Dramatic Illustrations of Human Emotion

These artworks depict somber themes and intense emotions, capturing scenes of shipwrecks, gatherings, and artistic convictions in varied styles.

Rijn, Rembrandt van, pendant van nr. B178, A farmer, exclaiming 'tis vinnich kout', verso lower left - stamped, print, prints, Rembrand f. 1634, top right, height 113 mm, width 43 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

The Death of Margaret Fuller Ossoli. Crosland, Newton, Mrs., 1812-1895. Illustrations. 1854. General Research Division. Women, Shipwrecks, Fuller, Margaret, 1810-1850

Gopsmor Cottage, 1917. Anders Zorn (Swedish, 1860-1920). Etching and drypoint;

Company around a sitting gray man, Reinier Craeyvanger, 1822 - 1880 drawing Design for a print. paper. pencil brush

Fishing in baskets on the beach, Ludovic Napoléon Lepic, 1862 print paper etching fishes. fishing net

The conviction of the artist; La Damnation de l'Artiste. Two cups with wings and a small figure in a cloak. Print is made as illustration of the title page of the book "La Damantion de l'Artiste".

Rijn, Rembrandt van, pendant van nr. B178, A farmer, exclaiming 'tis vinnich kout', verso lower left - stamped, print, prints, Rembrand f. 1634, top right, height 113 mm, width 43 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Lena, gives Ladage, 1914 - 1936 print paper

Drinking gelag, Johannes Josephus Aarts, 1881 - 1934 print A group of men and women under the influence of alcohol. In their midst a man lies on the floor next to an empty bottle of wine. paper etching drunkenness. bottle of wine

Two drunk men in a window opening; Two singing farmers in a window.

Tuscany Siena Poggibonsi S. Lucchese7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Floating people, fantasy firms and cats; Monsterberries in the air.Among Them A flat landscape with links Buildings and a river in the middle.

Hand-acting woman. The woman is wearing a hat.

Man sitting on stone, Hermanus Fock, 1781 - 1822 print A man with a hat on, sits with his left hand under his chin, used to the left, on a stone. Amsterdam paper etching head-gear: hat (+ men's clothes)

DIBUJO PREPARATORIO PARA EL CAPRICHO 57 - LA FILIACION - SIGLO XVIII. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Weislingen and Adelheid: Illustration for Goetz von Berlichingen, 1920-1921. Lovis Corinth (German, 1858-1925). Etching;

The Discouraged Artist (Le Découragement de l'artiste); Henri Fantin-Latour (French, 1836 - 1904); 1895; Black lithographic crayon with scratching; 23.5 × 23.5 cm (9 1,4 × 9 1,4 in.)

La Visiteuse Albert Besnard (French, 1849-1934). La Visiteuse, 1893. Lithograph on wove paper, 14 1/8 x 18 in. (35.8 x 45.7 cm). European Art 1893

Portrait of Louis Meijer and display of a hermit.Two Performances on One Plate. Above a portrait of louis meijer and under a view of a sitting hermit with his arm resting on a opened book.

The Dog on the Kennel. Dimensions: plate: 7 x 8.9 cm (2 3/4 x 3 1/2 in.) sheet: 24.8 x 31.3 cm (9 3/4 x 12 5/16 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Having workers, Willem de Zwart, c. 1886 print paper etching / drypoint harbour. coal-shovel

Trial proof of Siesta (La sieste) or Convalescence (La convalescence) from the album L'Estampe originale (Album I). Dimensions: 41 cm x 34.7 cm, 29 cm x 21 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

This 1654 etching by Rembrandt van Rijn shows the grave of Christ, using strong tonal contrasts on Japanese paper to emphasize figures and depth.

Sokole eye dressed as a long time fights with the magician, illustration to page 159, leather tests of the Czochy, book II: the last Mohikanin, J.F.Cooper; Slevogt, Max (1868-1932); 1908 (1908-00-00-1908-00-00);North America, Cooper, James Fenimore (1789-1851). Stories of leather stockings. Scout, Duncan (lit.), Indians, Magua (lit.), Party Plus, Sokole Oko (lit.), Literature, Bears, Literary characters

Three killing.

Hubert von Herkomer, Pressing to the West, 1884, etching on laid paper.

Sketch of characters (p.17 of the sketch book). Jean-Baptiste Carpeaux (1827-1875). Sketch of characters (p.17 of the sketch book). Drawing, 1871. Museum of Fine Arts in the city of Paris, small palace.

A street showing a man carrying a stick with rags of meat on his shoulder. In the background two veiled women. Ottoman Meat Seller, print maker: Marius Bauer, (mentioned on object), 1888, paper, etching, h 167 mm - w 97 mm

GOYA Y LUCIENTES, Francisco de (1746-1828). No one has seen us. 1797 - 1799. Plate 79 of 'Los Caprichos', etching, burnished aquatint and burin. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

A street with people in oriental dress. One man is carrying a pack animal with cargo. Another man carries a load on his back. Market in Constantinople, print maker: Marius Bauer, (mentioned on object), 1889, paper, etching, h 209 mm - w 138 mm

The Rat Catcher, Anonymous, After Rembrandt van Rijn, After 1632 print paper etching rat exterminator

Makes music; Hearing; The five senses. In an interior a man is at a musician company. A man on the back seen playing a lute, a man plays a flute and a man sings around a table on which songbooks.

Correction', 1799 Artist: Francisco Goya. Plate 46 of 'Los Caprichos'. Los Caprichos are a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797 and 1798, and published as an album in 1799.

The Hat Pin (Le chapeau epingle). Dated: 1894. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.

A study. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wojtkiewicz, Witold (1879-1909), graphic artist

The agendas of the projected ministry of the fine arts,

Student at a table by candlelight, Rembrandt van Rijn, c. 1642 print paper etching

The Little Forge. Dated: 1875. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Evidence at the Hearing (second plate). Dated: 1908. Medium: etching and soft-ground. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Print made by John Chalon, 1738 - 1795, Study, 1789-1790. Etching on medium, slightly textured, cream laid paper.

Whistler, James Abbott McNeill, A set of twenty-six etchings, Bead-stringers, Women stringing beads, recto lower left - pencil, Three women sitting by a doorway. Two are stringing beads on a string, one with a child on her lap., print, prints, JW imp, height 225 mm, width 152 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1879 - 1880, fourth quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by, printer

Deathbed of a loved one, Karel Frederik Bombled, 1832 - 1888 print A girl (without face) is sick and dying in a box bed. Her husband holds her hand and buries his head in the blankets. A dog is standing still next to the bed. There is a crucifix on the wall of the bed. paper etching deathbed. couple of lovers. crucifix ~ personal devotion

Ma Golonelle!. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching and drypoint

Somnolence Norbert Goenuette (1854-1894). Drowsiness. Floor, dry tip.

Death appears at Heaven above Castle, Jean Danguy, 1895 print Skeleton with bat wings, scythe and hourglass when death appears against a dark sky in landscape with castle. print maker: Francepublisher: Parisprinter: Paris paper Death as skeleton. hourglass. personifications of Death; 'Morte' (Ripa) (+ Death with scythe)

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interior with a number of figures and a man in bed visited by death, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper Death as skeleton (+ Death with scythe). adult man (+ lying)

La Maternite (Maternity) 1909 Engraved by Timothy Cole American. La Maternite (Maternity). Engraved by Timothy Cole (American, London 1852-1931 Poughkeepsie, New York). 1909. Wood engraving. Prints

Two men play cards around a barrel A third man looks on from behind his cloak, Card Players Around a Barrel, print maker: Jan van Somer, (mentioned on object), after: Jan Both, (mentioned on object), 1655 - 1693, paper, h 265 mm × w 200 mm

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 282 × 202 mm (image/chine); 442 × 309 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Midget. Peter Blake; English, born 1932. Date: 1974-1978. Dimensions: 154 × 129 mm (image); 265 × 211 mm (sheet). Wood engraving on tan Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bernard, Michel and Alvin-Beaumont, Rhine, Rembrandt van, Christ at Emmaus: large plate, verso bottom center - pencil, print, prints, Rembrandt f. 1654, lower left, Coppier, height 210 mm, width 160 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, third quarter 17e eeuw, third quarter 19th century, third quarter 19e eeuw, fourth quarter 19th century, fourth quarter 19e eeuw, first quarter 20st century, first quarter 20e eeuw, paper, papier, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by, Publication (Event), Publication, publisher

Study of an interior with stove, Gerard Jan Bos, c. 1878 - c. 1885 print Antwerp paper etching heating stove

Au Moulin Rouge: Un Rude! Un Vrai Rude! 1893 Henri de Toulouse-Lautrec French This lithograph was published by the journal L'Escarmouche and reproduced in the December 10, 1893 issue. The print is one of three or four known proofs apart from the edition of 100.. Au Moulin Rouge: Un Rude! Un Vrai Rude! 334394

Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Bathers (Les baigneuses). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sidewalk Show (Une Parade). Date/Period: From 1883 until 1884. Works on Paper. Black conté crayon on lightweight, rough-textured, off-white, laid paper. Height: 12.63 mm (0.49 in); Width: 9.63 mm (0.37 in). Author: GEORGES SEURAT.

The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching), Benjamin Robert Haydon, 1786-1846, British, between 1809 and 1811, Black chalk, pen and brown ink on moderately thick, slightly textured, cream laid paper pasted on thick, slightly textured, cream laid paper, Sheet: 4 3/8 × 5 1/16 inches (11.1 × 12.9 cm), attacking, bed, daggers, dead, drapery, figure study, guards, king (person), literary theme, men, murder, plays by William Shakespeare, shadows, sleeping, stabbing, The Tragedy of Macbeth

Basilicata Matera Matera Duomo13. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching and aquatint by Francisco José de Goya from 1815-1824, fourth edition 1902, depicting 'Nonsense of Fear' from 'The Proverbs (The Nonsense)', showing figures with fearful expressions and allegorical elements.

Rijn, Rembrandt van, Amsterdam, Buys, Jacobus, The Supper at Emmaus, verso - stamped, print, drawings, height 195 mm, width 177 mm, Northern Netherlands, 1724-11-19 - 1801-04-07, print maker, printmaker, 1765 - 1765, paper, brush, pencil, color printing, print drawing, roulette, etching, etchings, aquatint, 1606-07-15 - 1669-10-08, intermediary draughtsman

Saint Pierre et Saint Paul à la porte du Bonhomme Misère , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

Three farmers at a window, Frans van den Wijngaerde, after Adriaen Brouwer, 1636 - 1679 print Three farmers, one of them leans with the arms beaten over each other on a windowsill. On the right the two hinges of the hatch. Antwerp paper etching head-gear: cap (+ men's clothes). farmers

Three Men, Half-Length. Henri Edmond Cross; French, 1856-1910. Date: 1895-1900. Dimensions: 81 × 121 mm (plate); 164 × 250 mm (sheet). Monotype in black ink on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

After the Seizure. Dated: 1908. Medium: etching (zinc). Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Cover for the album Paysages et Intérieurs (Landscapes andInteriors). Artist: Édouard Vuillard, French, 1868-1940

Umbria Terni Narni S. Giovenale, Cathedral49. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Meeting between five people on the street, Henri Leys (Baron), 1825 - 1869 print paper etching meeting. shaking hands, 'dextrarum junctio'

Wet bather , Beaches, Swimmers. Charles H. Woodbury (1864-1940). Prints

The Spirit of Sultan Soliman, Marius Bauer, 1897 print Cartoon on the disintegration of the Turkish Empire, following the uprising on Crete against the Turks in 1896. Sultan Süleyman the big asks with his hand over his eyes what went wrong. In the background the city of Istanbul. Published in the addition of 'De Kroniek' of 28 February 1897. print maker: Netherlandsprinter: Amsterdampublisher: Amsterdam paper historical persons. political caricatures and satires Turkey. Crete. Istanbul

Old Beggar Woman with a Gourd ca. 1629 Rembrandt (Rembrandt van Rijn) Dutch. Old Beggar Woman with a Gourd. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). ca. 1629. Etching; second state of two. Prints

ThreeStudies. Artist: Emil Carlsen, American, 1853-1932

Old man sitting under a tree. Draughtsman: Anna ter Borch (possibly). Draughtsman: Gesina ter Borch (possibly). Draughtsman: Harmen ter Borch (possibly). Draughtsman: Moses ter Borch (possibly). Draughtsman: Gerard ter Borch (II) (rejected attribution). Draughtsman: Jan ter Borch (possibly). Dating: 1624 - 1690. Place: Zwolle. Measurements: h 94 mm × w 68 mm. Museum: Rijksmuseum, Amsterdam.

Light (Lumière). Dimensions: 61.2 cm x 43.8 cm, 39.5 cm x 27.4 cm, 39.5 cm x 27.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: ODILON REDON.

Palace entrance. Different figures at and on a staircase leading to the entrance of a palace. In the foreground a saddled horse.

Jean Louis Forain, Evidence at the Hearing (second plate), 1908 Evidence at the Hearing (second plate)

Street Show (Paillasse) (recto); a clown playing a drum (verso). Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: 14 3/8 x 10 1/16 in. (36.5 x 25.5cm). Date: 1825-79. Museum: Metropolitan Museum of Art, New York, USA.

Two representations on a sheet. Above: a blind man being accompanied by a girl. Below: a beggar, holding up his hand., Blind man and beggar, print maker: anonymous, Netherlands, 1700 - 1887, paper, etching, h 138 mm - w 81 mm

A beggar with high headgear and long cloak, a farmhouse and two figures in the background; Beggar at a farm.Copy to the print of the Same Name by Rembrandt.

Poor foolishness; Disparate POBRE; Solve disparates (the follies); Los Proverbios (the proverbs). A woman with two heads, raised her arms in the air, and a group of old people. From a series of eighteen prints.

William Strang, Peasant Couple, etching and soft-ground etching on laid paper.

The Circumcision in the Stable, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on off-white laid paper, Netherlands, 1654, figures, Print, Print

ROG and fishing on the beach at Moonlight, Ludovic Napoléon Lepic, After Philippe Rousseau, 1863 print paper etching cartilaginous fishes: sting-ray. fishes. full moon

Old Beggar Woman with a Gourd. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 3 7/8 × 1 7/8 in. (9.8 × 4.7 cm)Plate: 3 13/16 × 1 13/16 in. (9.7 × 4.6 cm). Date: ca. 1629. Museum: Metropolitan Museum of Art, New York, USA.

Lovis Corinth, Standard Bearer (Bannerträger), 1915 Standard Bearer (Bannerträger)

Interior with Five Posed Figures (L'intérieur aux cinq poses). Dimensions: 27.8 cm x 38 cm, 23.7 cm x 29.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Carnot malade! , Sick persons. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Ernst Ludwig Kirchner, Men Splashing in the Reeds, 1910 Men Splashing in the Reeds

Moldavian Interior. Rodolphe Bresdin; French, 1825-1885. Date: 1859. Dimensions: 164 × 111 mm (image); 442 × 315 mm (plate); 445 × 315 mm (sheet). Etching on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Les Vieux (The Elders). Dated: c. 1885. Dimensions: plate: 17.4 x 11.4 cm (6 7/8 x 4 1/2 in.) sheet: 30.4 x 20.9 cm (11 15/16 x 8 1/4 in.). Medium: etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Rehearsal at the Folies-BergèreEmilenne D'Alençon and Mariquita 1893 France. Lithograph on cream Japanese paper . Henri de Toulouse-Lautrec

A woodcutter keeps prudently out of the way of some very large trolls. Date: 1879

Y son fieras.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities

Francisco de Goya y Lucientes / 'What madness!'. 1814 - 1815. Wash, Etching, Burin on ivory paper. Museum: Museo del Prado, Madrid, España.

Théophile Alexandre Steinlen (Swiss, 1859 - 1923), To the True Poor: The Wicked Rich (Aux vrais pauvres: Les mauvais riches), 1894, lithograph

Preparatory drawing for The Caprice 13, 'They are hot (Están calientes)'. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Francisco de Goya (1746-1828), Such is the Haendt (47), 1810-1820

The House in Moonlight, 1909. Henri Le Sidaner (French, 1862-1939). Lithograph printed in green; sheet: 26.7 x 17.3 cm (10 1/2 x 6 13/16 in.); image: 22.9 x 15.8 cm (9 x 6 1/4 in.).

Le permissionnaire (Soldier on Leave), from La Guerre de 1914, first series,no.16. Artist: Auguste Lepère, French, 1849-1918

Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting scenes of war and its recurring impact, showing soldiers, civilians, and destruction.

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