Dramatic Historical Illustrations

Powerful graphic depictions showcasing historical and mythical scenes, with emotive figures and rich narrative elements in diverse styles.

Floating people, fantasy scenes and cats, Johannes Josephus Aarts, 1881 - 1934 print Among them a flat landscape with on the left buildings and a river in the middle. Japanese paper (handmade paper) etching movement in the air. surrealia, surrealistic representations. cat

Winieta do rozdziału XII "Historii wojny siedmioletniej". Menzel, Adolph (1815-1905), graphic artist, Vogel, Carl Friedrich Otto (1816-1851), painter

Copper engraving and etching by Claudine Bouzonnet-Stella from 1656-1697 showing the Holy Family with Mary, Joseph, and infant Jesus in a domestic setting.

Etching by Pierre Etienne Moitte, created between 1740 and 1780, depicting the judgment of Paris from classical mythology, showing figures of Paris and three goddesses.

The Caprices, plate 59. 'And still they don't go! (¡Y aún no se van!)', 1799, Etching, burnished aquatint and burin on laid paper, 21,9 x 15,2 cm. Author: FRANCISCO DE GOYA (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Floating people, fantasy scenes and cats, Johannes Josephus Aarts, 1881 - 1934 print Among them a flat landscape with on the left buildings and a river in the middle. Japanese paper (handmade paper) etching movement in the air. surrealia, surrealistic representations. cat

An 1886 sketch by James Ensor including a sugar can, jug, head studies, and ears, showing objects and anatomical details.

Engraver: Aegidius Sadeler II, Flemish, 1570-1629, After: Jacopo Ligozzi, Italian, 1547-1627, Dante and Virgil Descending intoHell, Engraving, platemark: 21.8 × 27.7 cm (8 9/16 × 10 7/8 in.), Made in Flanders, Flemish, 16thcentury, Works on Paper -Prints

Interior of a Military Hospital. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 11 7/16 x 9 5/16 in. (29 x 23.6 cm)Sheet: 13 5/16 x 10 7/8 in. (33.8 x 27.6 cm). Date: 1828 or earlier. Museum: Metropolitan Museum of Art, New York, USA.

Gods And Godesses, William Williams (England, active 1763 - 1800) 1798

Bien te se está. (It Serves You Right.), pl. 6 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Faust - The Marguerite Shadow Appearing in Faust-Deleteil-Strauber 72 Eug�ne Delacroix (1798-1863). The Shadow of Marguerite appearing in Faust. Lithograph on vellum.

Der Dämon von Orchies, board 8; Graf, Oscar (1873-1958), Bruckmann, Friedrich (Munich; Publisher; 1815-1898); 1914-1915 (1900-00-00-1950-00-00);World War I (1914-1918), Germany, Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, German graphics, German (culture), teka, teka, world war (1914-1918), soldiers

A copper engraving by Cornelis Cort depicting the sleeping Hercules surrounded by Pygmies, created in 1562.

Aurora by Guido Reni; James Anderson (British, 1813 - 1877); Rome, Italy; about 1845 - 1855; Albumen silver print

Christ in a sled, pulled over the ice by skating angels, Léopold Flameng, 1863 print Paris paper. etching Christ-child together with others. skates (winter sports)

Thomas Rowlandson, The Fall of Phaeton The Fall of Phaeton

Copper engraving and etching by René le Charpentier depicting a Flemish dance, produced between 1700 and 1723, showing dancers in traditional attire and a social setting.

Seated Woman and Other Sketches ca. 1630-33 Claude Lorrain (Claude Gellée) French. Seated Woman and Other Sketches 384194

Copy after an Ancient Sarcophagus ca. 1752-56 Augustin Pajou This sheet was made by the French sculptor Augustin Pajou while he was a pensionnaire at the French Academy in Rome between 1752 and 1756. Executed in fluid pen and wash, it depicts an ancient battle. According to the inscription, it was based on a detail of an ancient sarcophagus at the Villa Ludovisi in Rome.. Copy after an Ancient Sarcophagus. Augustin Pajou (French, Paris 1730-1809 Paris). ca. 1752-56. Pen and black ink, brush and gray wash, over black chalk. Drawings

Augustus the Great and his soldiers cross the granicus, Leonaert Bramer, c. 1655 - c. 1665 Alexander the Great, followed by his soldiers, crosses the Granicus River to confront the army of Darius III. Numbered at the top right: 17. Drawing is part of an album. paper. ink pen / brush Alexander the Great, followed by his soldiers, crosses the Granicus River to confront the army of Darius III. Numbered at the top right: 17. Drawing is part of an album. paper. ink pen / brush

Triumph des Achill, chart 13, Gesang XXII Vers 395, `Achill`. Slevogt, Max (1868-1932), graphic artist, Albert Langen-Verlag (Monachium ; wydawnictwo ; 1894-1932), publishing house, Langen, Albert (1869-1909), publisher

Two workers with rope and shelves, Johannes Josephus Aarts, 1881 - 1934 print Two workers with hats, one sitting and the other standing. The sitting man binds a rope around a tree trunk. The standing man holds a stack of demolition wood. In the background, two workers pry with a rod under a rectangular object. On this seventh state of the engraving, the face of the sitting man has been replaced. paper. pencil. chalk engraving working class, labourers. plank, board ~ building material. tools, aids, implements ~ crafts and industries: rope

I Made What I Would Call a Good Bargain, from Le Chevalier des Touches, 1878, Félix Buhot, French, 1847-1898, 6 5/8 × 4 1/2 in. (16.83 × 11.43 cm) (image)11 × 8 3/4 × 1 in. (27.94 × 22.23 × 2.54 cm) (outer frame), Etching and drypoint, France, 19th century

Etching by Bartolomeo Pinelli from 1818 depicting the history of the city of Rome, showing buildings, monuments, streets, and historical events.

Beheading of Saint Paul, Domenico Mondo, Italian, 1723 - 1806, Black chalk, brush and gray, white wash on gray-blue paper, lined, Several figures standing on an uneven surface, possibly a stairway, including an executioner at left wearing military garb with his hand on his hip. A hermit is addressing him, from the right. Additional sketchy figures (possibly angels) in the upper half of the composition above. The drawing is squared with black chalk for enlargement., Naples, Italy, late 18th century, figures, Drawing, Drawing

The wife of Hasdrral commits suicide, Bartolomeo Pinelli, 1819 print The wife of Hasdrobral has just killed her children and is about to commit suicide. This is out of shame for Hasdrubals' surrender of Carthage to the Romans. Rome paper etching death of Hasdrubal's wife: she throws herself and her two children into the flames of the temple of Aesculapius, which she had set on fire, to show her contempt at her husband's surrender to Scipio

Defeat of the Titans, Philip van Gunst, After Giulio Romano, 1685 - 1732 print The Titans try to conquer the mountain of Olympus, but are beaten back by Jupiter and the other gods and pelted with lightning and stones. The Titans fall from heaven and end up in Tartarus, the underworld. Amsterdam paper etching / engraving war of the Titans against Jupiter and allies: titanomachy

Chalk drawing by Franz Karl Palko depicting Saint Francis, using lead handle technique with white raised details, showing figure, posture, and composition.

Lazio Roma Rome S. Ignazio di Loyola6. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Human figures, some with animal heads, praying. Etching by F. Goya, 1796/1798.

Copper engraving and etching by Claude Augustin Duflos between 1720 and 1786 showing the mythological scene of the abduction of Europa.

Abruzzo, Civitaretenga, Madonna dell'Arco, Italy, 20th century, photo, photography, Europe

The Last Judgment, Page A, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Print Maker: ItalyAfter Design by: Vatican City paper engraving Last Judgement

'Clear Folly' from the 'Disparates' (Follies / Irrationalities) ca. 1815-19 (published 1864) Goya (Francisco de Goya y Lucientes) Spanish From the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios'.. 'Clear Folly' from the 'Disparates' (Follies / Irrationalities). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). ca. 1815-19 (published 1864). Etching, burnished aquatint. Prints

Polyphemus Throwing Boulder at Acis, with Galatea (recto), and Pholyphemus Lifting Boulder (verso) Artist's working dates 1723-1772 England. Black chalk, and brush and gray wash (recto), and black chalk, and brush and brown wash (verso), on ivory laid paper . John William Taverner

Copper engraving and etching by Jean Daullé around 1752 depicting Neptune calming the waves, showing mythological figure, trident, waves, gestures, and classical marine elements.

Lazio Roma Rome SS. Giovanni e Paolo4. Hutzel, Max 1960-1990 Views of basement level christian tomb (confessio) with frescoes and of oratory with altar. Views of apse frescoes in current, ground level basilica, paintings from cappella di S. Paolo alla Croce, and collection of papal portraits from the octagonal vestibule preceding sacristy. Views of sculpture in cloister garden. Antiquities: Views of basement level remains of roman palazzo with second and third century frescoes decorating former triclinium, tablinium, ninfeo, and oratorium. Sarcophagus and fragments in cloister garden. Object Notes: Church museum has separate file and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Me

Fall of the damned (2 plates), Pieter Claesz. Soutman, after Peter Paul Rubens, 1642 print Angels throw the damned in hell. A seven -piece dragon swallows them up. Under the image a text line in Latin. Large show consisting of two parts. Haarlem paper etching / engraving the fall of the damned ~ Last Judgement

A 1907 lithograph by Max Slevogt showing Hector escaping from Achill, depicting figure motion, expressions, and spatial arrangement in a classical setting.

Demons try to seduce Sint-Antonius, Henri François Schaefels, 1853 print paper. etching St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Souvenir or the guitar , Nudes, Guitars

Joseph Pennell, The Temple, 1912 The Temple

Howard Visiting a Prison, George Romney, 1734-1802, British, undated, Black ink with gray wash over graphite on medium, moderately textured, cream laid paper, Sheet: 14 x 21 inches (35.6 x 53.3 cm), cloth, correctional institution, figure study, historical subject, men, nudes, prison, women

Daniel Nikolaus Chodowiecki, Characteristics of King Frederik II (Part III), 1800 Characteristics of King Frederik II (Part III)

The Sacrifice of Isaac. Artist: Johan Carl Loth (German, Munich 1632-1698 Venice). Dimensions: 12 11/16 x 9 1/4 in. (32.3 x 23.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances ca. 1617-25 Pierre Brebiette French. Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances 397604

Etching 'Four Representations of a Spanish Book' by Rembrandt, 1655, showing Ben Israel Menasse's 'Piedra Gloriosa' with detailed illustrations, text, and technical etching features on parchment.

George Overbury Hart, Dias de Fiesta No. 2, 1926, aquatint and soft-ground etching on wove paper.

Two girls at the butterflies catch.two girls Run on With a Net Behind a Butterfly.

Jason (Liber Studiorum, part I, plate 6). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/4 x 10 1/4 in. (18.4 x 26 cm)sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: Charles Turner (British, Woodstock, Oxfordshire 1774-1857 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: June 11, 1807.Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to describe the mythical Greek hero Jason scaling a fallen tree to reach the dragon that guards the golden fleece. The image likely relies on a version of the story found in Apollonius Rhodius's

Etching and aquatint by Francisco Goya titled 'The Breakfasts of the War,' created 1815-1820, depicting figures and scenes illustrating war events and their effects.

Praying family for a bedstead, Jacobus Ludovicus Cornet, 1825 - 1882 print A living room where a man, an old woman and a child pray together for a bedstead. There is a sick person in the bed. paper etching (public) prayer. sick-bed. family group, especially parents with their child(ren)

Judgment of Paris, Zacharias Dolendo (attributed to), 1580 - 1596 print In a forest landscape, Pallas, Juno and Venus are opposed to Paris with shepherd's staff and a ram next to him. Above them, Amor floats with a bow and arch on Paris. Mercury is hidden in a tree on the right. In the lower margin a four -line Latin text. Amsterdam paper engraving the Judgement of Paris (Mercury present)

Ottoman procession, Marius Bauer, 1889 print A parade with standard -bearers and horses at a gate. paper etching public festivities (+ parade, pageant, cavalcade ~ festive activities) Ottoman Empire

Francisco de Goya, El caballo raptor (The Horse Abductor), in or after 1816 El caballo raptor (The Horse-Abductor)

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Les voyageurs fatigués , Travelers, Sleeping, Trees, Alphonse Legros (1837-1911)

Standing Figure of Prudence and a Seated River God 1696-1770 Giovanni Battista Tiepolo Italian. Standing Figure of Prudence and a Seated River God 339379

Lazio Roma Rome Gesu15. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching by Benoit Louis Henriquez depicting Poseidon with Amphitrite and tritons, created between 1752 and 1806.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Félix Hilaire Buhot, Le Secret du Mitre Cornille (The Secret of Master Cornille), c 1885 Le Secret du Mitre Cornille (The Secret of Master Cornille)

Fishing; History of Tobias. Tobias has caught a fish. The angel Rafael asks him to cut the fish into pieces and keep the guts. Tobias will use the bile of the fish later to heal his fathers blindness. In the undermaster a four-line Latin text.

Sitting woman, Claude Lorrain, 1630 - 1633 print A sitting woman and a number of blinds. Middle piece from a larger plate. paper etching adolescent, young woman, maiden (+ sitting)

And Still They Don't Go! (Y aun no se van!) Francisco de Goya y Lucientes (Spanish, 1746-1828). And Still They Don't Go! (Y aun no se van!), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

Big wheel; Dungeons; Carceri d'Invenzione. Large wooden wheel on a stone structure. Numbered top left: IX.

Pietà. Dated: 1920. Dimensions: plate: 25.8 x 32.8 cm (10 3/16 x 12 15/16 in.) sheet: 39.5 x 46.8 cm (15 9/16 x 18 7/16 in.). Medium: drypoint in black on cream paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Derby Day. Gustave Doré (France, Strasbourg, 1832-1883). France, 1873. Drawings. Black, gray, and white ink over black crayon

Sentier en Bourgogne, 19th century, Alphonse Legros, French, Dijon 1837-Watford, England 1911, 16 13/16 x 23 7/16 in. (42.7 x 59.53 cm) (image), Sepia, France, 19th century

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile52. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Sketchbook Folio, Angels Bearing Symbols of Martyrdom, Study after Domenichino; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brown wash, over traces of black chalk support: white heavy wove paper; 30.7 x 23 cm (12 1/16 x 9 1/16 in.)

Lazio Viterbo Bagnaia Villa Lante0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Flight into Egypt', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Le cavalier.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses, Night, Lanterns

Stormwind, Abraham Genoels, 1650 - 1723 print A landscape with trees. A storm wind is blowing. Some figures hide before the storm. Paris (possibly) paper etching storm on land. landscapes (+ landscape with figures, staffage)

Lazio Viterbo Caprarola Palazzo Farnese70. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Destruction of aristocracy, decoration on the Westermarkt, 1795; Paralysis of aristocracy. Hercules (the Dutch people) beats seven-member Hydra (aristocracy and family provision). Not used design for the destruction of aristocracy, allegorical decoration established on the Westermarkt in Amsterdam at the Alliance party on 19 June 1795.

Aleksander Wielopolski as a monument to Sobieski (caricature); unknown, Kossak, Juliusz (1824-1899); 1861-1863 (1861-00-00-1863-00-00);

Photograph of Jan Matejko's oil study to the painting John Sobieski at Vienna Pawlikowski, Antoni (1862 1925)

Mord on Pomphaus, Bartolomeo Pinlli, 1818 print After Pompey was defeated at the Battle of Pharsalus, he fled to Egypt. Pompey is murdered by Roman soldiers in the boat between his Galei and the coast of Egypt. Rome paper etching death of Pompey: after leaving his galley, Pompey is murdered in the boat sent to bring him ashore Egypt

Jean Charles Le Vasseur produced copper engravings and etchings between 1750 and 1816 depicting the mythological figures Diana and Actaeon, illustrating classical stories in 18th- and early 19th-century European engraving.

14 Juillet, Rue de Belleville, minuit, 1889. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Man choosing the handset of a bull; Mort de Pepe ILLO; Bullfighting; La taureaumachie; La Tauromaquia. In an arena a man has been spied on the handset of a bull. It may be the bullfighter (Torero) Pepe-Hillo. Several men attacked the bull with lances. At the top right: F.

The Star of Kings: A Night Piece ca. 1651 Rembrandt (Rembrandt van Rijn) Dutch. The Star of Kings: A Night Piece 391949

Bliżej Kultury Wyczółkowski, Leon (1852 1936), Werdeker, Władysław (1886 )

The Botin Moored under a Tree 1862 Charles-François Daubigny. The Botin Moored under a Tree. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper. Drawings

Copper engraving by Cornelis Cort depicting the adoration of the shepherds, created in 1569, showing the Nativity with the Holy Family and shepherd visitors.

Vrees, Enea Vico, After Francesco Salviati, 1533 - 1567 print A young man in a landscape flight away for a rabbit. At the top a line of Latin text. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving Fear, Dread; 'Fear', 'Timide or fear', 'Timor' (Ripa). Rodents: Rabbit

Two performances from Adrianopel, Marius Bauer, 1889 print Above a city view of Adrianopel, the Greek name for the current Edirne in Turkey. Under a street in Adrianopel with a man on horseback and a man who floats two donkeys. paper etching temple, shrine ~ Islam, Mohammedanism. city-view, and landscape with man-made constructions. riding a horse, ass, or mule; rider, horseman Adrianopel

Le coteau , Hills, Alphonse Legros (1837-1911)

Alexander Mosaic in the house of the Faun in Pompeii; Pompeii Bataaglia di Dario Ed Alessandro. Part of travel album with pictures of sights in Italy and southern France.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

March as a come, Anonymous, 1750 - 1799 print France paper etching (story of) Venus (Aphrodite). (story of) Mars (Ares)

Project for Frontispiece to: Au pied du Sinaï, 1898. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

George C. Finden, 1811-1885, British, A Mythological Battle, 1853. Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé.

Nemesis, Edmond de Goncourt, after Pierre Prud'hon, 1832 - 1896 print Paris paper etching Nemesis (Adrastea)

Francisco de Goya (Spanish, 1746-1828). Against the Common Good (Contra el Bien General), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

La Fée des Alpes (2e planche) , Fictitious characters, Supernatural beings, Cliffs, Schumann, Robert, 1810-1856. Manfred. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

'The Strugglers' , Parks, Couples, Love, Night. George Bellows (1882-1925). Prints and Drawings

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