Dramatic Deathbed Scenes

Images depict deathbed moments, featuring figures addressing the sick or seemingly lifeless individuals. The mood is somber, with intricate details showcasing historical and theatrical contexts.

A man wakes his friend from a pleasant dream The bed in which they lie is in a bedroom In the foreground clothing on a chair, Waking from a Dream The Pleasant Dream , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 249 mm × w 155 mm

Poet Jan Zoet is sick in bed and Machteld Klaas van Medemblik addresses him while death beckons, Johannes Christiaan Bendorp, 1825 print print maker: Netherlandspublisher: Rotterdam paper etching Death as skeleton. artist on his deathbed

An episode in Shakespeare's play "Romeo and Juliet": the nurse enters Juliet's bedroom to awaken her, but finds her apparently dead. Line engraving by E. Smith after J.M. Wright.

Revolutions of Paris: The Assassin Paris The revolutions of Paris: The Assassin Paris in Forges-les-Eaux on February 1, 1793 ... Burns the brain in bed ... ". Print.

Bedroom with couple and secretly departing lover, Charles Emmanuel Patas, after Jean Jacques François Le Barbier, 1763 - 1817 print paper etching / engraving parting, leave-taking (of lovers). partner deceived

A man wakes his friend from a pleasant dream The bed in which they lie is in a bedroom In the foreground clothing on a chair, Waking from a Dream The Pleasant Dream , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 249 mm × w 155 mm

Sick woman receives her lover, Caspar Luyken, 1704 print Nuremberg paper etching / letterpress printing partner deceived. sick-bed. devil(s) and demons

Paris and Helen. Jacques-Louis David (French, 1748 - 1825)

Sleeping heretic is attacked by a cat, Caspar Luyken, Christoph Weigel, Frantz Martin Hertzen, 1710.

Alcamène sees Chariclée, lying in bed, Michel Lasne, 1623 print Paris paper engraving / letterpress printing bed

A young man weeps in grief by the death bed of a young woman. Line engraving by J. Brown, 1846, after J. Barker.

Woman on a man's sickbed, Philippus Velijn, 1822 print In a bed is a man, with a medallion in his hand and with a box on your lap. At the bed is a fold on a chair. Bottom right: bl. 116. Netherlands paper etching sick-bed. picture, painting

The Duke of Clarence Asleep in the Tower, as Brackenbury Leaves (Shakespeare, Richard III, Act 1, Scene 4) 1825-40 Charles Rolls. The Duke of Clarence Asleep in the Tower, as Brackenbury Leaves (Shakespeare, Richard III, Act 1, Scene 4). After Henry Corbould (British, London 1787-1844 Robertsbridge, East Sussex). 1825-40. Etching and engraving. Charles Rolls (British, 1800-1857). Prints

Consciousness of Nabdalsa, Ludwig Gottlieb Portman, After Jacobus Buys, 1798 print The secretary of Nabdalsa, a Numidian, discovers the conspiracy against Jugurtha. He takes the letter from Bomilcar under the pillow of Nabdalsa that is sleeping in bed. Amsterdam paper etching male persons from classical history (NABDALSA)

Ce matin avant l'aurore... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Buys, Jacobus, Northern Netherlands, King, Theodoor, Scenes from the life of Prince William I, 1568-1584, Assault by Alva on the Prince of Orange, Ao. 1572, Failed attack on the Prince of Orange, 1572, who is awakened while sleeping in his army tent near Bergen (Hainaut) by the barking of his dog, 11-12 September 1572. Seventh song., print, engraving, historical print, prints, engravings, Frederik Muller Historical plates, height 185 mm, width 150 mm, 1748-02-03 - 1829-01-31, print maker, printmaker, 1780 - 1780, fourth quarter 18th century, paper, etching, etchings, Work conception, 1724-11-19 - 1801-04-07, after a design by, intermediary draughtsman

Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia 1650-77 Pietro Santi Bartoli Italian This plate is bound with three series after Raphael's designs for the Vatican Stanze.. Plate 11: Bathsheba interceding with David for Solomon, from Genesis 27, after a lost fresco in the basamento of Bay 11 of the Vatican Loggia. Series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie. Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). 1650-77. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Tent deux degrés!!!. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Le gascon puni. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Louis-Michel Halbou and Antoine-Jean Duclos after Jean-Honoré Fragonard.

Poor dying, what is your madness (Ti)

Elisha raises the Shunamite's son. Engraving by H. Moses, 1814, after B. West, ca. 1766.

The grrrrand and spiritual prince rosolin visited by the follet spirits in the castle of Moullinkhausen, the caricature, no 245, pl. 509 Unknown, Lithography Leununois, Imprisame Auberty (Parry)

Print made by Anker Smith, 1759-1819, British, Edward V. and The Duke of York, Smothered in the Tower, 1810. Etching and line engraving on thin, slightly textured, cream wove paper.

Lucius Cornelius Sulla makes granius; Silla, UN Giorno Prima della Sua Morte, Fece Strozzare Dai Suoi Schiavi Granio Magistrato di Puzzolo, Perche Differiva Li Pagamenti, Aspettando Che Silla Morisse; History of the Roman Empire; Frontespizio della Iistantia Romana. Lucius Cornelius Sulla is located on a side bed and let GRANIER introduced by its slaves.

Louis-Michel Halbou and Antoine-Jean Duclos after Jean-Honoré Fragonard, French (1730-probably 1809), Le gascon puni, etching and engraving

The hearing, Cornelis Dusart, 1670 - 1704 print A bagpipe player and a singing man and woman make music together. The man has an inverted boot on his head. The print is part of a series of five prints with the five senses. Haarlem paper engraving hearing, listening (one of the five senses). bagpipe, musette - CC - out of doors. vocal music, singing

Théodore Chassériau, Othello Suite: No. 13 (Act 5, Scene 2), 1844, etching on paper.

Le Verrou, A Young Man Prevents the Escape of his Mistress by pushing the Door Bolt Shut, Etching by Maurice Blot (1753-1818) after the Painting by Jean Honoré Fragonard (1732-1806), 1784

Rue Transnonain, le 15 Avril 1834, published in La Association Mensuelle, no. 24, August-September 1834. Artist: Honoré Daumier, French, 1808-1879

The Death of Cato. Dated: 1634. Dimensions: plate: 12.4 x 16.1 cm (4 7/8 x 6 5/16 in.) sheet: 13.3 x 17.7 cm (5 1/4 x 6 15/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Willem Basse.

Illustration from Tom Jones. Jan Punt (Holland, Amsterdam, 1711-1779). Holland, published 1750. Prints; engravings. Engraving

The Universal Apparition. A rake sitting in an armchair is shocked by the appearance of a spectre of a naked woman bathed in light and pointing upwards in a bedroom. Copperplate engraving by Philip Audinet after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.

Schönborn, Damian Hugo Philipp Graf.

Two men at the bedside of an old man in a garret, 18th century. Mr Jones visits the weaver Martin, who has been starved in a decrepit garret by his cruel son.. O God! Thou art just! Copperplate engraving by William Blake after an illustration by Daniel Nikolaus Chodowiecki from Mary Wollstonecraft's translation of Christian Gotthilf Salzmann's Elements of Morality, London, 1791.

Joseph and Potiphar's Wife, Ignace -Joseph de Claussin, after Rembrandt van Rijn, 1805 - 1844 print paper etching Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Black eyes, high brown complexion, beard, favorites it's good! We will recognize my fellow, caricature, no 186, pl. 391 Daumier, Honoré (1808 1879), delaunois lithography, Aubert printing (Saly)

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Grieging Woman, sitting on a bed, Adolphe François Pannemaker, 1832 - 1900 print paper bed. weeping

Maria Antonia of Naples and Sicily (1784-1806). Princess of Asturias as first wife of Ferdinand, Prince of Asturias (future King Ferdinand VII). Death of the Princess of Asturias on May 21, 1806 at the Royal Palace of Aranjuez because of tuberculosis. Engraving. Historia del Levantamiento, guerra y revolucion de Espana by the Conde de Toreno. Madrid, 1851.

Death of Marat, drawn by F. Lix, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

Elisabeths last night Death of Archduchess Elisabeth, st wife of the later Emperor Franz II, on February , Johann Hieronymus Rohenkohl -, publishing house

The Rape of Lucrece (Shakespeare) 1825-40 Charles Rolls. The Rape of Lucrece (Shakespeare). After Henry Corbould (British, London 1787-1844 Robertsbridge, East Sussex). 1825-40. Etching and engraving. Charles Rolls (British, 1800-1857). Prints

Interrogation and torture of Cornelis de Witt, 1672, Jacobus Buys, 1787 - 1788 drawing Interrogation and torture of Cornelis de Witt, August 19, 1672. Northern Netherlands paper. ink pen / brush torture The Hague

Feder and bister drawing on blue natural paper by Karl Gsellhofer around 1800 depicting Hypermnestra at the warehouse of her husband, showing figure, gesture, and setting.

Bernard, Claude.

Lucretia about to kill herself. Engraving by C. Mellan after S. Vouet.

L'Ami d'un grand homme. Honoré Daumier (France, Marseilles, 1808-1879). France, 1842. Prints; lithographs. Lithograph

Paris and Helen; Jacques-Louis David, French, 1748 - 1825; 1786; Pen and black ink and brush and gray wash; 18.3 x 22.9 cm (7 3/16 x 9 in.)

The Hague, Steuerwald, Jan Dam, Bles, David, Interior with a soldier and an old woman, verso - stamped, The old woman is sitting in an armchair and points with her thumb at the soldier sitting next to her in a chair. In front of them is a dog on a leash. Through the window a woman can be seen walking a man., print, prints, height 250 mm, width 318 mm, Dutch, 1821-09-19 - 1899-09-03, print maker, printmaker, 1844 - 1844, paper, papier, chine collé, lithografie (techniek), 1805-04-13 - 1869-05-10, printer, drukker

The death of Cleopatra, after a painting by James Prinsep (1799-1840), illustration from Nuova illustrazione Universale, Year 1, Vol II, No 30, June 21, 1874.

The portrait, workshop within the eighteenth century by Mrs. Armand Leleus, vintage engraving. The portrait, workshop within the eighteenth century by Mrs. Armand Leleus, vintage engraved illustration. Magasin Pittoresque 1870. Copyright: xZoonar.com/PatrickxGuenettex 10679115

Print, Abraham Francen, Apothecary; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on laid paper; 16.1 × 21.2 cm (6 5/16 × 8 3/8 in.); Bequest of George Campbell Cooper; 1896-3-171

Faust: Tragédie de M. de Goethe, translated into French by Albert Stapfer.: Illustrations for Faust: Marguerite with the wheel, 1828. Eugène Delacroix (French, 1798-1863), Chez Ch. Motte, Éditeur, distributed by Chez Sautelet, Libraire. Lithograph;

Last Moments (IFF 158) (Factitious Title)

Illustration for Paul Erdmans Fest Wandsbecher 'Messenger from M. Claudius,' fourth part. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Death. Langlumé; French, active 1822-1840. Date: 1822-1840. Dimensions: 208 × 274 mm (image); 255 × 336 mm (sheet). Lithograph in black, with graphite additions, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Paul Gavarni, After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse), 1847 1856 After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse)

"Copper engraving and etching by William Hogarth from 1745, 'Fashionable Marriage 5', showing figures, domestic interior, and social interaction."

After the Pardon (Il lui sera beaucoup pardonne parce qu'elle a beaucoup danse). Dated: 1847/1856. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: PAUL GAVARNI.

Oriental Lovers verso. Dated: 1764. Dimensions: overall: 23.9 x 18.1 cm (9 7/16 x 7 1/8 in.). Medium: gray wash and pen and gray ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Anton Weiss.

Interior with Erasmus and Holbein, Joseph Lies, 1850 print paper. etching historical persons

Alvarez Douror en Belvidera Dellon, Daniel Nikolaus Chodowiecki, 1778 print Scene from the life story of Alvarez Douror. Looking for Belvidera Dellon, his kidnapped fiancé, he ends up in a house with an enchanted garden where he collapsed on a couch. Operating bring him inside and when he recovers he looks into the eyes of his loved one. paper etching Literature. fainting, swooning

S'assurant qu'il n'y a pas de féniant sous son lit, from Actualités, published in Le Charivari, December 21, 1866 December 21, 1866 Honoré Daumier French. S'assurant qu'il n'y a pas de féniant sous son lit, from Actualités, published in Le Charivari, December 21, 1866. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 21, 1866. Lithograph; second state of two (Delteil). Arnaud de Vresse. Prints

The Hypnotist 1790 Daniel Nickolaus Chodowiecki (1726-1801 German) Drawing

The drama of richelieu street

Blanka from the Polonia series of Artur Grottger Studio 906, Grottger, Artur (1837 1867)

Print of Willem van Oranje on his sparkle, 1584, 1850 - 1899 photograph Print of Willem van Oranje lying on his sparkle, July 10, 1584. A sword on his side, the dog at his feet. Netherlands photographic support albumen print lying in state Prinsenhof

A sudden awakening, from 'Parisian sketches,' published in Le Charivari, November 1, 1865. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 8 3/4 × 8 7/16 in. (22.3 × 21.4 cm)Sheet: 14 3/16 × 11 5/16 in. (36 × 28.7 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Parisian sketches' (Croquis Parisiens). Date: November 1, 1865.- Wife, wife! - My God! What is it, Theodore - I dreamt I had a colic!. Museum: Metropolitan Museum of Art, New York, USA.

The Death of Raphael 1832 or before () Johannes Riepenhausen German. The Death of Raphael 406954

Scene from A Christmas Carol by Charles Dickens, 1843. Artist: John Leech

Der Astrolog Seni bei dem ermordeten Wallenstein.. Piloty, Karl von. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Death, Globes, Wallenstein, Albrecht Wenzel Eusebius von, Herzog von Friedland, 1583-1634

Merson, Luc-Olivier (n.1846-05-21-D.1920-11-14), "Suite of the shield changed into dry leaf", Illustration for the title thumbnail II of the book Eighth (Faithful title ), 1888. Pen and ink wash with gouache enhancement on paper. Houses of Victor Hugo Paris - Guernsey.

Pardonnez-moi, ô mon Dieu!..., from Les Comédiens de Société, published in Le Charivari, April 3, 1858 April 3, 1858 Honoré Daumier French. Pardonnez-moi, ô mon Dieu!..., from Les Comédiens de Société, published in Le Charivari, April 3, 1858. Les Comédiens de Société. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). April 3, 1858. Lithograph on newsprint; second state (Delteil). Aaron Martinet (French, 1762-1841). Prints

Scene from Scenes of Clerical Life by George Eliot, 1883. Artist: Robert Brown

The Use of Tears, Richard Parkes Bonington, 1802-1828, British, 1827, Watercolor and white gouache over graphite on thick, smooth card, Sheet: 9 x 7 inches (22.9 x 17.8 cm), bed, cat (domestic cat), chair, genre subject, letter, tears, women

Honoré Daumier, Merci, je sors d'en prendre, 19th century Merci, je sors d'en prendre

Alexander the Great, demonstrating his trust in Philip, his physician, by drinking a medicinal draught prepared by him after receiving a letter from General Parmenio suggesting that Philip is poisoning him. Coloured pencil drawing by L. Chodowiecka.

Woman and her lover, gallant French copper engraving, 18th century

The Idle 'Prentice return'd from Sea, and in a Garret with a common Prostitute plate 7. 1747. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

O Spartan dog, plate fifteen from Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 288 × 360 mm (image); 297 × 379 mm (chine); 321 × 398 mm (plate); 384 × 494 mm (sheet). Etching, engraving, roulette and drypoint on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

General, I am the delegate of the Germanic diet! / My friend, you are entitled to all my respect (registered title) | News. (Title of the whole)

Honoré Daumier, Celui la, on peut le mettre en liberté! (This one we can set free! He is no longer dangerous!), 1834 Celui-la, on peut le mettre en liberté! (This one we can set free! He is no longer dangerous!)

SILANIO C. | BENAZECH Charles Silanio C. | Benazech Charles (as) The last interview of Louis XVI with his family, the day before his execution, after spending the night of January 20, 1793, with his confessor Edgworth Degraces

Salon 1855. Tintoretto and his daughter. Painting by m. Leon Cogniet. engraving 1855

Woman kills her second husband after it became known that he killed her first husband, Caspar Luyken, 1710 print Nuremberg paper etching violent death, being killed; being mishandled and maltreated; seeking death (+ death by murder). violent death by dagger, knife

The Man with the Fleas, naked man in bed is bitten by fleas and scratches his body, painting by Jean-Baptiste Oudry, Historical, digitally restored reproduction from a 19th century original

Restless Nights, from Puck 1858-1894 United States. Color lithograph on newsprint . Joseph Keppler

VERDI , GUIUSEPPE. COMPOSITOR ITALIANO. 1813 - 1901. " OTELO " , DRAMA LIRICO DE A. BOTTO Y CAMILLE DU LOCLE. MUSICA DE VERDI. GRABADO DE L ¿ILLIUSTRATION.

Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8), Print made by Thomas Gaugain, 1748-1812, French, and Thomas Hellyer, active 1800, British, after James Northcote, 1746-1831, British, 1797, Stipple engraving, open letter proofs, Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm), bonnet, bookcase, frames (furnishings), globe, literary theme, master, paintings, servants

Steel engravings and etchings by Moritz von Schwind created between 1825 and 1852 for book illustrations, showing detailed figures, scenes, and narrative compositions.

Illustration depicting John Bunyan (1628-1688) an English writer and Puritan preacher best remembered as the author of the Christian allegory The Pilgrim's Progress. Illustrated by William Strang (1859-1921) a Scottish painter and engraver, notable for illustrating the works of Bunyan and others. Dated 19th century

after Giovanni Guercino, 1591-1666, Italian, Christ in the Sepulchre, 1832. Line engraving and etching on medium, slightly textured, cream wove paper.

My dear France, I urge you not to panic every time before your delivery!, from 'News of the day,' published in Le Charivari, March 23, 1870 May 23, 1870 Honoré Daumier. My dear France, I urge you not to panic every time before your delivery!, from 'News of the day,' published in Le Charivari, March 23, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). May 23, 1870. Lithograph on wove paper; third state of three (Delteil). Arnaud de Vresse. Prints

superstition ghosts ""The invisible Woman"" transfer of the voice of a invisible woman by a speaking tube coloured engraving England circa 1800 private collection,

Le Matin (Morning). Artist: Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). Dimensions: 10 3/16 x 7 1/2 in. (25.9 x 19.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Charlemagne, enchanted by a miracle ring, decorates the corpse of a loved one with jewelry, Caspar Luyken, 1710 print Nuremberg paper etching the corpse. putting on jewels - AA - (for) women (+ variant)

The followers of Robespierre entering the prison cell in which Loizerolles father and son are kept to take the son away for execution. Stipple engraving by G. Aliprandi after J.H. Fragonard.

Christopher Columbus (1450-1506). Explorer and navegator. Death of Columbus. Engraving, 19th century. Color.

Do not cut sheet with five images of figures in Northern Dutch market forces. .

A prostitute in bed with a client - the bed collapses ! Date: 1747

Elisabeths last night Death of Archduchess Elisabeth, st wife of the later Emperor Franz II, on February , Johann Hieronymus Rohenkohl -, publishing house

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