Dramatic Historical Scenes

Etchings depicting key biblical and theatrical events, showcasing human emotions, interiors, and historical narratives.

Robbery in the forest on a carriage, Reinier Vinkeles (I), 1788 print Amsterdam paper etching / engraving assault ~ siege. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. forest, wood

Abraham casting out Hagar and Ishmael, 1710 - 1766 print paper etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Interior with two noblemen in conversation, left two women, Barthélémy Joseph Fulcran Roger, after Jean Michel Moreau, 1811 - 1813 print paper. etching / engraving theatre, theatrical performance. interior of the house

Etching by Giovanni Domenico Tiepolo depicting the baptism of Emperor Constantine, created in the 18th century, illustrating the historical religious event.

A lithograph by Eugène Delacroix in 1843 depicting Hamlet attempting to kill the king in Act III, Scene III, showing figures, action, and dramatic composition.

Doctor feels the pulse of sick wife, Johann Leonhard Raab, after Jan Havicksz. Steen, 1835 - 1899 print München paper. etching physician, doctor. interior of the house

Robbery in the forest on a carriage, Reinier Vinkeles (I), 1788 print Amsterdam paper etching / engraving assault ~ siege. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. forest, wood

Woman with candle with three soldiers, Joseph de Longueil, After Sigmund Freudenberger, 1780 print France paper etching / engraving candle. the soldier off duty

Copper engraving by Samuel Czetter from the 18th century depicting Alexander and Kampaspe, showing figures, gestures, and historical interaction.

Have you pray'd tonight, Desdemona , plate twelve fom Othello Made 1844 France. Etching, engraving and roulette on ivory China paper, laid down on white wove paper . Théodore Chassériau

An etching by Gerard de Lairesse from 1680 showing the Holy Family with the young Jesus in a domestic setting.

Dorval dies in a woman's arms. .

Salvator, from "The Art Union" (later "The Art Journal"), opposite p. 252. Artist: After Daniel Maclise (Irish, Cork 1806-1870 London). Dimensions: Sheet (trimmed within plate): 11 5/16 × 9 1/16 in. (28.7 × 23 cm). Engraver: Ferdinand Joubert (French, Paris 1810-1884 Menton). Subject: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Date: August 1848.Maclise exploited the nineteenth century's fascination with past artists by depicting the Italian painter Salvator Rosa (1615-1673) showing one of his paintings to a potential client. The scene was suggested by a passage in Lady Morgan's "The Life and Times of Salvator Rosa," published in two volumes in London in 1824. Joubert's print after the painting was first published in the English art monthly "The Art Union" (later "The Art Journal") in August 1848. It accompanied a text that admired Maclise's "work of stirling merit . while the various accessories composing the usual contents of the connoisseurs' bazaar are put together

Theater in Yedo (illustration from: Alexander von Hübner, Ein Spaziergang um die Welt); Gauchard, Jean (1825-1872); 1889 (1889-00-00-1889-00-00);

18th-century copper engraving and etching by Ouvrier illustrating a prelate standing before a man lying in a bed, likely in a chamber interior.

Copper engraving and etching by Lucas Vorsterman II, created between 1630 and 1679, depicting the biblical story of Susanna and the two elders, showing narrative and figure detail.

Copper engraving by Paulus Pontius from 1624 depicting Susanne with the two elders, showing three figures in a biblical scene with symbolic and narrative elements.

Contes et nouvelles en vers: A Femme avare galant Escroc, from Les Contes de la Fontaine. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Jacques Aliamet (French, Abbeville 1726-1788 Paris). Author: Jean de La Fontaine (French, Château-Thierry 1621-1695 Paris). Dimensions: Sheet: 13 11/16 × 9 15/16 in. (34.8 × 25.3 cm)Plate: 12 1/2 × 9 5/8 in. (31.8 × 24.5 cm). Publisher: Pierre Didot l'ainé (French, 1761-1853). Series/Portfolio: Les Contes de la Fontaine. Date: 1795. Museum: Metropolitan Museum of Art, New York, USA.

Aeneas and his family flights from Troy, Louis Desplaces, After Antoine Coypel, 1734 - 1739 print print maker: Parispublisher: ParisFrance paper etching / engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way

Le Mari Confesseur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean-Baptiste Tilliard French. Le Mari Confesseur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369349

Les Femmes. - Journal du Siècle ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Après la contredanse ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Two Germanen kneels for Germanicus, Louis E.F. Garreau, After Jean Grandjean, 1783 print The triumphal tour of Germanicus in Rome. During this entry, Germanicus is reunited with his sons. Numbered at the top right: XVI. paper etching / engraving (story of) Germanicus. conqueror triumphing, triumphal entry of victor

Man with a dead woman in his arms, Reinier Vinkeles (I), 1798 print With a tomb is a man with the body of a dead woman in his arms. A second man illuminates the space with his lantern. Amsterdam paper etching / engraving death of human being. grave, tomb. lantern

LA BONNE AVENTURE. - THE FORTUNE PELLER(sic).. Artist: Paul Gavarni, French, 1804-1866

Copper engraving by François Ragot from 1650-1670 depicting Christ in spring, showing figure, gesture, and religious setting.

Copper engraving and etching by Nicolas de Larmessin IV created around 1742 depicting The Elder's Calendar.

A copper engraving and etching by Louis Surugue from 1728 illustrating a blacksmith removing the foot of a ragotine from a chamber pot.

Jozef's cloak is shown to Jakob, Anne Claude Philippe Caylus, after Rembrandt van Rijn, 1702 - c. 1753 print France paper etching Genesis: the story of Joseph. Joseph's blood-stained coat is brought and shown to Jacob

Etching by Antoine Lepautre (1640-1679) showing artists in rags working at an easel with assistance, depicting figures, clothing, tools, and studio environment in 17th-century Europe.

A copper engraving and etching by Sébastien Le Clerc le Jeune depicting the return of the lost son celebrated with a festival, created in the 18th century.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Apoteoza Kopernika Apotheosis of Copernicus ; from: `Tygodnik Ilustrowany` 1892, no. 112 (February 20th), p. 113 (title page). Łoskoczyński, Józef (1857-1928), graphic artist, Zajkowski, Andrzej (1851-1914), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Therefore be merry, Cassio, plate six from Othello 1844 France. Etching, engraving, roulette, and drypoint on paper . Théodore Chassériau

Huibert Willemszoon van de Eijcken, the heroic blacksmith van Naarden, 1572, 1825 - 1827 print Huibert Willemszoon van de Eijcken, the heroic blacksmith van Naarden, defends his home against the Spaniards with sword and Driepoot, December 1, 1572. On the right his kneeling praying daughter. Netherlands paper etching Naarden

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1795 Jean-Louis Delignon French. Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369345

Two ladies in conversation for a market stall, Reinier Vinkeles (I), 1806 print Amsterdam paper etching / engraving conversation, dialogue; conversation piece. market

Mayor Beert Proys in Utrecht, murder, 1425, 1791 print Mayor Beernt Proys in Utrecht, killed in his bed, 1425. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Utrecht

Timocrates convinces Idomeneus of the betrayal of Philokles. Idomeneus, seated at a table, reads a letter. Next to him is Timocrates who convinces him from the betrayal of Philokles. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. I.

Zinnen -playing scene with boy playing on whistle and girl with bird, Claude Duflos, 1727 print print maker: Francepublisher: Paris paper etching / engraving bird-cage opened (loss of virginity symbolized). boy (child between toddler and youth). flute, aulos, tibia - CC - out of doors

Willem van Nieuwen wakes up in the bed of Philip de Goede, Herman Frederik Carel ten Kate, 1842 print Philip de Goede finds Willem van Nieuwen, a shoemaker, drunk in the forest. He decides to take a joke with him by taking him to the palace to let him sleep his intoxication. In the morning, the court of Philip de Goede gathered around the bed. They wake him up and make him believe he is the prince. paper. waking up

Hellemans saves a lady from flying fire, Reinier Vinkeles (I), 1815 print A street in a city at evening. Hellemans saves a lady from flying fire. On the right a few looks at the air. On the left a woman with child. There is a flag with a climbing lion out the window. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving public festivities. rescue from fire

She sat down when we were alone ... (IFF 8) (Registered Title) | Manon Lescaut (Abbé Prévost) Frontispiece (Title Title)

The Empty Quiver (Le Carquois exhausted), Nicolas de Launay (Goudsmid), After Pierre Antoine Baudouin, 1775 print print maker: Francepublisher: Paris paper etching / engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). underclothes. couple of lovers. bed with tester. screen, folding screen. courting

. In a departure under a drapery, Queen Ester and the Persian king Ahasveros condemn the Haman bound to them to the gallows. Haman was one of Ahasveros' highest officials and a large enemy of the Jews. He had prepared a murder on all Jews in the Persian Empire, for which Ahasveros had given him permission. Ester, the wife of the king, Crossing the plan and Haman and his sons were hung. This print is an illustration at the seventh chapter of the eleventh book of 'All the works of Flavius Josephus'.

Michelangelo at the Belvedère Torso, Anonymous, Steendrukkerij van C.W. MIELING, After Petrus Theodorus van Wijngaerdt, 1845 - 1847 print Michelangelo looks at the sculpture and touches the marble. Two men are watching on the right in the background. The Hague paper. piece of sculpture, reproduction of a piece of sculpture

Minerva as the Kunsten, Mathäus Küsel, 1680 print Minerva stands at a table on which different attributes of the arts: a palette with brushes, a silver cup, papers with drawings, a globe, a small sculpture and a burijn. Boven the table blows fame on two trumpets. Putti on the right with a box of honorary and a sword. Under the performance four lines of text in Latin. The print is part of an album. Augsburg paper etching Minerva as patroness. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). tools, implements of graphic artist. tools, implements of painter

Confidences, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle 1774 France. Engraving on paper . Charles Louis Lingée

Man shows sketches to another man, Reinier Vinkeles (I), 1791 print In his studio, an artist shows sketches to an interested person. Paintings hang on the wall and models of body parts hang on the ceiling. Amsterdam paper etching / engraving picture, painting. workshop, studio ~ painter

This 1785 etching by Pietro Bettelini in punctuation manner depicts Queen Elisabeth alongside the Duke of York, executed with detailed portrait engraving.

Copper engraving and etching by Jacques-Philippe Le Bas from 1740-1783 titled 'Poix Scotters,' showing figures and objects in a detailed illustrative composition.

Etching by Bartolomeo Pinelli showing episodes from Virgil's Aeneid, created in 1811, depicting warriors, gods, and scenes from the epic poem.

Bathseba brings Abisag to David, Richard Earlom, After Adriaen van der Werff, after George Farington, 1779 print Text in English in the lower margin. London paper engraving Adoniah comes to Bathsheba asking for help in order to get Abishag as wife

David appointed as bodyguard of King Achis, Simon Fokke, 1766 print The King Achis, which is sitting on a throne, hands David a rolled up document that appoints David as his regular bodyguard. Around the throne are servants and soldiers of the king talking to each other and point to the pair. Amsterdam paper etching David appointed life-guard of Achish

Young love couples in garden, c. 1595 print Rich dressed, loving pair sitting in the garden. To their right a table with wine can and fruits. In the background another pair; Seen arm in arm on the back. Pendant of RP-P-2009-215. paper engraving lovers; courting, flirting. garden

An etching by Moritz von Schwind from 1833-1844, vignette No. 5 of 'Album for Smokers and Drinkers,' illustrating social interaction with smoking and drinking figures in an interior space.

Edward III at Isabella and Mortimer; Scene from the torment game Eduard the third, crown prince of England. Mortimer and Queen Isabella force Edward III to sign the judgment, but Edward turns off. A writing utensils on a table behind them.

Robert Smirke, 1752-1845, British, The Murder of Lucinda. Etching and line engraving on chine collé laid down on wove paper..

Jan Six, Pierre François Basan, after Rembrandt van Rijn, 1733 - 1797 print paper etching historical persons

French Revolution: the farewell of Louis XVI to his family, on January 20, 1793. (TF)

Etching by Bartolomeo Pinelli depicting scenes and characters from Virgil's Aeneid, produced in 1811, illustrating the adventures of Aeneas and the Trojan refugees.

Furious man attacks another man with a sword, Reinier Vinkeles (I), 1798 print Amsterdam paper etching / engraving hacking and thrusting weapons: sword. fighting

Portrait of Pope Pius VI. Portrait of pope pius vi in an oval table. On top of the papal attributes list. Three women and four children under the portrait.

Allegory on the preservation of freedom to the French enemy, 1793; TOMABLE THAT WE AT ITS Legal and Methodious Freedom (...). Allegory on the preservation of freedom and religion in the Republic, thanks to the support of God and the coalition groups, through the victory over the French troops in February 1793. Religion, the Dutch virgin with freedom lance and the Dutch lion with an altar. On the right in a dark cloud of French weapons, mask and a banner of 'egalite liberte'. At the bottom of the weapons of the Stadholder and Austria. A text sheet is one of the record.

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), good friends after Decamps (main title) , etching, aquatinte and dry point on China applied to vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Maciek Borkowicz, Poznań Voivode, Sentenced to Hunger Death , with: Jan Matejko's Album with an Explanatory text by Kazimierz Władysław Wójcicki (Part One) (Card 8) Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902), Matejko, Jan (1838 1893)

Jozef explains the dream of the donor and baker Enjozef explains the dream of the Pharaoh, Simon Fokke, 1791 print Two Biblical performances from Gen. 40 and 41. Numbered below: 20. Amsterdam paper etching Joseph interpreting the dreams of the butler and the baker (the two dreams combined). Pharaoh's dreams interpreted (Genesis 41:1-36)

Copper engraving and etching by Nicolas Delaunay in 1768 depicting a figure sending a letter.

Anna van Austria embraces Antoine III van Gramont, Daniel Nikolaus Chodowiecki, 1780 print Up to the top left: 87. paper etching embracing each other, kissing. other persons of royal blood. tapestry

Etching by Wallerand Vaillant depicting a drinking woman being served a glass by a boy, produced between 1640 and 1677.

Clara asks Wilhelmina to continue. A sitting and standing woman are talking in a forest. In the distance the brother and man of Wilhelmina and the children. Illustration at the Wilhelmina story and Clara van Vomenstein.

A rake's progress, plate 3 , Rake's progress, Intoxication, Taverns Inns, Prostitutes, Hogarth, William, 1697-1764. Rake's progress. William Hogarth (1697-1764). Prints

Le Faucon, La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1795 Jean-Baptiste Tilliard French. Le Faucon, La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369343

Mother with young girl and two children in a window opening, Chrétien, After Pauline Auzou-Desmarquets, 1822 print The women and children are hanging from a decorated window to see the entry of Louis XVIII in Paris. Paris paper. Mother and Child (Ren), Woman and Child (Ren) (Family Group). Open Window. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Paris

MENO Haas (1752-1833); Hans Veit Friedrich Schnorr von Carolsfeld (1764-1841), "Hope and horror man", 1796

Standing weapon man (dummy title)

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, The Building of Solomons Temple in Jerusalem, from The Loggia Paintings, Etching, one of a set of 32 prints, platemark: 15 × 17.5 cm (5 7/8 × 6 7/8 in.), Italian, 16th-17th century, Works on Paper - Prints

Group picture.

On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1795 Jean-Baptiste Patas French. On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369355

Etching and copper engraving by Louis Surugue from 1730 depicting Rappiniere falling onto a goat, with detailed figures and animal elements in a narrative scene.

Madam, it's my Cousin Chamboran. You know / that I told you what happens for three months. / N � 1. (Title registered) | Ninth album 1829 (IFF 54) (set of all)

Minerva as patroness of science and arts, A. Bleuze, After Pierre Prud'Hon, 1794 - 1817 print paper etching Minerva as Patroness. Cupids: 'Amores', 'Amoretti', 'Putti'

Music 1855 Henri-Charles-Antoine Baron. Music. Les Artistes Anciens et Modernes. Henri-Charles-Antoine Baron (French, Besançon 1816-1885 Geneva). 1855. Lithograph. Prints

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

Print, LHeureux Moment; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching and engraving on laid paper

Priamus asks Achilles the body of Hector, Wilhelmus Petrus van Geldorp, 1870 print King Priamus is, under the guidance of Mercury, visiting Achilles. His son Hector was killed by Achilles during the Trojan War. Priamus begs him to return the bold body. Achilles is moved to tears and agrees. Rotterdam paper Priam ransoming Hector's body (Iliad XXIV)

Count of Sayn for the Inquisition, Daniel Nikolaus Chodowiecki, 1798 print Berlin paper etching History. inquisition. shaving, being shaved

Jean Baptiste Blaise Simonet after Pierre Antoine Baudouin, La soiree des Thuileries, 1774 La soiree des Thuileries

There was shouting in the house, Tieleman Cato Bruining, After Cornelis Troost, 1850 print A company drunk men is sitting at the dining table. A man stands on a chair and throws his glass in the air. Another sleeps with the head on the table. Part of the 'Nelri' series to Pastels by Cornelis Troost. paper. etching drunken brawl (usually peasants fighting in an inn). dining-room

Le Retour, Print made by Richard Parkes Bonington, 1802-1828, British, Printed by Langlume, active 1819-1830, French, Published by Sazerac, active ca. 1826, French, 1826, Lithograph on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm) and Image: 5 3/16 x 4 1/16 inches (13.1 x 10.3 cm), armour, back, castle, dog (animal), fancy dress, feathers, genre subject, hats, knights, lady, men, pages, servants, stairs, sword, tights, walking, woman

Mondragon refuses to assist requests as long as Aldegonde is still captured, 1574; Farewell to Mondragon and Requesens / XII. vocals; Scenes from the life of Prince Willem I, 1568-1584; Artificial plates belonging to the ancestor Willem den Eersten, in four and twenty dangers by the Netherlands closer J. Nomsz .. Mondragon refuses response to his service to his as long as filips from Marnix, Lord of Sint-Aldegonde is still caught, 1574. Twelfth vocals.

Atrocities in the English prison, ca. 1781, Cornelis Bogerts, after Pieter Wagenaar (II), 1781 print Cruel treatment of Dutch prisoners in an English prison in Torbay, ca. 1781. With four -line verse under the show. Northern Netherlands paper etching / engraving prison, jail. Fourth Anglo-Dutch War Torbay

No. 3 / When we lost everything and no more hope. (IT)

Mr. Van Stalen meets his granddaughter Fritsje, Reinier Vinkeles (I), 1804 - 1805 print On the edge of the forest, Mr. van Stalen meets his granddaughter Fritsje. Next to Fritsje are Cornelia and Mr. Rozenburg. Illustration with the story Cornelia van der Horst. Amsterdam paper etching / engraving conversation, dialogue; conversation piece. trees. family, descendance

Allegory with personifications of Freedom and Eendracht, Reinier Vinkeles (I), After Jacobus Buys, 1783 print Amsterdam paper etching / engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa). 'Cornucopia', Horn of Plenty. (story of) Hercules (Heracles)

Portret van Claude de Forbin, Victor Florence Pollet, After Denis Auguste Marie Raffet, 1835 - 1837 print Paris paper etching historical persons. ranks in the navy

Prince Willem III received in the middle of Amsterdam, 1672; Willem III. In the middle of Amsterdam. Prince Willem III received in the middle of the town hall in Amsterdam, August 12, 1672.

The sylph / - Are you looking for your wife

Alix and Béranger (IFF 105) (registered title)

Duplicate of entry 81756: Copper engraving and etching showing 'First Lessons of Love' with figures in an intimate or instructive scene.

Jean-Michel Moreau and Jean-Baptiste Blaise Simonet after Pierre-Antoine Baudouin, French (1742-1813 or after), Le couché de la mariée, 1768, etching and engraving

Donnant, donnant ,. Paul Gavarni (1804-1866). Lithographs and Other Works

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