Dramatic Historical Scenes

Etchings depicting key biblical and theatrical events, showcasing human emotions, interiors, and historical narratives.

Robbery in the forest on a carriage, Reinier Vinkeles (I), 1788 print Amsterdam paper etching / engraving assault ~ siege. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. forest, wood

Story of Joseph, Plate 81 Georg Philipp Rugendas I (German, 1666-1742). Story of Joseph, Plate 81. Mezzotint in blue ink, 10 7/8 × 14 3/4 in. (27.6 × 37.5 cm). European Art

Jan Kochanowski over the daughter of his Urszulka daughter; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Thaddeus Kosciuszko Tadeusz Kościuszko Sharp, William (1749 1824), Andras, Catherine (1775 1860)

Walstein and Caroline welcomed by the servants, Daniel Nikolaus Chodowiecki, 1786 print In the top left numbered: 10. Berlin paper etching Literature. applause; 'claque'. couple of lovers

Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 × 5 15/16 in. (21.3 × 15.1 cm)Sheet: 11 5/8 × 8 1/4 in. (29.5 × 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Print, The Distressed Mother, 1785; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Battista Cipriani (Italian, 1727-1785, active England, 1755-1785); Italy; engraving on white paper; 21.1 × 22.4 cm (8 5/16 × 8 13/16 in.); Bequest of George Campbell Cooper; 1896-3-314

Mercury and Calypso Artist's working dates 1775-1826 England. Pen and black ink, over graphite, on ivory wove paper, laid down on tan wove paper . John Flaxman

Good neighbors ... (registered title) | FANTASIES 1824-1827 (Title of all)

Announcement of Pregnancy, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle Made 1776 Italy. Engraving on ivory laid paper . Pietro Antonio Martini

Michał Sędziwój performing alchemical experience in the presence of Sigismund III; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

William Finden, 1787-1852, British, The Spring, 1834. Line engraving on moderately thick, slightly textured, cream, wove paper, with gray chine colle.

Allegory on Drawing, Edme Jeaurat, After Sébastien Leclerc (II), 1734 print France paper etching / engraving symbolic representations, allegories and emblems ~ drawing

Plate 57 from 'Los Caprichos':The filiation (La filiacion.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 57 from 'Los Caprichos':The filiation (La filiacion.) 380704 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 57 from 'Los Caprichos':The filiation (La filiacion.), 1799, Etching and aquatint, Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm) Sheet: 11 9/16 x 8 1/4 in. (29.4 x 20.9 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(57))

Memorial for Pieter Nieuwland, Abraham Lion Zeelander, after Gerrit Jan Michaëlis, 1799 - 1856 print A memorial in memory of professor in mathematics and physics Pieter Nieuwland. A woman sits mourning under the monument with the portrait of Pieter Nieuwland in hand. Amsterdam paper etching / engraving grave, tomb and other grave-forms and grave-markers

Revue rétrospective ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Mayor Aerschot protected by Ryhove, 1577, Theodoor Koning, After Jacobus Buys, 1785 print Aerschot, mayor of Ghent, is protected by François van Ryhove against the rebellious inhabitants who want to tackle him with clubs and swords, 1577. This print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration in the nineteenth singing. Amsterdam paper engraving Ghent

ROUSSEAU ET MADAME DE WARENS. Eh! mon enfant, me dit-elle d’un ton qui me fit tressaillir,…”. Artist: Paul Gavarni, French, 1804-1866

Wood is expensive and the Arts are not doing well, 1833, Honoré Daumier, French, 1808-1879, 10 1/4 x 8 in. (26.04 x 20.32 cm) (sheet), Lithograph, France, 19th century, Unable to afford the fuel for their simple heater, these artsits dance around their meager studio to keep warm in the cold Parisian winter.

Two men view a picture of time.

Photo production of (presumably) a print to the painting Children with a mouse trap by Domenicus van Tol, Anonymous, After Domenicus van Tol, c. 1865 - c. 1875 photograph Part of album with photos and lithographs of sights in North and South Holland cities, paintings and traditional costumes. photographic support albumen print child. mouse trap. eradication of mice

Night , Fires, Traffic accidents, Carriages & coaches, De Veil, Thomas, Sir, 1684-1746. William Hogarth (1697-1764). Prints

Les maîtres chanteurs de Nuremberg. Acte Ire. Rencontre de Walther et d'Eva , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Jacques Callot, The Young Jesus The Young Jesus

Drunkenness Made 1851 France. Lithograph, possibly from a zinc plate, or zincograph, in black crayon, pen and ink, scraping and tusche on cream wove paper, laid down on ivory wove paper . Charles Rambert

Florizel and Perdita, H. Mitchell, G. Singleton, English, Stipple engraving on paper, Florizel is discovered by Perdita asleep under a tree. Other figures gather wehat in the distance., England, 1809, Print, Print

Photo production of a scene with Grietje from Goethe's Faust, Anonymous, After Wilhelm von Kaulbach, c. 1880 - c. 1885 photograph Part of a cover with 21 plates. photographic support albumen print painting, drawing and the graphic arts. literary characters and objects. adult man. entering the church

Kaartlegger, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 3. With caption in German. Berlin paper etching tarot. ugly old woman, hag. adolescent, young woman, maiden

"He buys the right to defeat me at his ease with a successful shot." from the Little Miseries of Human Life 1843 J. J. Grandville. "He buys the right to defeat me at his ease with a successful shot." from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Brugnot (French, active 1834-73). Prints

Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub' (Qué alboroto es este) 1814-15 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub' (Qué alboroto es este) 381418 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub'' (Qu alboroto es este), after 181415 (published 1863), Etching, burnished aquatint and/or lavis, burin and burnisher, Plate: 6 7/8 8 11/16 in. (17.5 22 cm) Sheet: 9 15/16 13 1/2 in. (25.2 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(65))

Caritas, Simon François Ravenet (The Old), After Carlo Cignani, After John Hamilton Mortimer, 1763 print Numbered in the bottom left: 2. London paper etching / engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

The Hanged 1822-1828 England. Lithograph on paper . Richard Parkes Bonington

Portrait of Jan Six, Anonymous, After Rembrandt van Rijn, 1700 - 1760 print Jan Six, poet and mayor of Amsterdam, stands by an open window and reads a letter. paper mayor, burgomaster. historical persons

Dedicated / to his Royal Highness Sir Brother of the King. (IT)

Photo productions of the parrot cage by Jan Steen and the doctor's visit by Jan Steen, Anonymous, After Jan Havicksz. Stone, c. 1866 - c. 1874 photograph This photo is part of a cover with 25 photos. photographic support. cardboard albumen print historical persons. birds in a large cage, aviary. bed

The dangerous item , How the mayor takes everything, caricatures for the revolution in on the front and back of a leaf, Heinrich Gerhart, Lithographer, Jakob Loder, Printer

Why Fear to Answer Yes (valentine) 1835-1845 England. Lithograph with hand-coloring on embossed off-white wove paper .

Henry VIII and Catherine Parr, (19th century). Artist: J Rogers

Voltaire, François Marie Arouet.

William Nutter, 1754-1802, British, Helen presenting Telemachus, with the Veil, 1789. Stipple engraving.

Copper engraving by François Ragot from 1650-1670 depicting a composition related to smell, taste, and keys, demonstrating detailed engraving techniques of the period.

Raad; Consilium; Emblematische figuren.A judge with a opened book. There are three men for him. Rule Latin text in undermarge.

Oliver Cromwell at the coffin of Charles I, King of England, Louis Pierre Henriquel-Dupont, after Paul Delaroche, 1831 print print maker: Franceafter painting by: Franceprinter: Francepublisher: Parispublisher: London paper etching historical persons. king. coffin

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Nieznany Rysownik Niderlandzki Z XV Wieku

Man is about to put another man, Reinier Vinkeles (I), 1786 print In a room a man is about to put another man. The endangered man turns into the arms of a woman. Amsterdam paper etching / engraving hacking and thrusting weapons. fighting. picture, painting

Münchner Ehestands-scene. Scene of married life in Munich.. Hasenclever, Johann Peter, 1810-1853. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Candlesticks, Fruit, Pipes (Smoking)

Etching and copper engraving by Cornelis Visscher from 1638-1662 depicting a conversation. The print shows figures, gestures, attire, facial expressions, and interior setting in 17th-century Dutch style.

Christopher Columbus, Christopher Columbus takes a boy under his arm, while a man, a woman and two smaller children, possibly the boy's family, are left behind, Johann Wilhelm Kaiser (I) (mentioned on object), 1859, paper, etching, h 211 mm × w 150 mm

Boys Peeping at Nature 1751 William Hogarth British. Boys Peeping at Nature 396547

La Vierge et l'Onfant Jésus, Stan III; Jasi Ski, Feliks Stanis AW (1862-1901), Benedetto da Maiano (1442-1497), Chardon, Charles (Paris; Printer; Fl. Ca 1830-1890; st.); 1888 (1888-00-00-1888-00-00);Baby Jesus (iconogr.), Gazette des Beaux -Arts (magazine - Paris - 1859-2002) - illustrations, Maria (Mother of Jesus Christ), Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection , French (culture), French graphics, Polish graphics, reproductive graphics, state prints, Poland (culture), sculptures, purchase (provenance)

Shakspeare. Second part of King Henry the Fourth, act IV, scene IV : The palace at Westminster : King Henry & the Prince of Wales , Castles & palaces, Interiors, Kings, Princes, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry IV. Thomas Pennant Barton Collection

Exhibition of S.a.r. The Duke of Orleans (IT)

Man helps woman in Boot, Jan Mesker, After Lourens Alma Tadema, 1867 - 1874 print The man pulls the boat to the side while a woman descends the stairs behind him. To the painting entitled: game sailing. The Hague paper. rowing-boat, canoe, etc. (+ getting in; mounting; embarkation). descending - AA - female human figure

H. Barbara, Charles Onghena, after Hans Memling, 1839 print Ghent paper etching the virgin martyr Barbara; possible attributes: book, cannon(ball), crown, cross, chalice with wafer, Dioscuros (her father), peacock feather, sword, torches, mason's tools, tower. picture, painting

Four performances of a standing figure with child, Pieter de Mare, After Christina Chalon, 1777 - 1779 print Leiden paper. pencil etching parents with their children

Painting by Pieter van der Werff, the young Hercules; Rijksmuseum - Amsterdam / 1624 Pieter van der Werff, the young Hercules; Rijksmuseum Amsterdam.

Leeuwerik and De Spiegel, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print A lark flies in a room against the mirror because he wants to attack the alleged other bird. A man watches. Amsterdam paper etching song-birds: lark. reflection (in a mirror)

To the Count of the Palatine (Al Conde Palatino) Francisco de Goya y Lucientes (Spanish, 1746-1828). To the Count of the Palatine (Al Conde Palatino), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 13/16 x 8 in. (30 x 20.3 cm). European Art 1797-1798

Woman taking something from the girl in front of her (left); figures wearing long robes (right), Herculaneum, Campania, Italy, engraving from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 26, 1757-1787, Naples.

Tournus, Louis-Firmin.

Une Famille Belge. (1831.) Belgian household goods; Four cartrents in the situation in Belgium before and after the separation, 1831. Interior of a home with an unfortunate Belgian family in poverty. Condition in 1831, after independence. Part of a series of four cartoons from 1831 in the situation in Belgium before and after the separation, see also the pendant.

Gertrude Anne of Hohenberg, 1225-1281, queen of King Rudolf I of Germany, and her son Charles, d.1276. Kaiserin Anna Gertraud, Karl. From her tomb in Basel Minster. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C.R. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Location; Placeyder. .

A Christmas card depicting a man playing the violin, a woman playing the piano, two women singing, a window and holly.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. pianos, violins

Belgium, Trait d'hummanite d'un hollandais Brux. 1830, Cruelty of the Dutchman, 1830, verso - stamped, A Dutch soldier about to kill a woman's naked child with a sabre. Anti-Dutch representation in response to the atrocities committed by the Dutch in Brussels in September 1830., print, prent, prints, prenten, Frederik Muller Historieplaten, height 290 mm, width 232 mm, print maker, prentmaker, 1830 - 1831, paper, papier, lithografie (technique)

Széchényi-Sárvár und upper country, Franz Graf.

The silhouette, / journal of caricatures / the silhouette of the postillon. (Registered title) | The silhouette, 1830 (IFF 72) (title of all)

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