Dramatic Figure Prints

Figures depicted in expressive poses, often in dramatic attire. These prints highlight character studies and depict themes of nobility and societal roles.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roer Muskets and Spires, Soldier laying his musket on his shoulder with his right hand, A soldier, full-length, facing right, laying a musket (a type of firearm) on his left shoulder with his right hand, the barrel pointing diagonally upwards. In his left hand a burning fuse and a furket (musket fork). This print is part of a series of 43 numbered prints of musketeers from the Wapenhandelinghe., print, prent, prints, prenten, height 268 mm, width 189 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

Begelaar with crutches, seen from the front, Jacques Callot, 1622 - 1623 print Man, dressed in rags, seen from the front, based on two crutches. This print is part of a series of 25 prints with beggars and tramps, such as Callot who probably saw in Italy. Nancy paper etching beggar. crutches

Israël Henriet drawing of a warrior wearing a hat decorated with a large feather, executed in pen with bister ink.

Meno Haas (1752-1833), Valdemar Victory, 1771

Young man with hat and cloak, print maker: Jan Gillisz. van Vliet, 1635.

Edelman in with swine and boots with traces, to the left; La Noblesse de Lorraine.

Portrait by Pier Leone Ghezzi of the actor Francesco Zabarella positioned to the left, wearing religious attire on the chest, executed in chalk and feather.

Reverse Copy of Le Mendiant Obèse aux Yeux Baissés (The Obese Beggar with Lowered Eyes), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of Le Mendiant Obèse aux Yeux Baissés (The Obese Beggar with Lowered Eyes), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Arms Handling of Roer Muskets and Spires, Soldier laying his musket on his shoulder with his right hand, A soldier, full-length, facing right, laying a musket (a type of firearm) on his left shoulder with his right hand, the barrel pointing diagonally upwards. In his left hand a burning fuse and a furket (musket fork). This print is part of a series of 43 numbered prints of musketeers from the Wapenhandelinghe., print, prent, prints, prenten, height 268 mm, width 189 mm, 1565 - 1629-03-29, print maker, prentmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), 1574 - 1659, Work conception

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Edelman with hat in hand, seen on the right; La Noblesse; Edellen from Lorraine. Standing Lord, dressed in a cape deposited with fur, shoes with rosettes on the feet, a hat with a wide border pressed against the chest, a bow making to the right. In the background a walled garden. This print is part of a series of 12 prints with nobles in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies costumes.

After Jacques Callot, Noble Man Wrapped in a Mantle Trimmed with Fur Noble Man Wrapped in a Mantle Trimmed with Fur

A caricature figure representing a street musician() with a mouse (lizard) on his nose and a bird on his head ca. 1640-60 Anonymous, Italian, 17th century. A caricature figure representing a street musician() with a mouse (lizard) on his nose and a bird on his head. Anonymous, Italian, 17th century. ca. 1640-60. Etching and engraving. Prints

Standing Cavalier and Beggar Boy. Ludolph Büsinck (German, 1590-1669). Woodcut;

VAANDRIG, 1587 - 1599 print A man with a big banner over his left shoulder (a standard bearer), seen on the right. In the background a hilly landscape in which a mess marches. Under the performance, space is left empty for text. This print is part of a series of 12 prints of soldiers, displayed against a landscape background in which martial acts are performed. paper engraving (military) standard-bearer. troop movements, transportation

Walker, Jan Lauwryn Krafft (I), 1704 - 1765 print In a hilly landscape, an old man walks to the right. He has a walking stick and a hat in his hand and is dressed in a cloak. Southern Netherlands paper etching walking, hiking (recreation). old man

The Marquis of Ambreville (Title Title) | The Marquis d'Ambreuille (registered title)

Man who takes a stick; T'Sicht; The five senses. The face. A kneeled man looks past a stick in the distance. He has a piece of wood around his neck. The print is part of a series of the five senses.

Portrait of Mieszko III the Old according to an image on a paten of a gilded chalice at a collegiate church in Kalisz. unknown, lithographer, Lesser, Aleksander (1814-1884), draughtsman, cartoonist

We must hope that the game will end soon; Caricature on the three orders: the third state bearing on its back the clerge and the nobility - 1789 It is to be hoped that the game will end soon; Caricature on the three orders: the third state on his back the clergy and the nobility - 1789 ". Eau-Strong colored, 1789.

Satirical depiction of a Spanish captain tipping to the left, with a huge millstone collar around his neck. The print is part of a series of twelve prints featuring fools., Spanish Captain Twelve Fools (series title), print maker: Pieter Jansz. Quast, (possibly), Pieter Jansz. Quast, publisher: Frederik de Wit, print maker: Netherlands, Netherlands, publisher: Amsterdam, 1639 - 1706, paper, etching, engraving, h 147 mm × w 114 mm

French nobleman, belonging to the order of Saint Esprit, dressed according to the fashion of approx. 1630; Le Jardin de la Noblesse Françoise (...); Costumes of the French nobility. Edelman belonging to the order of Saint-Esprit, in the right hand a raised karwats. He is wearing a wamboo with a flat collar and a shoulder sheath, on which the cross of the order of Saint Esprit is embroidered. Calf pants with bows and shoes with bows. Hat with plume on the long curled hair. Degen side. In the background a lane with riders; Right a castle with Slotgracht.

Liber Studiorum: Plate 48, A Study, 1838. John Sell Cotman (British, 1782-1842). Etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 11 x 8 cm (4 5/16 x 3 1/8 in.).

Le Paysan Portant son Sac (The Peasant Carrying his Sack), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Paysan Portant son Sac (The Peasant Carrying his Sack), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Standing man with hands in side, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, pen, brush, h 154 mm × w 97 mm

Standing man with hands in the side. Draughtsman: anonymous. Dating: c. 1700 - c. 1799. Place: Netherlands. Measurements: h 154 mm × w 97 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot, Peasant with Shovel on His Shoulder, c 1622 Peasant with Shovel on His Shoulder

Soldier blowing powder from his stir (no. 19), ca. 1600. a soldier, for feet, which holds a stir (a certain type of firearm) with both hands and blows over it, to possibly outside the pan ( The powder reservoir) fallen offset from it (no. 19), ca. 1600. In his left hand except the course of the stir also a burning wick. Plate 19 In the instructions for handling the helm: Corte Underswsinghe on the figuerliicke figure, interesting T'Rechthe Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Standing man in armor; Standing figures. At the top right: Bladz. 38.

Leper beggar, Pieter Jansz Quast, 1634 - 1638 print A beggar, with Lazarus valve in his hand, runs supportive on a walking stick along a village and a shed. The print is part of a series of twenty -six prints with beggars and farmers. The Hague paper etching / engraving beggar. leper's rattle. walking-stick, staff. shed

Rosa, Salvator, work, Soldier leaning on his sword, (1000 - 2000), etching, graphics, leaf width 9 cm, leaf height 14 cm

Soldier who puts his rudder with his right hand on his shoulder (no. 32), ca. 1600, 1597 - 1608 A soldier, after, to the right, who puts a rudder (a certain type of firearm) with his right hand on his left shoulder, pointing the loop up (no. 32), ca. 1600. In his left hand a burning wick (with The smoke in this second is). Plate 32 in the instructions for handling the helm: Letter Enseigement, Sur La Representation des Figures, du Droit Maniement de l'HarqueBuse. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, after, to the right, who puts a rudder (a certain type of firearm) with his right hand on his left shoulder, pointing the loop up (no. 32), ca. 160

Female beggar holding a stick with a lying dog beside her, drawn in gray brush with graphite pencil by Adriaen Pietersz. van de Venne.

Dancing farmer, making obscene gesticating, Nicolaes van Lijnhoven, after Andries Both, 1622 - 1668 print A dancing farmer in a landscape points to his upward penis. Under the oval show a two -way French verse. paper engraving farmers. gesture-language. scabrous scenes, pornography (+ variant)

Christine, Queen of Sweden.

The Beggars: The Blind Man and His Companion, c. 1623. Jacques Callot (French, 1592-1635). Etching;

Portret van Angelo Constantine, Jacob Gole, after François de Troy, 1670 - 1724 print Portrait of Italian actor Angelo Constantini in the role of Mezzetino (or Mezzettino). He points to a relief. Amsterdam paper engraving portrait of actor, actress. historical persons (portraits and scenes from the life) (+ all kinds of 'portrait historié': mythological portrait, allegorical portrait, 'Rollenporträt', etc.)

The man with six heads.

Soldier carrying his skewer with his left hand at his right-hand side, the tip aimed upwards (no. 13), ca. 1600. a soldier, full of skewer, wearing a skewer (lance) with his left hand at his right, the point Slanted up (no. 13), approx. 1600. This is the second operation for lowering the skewer to continue under a gain. Plate 13 In the instructions for handling the skewer: Enseignement letter; ET SUMPINT SUR LES PORTRAITZ FIGUREZ, Touchant L'Usage, the Tout CE QU'UN SOLDAT DOBT Faire au Maniement de la Pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

A former sailor begs for his living in a wheelchair. Beneath the print four verses in Dutch, Beggar in Wheelchair Beggars (series title), print maker: A. Smit, (mentioned on object), intermediary draughtsman: Pieter Barbiers (I), (mentioned on object), Amsterdam, 1764 - 1792, paper, etching, engraving, h 109 mm - w 77 mm

Mr John Palmer in the character of the Earl of Walwick in King Henry VI, Part 3. Palmer did not play the role. In plumed hat, cloak, doublet, breeches, holding a sword. John Palmer, popular English actor who performed at the Drury Lane Theatre, 1744-1798. Copperplate engraving by Charles Grignion after a portrait by Thomas Parkinson from John Bell's Edition of Shakespeare, London, January 4th, 1776.

Ubbo Ubbo titoburgi conditor Frisian rulers , print maker: Simon Frisius, publisher: Jan Lamrinck, print maker: Northern Netherlands, publisher: Franeker, 1622, paper, etching, letterpress printing, h 166 mm × w 64 mm

Soldier on guard that the pan of his stir of two fingers covered against sparks (no. 42), approx. 1600. A soldier on wait, for full, to the right, holding a stir (a certain type of firearm) with his left hand (No 42), ca. 1600. On the rooster (part of the inflammatory mechanism) of its stir lies the burning wick. With the index finger and the middle finger of his right hand, he covers the pan (the powder container) of his stir to protect the powder from sparks from the wick. Plate 42 In the instructions for handling the stir: Corte Underswsinghe on the figuerliicke figure, among other things, T'rechte Ghebruyck des Roers. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Giov. Battista Internari chalk drawing of an old man wearing an old-fashioned wig, standing right, holding a stick, with three-spitz at lower right, 1756.

Man and Woman Imitating Birds, Adriaen Pietersz van de Venne, 1618, draughtsman: Adriaen Pietersz. van de Venne, 1618, paper, pen, brush, d 121 mm, h 124 mm × w 124 mm

Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), Deuxième Suite des Figures, undated. Etching.

Beggar with Two Crutches. Dated: 1632. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Johannes van Vliet.

Portrait of Claude Dereut and His Son, Jean ca. 1632 Jacques Callot French. Portrait of Claude Dereut and His Son, Jean. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1632. Etching and engraving; second state of five (Lieure). Claude Déruet (French, Nancy ca. 1588-1660 Nancy). Prints

Man sitting with hat in hand, jug on the ground, print maker: Cornelis Pietersz. Bega, (mentioned on object), Cornelis Pietersz. Bega, Netherlands, 1642 - 1664, paper, etching, h 82 mm × w 58 mm

Smell, anonymous, 1673 - 1709 print A man gives over. Two men squeeze their nose closed because the puke stinks. Under the show a two -way verse in Dutch. The print is part of a series of five prints with the five senses. print maker: Netherlandspublisher: Amsterdam paper etching smell, smelling (one of the five senses). vomiting

Costume Plate: German Messenger ca. 1558-70 Reverse copy after Enea Vico Italian. Costume Plate: German Messenger 370603

Clair-obscur woodcut by Antonio da Trento depicting Saint Peter in ocher tones, created with three plates around 1524-1527.

Etching by Rembrandt Harmensz. van Rijn from 1639 titled 'Jew with a High Hat', depicting a figure wearing a high hat with detailed attire and expression.

Etching by Sebald Beham from 1520 depicting a bagpiper playing outdoors, showing figure, musical instrument, and posture.

Struikrover attacks a woman, Abraham Bosse, c. 1628 print paper etching / engraving head-gear (with NAME). traveller(s) attacked by robber(s). robber

Lyre-turner The Lyre Man, print maker: Adriaen van Ostade, intermediary draughtsman: Adriaen van Ostade, publisher: weduwe Pierre-François Basan, Haarlem, 1647 and/or 1797 - 1820, paper, etching, h 111 mm × w 95 mm

Ontsprongen rondom bedekte Blaaskaak The boaster, covered (with armor), who has escaped. Engelbrecht, Martin, 1684-1756. 1720. Buysen, Andries van, active 1698-1747. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Old Beggar Woman, 1600s. France, 17th century. Etching;

Ludwig VII., Duke of Bayern-Ingolstadt.

Amsterdam, King, Wilhelmus, Northern Netherlands, Saxons, Joost van, Bombario Actionist and the Spirit of Aesop, Le Grand Maitre del'Opera des Danseurs Grotesques, Sinjoor Strïcadus First Nobleman of the Knightly Order of Opera and Theater Players, Monsieur le Marquis de Sauterelle, Obrister Heuschrecken Comisarius, in der Liebes Declaration, The dwarf Sinjoor Strïcadus, 1720, The dwarf Sinjoor Strïcadus. In the caption verses in German, French and Dutch. Numbered right center: 20. Part of the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, prent, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 227 mm, width 170 mm, 1755, print maker, printmaker, 1718 - 1720, paper, papier, etching, etchings, Publication (Event), Publicatie, - 1732, publisher

Nicola Zabaglia - in an album with prints after Guercinos drawings. Ghezzi, Pier Leone (1674-1755), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

Standing woman with Haan, Jan Gillisz. van Vliet, 1635 print Leiden paper etching fowl (cock, hen, chicken, etc.)

Man with arms spread in a landscape, Ugo da Carpi (Possible), After Parmigianino, 1502 - 1532 print A man with spread arms standing in a landscape, possibly Jason who sees the sea. Italy paper (story of) Jason. standing figure. landscapes

Rotis brown, chestnuts. / 4. (title registered (letter)) | Marrons merchant. (Title Title) | Cree of Paris. (Title of all)

Mr. William Smith in the character of Piercy in John Banks Ann Bullen, Covent Garden Theatre, 1758. Smith was an English actor and theatre manager, 1730-1819. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1776.

Man in Turkish gestation on horseback, Jost Amman, 1584 print print maker: Neurenbergpublisher: Frankfurt am Main paper riding a horse, ass, or mule; rider, horseman. Asiatic races and peoples: Turks

Man with cloak, Jan Gillisz. van Vliet, 1635 print Leiden paper etching coat (+ men's clothes)

Neptune. Martin, Jean-Baptiste, 17..-17... Prints. 1770 - 1779. Jerome Robbins Dance Division. Ballet , 18th century, Costume design , 18th century, Ballet , France , 18th century

Huret, Grégoire, Standing man with a poultry on a stick, verso - stamped, print, prints, height 177 mm, width 117 mm, 1606-10-24 - 1670-01-05, print maker, printmaker, 1616 - 1670, paper, papier, engraving, engraving (printing process)

Italy, Andreani, Andrea, Parmigianino, Carpi, Ugo da, Surprise, Man with outstretched arms in a landscape, verso - stamped, A man with outstretched arms standing in a landscape, possibly Jason looking at the sea., print, prints, height 277 mm, width 196 mm, Italian, print maker, printmaker, 1502 - 1532, third quarter 15th century, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, chiaroscuro woodcut, 1503-01-11 - 1540-08-24, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1559 - 1629, publisher

Standing young man in theater costume. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 202 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

A Silver Statuette of St. Christopher, from the Wittenberg Reliquaries. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 6 1/8 × 2 3/4 in. (15.5 × 7 cm). Series/Portfolio: Wittenberg Reliquaries. Museum: Metropolitan Museum of Art, New York, USA.

Beggar Woman Artist's working dates 1787 France. Norblin was deeply interested in the prints of Rembrandt, and most of his 118 etchings reflect this influence. Born in France, the artist arrived in Poland in 1774, founded an art school, and served as court painter. He made prints from 1774 until 1789, and returned to France in 1804.. Etching on ivory China paper . Jean-Pierre Norblin de la Gourdaine

Standing man with gun, seen from behind. Draughtsman: Gillis van Scheyndel (I) (attributed to). Dating: 1632 - 1679. Measurements: h 310 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

A standing man wearing a feathered hat, seen from the back The man is looking at two fighting snakes on the ground, Standing man The drawing book of Abraham Bloemaert , print maker: Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, Utrecht, c. 1650 - c. 1656, paper, engraving, etching, h 188 mm × w 150 mm

Standing woman to the left, hand in side, draughtsman: Abraham Johannes Ruytenschildt, 5-Dec-1814, paper, h 311 mm × w 190 mm

Soldier who puts his rudder with his right hand on his shoulder (no. 32), ca. 1600, 1608 A soldier, after, to the right, who puts a rudder (a certain type of firearm) with his right hand on his left shoulder, pointing the loop up (no. 32), ca. 1600. In his left hand a burning wick (with The smoke in this second is). Plate 32 in the instructions for handling the rudder. Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, after, to the right, who puts a rudder (a certain type of firearm) with his right hand on his left shoulder, pointing the loop up (no. 32), ca. 1600. In his left hand a burning wick (with The smoke in this second is). Plate 32 in the instructions for handling the rudder. Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen

Sitting farmer with a jug, Nicolaes van Lijnhoven, After Andries Both, 1622 - Before 1702 print A farmer is in a landscape on a small pillar and holds a jug in front of his crotch. The print is part of a six -part series of prints with performances of farmers and farmers in obscene postures. paper engraving farmers. gesture-language. scabrous scenes, pornography (+ variant). container of ceramics: jar, jug, pot, vase

Two Marauders. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 7 5/16 x 4 1/2 in. (18.5 x 11.4 cm)Plate: 7 1/8 x 4 3/8 in. (18.1 x 11.1 cm). Series/Portfolio: The French Guards(Les gardes françaises). Date: mid to late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The City Tonsor July 1, 1771 Matthew Darly British This tonsor, or barber delivering wigs to London customers, comes from a set of twenty-four caricatures that Matthew and Mary Darly published in 1771. A husband-and-wife team, the Darlys developed a new British print genre--small etched caricatures of single figures against plain backgrounds, their identities indicated through dress, pose and a few props. Many of these works mocked the fashionable manners of contemporary London dandies called "macaronis," and the Darly's wares soon became known as macaroni prints no matter what their subjects. The implied Italian connection was in fact appropriate, since the basic form was inspired by Ghezzi's caricature drawings brought back from Rome by Grand Tourists. The form and subjects adapted by the Darlys tickled British tastes and broadened the scope of Ghezzi's works to include a range of social classes, known figures, and types.. The City Tonsor. July 1, 1771. Etching. Matthew Darly (Britis

Design for an oil lamp, Giovacchino Belli, c. 1800 Rome paper. ink. graphite (mineral) brush / pen oil-lamp

Crespi, Giuseppe Maria, Italy, Mattioli, Lodovico, Historie van Bertoldo, Bertoldino en Cacasenno, Bertoldo met een haas, verso lower right - stamped, Bertoldo carries a hare in his cloak, his index finger to his lips. Below the image is a three-line rhyme in Italian. Print from a series of six with the adventures of Bertoldo, part of a series of twenty prints., print, prent, prints, prenten, height 226 mm, width 151 mm, 1665 - 1747-07-16, print maker, prentmaker, 1710 - 1715, first quarter 18th century, paper, papier, etching, etchings, Italian, 1662-01-02 - 1747-10-20, Work conception

Man Striding Followed by a Retainer. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Amsterdam, Savery, Salomon, Netherlands, Scheyndel, Gillis van (I), Genre scenes, Clein Pietie, Crippled beggar, verso - stamped, A crippled man leans on his crutch and begs with his hat. In the background a fence and a tree. The print is part of a series of 32 prints with genre scenes., print, prints, height 54 mm, width 44 mm, Northern Netherlands, 1595 - 1660-12-24, print maker, printmaker, 1638 - 1638, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1594 - 1683-10-16, publisher

Three grotesque figures (Bartsch 28) Adriaen van Ostade (1610-1685). Three grotesque figures (Bartsch 28). Forte, circa 1647. Museum of Fine Arts in the city of Paris, small palace.

Jacques Callot, Claude Deruet and his Son, Jean, 1632 Claude Deruet and his Son, Jean

Reclining man, draughtsman: Jan Weenix, draughtsman: Jan Baptist Weenix, 1631 - 1719, paper, counterproof, h 200 mm × w 263 mm

Amsterdam, King, Wilhelmus, Northern Netherlands, Buysen, Andries van (Sr.), Bombario Actionist and the Spirit of Esopus, Rector Magnificus of the Unactioned Literature, Dwarf with a large wig, hat in hand, 1720, A dwarf with a large wig, hat in hand. In the caption a verse in Dutch. Numbered right center: 6. Part of the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, prent, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 227 mm, width 170 mm, print maker, printmaker, 1718 - 1720, paper, papier, etching, etchings, Publication (Event), Publicatie, - 1732, publisher

Standing Boy Holding a Whip and Raising his Right Hand, draughtsman: Rembrandt van Rijn, (school of), Amsterdam, c. 1640 - c. 1650, paper, pen, brush, h 137 mm × w 105 mm

Gallies ornattus noble; Habit of different countries (...).

Soldier carrying his skewer in the right hand vertically (no. 18), ca. 1600. A soldier, for a skewer, who leaned a skewer (lance) in his right hand against his right arm vertically (no. 18), ca. 1600 . Plate 18 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among other things T'recht Ghebruyck, from Al T'Ghene, a Soldaet Int acting from the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, Cavaliers and wealthy women, Standing cavalier with stick, in the background armed forces at a bastion, verso - stamped, The print is part of a ten-part series of prints depicting cavaliers and wealthy women, dressed in Dutch fashion, ca. 1625-1630., costume print, prints, height 147 mm, width 94 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1633 - 1665, second quarter 17th century, paper, etching, engraving, engraving (printing process), Work conception, 1606 - 1647-06

Drunk man sitting on a barrel, Sophia Wilhelmina Evans, 1782 print Rotterdam paper etching drunkard

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Emperor Charles V Sigismund von Herberstein, Rerum Moscovitarum Commentarii, Vienna, 1549. 1546. Hirschvogel, Augustin, 1503-1553. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Signor Vestris Senior as the Prince in the grand pantomime ballet "Ninette a la Cour.". Gaetan or Gaetano Vestris (17291808) was a celebrated French dancer and mime, husband to the German dancer and singer Ann Heinel, and illegitimate father to Auguste Vestris Jr. Ballet master at the Paris Opera, he debuted in 1781 in London and was called the "God of the Dance" by his followers.. Illustration by J. Roberts, copperplate engraving by Thornthwaite, from "Bell's British Theatre" 1781.

The Patriotic Peasant, Print made by Cornelis Dusart, 1660-1704, Dutch, Published by Jacob Gole, 1660-1737, Dutch, 1695, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 12 15/16 x 9 1/16 inches (32.9 x 23 cm), Plate: 10 3/16 x 7 1/16 inches (25.9 x 17.9 cm), and Image: 9 5/16 x 7 1/16 inches (23.7 x 17.9 cm), alcohol, celebrating, celebration, coat, dancing, drinking, drinking glass, food, genre subject, happiness, hat, historical subject, horse (animal), joy, landscape, man, peasant, satire, science, trees, trousers, wine glass

Mucius Anonymous, after Hendrick Goltzius, c. 1586 - c. 1620 print Landwritten, very free and very primitive, mirror -image copy to the engraving of Hendrick Goltzius. paper engraving (Story of) Gains Mucius Scaevola

Soldier who carries his skewer almost horizontally above his right shoulder (no. 9), approx. 1600. a soldier, for the foot, to the right, who carries a skewer (lance) almost horizontally above his right shoulder (no. 9), CA. 1600. His hands far apart to the skewer. This is the second operation for lifting the skewer to the shoulder and the horizontal wear. Plate 9 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant rivese truck, from all T'Ghene a Soldaet Int acting from the Skewer is Noodich. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

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