Dramatic Historical Scenes

Artistic representations of significant historical events and mythological narratives, capturing intense emotions and actions.

Allegorical figures in a temple. An angel, three putti and two raised women are in a temple. The woman left plays the lute, a putto plays behind her the flute. On the right an angel and a woman hold a conversation while putting them putti with arrow and bow. In the background a woman sucks a baby in the presence of two children.

Sleeping man surrounded by figures. A man has fallen asleep while sitting and put his head on a standing book. It is surrounded by various figures that hit him. In the foreground a man knocks with a broken baby in his arms.

Rominety Screnety Mengeby, Claude Duffer, Is the Lai COOL SALL lolitou SELLH, in Nicolalas, Urthlas, in 1627 - 1727 print print maker: Francepublisher: Amsterdam paper engraving / etching non-aggressive activities of Scipio Africanus Major Rome

Achilles and the daughters of Lycomedus; History of Achilles. King Lycomedus daughters stand around a basket with valuables. Together with two men they look surprised at the achilles dressed up as a woman who betray his true identity by putting up a helmet. In the foreground two care patients and a double cornucopia.

Alexander the Great as a judge; Thronus Justitiae Duodecim Pulcherrimis Tabulis ArtificiosisSime Aeri Incisis Illustratus. In a round straight hall, Alexander is the big as a judge on his throne. By keeping his left ear close with his left hand, he hears nothing but the testimony of the one to his right side. The other ear remains firs and unbiased for the other party when it is speaking. Under the show two four-line verses in Latin. The print is part of an album.

Allegorical figures in a temple. An angel, three putti and two raised women are in a temple. The woman left plays the lute, a putto plays behind her the flute. On the right an angel and a woman hold a conversation while putting them putti with arrow and bow. In the background a woman sucks a baby in the presence of two children.

Print, The Destruction of Bel and his Temple; Designed by Martin Van Heemskerk (Netherlandish, 1498 - 1574); Print Maker: Hieronymus Cock (Netherlandish, ca. 1510 - 1570); Netherlands; engraving on off-white laid paper; Sheet: 24.3 x 33.5 cm (9 9/16 x 13 3/16 in.) Platemark: 20.3 x 24.9 cm (8 x 9 13/16 in.); 1947-124-2

Allegorical title page with the personification of France, Bernard Picart, 1731 print The female personification of France is accompanied by Venus. She has turned away from Mars, who is susing in the background. Amor flies above them. In the foreground putti that symbolize the consequences of dissolute love: envy, stinginess, betrayal, faithlessness and death. With an empty margin. Amsterdam paper etching / engraving personifications of countries, nations, states, districts, etc.. (story of) Mars (Ares). (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros). 'Passione d'amore' (Ripa)

Allegory on the awakening, Gerard de Lairesse, 1685 - 1689 print View of a city with antique structures. Two women and a man from their sleep wake up to the left. Behind this is a still -sleeping woman on a wall. On the right, a wake -up woman is led away by a couple with a child. In the background, three figures are ready with jug of water. paper etching waking up. architectural representations in general (+ styles in art ~ ancient historical period)

Man stabbed by wife with dagger, Simon Fokke, 1762 print On the ground is a man who has just been stabbed, next to him a dagger is on the floor. The woman who stabbed him is grabbed from behind by a man. People watch in the background. This print is made for the mourning game "Adéla, Gravinne van Ponthieu" (1762) by Henri Jean Roullaud. Amsterdam paper etching tragedy. violent death by dagger, knife

Connection between the ocean and the Mediterranean Sea, Pieter Yver, After François Boucher, 1735 print Three men view a map on which the cities of Toulouse, Narbonne and Sète are mentioned. Amsterdam paper etching / engraving maps of separate countries or regions

The church and pride burning unrest. The church and pride burning intrigues and unrest. The Roman church puts the bishops of Münster, Cologne and Strasbourg and Wilhelm Egon von Fürstenberg to war. Central the imagination of the pride of the French king Louis XIV that has more crowns on the head than he can wear. On the right, the prosperity of the Republic is viewed with envy. In the background, Catholic bishop's bars for weapons forces, the tires are loosened to the right.

Throne leader holds audience, Jacobus Schijnvoet, 1711 print Amsterdam paper etching audition; ruler giving audience

Throne leader holds audience, Jacobus Schijnvoet, 1711 print Amsterdam paper etching audition; ruler giving audience

. Sancho Panza is brought to the gate of the island of Barataria on the shoulders of two men. The population of Barataria awaits him. At the bottom of the margin a caption in French.

Saul tries to kill David, Simon Fokke, 1766 print Young David plays on his harp in front of King Saul's throne. Saul ignites in frenzy and tries to kill the boy with a spear. He is stopped by a few servants and soldiers. Amsterdam paper etching Saul casts his spear at David when the latter is playing his harp before the king (1 Samuel 18:11)

Allegorie op het ontwaken; Surge, age, et in duris haud unquam defice caelo - Mox aderis, teq. astra ferent.View of a city with antique structures. Links from the middle wake up two women and a man from their sleep. Behind behind this is an even sleeping woman on a wall. On the right, a newly awakened woman is led away by a couple with a child. In the background, three figures are finished with canned water.

Performance of De Crowned Peace, 1648, Salomon Savery, After Isaac Isaacsz, 1649 print Display of the crowned peace. Part of the impressions staged on June 23, 1648 on the Schouwburg in Amsterdam following the conclusion of the Peace of Munster. The first performance shows the arrival of the triumphal wagon of peace with the justice and coronation of peace by two putti. In the caption a verse of 4 lines in Dutch. Amsterdam paper etching theatre, theatrical performance. festivities on events of national importance. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa) Schouwburg Keizersgracht (1637-1772)

. Sancho Panza is being chased by the chefs, who want to shave him with dishwashing water. Behind Sancho Don Quixote, in conversation with the Duke and Duchess. At the bottom of the margin a two-person caption in French.

Holofernes at Nebuchadnezzar. Left is King Nebuchadnezzar on its throne surrounded by nationals. He gives Holofernes, who stands for him, the order to stride. In the foreground bags and vases with money and a soldier. Print from a series of four with scenes from the story about Judit and Holofernes.

Alcove with aegeus, c. 1662 - c. 1670 print AEAGEUS prevents Thoseus from drinking the poison, while Medea is flying away at the top left. At the bottom are three lines of text. From series of 6 magazines. paper etching

Personification, possibly Minerva, surrounded by women.

Picart, Bernard, Amsterdam, Sacrifice to Apollo, verso lower right - stamped, Two men and two women make a sacrifice to Apollo. In the temple they kneel before his statue. In front of them a burning sacrificial column., print, prints, height 83 mm, width 105 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1719 - 1719, first quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Italy, Testa, Pietro, Death of Cato, verso - stamped, In his bedroom, the statesman Cato has stabbed himself. Lying on a bed, he pulls entrails from his body. A group of bystanders looks on in horror. Seven lines of Latin text in the bottom margin., print, prints, height 281 mm, width 415 mm, Italian, 1612 - 1650, print maker, printmaker, 1648 - 1648, paper, papier, etching, etchings, plaattoon

Germanicus on his deathbed, Guillaume Chasteau, After Nicolas Poussin, 1663 print Germanicus is on his death bed under a canopy. On the left is his grieving woman Agrippina with the maid with three children next to her. Right and in the foreground soldiers and friends who swear to avenge Germanicus's death. publisher: ParisFrance paper etching / engraving death of Germanicus Caesar: he is lying on his deathbed, his wife Agrippina grieving at his bedside, and his friends swearing to avenge his death

Jean Dughet, Marriage, c. 1650, etching on paper.

Gabriel Jacques de Saint Aubin, Reconciliation of Abraham and David (Reconciliation d'Absalom et de David), 1752 Reconciliation of Abraham and David (Reconciliation d'Absalom et de David)

Wedding van Peleus and Thetis, Johann Wilhelm Kaiser (I), After Gerard de Lairesse, 1823 - 1881 print At the wedding of Peleus and Thetis, most guests are sitting at the large table and others frolicked around. While Momus Danst, Mercurius Jupiter, who sits next to Juno, offers an apple. In the background you can see a cloud with the two peacocks of Juno. paper. etching (story of) Mercury (Hermes). wedding feast, wedding meal. attributes of Juno

Love couple in Temple of Juno; NVMINI Grati Crescant Amores. A love couple is in the Temple of Juno, the goddess who watches over marriage. Two putti present them a basket filled with flowers and fruit. Around the altar behind them stand faithful (with dog), steadfastness (with column), which symbolize the wedding virtues, and the wedding god Hymen. In the air, Amor is accompanied by two putti, one with the attributes of Mercury, the other with a flower basket.

Allegory of the Dauphin's Convalescence (Allegorie sur la convalescence du Dauphin). Dated: 1752. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.

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Establishment of the widow fairs, 1749, Simon Fokke, 1749 print The establishment of the widow fair or fairs in February 1749. A young couple can be declared the regulations of the Widow Fund in an office. On the wall a list of registration and an allegorical painting. At the top a medal or medal on the widow fairs. Amsterdam paper etching / engraving widow. insurance (provision for support of spouse and children)

. Coriolanus pulls his sword and is surrounded by his kneeled mother, wife and other women who bleach him not to attack it. In the margin a two-person caption in French.

Woman carrying jewelry box by Anonymous artist, print, Private Collection, 22x25

Too many people are trying to get into a drawing room at Buckingham Palace, consequently people are being crushed and ladies' dresses are being trodden on. Etching by George Cruikshank.

Title print for the press series of the inhalation of Willem V and Wilhelmina van Pruisen in Amsterdam, 1768, Reinier Vinkeles (I), 1772 print Title print for the press series of the arrival of Stadholder Willem V and Princess Wilhelmina van Pruisen in Amsterdam, 30 May - 4 June 1768. Allegorical show with the drawing for a monument inspired by honor with links merchants, freedom and peace, in the foreground the river gods van Amstel and IJ. In the background the Amsterdam town hall. On the monument portrait medallions of the prince and princess and putti with flower garlands. Northern Netherlands paper etching / engraving symbolic representations, allegories and emblems ~ drawing. Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatí della Gloria' (Ripa). Freedom, Liberty; 'Libertà' (Ripa). specific aspects, allegorical aspects of Mercury; Mercury as patron. river personified, 'Fiumi' (Ripa) City Hall of Amsterdam (1655-1808).

The Shoemakers. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

Failed attack on Amersfoort, 1722 - 1784 print In the middle of a room is a man with raised dagger against his chest. He is stopped by a woman who grabs him by the shoulder. On the left a man with raised arms with dagger walks away. Figures with lances wait in the background. There are four small medallions with combat scenes around the show. The whole is crowned with the city coat of arms of Amersfoort, flanked by two trumpet angels. paper etching attempt, political murder Amersfoort

Judgment of Solomon, Reinier Vinkeles (I), 1766 print King Solomon points, from his throne, to a kneeling woman with a baby, while a executioner is about to share the child in two. Solomo had given De Beul this assignment after two women came to him who both claimed the motherhood of a child. When the executioner raised his sword, the real mother wanted to give up the child, so Solomon knew who the real mother was. Amsterdam paper etching / engraving the judgement of Solomon (1 Kings 3:16-28)

Gabriel Jacques de Saint Aubin, Allegory of the Dauphin's Convalescence (Allegorie sur la convalescence du Dauphin), 1752 Allegory of the Dauphin's Convalescence (Allegorie sur la convalescence du Dauphin)

The death of the rich man and from Lazarus Eadem Feria (title on object), The rich man is lying on his deathbed. Family and friends grieve for the dead. Devils take the soul of the rich man to hell. In the background you can see how the soul of Lazarus is taken to heaven by an angel. Various elements from the show have letters that correspond to the legend in the margin., Dives dies, his soul is brought into hell by devils, Lazarus dies: his soul is carried into Abraham's lap by angels, Johannes Wierix (mentioned on object), Antwerp, 1593, paper, engraving, h 233 mm × w 146 mm

Paul Before Felix. Artist: After William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 2 1/2 x 3 1/4 in. (6.4 x 8.2 cm). Engraver: Dent (British, active ca. 1800). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.

Antipater shows Caesar his wounds, Jan Luyken, 1704 print Amsterdam paper etching Antipater, father of Herod the Great, shows Caesar his scars

The Dutch Virgin reports about the victory, 1781, Reinier Vinkeles (I), After Jacobus Buys, 1782 print Allegory on the sea battle near Doggersbank between the Dutch and the British fleet on August 5, 1781. The Dutch Virgin reports to the sitting female personification of the world about the victory in the sea battle. Northern Netherlands paper etching / engraving personifications of countries, nations, states, districts, etc. Netherlands

Saul receives David at the court, Anonymous, After Maarten van Heemskerck, 1555 - 1633 print David stands for Saul, after he had been summoned by the king because of his good reputation as a harpist. Next to David a donkey with gifts for Saul. In the margin a single -line caption in Latin from 1 Sam. (incorrectly referred to as 1 kings on the print). print maker: Low Countriespublisher: Antwerppublisher: Antwerp paper engraving David as a young man comes to Saul's court with presents

Ornament for dish border. Jacob and his family riding donkeys, returning to Canaan. With text in Latin in cartouche below image., The return of Jacob to Canaan The history of Jacob (series title), print maker: Cornelis Cort, Frans Floris (I), publisher: Julius Goltzius, (mentioned on object), print maker: unknown, publisher: Antwerp, after 1563 - before c. 1601, paper, engraving, h 132 mm × w 224 mm

Allegorie op de aankomst en het verblijf van Willem V; Afbeelding der Vreugdebedryven en Plegtigheden (...).Title print for the presterie of the reflection of Stadholder Willem V and Princess Wilhelmina van Prussen in Amsterdam, 30 May - June 4, 1768. Allegorical performance with a monument Inspired by Honor with links Sale, freedom and peace, in the foreground the river gods Van Amstel and IJ. In the background the Amsterdam city hall. On the monument portrait medallions of the prince and princess and putti with floral garlands.

Johann Matthias Kager black-brown and gray-brown ink drawing depicting Saint Elisabeth caring for arms, showing figure, gesture, and background details.

Bathsheba at her bath, with attendants surrounding her ca. 1740 Pierre Jacques Gaultier. Bathsheba at her bath, with attendants surrounding her. Pierre Jacques Gaultier (French, active Naples, 18th century). ca. 1740. Etching. Prints

Poetry on a base in an antique temple; Title page for: S. Havovercamp, the Rerum Natura Libri sex, 1725. Diana, as a natural godin, kneels for poetry in an antique temple, for a base on which the title in Latin. Poetry keeps a portrait bust in hand, against her, leans the caduceus, the symbol of reason. In addition to the base, Minerva (wisdom) and Hercules are (power). Two putti in the foreground play with a medallion on which the portrait of Titus Lucretius Carus.

Healing a lame.

Death of Saffira, Jean Pesne, After Nicolas Poussin, 1633 - 1700 print France paper etching / engraving Peter questioning Sapphira, who then dies too

Design for a table piece and two terrines for the Duke of Kinston, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching Center-foot, Speed, 'especially', 'medium-of-table'. Serving-Dish, dish

Jacques Callot, M. B. Mathaei Appos., 1632, etching on paper.

Oordeel Van Sancho Panza, François Joullain, After Charles-Antoine Coypel, c. 1723 - C. 1724 print print maker: Francepublisher: Paris paper engraving / etching Sancho Panza. Judgement, discrimination; 'Giuditio' (Ripa)

Allegorical figures in a temple, Jacob Folkema, 1721 print An angel, three putti and two acclaimed women are in a temple. The woman on the left plays the lute, a putto plays behind her the flute. On the right an angel and a woman have a conversation while around them play putti with bow and arch. In the background, a woman sucked a baby in the presence of two children. paper etching Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. playing instruments (in church). cupids: 'amores', 'amoretti', 'putti'

Copper engraving by Aegidius Sadeler the Younger from 1590-1629 depicting Christ on the scourge column. The artwork shows Christ, the column, instruments of scourging, gestures, and surrounding figures in early 17th-century European style.

Amsterdam, Luyken, Caspar, David anointed by Samuel as king, verso - manuscript in brown ink, print, prints, verso - stamped, 100, height 114 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Disciple Washing the Feet of Christ, no. 1 of 11 from La PetitePassion. Artist: Jacques Callot, French, 1592-1635

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, High priest Eleazar and Joshua distribute the Promised Land into twelve tribes, after Raphaels Vatican loggia painting, Etching, platemark: 15.8 × 19.3 cm (6 1/4 × 7 5/8in.), Made in Italy, Italian, 17th century, Works on Paper - Prints

Decapitation of the Roman judge papinian; Thronus Justitiae Duodecim Pulcherrimis Tabulis ArtificiosisSime Aeri Incisis Illustratus. The lawyer Aemilius Papinian is just beheaded on behalf of Emperor Caracalla. De Beul gives Papinian's head to Caracalla. Papinian had tried to mediate between the caracalla brothers and geta, both of the emperor. Caracalla murdered in the background, or one of his soldiers, Geta in the lap of their mother. Under the show two four-line verses in Latin. The print is part of an album.

Allard, Carel, Vinckboons, David (I), Amsterdam, Serwouters, Pieter, Soo gewen, soo geronnen, Smetsende beggars (de Lazarusklep), Bragging beggars, verso middle - stamped, In front of an inn called D'Laserusclep a group of bragging beggars are sitting around a table, among whom a musician with a hurdy-gurdy, a woman with a child at her breast, a couple making love, a vomiting man and a man with a wooden leg. On the left a round dance. 'The broom is extended' from the house, indicating that it is a dubious property. Under the sign of the inn a man and woman, of whom the man has a Lazarus valve in his hand. A Lazarus valve is also depicted on each of the two signs. In the background a woman and a man with one leg, 'honest beggars', walk past the inn. Instead, they walk in the direction of a church. Below the print two poems, in Dutch and French. Published as a cartoon on the Peace of Utrecht., print, prent, cartoon, prints, prenten, height 272 mm, width 353 mm, Noord-Nederlands, 1586-10-

Allegory on the arrival of the Prince of Orange to England, 1688. A portrait of the prince, with (English) Crown, is held up by zeal, bravery and discipline, at the back faith. The recipient is another woman (England) with a crown and arrives bundle, it offers a treaty in exchange. Left Also present: Caution or religion and power, in the air portraits of predecessors from the Oranje-Nassau house. Right Parliament with the helm of state, Pallas, Mercury and Putti. In the middle is a blindfolded old man with crowns (Dolle Drift) on the ground. A battle with the French in the distance. Right for a tablet with an allegorical representation of the beneficiary unemnts (Concordia) between the Netherlands and England. Before the verse in 6 verses of 6 lines under the show.

Phineus disturbs the wedding of Perseus and Andromeda, Jean Lepautre, 1628 - 1682 print paper etching Phineus and his attendants are turned into stone

Copper engraving by Mathäus Küsel depicting Leopold I with his second wife Claudia Felicitas, showing the city of Ulm in the background, illustrating portraiture and cityscape.

Couronnement de Voltaire, 1782, Charles-Etienne Gaucher; Artist: after Jean-Michel Moreau le Jeune, French, 1741 - 1814, 10 7/16 x 11 3/4 in. (26.51 x 29.85 cm) (plate)11 3/8 x 12 15/16 in. (28.89 x 32.86 cm) (sheet), Etching and engraving, France, 18th century

Title page for the Hollandsche Mercurius over the year 1674. Title page for the Hollandsche Mercurius over the year 1674. Mercury Hearm with the female personification of sea shipping. Under and above small scenes of strokes and battles, a lighthouse and a map of Forting.

Tableau Vivant with the covenant between King Adolf van Nassau and the English King Eduard I in 1294, 1642, 1642 print Allegorical Tableau Vivant with the covenant between Roman-German King Adolf of Nassau and the English King Eduard I in 1294. Display founded in the Theaterpoort on Dam Square for the Beurssteeg on the visit of English Queen Henrietta Maria to Amsterdam, 20-22 May 1642 . In the caption the title and 2 times 4 lines in Latin. Fourth plate in a group of ten impressions and triumph arches. Northern Netherlands paper etching / engraving 'Living painting'. Alliance, League, Union, Foedus. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam. Dam

Coriolanus rejects the requests of the Roman people, Charles de la Haye, after Ciro Ferri, 1651 - 1691 print print maker: Francepublisher: Rome paper engraving (story of) Coriolanus (+ belonging to Roman history). armorial bearing, heraldry

Alcove with the death of Cleopatra; Alcofen a la romaine. Alcove with Cleopatra lying on a bed under a canopy. Lagging women and soldiers surround her. At the bottom right of 2 numbered.

Eduard II of England murdered in his bedroom, 1327, Jan Luyken, 1698 print Print at the top right marked: first fol section: 268. Amsterdam paper etching attempt, political murder. bedroom

Trade label from a cloth trade. At an increase in the personification of trade, is in the middle of bobbins. Behind her justice and Minerva. On the left, Mercury is, the God of trade, which slides a drapery aside to reveal a store. In the air, fame flies, to her trumpet, a banner on which a monogram with initials of the dealer. In the foreground is a river god with the coat of arms of the city of Amsterdam under its arm.

Polieukte, Abraham Delfos, after Monogrammist IW (inventor), 1741 - 1820 print A woman on her knees begs a man with a crown. There are two men and a number of soldiers around. paper etching

Men and women look in the opened tombs of historical figures, Cornelis van Dalen I, 1655

Putti with a family crest and a banner of the V.O.C. At De Waterkant, Reinier Vinkeles (I), 1767 print Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. armorial bearing, heraldry. (story of) Minerva (Pallas, Athena)

Design for a print, Brave deed of the counselor Crassus, draughtsman: Simon Fokke, c. 1722 - c. 1784, paper, pen, brush, h 81 mm × w 106 mm

Moses and Pharaoh's crown, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 111 mm × w 160 mm

Marcus Curius Dentatus Weigert Geschenken van de Samnieten, Ludwig Gottlieb Portman, after James Buys, 1794 print Marcus Curius Dentatus prepares a sober meal at the fireplace in his hut. The Samnites want to win his affection and offer him gifts. Amsterdam paper Manius Curius Dentatus, while cooking a simple meal at his hearth, refuses the gifts of the Samnites

Masked figures; Partie de la Masquerade / that lust Sich Socolle. Two scenes on a leaf. Above: a young couple with masks in hand. The show is located in a round list surrounded by two-armed candlesticks, rocaille ornaments and masked figures. Below: a masked man and woman dance with each other. The woman is dressed in a dress with stars, as an allegory of the night, the man wears a hat with beams, as an allegory of the day.

Christina van Lotharingen accompanies a young couple to church, Jacques Callot, After Matteo Rosselli, 1614 - 1620 print Christina van Lotharingen (center) takes a young woman and a young man by the hand; Behind her an older lady does the same. Soldiers and noblemen around them; In the distance a palace with the weapon of the Medicis. Under the show an empty margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I de 'Medici, intended as a supplement to an existing series of illustrations of the history of the doctors. Florence paper engraving palace

Title page with allegorical figures. Design for a title page with a judge in the background on his chair, on his left is Justitia. In the front floor left, Minerva and on the right is an allegorical figure representing the divine punishment () With a flaming sword. In between, under, charitas, and above Apollo and musicing figures.

Etching by Carlo Sacchi depicting the Adoration of the Kings, created in 1649.

The death of Herod Agrippa and Paul beats BarJesus with blindness, print maker: Hendrik Elandt, Jan Goeree, Bernard Picart, 1700 - 1705.

The Entry of Saint Antoninus into Florence. Dimensions: overall (lunette): 28.5 x 26.5 cm (11 1/4 x 10 7/16 in.). Medium: pen and brown ink with brown wash heightened with white on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Attributed to Giovanni Balducci.

Workshop of Hendrick Goltzius, after Hendrick Goltzius, Phaeton Asking for the Chariot, 1590 Phaeton Asking for the Chariot

The holy family with putti with flowers. .

Amsterdam, Visscher, Nicolaes (II), Nicolaes (I), Rubens, Peter Paul, Jode, Pieter de (II), Royaalbijbel, Surgens Maria profecta est in montanam cum festinatione in urbem Iuda, et ingressa est domum Zachariae et salutavit Elizabetam, Visitation, recto lower right - handwritten in brown ink, The visit of Mary to her cousin Elizabeth (Luke 1:39). Joseph and Zacharias shake hands. On the right on the stairs stands a woman with a basket on her head. The print has a caption in Latin. In the margin, in four columns, a four-line text in Dutch, French, German and English., print, prent, prints, verso lower left - stamped, 78, height 412 mm, width 516 mm, print maker, printmaker, 1652 - 1702, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1606-11-22 - 1674, after print by, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, North Netherlands, 1618-01-25 - 1679, publisher, uitgever, Publicatie, 1649 - 1702

The Glorification of the Virgin, from The Life of the Virgin, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm)image: 11 3/4 x 8 5/16 in. (29.8 x 21.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Diogenes and Alexander the Great, Ludovico Cavazza, c. 1700 - c. 1725 print The philosopher Diogenes is in front of his barrel. He beckons to Alexander the Great and his entourage to go aside, so that he is no longer in their shadow. paper etching Alexander's visit to Diogenes, who sits by his barrel and asks Alexander to get out of his light

Bedyurity; That tadel-firtight; Polemic scenes. For a hemisphere building there is a picture of a jester with staff and mask in his hand. On the left a man and a woman with their child walk, they do not give him the advice of people. On the right there are two masked men with a money pouch, a whip and an open book with the text Momo Sacrum. The text refers to MoMus, personification of the criticism and god of poets and writers. In the undermaster a German text. Publisher number XXXXV.

Moses turns his staff into a snake, Étienne Gantrel, after Nicolas Poussin, 1656 - 1706 print publisher: ParisFrance paper engraving Moses and Aaron before Pharaoh; Aaron performs the miracle of the rod changing into a snake

Coat of arms of Eugenius from Savoy surrounded by allegorical figures. Eugenius coat of arms of Savoy surrounded by allegorical figures. Under the show an explanatory text in French.

Weigel, Christoph, Amsterdam, Luyken, Jan, Christus helet de zieke van Bethesda, verso - gestempeld, print, prent, prints, prenten, height 250 mm, width 198 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Battle for the pants. Seven women are fighting for a men's pants. They pull each other to the hair and hit each other with a mush, scissors or spin skirts. A man looks behind a column. Right behind a group of one man and some women on a set table. The man is favored. Left in the background A fight between soldiers and women. The text at the top right states that the image represents the rivalry between women to love a man. At the bottom left of the attachment, a text of four rules in French on a separate piece of paper.

George Siegmund Facius, 1750-1804, Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House.", 1789. Engraving.

Allegory on the Mogolrijk, Reinier Vinkeles (I), 1770 print Five men with tulip tires sit and stand by a tent. Next to the tent a tower of blocks on which performances. Above them is a woman with Bazuin and portrait medallion on clouds. publisher: Amsterdampublisher: Amsterdampublisher: Leidenpublisher: Leiden paper etching / engraving head-gear: turban. tent

Germanicus trying to commit suicide, Jan Caspar Philips, 1736 - 1775

Italian landscape with mourning women, Matthijs Pool, after Gerard de Lairesse, 1696 - 1727 print Five women in classic robes mourn with a tomb. One of them points to the left. Soldiers fighting in the background. Amsterdam paper etching / engraving mourning the dead. battle, fighting in general. landscapes - HH - ideal landscapes

Jacques Callot, The Martyrdom of Saint Lawrence The Martyrdom of Saint Lawrence

Love couple caught in a sleeping room, Jacob Folkema, 1702 - 1767 print Three richly dressed figures have entered a sleeping room and a man and woman find it in bed. The man stayed in bed while the woman got out of bed in a nightdress. In the foreground, clothing is pulled over a chair and a stool. paper etching bedroom. interrupted meeting, lovers caught by surprise

Joseph Identifying Himself to His Brothers. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pier Francesco Mola.

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