Dramatic Artistic Scenes

Dynamic artworks featuring action and emotion, ranging from mythological narratives to social commentary, expressed through varied engraving techniques.

The twelve months of the year, February (Dutuit 21) Dusart, Candelis. The twelve moiss and the year, February (Dutit Curit 21). Black way. Museums of the City of the City of Paris, Small palace.

Faust et Méphistophélès galopant dans la nuit du sabbat (Faust and Mephistopheles Galloping on the Night of the Witches Sabbath). Artist: Eugène Delacroix, French, 1798-1863

Five mermaids; Sea monsters. A group of five mermaids is under water. On the left in the foreground two aquatic plants.

Etching and aquatint by Francisco Goya from 'The Disasters of War' series, titled 'The Same', created between 1812-1815 and first published in 1863, depicting scenes of war.

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Takeoff." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101782-20 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

The twelve months of the year, February (Dutuit 21) Dusart, Candelis. The twelve moiss and the year, February (Dutit Curit 21). Black way. Museums of the City of the City of Paris, Small palace.

Don Quixotte and Sancho Panza drive past a forge; Designs for the fifth part of histoire de l'Admirable Don Quixotte (...). Don Quixotte and Sancho Panza run along a forge that they face the entrance to hell. Design for a (title) print.

News. / 113. / Prince Menschikoff ... (registered title) | News (1854) (title of all)

The Journal deshabillee de Jean d'Arc at the concert of ambassadors (poster before the letter) (naked woman) Adolphe Willette. "The undressed journal of Jean d'Arc at the concert of ambassadors (poster before the letter, naked woman)". Lithograph, 1894.

Announcer, Cornelis Ploos van Amstel, Bernhard Schreuder, 1776 - 1777

Ne sachant plus comment occuper leurs loisirs... , Business people, Politicians, Cobden, Richard, 1804-1865, Bright, John, 1811-1889. Honoré Daumier (1808-1879). Lithographs

Goya No se puede mirar (One Can't Look) Francisco de Goya (Spanish, 1746 - 1828 ), No se puede mirar (One Can't Look), published 1863, etching, burnished lavis, drypoint, and burin, Rosenwald Collection

Warneńczyk. Piller-Neumann (Lwów ; drukarnia, zakład litograficzny ; 1893-1939), printing house, Sichulski, Kazimierz (1879-1942), graphic artist

Steadfastness with a rider on a cloud, Michel Dorigny, after Simon Vouet, 1638 print Paris paper engraving / etching Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. assemblies of the gods in the air, possibly on the clouds

Old woman on a swing, Francisco de Goya, 1824 - 1828 print An old woman on a swing. A cat on the branch of a tree. Bordeaux paper etching swing. old woman. swinging (children's game)

Plate 8: a man murdering another with a rock ca. 1890-1910 José Guadalupe Posada. Plate 8: a man murdering another with a rock. José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Wood engraving. Prints

Honoré Daumier, Une assembleé modèle , 19th century Une assembleé modèle ...

Honoré Daumier, Comment Bismarck comprend l'unité allemande, 1870 Comment Bismarck comprend l'unité allemande

Marcus Valerius Corvinus beats a Gaul, c. 1662 - Before 1667 drawing Zwolle paper. ink. chalk brush

Putti with shield, helmet and weapons, Samuel Bottschild, 1693 print paper etching cupids: 'amores', 'amoretti', 'putti'. armour. weapons

Honoré Daumier, Le rêve d'un marguillier, 19th century Le rêve d'un marguillier

Ludwig of Lorrainen-Guise, Prince of Phalsbourg.

Lot and his daughters, Gerard ter Borch (I), 1632

Etching by Bernhard Rode from 1783 depicting Albrecht Achilles capturing the walls of Greifenberg, showing military action, soldiers, and fortifications.

Group of people pushes the carriage of Robert-Macaire on, Honoré Daumier, After Charles Philipon, 1838 print paper letterpress printing animal traction, animal-drawn vehicle (carriage etc.). crowd, mob. caricatures (human types)

Courage, Radetscky, in my house I also find a distinct place Radetzky und der Teufel, Karikatur, Unknown

Figure Group (possibly the left part of anAdoration). Artist: Anthonis Sallaert, Flemish, c. 1590-c. 1658

Lazio Roma Rome Stimmate di San Francesco1. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ukrainian LIRNIK PROPHECY , from: Jan Matejko's Album with an Explanators Text by Kazimierz Władysław Wójcicki (Part Three) (Card 47) Lewental, Salomon (Franciszek Saleszi) (1841 1902), Gorazdowski, Edward (1843 1901), Matejko, Jan (1838 1893)

Aquatint and etching by Jean Pierre Marie Jazet between 1808 and 1871 showing a supervisor palfrenier, a horse attendant.

Escape from the casket, illustration to "a lot of thousands and one night"; Pawliszak, Wac AW (1866-1905); around 1904 (1900-00-00-1905-00-00);Arabs, fairy tales from a thousand and one nights - illustrations, Witke -Jeżewski, Dominik (1862-1944) - collection, east, genre scenes, illustration, design, collection stamp, recovery, recovery, porter, type of type, purchase (provenance), death

Ocean, 1589 - 1590 print The god Oceanus, seated on a large fish (dolphin), a rowing span in the left hand. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Oceanus

Plate 62 from 'Los Caprichos': Who would have thought it (Quien lo creyera!). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 15/16 in. (21.5 × 15.1 cm)Sheet: 11 9/16 x 8 5/16 in. (29.4 x 21.1 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Cartoon depicting the Fenian dragon defeating Saint George. Date: 1867

Two écorché figures lying on a table. Crayon manner print by J. Gamelin after himself, 1779.

Workers with ropes on Oever, Johannes Josephus Aarts, 1881 - 1934 print Two men in work clothes and with a hat on a shore both on a rope. They probably continue a vessel. A speed in the background with several boats. paper working class, labourers. tools, aids, implements ~ crafts and industries: rope. boat propelled by man or animal

News by L. Choubrac. / We have seen it your German Rhin.

A Manual on Self-Defence; Klare Onderrichtinge der Voortreffelijcke Worstel-Konst. Nicolaes Petter. Etching, 1674. 235 x 190mm.

Honoré Daumier (French, 1808-1879), Qu'on dise encore que la chasse, 1864, lithograph

Goya, Francisco de, Bordeaux, Vieja columpiándose, Old woman on a swing, verso lower right - stamped, An old woman on a swing. On the branch of a tree a cat., print, prints, verso middle - stamped, ZB, height 185 mm, width 122 mm, Spaans, 1746-03-30 - 1828-04-16, print maker, printmaker, 1824 - 1828, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Work conception, after own design by

Draft for a hunting card by Franz von Stuck, executed with black brush and white highlights over pencil, showing folds and areas with reduced visibility.

Jakob struggles with the angel, Anonymous, 1700 - 1799 print paper engraving / etching Jacob wrestles with the angel (or man) till daybreak; Jacob's thigh is put out of joint

Paris, Le Père & Pierre-Michel Avaulez, Charles, Delafosse, Jean Charles, Voysard, Etienne Claude, 4e Cahier, Trophies, Les Indes et leur Religions, Indië, verso - stamped, Two trophies with shields. On the left with weapons, an elephant's head, a caduceus, grapes, a smoking vessel and a shield with animals. Right with arms, a lion skin, a panther skin and a shield with a chained lion., print, ornamental print, prints, ornamental prints, height 389 mm, width 219 mm, 1746 - 1812, print maker, printmaker, 1772 - 1779, paper, papier, etching, engraving, engraving (printing process), French, 1734 - 1791-10-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Francisco de Goya y Lucientes / 'Lads Making Ready'. 1799. Etching, Aquatint, Burnisher, Burin on paper. Museum: Museo del Prado, Madrid, España.

Figure with fully loaded wheelbarrow, Louis Robbe (Possible), 1816 - 1887 print paper etching wheelbarrow

Willem Panneels. David cutting Goliath's head, according to Rubens (Dutuit 22). Crois, 2nd quarter of the 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

El caballo raptor (The Horse Abductor), pl. 10 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Bismarck, Ignatiew, Disraeli, Andrassy, The marted peace title page of Der Floh, Angerer , Göschl, realization

Nohubo remedio /There was no help; board No. 24 from: Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

Bullfighters in an arena, Francisco de Goya, 1811 - 1816 print Three toreros (bullfighters) in Moorish clothing fight with a bull in an arena. Spain paper etching / drypoint bullfight. bull-fighter, toreador. bull. head-gear: turban

Spanish knight kills a bull, Francisco de Goya, 1876 print A Spanish knight in armor puts a sword in the neck of a bull falling on the ground. Behind it his horse is on the floor. Numbered at the top right: 9. print maker: Spainpublisher: Paris paper etching knight. bullfight. bull. horse

Male Traveler in a Storm (recto); Anatomical Studies of a Foot (verso) 1770-80 William Hamilton British Hamilton belonged to a generation determined to expand the scope of the arts in Britain. He traveled to Rome as a teenager to study with Antonio Zucchi, returned to England to make decorative paintings for Robert Adam, then entered the Royal Academy Schools in 1769. From that point forward he focused on historical and literary subjects, together with portaits. This windblown figure may represent Edgar in Shakespeare's "King Lear.". Male Traveler in a Storm (recto); Anatomical Studies of a Foot (verso). William Hamilton (British, London 1751-1801 London). 1770-80. Recto: pen and black ink, brush and gray wash, over graphiteVerso: pen and brown ink. Drawings

The Circumcision in The Stable, Rembrandt van Rijn, After Michel Bernard and Alvin -Beaumont, 1850 - 1906 print paper etching circumcision of the Christ-child by Mary

Caricature of King Louis Philip I of France as a bandit, Honoré Daumier, 1835 print King Louis Philip I of France is depicted as Robert Macaire, a fictional character that acts as an unscrupulous scammer. He provokes the turkeys with banknotes and portfolios, and then makes them a cup smaller. Paris paper political caricatures and satires. caricatures (human types). poultry house. robber

GOYA Y LUCIENTES, Francisco de (1746-1828). This is how it happened. 1810-1812. Plate 47 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Solders or workers in landscape. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Gustaw Daniłowski driven out on a wheelbarrow. Nowodworski, Henryk (1875-1930), draughtsman, cartoonist

Dead hero with goddesses, 1778, (1943). Creator: Henry Fuseli.

Francisco de Goya (Spanish, 1746-1828). It's a Hard Step! (Duro Es el Paso!), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

A Glove: Amor, 1880. Max Klinger (German, 1857-1920). Etching;

Why /Why; Board No. 32 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

The Flood 1904 Edward Calvert British. The Flood. Edward Calvert (British, Appledore, Devon 1799-1833 Hackney (London)). 1904. Reprint. Prints

Mann an Mann, chart 12. Wetteroth, Heinrich (Monachium ; zakład graficzny ; fl. 1860-1925), printing house, Erler, Erich (1870-1935), engraver, Verlag von P.H. Beyer & Sohn (Lipsk ; wydawnictwo ; 1897- ), publisher

The scholarship or war! Say donations, without ordering yourself, would you like this little note to me, The caricature, no 223, pl. 465 OPPERET, Auguste (1804 1865), Lithographie Delaunois, Imprimerie Aubert (pony)

Honoré Daumier, Le supplice de tantale eau comprise, 1870 Le supplice de tantale... eau comprise

What will he die; The Que Mal Morira; Los Caprichos. A donkey is like a doctor on the bed of a dying man and feels his wrist. Fortyth print from the Los Caprichos series.

Lazio Roma Rome S. Croce in Gerusalemme31. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Édouard Manet (French, 1832 - 1883). The Gypsies (Les Gitanos), 1862. Etching. Second state.

L'inventeuer du nouveau fusil effrayé des succès qu'il obtient à sa première. -On demande la toile!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

DALI Salvador(1904-1989) Nobody knows himself Capricho-6 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Honoré Daumier (French, 1808 - 1879). Difficile à remettre à neuf, 1869. From Actualités. Lithograph on newsprint paper. Image: 255 mm x 205 mm (10.04 in. x 8.07 in.). Second of two states.

Con razon ó sin ella. (Rightly or Wrongly.), pl. 2 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Histoire Ancienne. L'education d'Achile, Honoré Daumier (Marseille, France, 1808 - 1879)

Old ballad II , Musicians, Guitars, Singing

Honoré Daumier, Ne l'effraye pas Eudoxie, 19th century Ne l'effraye pas Eudoxie...

Le triomphe de la Mort: La proclamation , Death, Skeletons, Proclamations, Crowds, Alphonse Legros (1837-1911)

GOYA Y LUCIENTES, Francisco de (1746-1828). Charles V, Holy Roman Emperor and King of Spain as Charles I, spearing a bull in the ring at Valladolid. 1816. Plate 10 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

The Finish (L'arrivée). Dimensions: 18.5 cm x 13.5 cm, 17.7 cm x 12.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: LOUIS ANQUETIN.

Published in le Charivari (7 June 1850): Actualities (No. 140): The new Icarus, 1850. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 35.6 x 25.3 cm (14 x 9 15/16 in.); image: 26.4 x 21.5 cm (10 3/8 x 8 7/16 in.).

Photo collection Government information service. Forge. 1635

Dance dance. A group of four dancing figures, including a skeleton in a suit and a jester. Above them two winged devils, one of whom the poor keeps like he shoots with arrow and bow.

Still life with pot and scale, Willem Adrianus Grondhout, 1888 - 1934 print paper etching still life of miscellaneous objects

Oosterhuis, Haatje Pieters, Netherlands, Hoogkamer, Willem Hendrik, The Third Centenary of the Church Reformation 1817, Monument for the Third Centenary of the Reformation, 1517-1817, verso - stamped, 1517-1817. Allegorical representation with a pyramid in the center with a portrait of Martin Luther. Hereby Fame blowing its trumpet. Father Time writes the inscription on the pyramid. Above the pyramid the All-Seeing Eye. On the left and right putti in the clouds with books. At the bottom Luther defending his theses at the Imperial Diet in Worms (1521). On the left the Dutch lion with a bundle of arrows and coat of arms., print, prints, Frederik Muller Historieplaten, height 404 mm, width 301 mm, Dutch, 1790-09-21 - 1864-01-22, print maker, printmaker, 1814 - 1814, paper, aquatint, etching, engraving, engraving (printing process), 1784-11-28 - 1854-12-14, intermediary draughtsman, after a drawing by, 1817 - 1817

An aquatint etching by Francisco Goya from 'The Disasters of War' series illustrating the ongoing suffering and violence during wartime, executed between 1812 and 1815, first published in 1863.

Die Jungfrau von Orleans (The Maid ofOrleans). Artist: Lovis Corinth, German, 1858-1925

Slay scene at the Mariahilfer line on the night of March , in the Wiener Revolut, Joseph Albrecht, Lithograph

The Horse-Abductor (from the series Los Disparates (Follies) by Goya, Francisco, de (1746-1828) / Museo Lazaro Galdiano, Madrid / 1815-1819 / Spain / Etching / Genre,Mythology, Allegory and Literature / 24,6x35,7

Actualities: Master Courbet Inaugurates the School of Modern Painting. Émile Bénassit (French, 1833-1902). Lithograph;

'Crusoe Loading His Raft', c1870. Artist: Unknown.

Portada de la revista La Flaca. Barcelona, septiembre de 1870.

Christ heals lepers, anonymous, Niccolò Vicentino, after Parmigianino, in or after c. 1540 drawing Christ with the apostles and a group of begging lepers. Italy prepared paper. ink. deck paint brush / pen Christ healing lepers

Apotheosis of Adam Mickiewicz - tracing from a drawing from 1860. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist, Tepa, Franciszek (1828-1889), painter

The Miraculous Draught of Fishes 1540-50 Niccolò Vicentino Italian For the attribution of this print to Vicentino, see Naoko Takahatake, 'Niccolò Vicentino's "Miraculous Draught of Fishes"', Print QuarterlyVol. 28, No. 3 (SEPTEMBER 2011), pp. 256-260.. The Miraculous Draught of Fishes. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-50. Chiaroscuro woodcut from three blocks in brown. Prints

Mythological figures between clouds, Pietro Sante Bartoli, After Giulio Romano, c. 1693 - 1700 print Part of a ceiling painting with mythological figures between clouds. Central is Jupiter with two bundles of lightning bolts. On the left is the Frygian goddess Cybele on two lions. On the right, a female figure flees surrounded by Putti. Above a balustrade. print maker: Italyafter painting by: Mantuapublisher: Rome paper etching / engraving (story of) Jupiter (Zeus). (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia). cupids: 'amores', 'amoretti', 'putti'

Weapon trophy with a helmet at the top, 1572 print Weapon trophy with a kuras and a drum with carbines and swords. From series, consisting of a title page and 16 magazines. Netherlands (possibly) paper etching

Whose Turn Is It (A qui le tour) Honoré Daumier (French, 1808-1879). , 1870. Lithograph on wove paper, Image: 9 x 7 1/16 in. (22.9 x 17.9 cm). European Art 1870

Plate 3 from 'The Disasters of War' (Los Desastres de la Guerra): 'The same. (Lo mismo'.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/4 × 8 9/16 in. (15.8 × 21.8 cm)Sheet: 9 15/16 × 13 1/2 in. (25.2 × 34.3 cm). Series/Portfolio: Disasters of War. Date: 1810 ( published 1863). Museum: Metropolitan Museum of Art, New York, USA.

The sloth is knocked down by poverty and lack, Philips Galle, c. 1565 print The sloth is on the floor. The personifications of defect, a man with an amputated leg, and poverty, a man with torn pants, hit him on him. Haarlem paper engraving the book of Proverbs. Stupidity, Poverty of Intellect; 'Stupidità overo Stolidità' (Ripa) (+ clothed). fighting

The title page for: Les strelits Encienne et seule Milice de Russie jusqu'qu temps de Pierre le Grand. Le Prince, Jean-Baptiste (1734-1781), graphic artist

The Raven, 1854. Félix Bracquemond (French, 1833-1914). Etching; sheet: 31.7 x 23.8 cm (12 1/2 x 9 3/8 in.); platemark: 23.5 x 18.5 cm (9 1/4 x 7 5/16 in.).

Bobalicón (Simpleton). Plate 4 from: Disparates (Follies), 1814-20, Spain, by Francisco Goya. Gift of Sir John Ilott, 1957.

of 3