Dramatic Etchings and Illustrations

A collection of etchings featuring dramatic themes, characters, and narratives, rendered with expressive lines and detailed expressions.

Italy, Beccafumi, Domenico, Four Church Fathers, verso - stamped, The four Church Fathers: Augustine, Hieronymus, Gregory and Ambrose., print, prints, height 225 mm, width 176 mm, Italian, 1486 - 1551, print maker, 1542 - 1546, second quarter 16th century, paper, chiaroscuro woodcut

Three Soldiers Facing Left from the "Set of Warriors" Salvator Rosa (Italian, 1615-1673).. Etching on laid paper, sheet: 25 x 7 5/16 in. (63.5 x 18.6 cm). European Art

The Circumcision ca. 1625 Rembrandt (Rembrandt van Rijn). The Circumcision. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). ca. 1625. Etching. Prints

Two drinking women, Cornelis Dusart, 1685 print paper etching drinking

Italy, Beccafumi, Domenico, Four Church Fathers, verso - stamped, The four Church Fathers: Augustine, Hieronymus, Gregory and Ambrose., print, prints, height 225 mm, width 176 mm, Italian, 1486 - 1551, print maker, 1542 - 1546, second quarter 16th century, paper, chiaroscuro woodcut

In an interior there are two women at a table, in which a man is sitting in a glass bottle with urine. On the ground a dog. The young woman looking down is probably pregnant.

Sebald Beham, The Entombment, 1521 The Entombment

Nar with hand under skirts of girl.

Presentation of the head of John the Baptist to Salome. In an oval list: De Beul presents the head of John the Baptist to Salome, which holds a dish. To a painting by Adam Elsheimer.

Christ Crowned with Thorns. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1507-1517. Dimensions: 111 x 83 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

LUIS I el Piadoso o LUDOVICO PIO, (778-840). Rey de Aquitania de 1781-814, emperador de Occidente y rey de los francos de 814-840. Hijo y sucesor de Carlomagno. Imperio Carolingio. Grabado por Ecosse. Biblioteca Universal, Ediciones Populares, año 1851.

Elia and the widow of Sarepta.

. A teacher is sitting in an inn's pipe to light up. Behind him there is a girl with can and glass. A drailer on the table. The print is to a painting by Willem van Mieris and is part of a series of prints to Flemish, German and Dutch painters.

Man and woman with two children; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 71.

View of a busy street in Antwerp in the sixteenth century, Henri François Schaefels, 1872 print paper. etching street. city-view in general; 'veduta' Antwerp

The Proposal, Albrecht Dürer, German, 1471-1528, Engraving on laid paper, Exterior scene, with man and woman seated in foreground. At right, a horse is tied to a tree. Buildings are seen at left in background., Germany, before 1495, figures, Print, Print

La veillée mortuaire , Wake services, Alphonse Legros (1837-1911)

November; The twelve months of the year, "Les XII Mois de l'Année". A man slaughtered a boar while a woman catches the blood of the beast in a pan. In the foreground two children play with a pork slice and a second boar is boned in the background. The print is part of a series of twelve prints with the twelve months of the year.

La Mère et ses Trois Enfans (The Mother and her Three Children), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) ca. 1623 Jacques Callot French. La Mère et ses Trois Enfans (The Mother and her Three Children), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching; first state of two (Lieure). Prints

Drawing by Charles André Van Loo in pen, brush, black chalk, and white heightening, showing the biblical scene of Joseph resisting Potiphar's wife.

A devout woman attacking another who is busily working. Etching.

Man Van Smarten, Hans Sebald Beham (Attributed To), 1519 print Christ as a man of sorrows, opposite him Mary. Only the edge of the tomb separates them from each other. paper engraving Man of Sorrows together with Mary

Print made by Pieter Schenck, 1660-1719, Dutch, The Concert, undated. Mezzotint on medium, slightly textured, cream laid paper.

Elijah and the widow of Sarepta, Jan Symonsz Pynas (possibly), 1594 - 1631, draughtsman: Jan Symonsz Pynas, (possibly), draughtsman: Claes Moeyaert, (rejected attribution), 1594 - 1631, paper, h 236 mm × w 190 mm

Le Charlatan (Bartsch 43) Adriaen van Ostade (1610-1685). The Charlatan (Bartsch 43). Forte, in 1648.

Dancing Suppose, holding each other by the hand, Cornelis Bos, After Anonymous, 1546 - 1548 print Print from a series of 12 prints with dancing couples in the open air. Neurenberg (possibly) paper engraving dancing at wedding feast - DD - out of doors

Charles Emmanuel Patas after Jean Honoré Fragonard, Le pate d'anguilles Jean de La Fontaine (1621-1695) Alternative names J. de La Fontaine; Jean de la Fontaine Description French writer Date of birth/death 8 July 1621 13 April 1695 Location of birth/death Chteau-Thierry Paris

A woman listened a man. In a inn is a woman busy to get a piping man the lice from the hair. A man with a drinking kan looks.

Susanna and the elders, Anonymous, After Jan Saenredam, After Hendrick Goltzius, 1575 - 1657 print The half-naked Susanna is on the edge of the bath. Two elders starve her while bathing and appeal to her. The print has a Latin caption. Northern Netherlands paper engraving the elders spying upon Susanna

Man on a stool near a fire, Vincent van der Vinne van Lee, 1808 - 1876 print A man is sitting on a three -foot and holds a piece of fabric by a fire. In the background on the right a man leaning on a lower door for which a woman stands. Two musicians on the left. Netherlands paper etching / engraving open fire (in general). stool. divided door, upper part opened

Personified soul and vanity watching children playing, Jan Luyken, 1678 - 1687 print Amsterdam paper etching / letterpress printing scenes symbolizing 'Vanitas'. the soul. children's games and plays

Players at Cards 17th century Thomas Wijck Dutch. Players at Cards 373717

Pero zoogt de geketende Cimon in de gevangenis.Pero gives her father Cimon, who is fascinated in prison, the chest. In the background a soldier for a traalied window.

Three old women, Jonas Suyderhoef, After Adriaen van Ostade, c. 1623 - 1686 print Three old women together. The woman on the left raises a glass while she hits a carafe. Behind her, a woman creates a bit in the other. In the forefront Spenserei. paper engraving ugly old woman, hag. spinning (manufacture of yarn)

Illustratie voor de Decamerone van Boccaccio.Illustration for Boccaccio decamerone, History lxxxvi. A man stands between two beds. There are two women in the left bed, in the judge. There is a young man next to the right bed.

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Flagellation. 1515. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Abraham and the Three Angels, verso - stamped, Abraham kneels before three angels. Behind Abraham stands Sarah in a barn., print, prints, height 149 mm, width 179 mm, 1578 - 1616-01-11, print maker, printmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Grammatica en Geometria.A landscape with linguistics' personifications (grammar): a woman with pen and writing, and geometry (geometria): a woman with a mirror and globe with a triangle on it.

Allegorical composition, the project of the ascore for the church. Cross in Krakow; Wyspiały, Stanis Aw (1869-1907); 1896 (1896-00-00-1896-00-00);State Art collections (Warsaw - 1922-1939) - collection, Polonia (personification), Stryjeński, Tadeusz - collection, church of St. Krzyża (Kraków), Sculpture projects

Death of the Virgin, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm). Date: ca. 1513. Museum: Metropolitan Museum of Art, New York, USA.

A bare-chested woman has a cradled child on her lap. Next to her is a wicker cradle. In the background, a couple sleeping in a four-poster bed. With a four-line caption in Dutch. Fourth print in the series: The four times of day, Night / Le Soir Die Manieren und das Leben derer Holländers, des Morgens, Middag, Nachmiddags und Abends (series title), print maker: Pieter van den Berge, (mentioned on object), Pieter van den Berge, (mentioned on object), printer: Theodorus Danckerts (I), Amsterdam, 1702 - 1726, paper, etching, engraving, h 247 mm × w 161 mm

Simone Cantarini (Italian, 1612 - 1648). The Holy Family and St. John, 17th century. Etching. Third of three states.

Window in which a woman breastfeeding her child. Behind her a maid with a basket in which a duck, Woman breastfeeding her child., print maker: Pieter Peutemans, (mentioned on object), Netherlands, 1656 - 1698, paper, etching, h 297 mm × w 225 mm

An old woman is sitting on a chair. In her lap are several coins. Next to her a young man on a chair. The woman puts her hand on the man's leg, but he turns away from her. The print has a Latin and Dutch caption, Unequal Love, print maker: Jacob Goltzius (II), (mentioned on object), Hendrick Goltzius, (mentioned on object), anonymous, Haarlem, 1584 - 1630, paper, engraving, w 141 mm × h 185 mm

Holy Melania the Younger as a recluse, Christoffel van Sichem (II), After Abraham Bloemaert, 1644 print Amsterdam paper letterpress printing female saints (with NAME). anchorite, hermit

Martelaarschap van Erasmus, Anonymous, After Pietro Testa, in or after 1630 - in or after 1631 print The holy Erasmus lying lying while Beulen pull the intestines out of his body with a Windas. In the background a watching crowd and two putti in the air with a wreath and a palm branch. Some figures in the show are numbered. Italy paper etching St. Erasmus lies naked on a block; his bowels are wound on to a windlass. angels crowning and/or bringing palm-branches

A woman listens a man, Jacob Hoolaart, after Adriaen Brouwer, 1723 - 1789 print In an inn, a woman is busy removing a pipe -smearing man from the hair. A man with a drinking jug watches. Dordrecht paper cat. removing insects from body. pipe ~ tobacco

Bloemaert, Abraham, Utrecht, Frederick, The drawing book of Abraham Bloemaert, Two men, verso - stamped, An older and a somewhat younger man stand facing each other., print, prints, height 165 mm, width 137 mm, 1614 - 1669, print maker, printmaker, 1650 - 1700, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving, engraving (printing process), etching, Northern Netherlands, 1566-12-25 - 1651-01-27, intermediary draughtsman

Kenan with his wife and children, Anonymous, After Hans Sebald Beham, 1530 print paper male persons from the Old Testament (KENAN) (KENAN)

Drawing by an anonymous artist of three warriors sitting around a table, executed with a brown brush and whitewash, focusing on figures, posture, and composition.

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Abraham Verwoot Hagar and Ismaël, Martinus Johannes Cornelis Weegenaar, after Rembrandt van Rijn, 1866 print Abraham sends Hagar and Ismaël away. Hagar covers her face. In the porch of the house is the smiling Sara with her son Isaac. the Bosch paper etching Hagar and Ishmael (often with bow and arrow) depart

Plate 12 for Ariosto's 'Orlando Furioso'. Daniel Berger (Germany, Berlin, 1744-1824). Germany, 1772. Prints; etchings. Etching, laid down

In a landscape, the Roma woman Majombe speaks encouragement to the young Pretioze or Konstance after her husband Andreas or Don John is captured. On the left is a man, next to him a seated woman seen from behind. In the front right, a woman is feeding her child. Print from an edition of the play The Life of Konstance, which is about the noble Spanish Konstance, who was abducted by Roma as a child and raised among the pagans., Majombe addresses Pretioze courage, print maker: Pieter Nolpe, Pieter Jansz. Quast, (mentioned on object), printer: Nicolaes van Ravesteyn, (possibly), Amsterdam, 1643, paper, etching, engraving, h 134 mm × w 110 mm

Wallant Vaillant, after Gerard ter Borch (II), after Jan de Bisschop, 1668 - 1677 print A messenger, with a trumpet on his back, a woman reaches a letter. She does not seem to want to take the letter, she has crossed her arms. paper letter, envelope. dog

The Prophet Obadiah, from Prophets and Sibyls. Artist: Francesco Rosselli (Florence 1448-1508/27 Venice ()); After Baccio Baldini (Italian, Florence 1436-1487). Dimensions: Sheet: 11 7/16 × 8 1/16 in. (29 × 20.4 cm)Plate: 6 15/16 × 4 1/8 in. (17.6 × 10.5 cm). Series/Portfolio: Prophets and Sibyls. Date: 1480-90.This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is a free adaptation of Baccio Baldini's Prophet Obadiah (TIB 2403.067). Museum: Metropolitan Museum of Art, New York, USA.

Young couple and death (Bartsch 109) Rembrandt (1606-1669). The young couple and death (Bartsch 109). Water-strong on European paper. 1639.

Artist: Nicolaes de Bruyn, Flemish, 1571-1656, After: Hendrick Goltzius, Dutch, 1558-1617, The Entombment (PassionSeries), Engraving, 19.9 × 14 cm (7 13/16 × 5 1/2in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper -Prints

Woodcut by Urs Graf d. Ä., 1505-1528, depicting the scene from John 10:22-39, with figures, gestures, and threatening actions.

Lot and His Daughters. Jan Joris van Vliet (Holland, Delft or Leyden, circa 1610-after 1635)Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1631. Prints; etchings. Etching

The Parable of the Burning Pot (Dalziels' Bible Gallery). Artist: After Sir Edward Burne-Jones (British, Birmingham 1833-1898 Fulham). Dimensions: Image: 6 15/16 × 5 3/16 in. (17.7 × 13.2 cm)India sheet: 8 15/16 × 7 1/16 in. (22.7 × 18 cm)Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Printer: Camden Press (British, London). Publisher: Scribner and Welford (New York, NY). Date: 1865-81. Museum: Metropolitan Museum of Art, New York, USA. Author: After Sir Edward Burne-Jones.

The Death-Aux-Rats Seller Harmensz van Rijn Rembrandt (1606-1669). "The Death-Aux-Rats Seller" (B 131 - 3rd State), 1632. Museum of Fine Arts of the City of Paris, Small Palace.

Smoking man, Nicolaes van Haeften, 1694 print A winking smoking man on a chair in an interior. Three farmers in the background by a fireplace. Paris paper etching one eye closed, winking. pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). open fire, fire-place, stove (in kitchen)

Drinking lady, Jan van Somer, after Gerard ter Borch (II), 1676 print Sitting in a chair, a woman drinks from a glass. For her there is a maid who, together with a man, holds up a tray in front of her. Amsterdam paper drinking. dog

Clair-obscur woodcut in three plates by Andrea Andreani depicting the Adoration of the Kings, created circa 1585-1586.

The Surgeon. Dated: 1524. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

It is time. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, burnished aquatint, drypoint and burin

Manius Curius Dentatus Weigert Geschenken, Bernard Picart, after Rembrandt van Rijn, 1683 - 1733 print The Roman Consul Manius Curius Dentatus lived voluntarily in poverty and refuses the gifts he is offered. The story is an example from the classical literature of inconsistency. paper etching male persons from classical history

Venne, Adriaen Pietersz. van de, Stambotzy, Wolfenbüttel, Heckenauer, Jakob Wilhelm, Poor family around a cooking fire, On the left an old woman is delousing a young child and on the right a woman at a large kettle above the fire. Text in German and Latin in the lower margin. The print is part of an album., print, prent, albumblad, prints, prenten, height 219 mm, width 276 mm, German, 1696 - 1738, print maker, printmaker, 1710 - 1714, paper, papier, engraving, engraving (printing process), after, after a painting by, Work conception, Noord-Nederlands, 1589 - 1662-11-12

Les mendiants de Bruges , Beggars, Alphonse Legros (1837-1911)

King Charles I of England just before his execution, Henri van der Haert, After Gustave Wappers, 1836 print Brussels paper etching last talk with relatives (during last hours before execution)

Copper engraving 'The Market Builder and His Wife' by Albrecht Dürer, 1519, depicting a husband and wife in a market scene.

The Dentist (reverse copy) n.d. Jan Muller Netherlandish. The Dentist (reverse copy) 364833

Inn scene with three figures with a fireplace. In an inn has a lusty old man's décolleté of the woman who is next to him. She looks at him smiling. A man with a hat stands behind them. On the shot, behind the couple, there are indent and above the fireplace hanging a rod and a print with an amorous show.

Christ and the Woman of Samaria among Ruins (reverse copy). Artist: After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam); William James Smith (British, active London 1824-26). Date: 1824-26. Museum: Metropolitan Museum of Art, New York, USA. Author: After Rembrandt (Rembrandt van Rijn). William James Smith.

Woman looks at the contents of a box with valuables; The jewel suitcase.

Smoking and drinking men in an inn, sauveur legros, after Adriaen van Ostade, 1764 - 1834 print paper etching inn, coffee-house, public house, etc.. pipe ~ tobacco

Un Corps de Garde, 1762, Per Gustav Floding; Artist: after François Boucher, French, 1703-1770, 12 7/8 x 9 5/16 in. (32.7 x 23.65 cm) (plate)15 3/4 x 10 5/16 in. (40.01 x 26.19 cm) (sheet), Engraving, etching and aquatint (lavis) in bistre ink, Sweden, 18th century, In the 18th century, France and Sweden were strong military allies, and upperclass Swedes adopted French artistic trends. Born in Stockholm, Per Gustav Floding was sent to Paris as a young man to learn the art of engraving. He remained there for most of his career but retained close ties to his homeland. King Adolf Frederick was so pleased with a portrait that Floding made of him that he gave the artist money to re-equip his studio. This led directly to Flodings invention of a new printmaking technique, lavis aquatint. The technique involved covering the copper printing plate with powdered resin, heating it to make it adhere, and then subjecting it to repeated acid baths while selectively applying protective coatings betwe

Annunciatie, Federico Barocci, 1584 - 1588 print The angel Gabriel, a lily in his hand, kneels for Mary, who sits on her knees in a departure at a table. Left in the foreground a sleeping cat. In the background, through a window, a castle. paper etching / drypoint / engraving the Annunciation: Mary kneeling

Strasbourg, Heyden, Jacob van der, Bellange, Jacques, Germany, Merian, Matthäus (I), Three Holy Women, verso lower left - stamped, Mary Magdalene, Mary Jacobi and Mary Salomé on their way to the tomb of Christ. Below the image a two-line text in Latin., print, prent, prints, prenten, height 322 mm, width 194 mm, Swiss, 1593-09-22 - 1650-06-19, print maker, prentmaker, 1603 - 1650, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings, Work conception, 1575 - 1616, after a print by, Publication (Event), Publication, South Netherlands (before 1775), 1573 - 1645, publisher

Armid in Adrastres ..

Antwerp, Meyssens, Joannes, Schut, Cornelis (I), Witdoeck, Hans, Judith and Holofernes, verso lower left - stamped, Judith is about to cut off Holofernes' head in his army tent. Next to her her servant with a lantern., print, prints, height 305 mm, width 204 mm, South Netherlands, 1615, print maker, printmaker, 1633 - 1633, paper, engraving, engraving (printing process), Work conception, 1597-05-13 - 1655-04-29, after a design by, Publication (Event), Publication, 1612-05-17 - 1670-09-18, publisher

Adoration by the shepherds, Moses ter Borch, 1661, draughtsman: Moses ter Borch, Zwolle, 31-Dec-1661, paper, brush, h 188 mm × w 138 mm

Three performances of family life, Christina Chalon, 1758 - 1808 print The first performance takes place in the interior of a bedroom. A mother helps her children with the morning toilet. She laces her daughter's dress. In the meantime, her son attracts his stockings. In the second performance, a young woman talks to an older woman. The younger woman has a pan in both hands. A small child stands for her. In the third performance, an old man learns to walk a toddler through a leash and a harness. Mother and father lure the child to them. paper etching dressing oneself, getting dressed. dressing oneself, getting dressed - AA - female human figure. mother and child(ren), woman and child(ren) (family group) (with NUMBER of children). bedroom. mother and child(ren), woman and child(ren) (family group) (with NUMBER of children). child(ren) with one or both parents and one or more members of the preceding generation (family group). learning to walk, the first steps. implements for learning t

Woman Kneeling before a Man, Ferdinand Bol, c. 1640 drawing Amsterdam paper. ink pen / brush kneeling on both knees - AA - female human figure

Soldier in Love. Beham, Sebald (1500-1550), graphic artist

The birth of the Virgin; woman seated with an infant in her lap, numerous women surrounding her, angels above, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Étienne Picart (French, Paris 1632-1721 Amsterdam). Dimensions: Sheet (Trimmed): 21 15/16 × 17 13/16 in. (55.7 × 45.2 cm). Publisher: Pierre Drevet (French, Loire-sur-Rhône 1663-1738 Paris). Date: 1677.In reverse after a fresco by Reni in the Cappella dell'Annunziata, Quirinal Palace. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Sanctam Rosam confirmat et nomen imponit, Pl. 21 24. Gaetano, Giovanni Battista 16..-16... Valladolid, Juan Francisco de. Prints. 1682. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Mogrovejo, Toribio Alfonso de, Saint, 1538-1606

A Prayer for Grandpapa. Dated: late 1770s. Dimensions: overall: 34.8 x 44.8 cm (13 11/16 x 17 5/8 in.). Medium: brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

Hearing, Cornelis Boel, Anonymous, 1663 - 1693

Spinster and Hoefsmith, Thomas Wijck, After Pieter Bodding van Laer, 1626 - 1677 print A man is forging iron. On the left is a spinning woman. A man and a woman watch. A donkey in the background. paper etching spinning (manufacture of yarn). smith, blacksmith. ass, donkey

Christ and four old men, Ignace -Joseph de Claussin, After Rembrandt van Rijn, 1805 - 1844 print France paper etching / drypoint / engraving Christ. old man

Two women and a child, kneeling begging for a Lord, Jacobus Buys, 1734 - 1801 drawing paper. ink pen / brush

Illustration for the Decamerone of Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Decamerone of Boccaccio, History Lii. The servant of Geri Spina knocks with a large bottle at Bakker Cisto. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

I Am Starving. Dated: 1857. Dimensions: sheet: 17.3 x 9.7 cm (6 13/16 x 3 13/16 in.). Medium: pen and black ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: Simeon Solomon.

Landscape with geometria, female geometry personification. She measures a globe with her passer. In the background putti that perform various construction work.

Two farmers; 16 prints from different series of Cornelis and Frederik Bloemaert. Two women with baskets rest.

Singer with a string instrument surrounded by audience, Léopold Flameng, 1841 - 1879 print Brussels paper etching dog. string instruments (bowed). listening to music - CC - out of doors

Evangelist Marcus; The four evangelists. Marcus de evangelist, seated, writing in a book. A lion is under its writing table. Under the show the text 'S. Marcvs. Evan, ". This print is part of a series of four representations of the evangelists, each with the name of the relevant evangelist as a caption.

The Merchant and Death Made 1651 Bohemia. Etching on ivory wove paper . Wenceslaus Hollar

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