventor: Joh. Andreas Wolff, Hallitsijattaren allegoria, (1000 - 2000), copper engraving, graphics, plate width 21.2 cm, plate height 33 cm, image width 19.2 cm, image height 30.8 cm

The mother, wife and son of Reinier van Oldenbarnevelt Smekeken Maurits Om Grace, 1623, 1792 print In an interior, the mother, wife and son of Reinier van Oldenbarnevelt kneel at the feet of the prince and begged Maurits for grace for Reinier van Oldenbarnevelt, one of the consciented conspirators, March 1623. Netherlands paper etching (revolutionary) plot, conspiracy. granting mercy; free pardon

. Scipio gives the clean virgin, which was offered to him as a reward for conquering new Carthago, back to her upcoming groom and her mother. The ransom, offered by the parents of the bride, gives a scipio as a wedding gift. Presentation above one of the doors of the council chamber of the Court of Justice of Holland, Zeeland and West Friesland in the Binnenhof in The Hague.

The fugitive Amor, Lambertus Antonius Claessens, after Jacques Kuyper, 1803 print Illustration in a story attributed to the Greek poet Moschus. Amor, here the son of Venus, ran away. Venus is in a panic, she asks everyone to look for Amor. Whoever finds him she promises a kiss. Amsterdam paper etching Venus taking care of Cupid

Parthen poured melted gold in the chopped head of Crassus. Parthen pouring from accusality melted gold in the chopped head of the Roman Marcus Licinius Crassus.

Nicolas Delaunay, Le billet doux, 1749-1792, engraving on paper.

Morning toilet of the newly married woman, Jean Dambrun, After Le Brun, 1751 - in or after 1808 print In a departure, a young woman is dressed by a few servants, while her husband hugs her and offers a flower. Two employees are busy with her hairstyle, while two others want to confirm her garter. Scene caught in frame with Bloemguirlande. print maker: Francepublisher: Paris paper engraving / etching dress, gown: morning dress (+ women's clothes). making toilet. dressing someone else. putting on or taking off stockings. marriage, married couple, 'matrimonium'

Persons of the Austrian Netherlands and France; Title page for: Halma, François. The Groot Fransch and Nederduitsch Dictionary (...) 1761. In the middle is the personification of the Austrian Netherlands with a wall wreath and a liberty staff with hat. She holds a swamped book with the shortened title. At her feet is a lion with a arrows bundle. Left behind her plays a woman a harp and writes another woman in a book. On the other side of the open book is the personification of France with a crown, a scepter and a rooster at her feet. Behind them Mercury flies with his caduceus, an envelope and a key.

Ecece homo a skin Harmensz van Rijn Rembrandt (1606-1669). Homo ECCE in height (B 77 - 2nd state), between 1635 and 1636.

Manius Curius Dentatus Weigert Geschenken van de Samnieten, Anthony Walker, after Pietro da Corton, after John Hamilton Mortimer, 1763 print Consul Manius Curius Dentatus refuses the precious gifts of the Samnites and prefers his simple times of roasted turnips, ca. 270-290 BC. paper etching / engraving Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites

Picart, Bernard, Amsterdam, Title vignette for: Songs at the wedding of Arent Bosch, and Eletta Thesingh, 1718, Allegorical representation on the occasion of the wedding of Arent Bosch and Eletta Thesingh, verso - stamped, Allegorical representation on the occasion of a wedding. The couple, accompanied by Amor, walks to the god of marriage Hymen and the wedding bed. On the left, Venus offers the bride a golden apple and on the right, Hebe, the goddess of youth, offers her a vessel of nectar. The representation is set in an ornamental frame. The frame is crowned by two putti with the initials of the spouses. Center below a cartouche with the motto: Nil Flammis Pulcrius Istis., print, prent, wedding print, vignette, prints, height 113 mm, width 144 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Etching by Willem de Ryck depicting the Judgment of St. Katharina, created in 1684, showing the saint with judges and architectural background in Baroque style.

Allegorical show as a tribute to Ferdinand van Collen. Around a monument with family crest of the genus Collen and the coats of arms of Gunterstein and Tienhoven are allegorical women's figures. On the right justice with besides her amor who carries a fasces. Behind justice A woman who shows the Amsterdam city weapon. On the left in the background a countryside, right is a battle in progress. Tribute to Ferdinand van Collen.

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