Dramatic Historical Court Scenes

Illustrations depicting various historical court and prison scenarios with individuals in traditional attire, conveying tension and emotion.

The explanatory text below the print identifies the individuals as: George Peham Beham, Hans Kellerthaler, Caspar Raucher, George Hebenstreit, Daniel Kellerthaler and Christoph Kellerthaler Print after a drawing by Jacob Beyer of 1593, from the collection of Christian Ludwig von Hagedorn, Society of Augsburg Artists, 1593 Die vergn, print maker: Christian Friedrich Boëtius, (mentioned on object), intermediary draughtsman: Jacob Beyer, (mentioned on object), Dresden, 1773, paper, h 153 mm - w 183 mm

. For the farming court of Puiterveen, the crying fobert and his father and his father and on the right the pregnant Swaantje between Jonker Jan and her parents are on the right. Swaantje is perched by the son of Mr. Van Puijterveen, but Fobert is accused of this act. The corrupt lawyer of Fobert is advocating, while the counterparty's lawyer belongs. There are schout and aldermen behind the table. Scene from the third company of the play-filled Swaantje, and dry fobert; Or the Boere court, from Abraham Alewijn.

Prison of Pieter Dirksz. Hassselaer, 1573. Interior with the imprisonment of Pieter Dirksz. Hassselaer by Spanish soldiers in his mother's house, August 1573. Links Kenau Simonsdaughter Hassselaer. The moment when Pieter Dirksz. Hassselaer announced that the Spaniards are younger brother Claes Dirksz. Wanted to arrest in his place.

Maximilian I., Roman-German Emperor.

A Rake's Progress, plate VI: he gambles. .

Atelier of a print maker, 1806 print paper engraving / letterpress printing engraver, etcher. workshop-interior

Monkeys busy with the wind trade, ca. 1720; Monkey game. Monkeys busy with the wind trade. Verses in French and Dutch in the caption. Print No. 8 in a series of 16 prints of approx. 1720 in which monkeys like people figurine in all kinds of household scenes.

Willem V takes a seat on the Council of State for the first time, 1763, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Stadholder Willem V, Prince of Orange, takes a seat on the Council of State for the first time on 9 March 1763. Amsterdam paper etching / engraving national government The Hague

January 20, 1793. - Assassination of LePelletier de Saint-Fargeau. (IT)

Abraham Bosse (1602-1676). "The schoolmaster (during" the school teacher ")". Etching and chisel. 1650. Museum of Fine Arts of the City of Paris, Petit Palais. 100773-10 Chisel, etching, 17th XVIIth XVII 17th 17th 17 CENTURY

The explanatory text below the print identifies the individuals as: George Peham Beham, Hans Kellerthaler, Caspar Raucher, George Hebenstreit, Daniel Kellerthaler and Christoph Kellerthaler Print after a drawing by Jacob Beyer of 1593, from the collection of Christian Ludwig von Hagedorn, Society of Augsburg Artists, 1593 Die vergn, print maker: Christian Friedrich Boëtius, (mentioned on object), intermediary draughtsman: Jacob Beyer, (mentioned on object), Dresden, 1773, paper, h 153 mm - w 183 mm

King William III and Queen Maria receive the crown of Scotland and explain the oath, 1689; The men's envoys UYT The Scottish Convention present the crown of that Ryk to her Mayestytes that assume the self and then the eating; Englants Schoustenel imagending the Glorieuse voids with the croons of William III and Maria II to King and Queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. King Willem III and Queen Maria receive the representatives of the Scottish Convention the Crown of Scotland and explain the oath, April 21, 1689. Heered Willem and Mary under a canopy. Numbered at the top right: 303. Plate T in the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

Hearing; AVDITVS; Five senses. Interior of a house. A company is around a table and plays on string instruments. Some sing and other listening. More instruments hang on the wall.

Wedding toast. Bonus of the Society of Estate Filiats in the Kingdom of Poland for 1874; Walkiewicz, W Adys Aw (Ca 1833-1900), Sypniewski, Feliks (1830-1902); 1874 (1874-00-00-1874-00-00);

Reinier Vinkeles, The Drawing Academy in Amsterdam, 1768 The Drawing Academy in Amsterdam

Engraving titled 'Marriage A La Mode' by William Hogarth (1697-1764) English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist who has been credited with pioneering western sequential art. Dated 18th Century.

Page 102 / 13th song

An old man lies in bed. With him are a young woman and an older man. The woman is kneeling on the floor, the man is sitting on a chair and holding the hand of the dying man. In the room, men, women, the elderly and children stand and sit. Some of them are in prayer. Top left 'PANTHEON PL. XXX', Deathbed with mourning witnesses, print maker: Wilhelmus Cornelis Chimaer van Oudendorp, (mentioned on object), H.G. ten Kate, (mentioned on object), printer: Soetens & Fils, (mentioned on object), print maker: Netherlands, printer: The Hague, 1832 - 1873, paper, h 300 mm × w 425 mm

Rejtan at the Warsaw Sejm on 21 April 1773. Sotain, Noel Eugene (1816-1874), graphic artist, Bocourt (fl. ca 1862), draughtsman, cartoonist, Matejko, Jan (1838-1893), painter

Regents of the Leprozen House in Amsterdam. Four regents of the Leprozen House in Amsterdam, in the year 1649. They are around a table, on which a beaten book and a writing set. Left shows a man who has a letter and his hat in his hand.

George Cruikshank, 1792-1878, British, Cribb's Parlour, Jan. 1, 1821.

An interior in candlelight with male figures seated around a table drawing: with sculptures and vases arranged on shelf and table. Engraving by A. Veneziano, 1531.

Tom Rakewell drunk in a brothel, William Hogarth, 1735 print Text in English in the lower margin. This scene takes place in the brothel Rose Tavern in Covent Garden. The dark spots in the faces of the women suggest that they lead to syphilis, since at the time it was custom to use makeup to hide the ulcers. Toms watch is stolen by two women. Damaged portraits of Roman emperors hang on the wall. London paper etching / engraving political caricatures and satires. the man is robbed (brothel scene)

The latest torture of Madame Anne Elisabeth Sister of King Louis, Guillotinea on May 10, 1794.

Noord-Nederland, Wandelaar, Jan, Adoration of the shepherds, verso lower left - stamped, In the stable Mary shows the Christ child to the shepherds who are depicted around the crib. Top right: pag: 8., print, book illustration, prints, height 151 mm, width 88 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1725 - 1725, paper, etching, etchings, engraving, engraving (printing process), Work conception, Northern Netherlands, after own design by

Odoaker murdered by order of Teodoric (illustration in: Cesar Cantu, History Powszechny, Warsaw 1853-1857); Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853-1857 (1853-00-00-1857-00-00);

Joseph Reveals Himself to His Brothers. Medium: engraving with etching. Museum: National Gallery of Art, Washington DC. Author: Gerard de Lairesse.

Elizabeth Woodville and Jane Shore accused by Richard, Duke of Gloucester, 1483 (1793). Artist: Unknown.

A print sale , Sales personnel, Prints, Art dealers. Thomas Rowlandson (1756-1827). Prints and Drawings

. Stadholder Willem V as a Captain Admiral General, takes a seat in the College of Admiralty in Amsterdam, on May 31, 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Violin player holds his hands against his ears against the noise on the street, William Hogarth, 1741 print Presentation in London, presumably near St. Martin's-in-the-fields. The violin player is inside and looks angry out of his window. Next to his window is a poster of 'The Beggar's Opera' by John Gay. Left on the street on a lamppost is a parrot, with a singing woman with a crying baby underneath. In front of her stands a girl with a rattle, looking surprised at a boy who pees in a hole on the street. Another boy hits a drum. Next to this boy is a knife grinder on the right. A dog barks with the knife grinder. Various street vendors call to sell their what. A man plays oboe and another blows on a hunting horn. London paper etching loud sound, noise. violin, fiddle. hand(s) towards the ear(s) - AA - both arms or hands. clarinet, bassoon, oboe, shawm - CC - out of doors. ornamental birds: parrot. ballad singer, ballad seller - CC - out of doors. 'cris de Paris', cries of London, etc.

Waiting room with reading, smoking and card playing officers; Corps De Garde Van Hollandsche Officiers / Corps De Garde des Officiers Hollandois. Waiting room with reading, smoking and card playing officers. Right, one of them studies a map of the Netherlands. On the wall a coat of arms with the Dutch lion. At the bottom of the margin the coat of arms and an assignment to Gerrit Braamcamp, who had the original painting in his collection.

Collection of the Utrecht Pander, 1786, Reinier Vinkeles (I), After Jacobus Buys, 1786 - 1795 print The imprisonment of the Utrecht Pander J. Valburg in the house of Burgemeester Haantjes in Wijk bij Duurstede, 29 May 1786. Northern Netherlands paper etching / engraving arrest (of criminal) Utrecht. Wijk bij Duurstede

Marriage à la Mode, 1745. William Hogarth (British, 1697-1764). Engraving;

Is This Your Louse. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 7 3/4 × 9 5/8 in. (19.7 × 24.4 cm). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Waiting room with reading, smoking and card -playing officers, Jan Punt, After Cornelis Troost, 1754 print Waiting room with reading, smoking and card -playing officers. On the right one of them studies a map of the Netherlands. On the wall a coat of arms with the Dutch Lion. At the bottom of the margin the coat of arms of Gerrit Braamcamp, who had the original painting in his collection. Amsterdam paper etching / engraving Officer. In the Guard-room, 'Cortegarard' Dog. Maps of Separate countries or regions

Twee scènes uit life, comments and opinions Johann Bunkels, Daniel Nikolaus Chodowiecki, 1778 print On the left, John Buncle is in conversation with Miss Spence in a spa town of Harrogate. They are disturbed by a group of Irish friends of John Buncle. Among them is Mr. Mackins that is only four feet high. On the right a scene from the life story of Alvarez Douror. Looking for Belvidera Dellon, his kidnapped fiancé, he ends up in a house with an enchanted garden where he collapsed on a couch. Operating bring him inside and when he recovers he looks into the eyes of his loved one. paper etching Literature. interrupted meeting, lovers caught by surprise. little people. fainting, swooning

Van Dyck painting children of Karol and according to the picture of prof. Bartolomeo Giuliano drew Carmine . Shapes from ears 1880 (2) 360 361 Barberis, (N.N.), Giuliano, Bartolomeo (1825 1909), Carmine (N.N.)

A Game of Cards recto. Dated: 1764. Dimensions: overall: 23.9 x 18.1 cm (9 7/16 x 7 1/8 in.). Medium: gray wash with touches of pen and brown ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Anton Weiss.

Dance in a Palace. Dated: c. 1770/1775. Dimensions: overall: 26.5 x 33.1 cm (10 7/16 x 13 1/16 in.). Medium: pen and black ink with gray wash over graphite and squared in graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: LUIS PARET Y ALCAZAR.

Marriage A-La-Mode (Plate VI) The Death of the Countess. 1745. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Guerra del Rosellón, también llamada Guerra de los Pirineos o Guerra de la Convención (1793-1795). Conflicto entre la España de Carlos IV y la Primera República Francesa. Debate entre el duque de Alcudia y el conde de Aranda según el abate Muriel. Reunión celebrada el 14 de marzo de 1794. Estuvieron presentes los consejeros Aranda, Almodóvar, Valdés, Caballero, Astorga, Campo Alange, Flores, Campomanes, Gardoqui, Godoy, Colomera, Socorro, Pacheco, Llaguno y Anduaga (secretario). El rey mandó a los consejeros tomar asiento. El secretario, a insinuación del Duque de la Alcudia, dió principio a la sesión con la lectura del dictamen del conde de Aranda, como decano. Grabado. "Historia del Levantamiento, Guerra y Revolución de España", por el conde de Toreno. Madrid,1851.

William Hogarth, A Rake's Progress pl5, 1735 A Rake's Progress: pl.5

French Revolution: Plate Nº 45 TaFerelelen Van de Staatsomwenting in Frankrijk (1794-1807). The assassination of the Peletier de Saint-Fargeau at M. Ferrier, Restaurateur at the Palais-Royal, current 1st arrondissement, on January 20, 1793. (Title)

An etching by Matthys Pool, 1680-1690, depicting a Roman painter at work, showing figure, gestures, painting tools, and artistic environment.

The Last Supper 1790 Louis Lafitte French. The Last Supper 337507

Print made by William Henry Worthington, ca. 1790-active 1839, British, Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Copper engraving by William Hogarth from 1735 showing a scene from The Rakes Progress, illustrating a narrative episode with multiple figures and interior setting.

Remittuntur tibi peccata fides tua te salvam fecit, vade in pace. still image. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Banquets, Couches, Jesus Christ , Art, Drapery in art, Servants , To 499, Eating & drinking , To 499

The dance at Cabaret (Bartsch 49) Adriaen van Ostade (1610-1685). The dance at Cabaret (Bartsch 49). Floor, 1652-1654.

The Last Supper, Claudine Stella, After Nicolas Poussin, 1646 - 1697 print paper engraving / etching the episode of the Last Supper

The Reward of Cruelty. 1750. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Haarlem, Ostade, Adriaen van, Dance in the Inn, A group of people in an inn. At the table a man and a woman are dancing to the music of a fiddler. On the right a man is embracing a woman on a chair. Two men and a woman enter the inn via a staircase. This print is part of an album., print, picture, album sheet, prints, pictures, height 253 mm, width 320 mm, height 354 mm, width 262 mm, Northern Netherlands, 1610-12-19 - 1685-04-28, print maker, printmaker, 1650 - 1654, paper, papier, etching, etchings, plaattoon, Work conception, after own design by, Publication (Event), Publication, publisher

Death of a man, c. 1662 - Before 1667 drawing Zwolle paper. ink. chalk brush

Hartungus at the table at Father Karl and Julia, Daniel Nikolaus Chodowiecki, 1782 print paper etching monk(s), friar(s). drinking. lovers; courting, flirting. loggia, verandah, porch

The visits. .

'Charles The First In The Guard Room', 1649, (mid 19th century). Creator: J Rogers.

The Stay-Maker. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: sheet: 11 7/8 x 14 3/4 in. (30.2 x 37.4 cm). Etcher: Joseph Haynes (British, 1760-1829). Date: February 1, 1782. Museum: Metropolitan Museum of Art, New York, USA.

A Harlot's Progress, Plate 2 Quarrels with her Protector., 1732

Gallo Gallina, lo levò in aria gridando, ecco il pane della providenza (I Held It Aloft and Cried, Behold the Bread of Divine Providence!), 1828 1830 lo levò in aria gridando, ecco il pane della providenza (I Held It Aloft and Cried, Behold the Bread of Divine Providence!)

Anniversary of the destruction of Jerusalem according to the painting of Leopold Horowitz. Cleastle from Tygodnik Ilustrowany 1872 (2) 41 Krzyż Anowie, Kazimierz (N.N.), Horowitz, Leopold (1838 1917)

Willem V shows the papers of Laurens, 1780, Reinier Vinkeles (I), After Jacobus Buys, 1787 print Stadholder Willem V submits the papers taken by the English from the American Henry Laurens at the meeting of the States of Holland, October 20, 1780. Amsterdam paper etching / engraving provincial government

. Waiting room with reading, smoking and card playing officers. Right, one of them studies a map of the Netherlands. On the wall a coat of arms with the Dutch lion. At the bottom of the margin the coat of arms and an assignment to Gerrit Braamcamp, who had the original painting in his collection.

Mrs. Anne Elisabeth Sister of King Louis XVI sentenced to torture on May 10, 1794.

Red chalk and graphite drawing by Gerard de Lairesse depicting Haman and Ahasver at Esthers table, showing figures, table setting, and a large brownish area with later interventions.

Lazarus begges at the party dis of the rich man, Theodoor Galle (Possible), 1581 - 1633 print The rich man is on a banquet. Around him noble gentlemen and ladies. Musicians play music. The poor Lazarus is in the foreground. Two dogs lick its wounds. In the background, Lazarus is chased away under the threat of beating. The print has a Latin inscription and is part of a series about parable of the rich man and Lazarus. Antwerp paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

Drawing (Italy)

F. FLAMENG. It's him ! ; Campaign de France, 1814. (IT)

Shakspeare. Comedy of errors, act V, scene I : A street before the Priory : Merchant, Angelo, Lady Abbess, Adriana, etc. , Religious facilities, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Comedy of errors. Thomas Pennant Barton Collection

Reading the will of King Charles II of Spain, Pieter Schenk (I), 1706 - 1727 print At a table, the will of King Charles II of Spain is read, which states that the Duke of Anjou is called as the successor. Amsterdam paper etching opening and reading of testament

King Frans I of France receives a diplomatic delegation, Georges Rouget, 1821 print Paris paper audition; ruler giving audience

De Nachtwacht, Lambertus Antonius Claessens, After Rembrandt van Rijn, 1797 print Amsterdam paper etching defence of fortification or city (+ auxiliary corps)

Lazio Roma Subiaco Sacro Speco09. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organiz

Print made by William Radclyffe, 1780-1855, British, Gate of Calais, O the Roast Beef of Old England, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

Print made by George Cruikshank, 1792-1878, British, My good friends, 'favete linguis', 1836. Etching on medium, slightly textured, cream wove paper.

Joseph Cartwright, c.1789-1829, British, Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding, undated. Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige, wove paper, mounted on, moderately thick, smooth, beige, wove paper.

The Beggar's Opera, Act III. Artist: After William Hogarth (British, London 1697-1764 London). Author: Illustrates John Gay (British, Barnstaple, Devon 1685-1732). Dimensions: Plate: 17 15/16 x 23 1/16 in. (45.5 x 58.6 cm)Sheet: 18 3/8 x 23 1/2 in. (46.7 x 59.7 cm). Engraver: William Blake (British, London 1757-1827 London). Publisher: John & Josiah Boydell (British, 1786-1804). Date: July 1, 1790. Museum: Metropolitan Museum of Art, New York, USA.

France, 19th century. Interior of the Paris Opera, people in a loge. Engraving by Eugene Lami, 1842.

Beggar's Opera, Act III. Dated: 1788/1790. Medium: etching (engraving). Museum: National Gallery of Art, Washington DC. Author: William Blake after William Hogarth.

Romeo and Juliet: Act IV, Scene V. 'Juliet on her bed.', George Siegmund Facius, 1750-1804, and Johann G. Facius, 1750-after 1802, German, after John Opie, 1761-1807, British, 1803, Engraving, Sheet: 17 7/16 x 23 1/2in. (44.3 x 59.7cm)

Atelier with different painters: L. Tieck, C. Vogel, etc ...

Amsterdam, Hoorn, Timotheus ten, Luyken, Jan, Jewish divorce, verso - stamped, Print numbered top right:, print, book illustration, prints, height 161 mm, width 180 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1683, paper, papier, etching, etchings, Publication (Event), Publication, publisher

HOW I JOINED THE HUNDRED-AND-FIFTIETH, A REMINISCENCE OF THE EIGHTEENTH CENTURY

Drawing academy of the Hague artists, Simon Fokke, After Aert Schouman, 1751 print paper etching artist (in general) working from nude model. drawing-lesson The Hague

The gallery of the palace (title registered)

Marriage a la Mode 1. The Contract The Earl of Squanderfield and a rich Alderman of the City of London arrange a marriage between son and daughter Date: 1745

The Last Moments of Mozart 1888 France. Etching and drypoint on ivory tissue paper . Armand Mathey-Doret

The dance at Cabaret (Bartsch 49) Adriaen van Ostade (1610-1685). The dance at Cabaret (Bartsch 49). Floor, printing on a yellow paper, 1652-1654.

Soldiers Playing Cards Made 1898 France. Intaglio on paper . Félix Henri Bracquemond

Figure photography:Jesus Christ, Rafael (1483-1520) - reproduction, Raimondi, Marcantonio (Ca 1470/1482 -Ca 1527/1534) - reproduction, photography of a work of art (artist), biblical scenes

Two performances from the Hellmuth van Hiemer family, Daniel Nikolaus Chodowiecki, 1798 print Different figures are etched in the margin in a sketchy way. Berlin paper etching family, descendance. receiving bad news, bad message. embracing each other, kissing. child (young man, young woman) leaving his (her) parents

Waiting room with monkeys, ca. 1720, Matthijs Pool, after David Teniers (II), 1710 - 1730 print Waiting room or Kortegaard in which monkeys like soldiers cards and dice and drinks and smoking, ca. 1720. A cat is brought in by two waiting at the door. Two four -line verses in the caption. Amsterdam paper etching / engraving animals acting as human beings. monkeys, apes. in the guard-room, 'kortegaard'

The House of Commons. 1803. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A woman kneels to kiss the foot of Pope Pius VII, with a crowd behind her at left 1814-50 Carlo Lasinio. A woman kneels to kiss the foot of Pope Pius VII, with a crowd behind her at left. Carlo Lasinio (Italian, Treviso 1759-1838 Pisa). 1814-50. Stipple engraving. Prints

Title Page Design for Johannes Janssonius van Waesberge, Atlas Contractus. Johannes van Waesberge continued the cartography and publishing firm of his father-in-law Johannes Janssonius, incorporating the latters name into his own. In this title page Zacharias Webber depicted three seated men, namely the eminent geographers Gerard Mercator with a hat, Jodocus Hondius, and at the left, as a tribute, Johannes Janssonius. In the background is Atlas with the Earth on his shoulders; the woman with a compass at the right personifies Geography.

. In a rich decorated departure, with an ornamental fireplace where a vase with flowers is able, five women are in seventeenth-century clothing. Four women sitting at the table while the fifth is already showing a flower to the others, who also have flowers. Above the fireplace, a painting with a biblical performance depends and in addition to the passage behind the table hanging two portraits; One of a man and one of a woman.

PL. 339. / Caricature (Journal) No 162. / What sauce do you want it (TI)

A wealthy young man having his hair dressed by an attendant; another attendant holds a mirror; to the left a second man is having his hair dressed by a female attendant. Reproduction of an engraving by Mazot after Le Brun.

A Harlot's Progress: pl.4. Dated: 1732. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

'FLORIZEL AND PERDITA,' BY C.R. LESLIE, R.A., AT THE SOUTH KENSINGTON MUSEUM

Sebastian Gomez Discovered by His Master Murillo, At Work, from "Illustrated London News" April 29, 1848 Walter George Mason We are here invited to share the surprise of the Spanish seventeenth-century painter Murillo, as he discovers the artistic talent of a young enslaved mulatto in his household. Hans Christian Anderson recounted Gómezs story in 1838 in “The Unknown Painter,” likely inspiring Wehnerts image. Born in London, to German parents, the artist was educated at Göttingen University then trained in Paris and was interested in subjects concerned with both history and art. Mason engraved Wehnert's watercolor for the “Illustrated London News,” the worlds first weekly news magazine, founded in 1842.. Sebastian Gomez Discovered by His Master Murillo, At Work, from "Illustrated London News". After Edward Henry Wehnert (British, baptised London 1813-1868 London). April 29, 1848. Wood engraving. Walter George Mason (British, Holloway, Middlesex 1820-1866 Sydney, New South Wales, A

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