Dramatic Historical Scenes

Graphite and lithographs depicting intense historical moments, figures in action, and emotional funeral scenes in a somber color palette.

Bauer, Marius, Boy on a Donkey, verso - stamped, A boy riding a donkey laden with cargo. Behind him a group of four men, three sitting and one standing. Bauer, Mosque in Constantinople, Several men leave

Howard Visiting a Prison, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 7 7/8 inches (13 x 20 cm), arches, dark, historical subject

A 1907 lithograph by Max Slevogt titled 'Burial of Patroclos,' depicting the funeral scene with detailed figures and solemn composition.

Rocking parties in an aquarium, with color notes, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk aquarium

Study, George Hendrik Breitner, 1884 - 1886 Page 21 from a sketchbook with 29 sheets. The Hague paper. chalk

George Romney, 1734-1802, British, Figure Composition Study 28, undated. Graphite on medium, slightly textured, cream wove paper.

Cityscape, possibly in Amsterdam. Draughtsman: George Hendrik Breitner. Dating: c. 1886 - 1923. Place: Amsterdam. Measurements: h 121 mm × w 193 mm. Museum: Rijksmuseum, Amsterdam.

The End - Verdun. Dated: c. 1916. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

George Romney, 1734-1802, British, Howard Visiting a Prison, undated. Graphite on medium, slightly textured, cream wove paper.

Attacking Demons for the Temptation of Christ, George Romney, 1734-1802, British, undated, Graphite; verso: gray wash on medium, slightly textured, cream wove paper, Sheet: 5 3/8 x 8 7/8 inches (13.7 x 22.5 cm), figure study, religious and mythological subject, temptation

Bauer, Marius, Boy on a Donkey, verso - stamped, A boy riding a donkey laden with cargo. Behind him a group of four men, three sitting and one standing. Bauer, Mosque in Constantinople, Several men leave

Children on the flood line.Leaf 5 verso from a sketchbook with 53 sheets.

Kreeften, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk crustaceans: lobster

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), women-cygnes (main title), 1909. Gypsography, draw in brown and black. Petit Palais, Museum of Fine Arts of the City of Paris.

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Study, possibly of a dune landscape, George Hendrik Breitner, 1880 - 1882 Page 47 and Page 48 from a sketchbook with 31 sheets. Scheveningen paper. chalk dunes (sea not visible); in the dunes Scheveningen

Bank along a path in a park, Joseph Henry Gosschalk, 1885 - 1932 print Paris paper drypoint park

George Romney, 1734-1802, British, Attacking Demons for the Temptation of Christ, undated. Graphite; verso: gray wash on medium, slightly textured, cream wove paper.

Portret van Sarah Bernhardt, Philip Zilcken, after anonymous, 1867 - 1890 print paper etching / drypoint historical persons

Henri de Toulouse-Lautrec (French, 1864-1901), Emilienne d'Alençon, 1896, lithograph in black

Graving Hewerker, c. 1884 - c. 1887 Page 88 from a sketchbook with 49 sheets. Ewijkshoeve paper. chalk building-site (+ men (labourers))

Rotsen, 1858 Page 15 Recto from a sketchbook with 44 sheets. Bohemia paper. ink. pencil pen / brush rocks Bohemia

Mountains (Berge). Dated: 1920. Dimensions: plate: 31.1 x 24.8 cm (12 1/4 x 9 3/4 in.) sheet: 56.8 x 39.7 cm (22 3/8 x 15 5/8 in.). Medium: etching and tonal etching in black, touched with gray ink, on blotting paper. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Sitting Oosterling with Palm Tak in the left hand.

Jean Louis Forain, The End Verdun, c 1916 The End - Verdun

Spectators, possibly in a theater, 1875 - 1934 A woman may look down from a balcony. Leaf 5 Verso from sketchbook XIV with 17 sheets. The Hague paper. chalk boxes, loges ~ theatre, etc.. the audience ~ art performance

Studies of some fish and a rock party. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 343 mm × w 280 mm. Museum: Rijksmuseum, Amsterdam.

Francis Scott King, Printer's Devil, 1895 Printer's Devil

Study sheet with Schaap, Hermanus Fock, c. 1781 - c. 1822 print Study magazine with sketches of the head of a sheep, a man's head and an arm. Amsterdam paper etching sheep

Design for a Stage Set at the Opéra, Paris 1828-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 357859

George Romney, 1734-1802, British, Scene of Antediluvian Sin, undated. Graphite on medium, slightly textured, cream wove paper.

Bird Men. Dated: 1919-1920. Dimensions: image (irregular): 41.28 × 32.39 cm (16 1/4 × 12 3/4 in.) sheet: 56.04 x 37.47 cm (22 1/16 x 14 3/4 in.). Medium: lithograph with lithotint in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Arthur B. Davies.

DISASTERS OF WAR (1810-1815) - DISASTER No. 69 - 155 x 201 mm. Author: FRANCISCO DE GOYA (1746-1828). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

The Flight Into Egypt, Rembrandt van Rijn, c. 1628 print paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Jean-Baptiste Carpeaux (1827-1875). "Defense of Paris or the dream". Black stone and raised white and blue ones on Grège paper, 1870. Museum of Fine Arts in the city of Paris, Petit Palais. Allegorie, battle, war of 1870, Grege paper, black stone, dream, seat of Paris, 19th 19th 19th 19th 19th 19th century

Shop in Constantinople, Marius Bauer, 1889 print A veiled woman standing at a merchant. Behind them a man with a load animal. paper etching shop, store. marketing, shopping (~ household management) Constantinople

William Brockedon, 1787-1854, British, Lidford Bridge, 1800. Graphite.

Galloping Horseman. Odilon Redon; French, 1840-1916. Date: 1866. Dimensions: 63 × 135 mm (image); 75 × 147 mm (plate); 160 × 222 mm (sheet). Etching on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

School of fish. Leaf 74 Recto from a sketchbook with 79 sheets.

Group Figuren, George Hendrik Breitner, 1886 - c. 1890 Page 5 from a sketchbook with 32 sheets. Amsterdam (possibly) paper. chalk adult man. adult woman

Helios. Lovis Corinth (German, 1858-1925). Drypoint;

Rider in a landscape, c. 1881 - 1888 Page 23 Verso from a sketchbook with 29 sheets. paper. chalk landscapes (+ landscape with figures, staffage). riding a horse, ass, or mule; rider, horseman

Sitting farm girl peeling. Leaf 24 Verso from a sketchbook with 51 sheets.

Finch, Alfred William, work, Landscape, marker, drawing, 20 cm x 23 cm

Drowned Man in Sea; Two Figures in Turkish Costume (from Sketchbook). Artist: Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). Dimensions: 9 x 11 1/2 in. (22.9 x 29.2 cm). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.

Bow wave , Decks Ships, Seas. Charles H. Woodbury (1864-1940). Prints

Devils for the Temptation of Christ. Drawing. Graphite on medium slightly textured beige wove paper. Height: 137 mm (5.39 in); Width: 191 mm (7.51 in). Author: GEORGE ROMNEY.

Shop in Constantinople. A veiled woman standing at a merchant. Behind them a man with a burden.

Bos.Leaf 44 Recto from a sketchbook with 53 sheets.

Graphic designer in the studio; Siedlecki, Franciszek (1867-1934); around 1912 (1911-00-00-1914-00-00);Young Poland (Styl), Partage Plus, Society of Friends of Graphic Arts (Warsaw - Association - 1912-1918), printers, graphic designers, Polish graphics, Poland (culture), artist studios, printing presses, symbolism (style)

Shipwreck in Storm. Dimensions: overall: 9.9 x 16.5 cm (3 7/8 x 6 1/2 in.). Medium: pen and black ink with gray wash. Museum: National Gallery of Art, Washington DC. Author: WILLIAM HART.

Across Country (A travers champ). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 11 1/8 x 6 5/8 in. (28.2 x 16.9 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Ernst Ludwig Kirchner, Windmill near Burg on Fehmarn, 1908 Windmill near Burg on Fehmarn

Lobsters on the bottom of an aquarium, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk aquarium. crustaceans: lobster

An etching by Carl Anton Reichel from 1914, titled Kidnapping, Opus 35, depicting a dramatic scene with figures in motion, emphasizing narrative tension and composition in printmaking.

Figure Composition Study 5. Drawing. Graphite on paper. Height: 108 mm (4.25 in); Width: 181 mm (7.12 in). Author: GEORGE ROMNEY.

Copper engraving by Nicolaes de Bruyn depicting the prophet Hosea with the prostitute, created between 1606 and 1652.

Tuscany Siena Poggibonsi S. Lucchese3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study, 1877 - 1932 Page 22 from a sketchbook with 32 sheets. paper. chalk

La Ronde. Dated: probably 1883. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RODIN.

Bather (Evening) III. Artist: Anders Zorn, Swedish, 1860-1920

Edelfelt, Albert, work, Sketch book, drawing, 12 cm x 18.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Sketch of an aquarium. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 375 mm × w 522 mm. Museum: Rijksmuseum, Amsterdam.

George Romney, 1734-1802, British, The Temptation of Christ, undated. Graphite on medium, slightly textured, cream wove paper.

Men's heads, 1866 Page 2 Verso from a sketchbook with 47 sheets. Bohemia paper. ink pen adult man. head (human). head-gear: hat (+ men's clothes)

Figures, possibly on the street. Page 69 and page 70 from an agenda with 80 sheets used as a sketchbook.

Abklatsch of the drawing on page 8 recto.leaf 7 verso from a sketchbook with 39 sheets.

Landscape Study (p. 64 from the album). Jean-Baptiste Carpeaux (1827-1875). Landscape Study (p. 64 from the album). Drawing between 1870 and 1875.

Study for "The Siege of Gibraltar": The Wrecked Longboat. Artist: John Singleton Copley (American, Boston, Massachusetts 1738-1815 London). Dimensions: 10 5/8 x 20 11/16 in. (27 x 52.5 cm). Date: 1785-86. Museum: Metropolitan Museum of Art, New York, USA.

Victor Hugo (1802-1885). "Five arches bridge". Plume and brown ink wash, woven paper. Paris, house of Victor Hugo. 33949-9 Ark, five arches, drawing, brown ink, wash, vellum paper, pen, bridge

Drapery studies and a cup, draughtsman: Jac van Looij, 1865 - 1930, paper, h 422 mm × w 297 mm

Design for ceiling painting, Jacob de Wit, c. 1705 - c. 1754, draughtsman: Jacob de Wit, c. 1705 - c. 1754, paper, pen, brush, brush, h 174 mm × w 248 mm

Landscape with nude by the water, draughtsman: Egbert Rubertus Derk Schaap, 1872 - 1939, cardboard, h 169 mm × w 221 mm

A woman holds a jug in her hand. Next to her is a man with a hat on his head., Interior with a man and a woman, print maker: Johannes Adrianus Schultz, Netherlands, 1830 - 1863, paper, etching, h 147 mm × w 127 mm

Standing man and woman, possibly behind a curtain. Page 57 From sketchbook XLIII with 61 pages.

Dans les Vosges, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and black ink over pencil with white highlights;

Enckell, Magnus, work, Sketch book, 1891, pencil, marker, crayon, etc., drawing, 22 cm x 30 cm, Enckell, Magnus, 1891, pencil, marker, crayon, etc., Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Luigi Conconi, The Contemplative Life (Vita contemplativa), c 1883 The Contemplative Life (Vita contemplativa)

Morin, Louis (n.1855 - D.1938), gale (main title). Black stone on fine canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

The botanist: a man in a garden examining its contents 1860-70 Mariano Fortuny, 1838-1874 Spanish. The botanist: a man in a garden examining its contents. Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). 1860-70. Etching on Japan paper (foxed). Prints

Moored ship, Johannes Löhr, 1892 - 1928 print paper etching ships (in general)

The Hanged Man. Artist: Victor Hugo (French, Besançon 1802-1885 Paris). Dimensions: sheet: 12 x 7 11/16 in. (30.5 x 19.5 cm). Date: ca. 1855-60. Museum: Metropolitan Museum of Art, New York, USA.

Finding the Scottish Regalia (recto), and Study, Queen Victoria and First Parliament (verso). Sir David Wilkie; Scottish, 1785-1841. Date: 1824-1841. Dimensions: 110 x 102 mm. Pen and brown ink, with brush and brown wash (recto), and pen and brown ink with brush and brown wash (verso), on ivory wove paper. Origin: Scotland. Museum: The Chicago Art Institute, Chicago, USA.

Corot, Camille, Le repos des philosophes, Philosophers or men by a group of trees, verso bottom center - stamped, print, prints, height 216 mm, width 144 mm, French, 1796-07-16 - 1875-02-22, print maker, printmaker, 1871 - 1871, third quarter 19th century, chine collé, lithography (technique)

Lobsters ..

Lithograph 'The History' by Edvard Munch in black using a litho series, created in 1914, depicting a historical or narrative scene.

Edward Lear, 1812-1888, British, Pantalica.

Two sketches of finding Moses. Draughtsman: Francesco Fontebasso. Draughtsman: Giovanni Fontana. Draughtsman: Giacomo Triga. Dating: 1719 - 1769 and/or c. 1731 - c. 1736 and/or c. 1656 - 1746. Measurements: h 324 mm × w 265 mm. Museum: Rijksmuseum, Amsterdam.

Lobsters. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 230 mm × w 404 mm. Museum: Rijksmuseum, Amsterdam.

Monumenteel Tablet, Giovanni Battista Piranesi, in Or After 1747 print Decorative fantasy with empty tablet, surrounded by shields, chains, feathers and barrels. In the foreground on the right and an hourglass. Rome paper etching / engraving / drypoint / scoring hourglass. landscape with ruins. skull as symbol of 'Vanitas'. protective weapons: shield

Landscape with classical ruins (Italy). Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 99 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Etching by Martin von Molitor from 1780-1812 depicting a dramatic landscape described as 'great soul', using black and white chalk and blue accents to show terrain and atmosphere.

The Rider 1848 France. Drypoint and roulette on cream chine laid down on ivory wove paper . Charles Émile Jacque

Anefo photo collection. Assignment on the Laak, paintings etching (repro). January 16, 1968

The False Dawn. Artist: Lovis Corinth (German, Tapiau, Prussia 1858-1925 Zandvoort, Holland). Dimensions: 9 x 6 13/16 in. (22.9 x 17.3 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Ban support. In the foreground the standard bearer, in the background, the city of Haarlem can be seen. In the undermaster a two-key Latin text. Pendant of infantry captain print. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from four fragments.

Hans Canon created a composition sketch and figure sketches on the theme 'circulation of life' using brown ink around 1880.

'Angels playing Musical Instruments', c1755, (1928). Artist: Giovanni Battista Tiepolo.

Jacob's Ladder, Rembrandt van Rijn, 1655 print paper etching / drypoint the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder

Seated row, Isaac Israels, c. 1890 - c. 1920 drawing Netherlands paper. watercolor (paint). pencil brush canals, waters (in city) Old Waal

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