Dramatic Interior Scenarios

Prints illustrating dramatic and narrative scenarios within elegantly furnished interiors, often depicting interactions between characters in historical or literary contexts.

A surgeon makes an incision in the head of a man sitting before him. Bystanders look on, The village surgeon Various genre scenes (series title), print maker: Jan Baptist de Wael, 1642 - 1669, paper, etching, h 87 mm × w 129 mm

Man tries to penetrate room, Nicolaas van Frankendaal, 1730 - 1791 print A man tries to penetrate a room to hand over a document to two gentlemen. At the door he is stopped by a servant. In the margin there is a two -line text in French. Print at the top right marked: PL XVI. paper etching interior of the house. house personnel, servants

Paris, Tavernier, Melchior, Bosse, Abraham, Le Mariage à la ville, Interior with a nurse with baby, a mother and a maid around a hearth, verso - stamped, print, prints, height 272 mm, width 353 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1633 - 1633, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

The Spanish Heidin Preciosa; Spanish Heidin pretiosa. The Spanish Heidin Preciosa stands for a richly dressed man. A woman a breast from Preciosa. Behind this threesome steals an older woman jewelery from a box that is on the table for her. "Heiden" was a contemporary name for Roma.

Frank van Borselen gets his death sentence, 1433, 1787 print Frank van Borselen imprisoned on the Rupelmondonde Slot after his secret marriage to Jacoba van Bavaria. Here he will be handed over his death sentence during a board game with the final guardian, 1433. Netherlands paper etching ordering the execution of a verdict Rupelmonde

The vomit thrown into the fire, 3, Boëtius Adamsz. Bolswert, 1639 print The sister throws the vomit with the host in the fire of the fireplace, left. Two angels appear in the fire, in the background the sick person breaks out. Print no. 3 from the series of 16 performances of the Miracle van Amsterdam, after the events on March 15, 1345. Under the show two six -line verses in Latin and Dutch. Southern Netherlands paper engraving Amsterdam

Creditor, Simon Fokke, 1738 print A man gives coin and bills to a figure behind a table. Next to him is a man with raised finger. In the foreground, two putti, one with rod, view a painting. On the left is a third putto with a hat and rolled up document in hand with a box. Above the performance two medallions with the image of a seizure of household goods and an auction. Amsterdam paper etching money

Hugo de Groot hides in the book box, 1621. Hugo de Groot steps into the book box, March 22, 1621. His wife Maria van Reigersberg stands next to him with a book in the hands.

A surgeon makes an incision in the head of a man sitting before him. Bystanders look on, The village surgeon Various genre scenes (series title), print maker: Jan Baptist de Wael, 1642 - 1669, paper, etching, h 87 mm × w 129 mm

In a Dutch interior, a family sits at a set table with a bowl of fish, bread, plates and glasses. A maid pours a glass. The parents are seated, a child stands at the table. A toddler sits in a high chair and is being fed. A little dog sits up. With a four-line caption in Dutch. Second print in the series: the four times of day., De Middagh / Le Midi The afternoon The four times of day (series title) Die Manieren und das Leben derer Holländers, des Morgens, Middag, Nachmiddags und Abends (series title), print maker: Pieter van den Berge, (mentioned on object), Pieter van den Berge, (mentioned on object), printer: Theodorus Danckerts (I), Amsterdam, 1702 - 1726, paper, etching, engraving, h 260 mm × w 170 mm

Charles Louis Lingée after Sigmund Freudenberger, L'occupation L'occupation

Allegorical performance with doctor, pharmacist and Asclepius in pharmacy; Title page for: Johan Jacob Woyt, Gazophylacium Medico-Physicum, or treasure room of medicine and nature-able Zaaken, 1766. A scholar or doctor is wrapping behind a table. A pharmacist to the right of him riches him a paper. Asclepius is behind him with escula monkey. Sit in front of the table and put putti with a distillation device with plants used for healing. In the background a pharmacy with pots, bottles, books, a skeleton, a bust of Hippocrates and a portrait medallion of Galenus. In the background a look through to animals in a landscape around the Mount Parnassus.

The title engraving to the Denis Diderot's novel Jacques Le Fataliste et Son Maitre; Jakob, Der Fatalist, Und Sein Herr Winnie Fatalista and his Lord, Part I, 1791 Chodowiecki, Daniel Nikolaus (1726 1801)

Parijs, Tavernier, Melchior, Bosse, Abraham, Le Mariage à la ville, Vrouwen op kraambezoek, Paris, verso - stamped, print, prent, prints, prenten, height 269 mm, width 351 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1634 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Men and women around a table with candles, Daniel Nikolaus Chodowiecki (workshop or), After Daniel Nikolaus Chodowiecki, 1770 print paper etching candle. visiting; receiving guests; elegant company

Charles Emmanuel Patas after Jean Honoré Fragonard, Le pate d'anguilles Le pate d'anguilles

The Fourth Stage of Cruelty: The Reward of Cruelty, Print made by William Hogarth, 1697-1764, British, 1751, printed 1790, Line engraving on thick, white, smooth wove paper, Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm), Plate: 15 1/4 x 12 3/4 inches (38.7 x 32.4 cm), and Sheet: 14 x 11 3/4 inches (35.6 x 29.8 cm), anatomical study, anatomy, bones (material), cruelty, dog (animal), fire, genre subject, knife, lecture, medicine, men, mortar boards, rope, school, science, skeletons, skull, torture, water

Karel V leent geld bij de Fuggers.Karel V is sitting at a table and writes with a writing spring on a paper. Around the table are members of the Banker family Fugger. A servant gets a box with sinks with money under the table. With a caption in French of four rules.

The saint is kneeling in the center near a block on which he has placed his left hand. On the right, an executioner is about to chop off Quirinus' hand. Next to Quirinus, a woman kneels on the ground holding the severed hand of the saint., Torture of St. Quirinus of Neuss, print maker: Jan Claudius de Cock, (mentioned on object), Antwerp, c. 1683 - before 1736, paper, etching, h 158 mm × w 180 mm

Three men at a money box, Jan Luyken, 1711 print Amsterdam paper etching money-chest, treasure-chest, money-box. picture, painting

Mr. The CE - before Chartres accompanied by his / her governor, comes from a patient to the Hôtel-Dieu. sic (IT)

Theodor Galle after Jan van der Straet, Medicine pl6, c 1580 1590 Medicine: pl.6

Heyrath Through .. Illustration No. 7 (from 12) Thu the topic Mostness to Marry and their Consequences reasons for marriages and effects, posted in: Goettinger Taschen Calender from 1789, Bey Joh. Chr. (Copy) Unknown, Chodowiecki, Daniel Nikolaus (1726 1801)

Inn interior with reading man surrounded by other figures, Jacques-Philippe Le Bas, after David Teniers (II), c. 1760 print Paris paper etching / engraving inn, coffee-house, public house, etc.. pipe ~ tobacco. drinking

The successor of Jan Żiżka, Prokop Łysy, arrives at the Council in Basel to present the Hussite's demands Illustration No. 7 (from 18) to the magazine Deutsche Monatschrift, published in 1795 1800 Chodowiecki, Daniel Nikolaus (1726 1801)

Andreas Thonradradtel Voor Keizer Ferdinand II, Daniel Nikolaus Chodowiecki, 1796 print Berlin paper etching History. ruler, sovereign. handwriting, written text. double-headed eagle

A woman is sitting on shot at a man. In a departure with tiled floor there is a young man with a young woman on his lap. He lifts her skirt. Both wear shoes with large rosettes. On the left a table with a plate and a glass. In the background on the left a door and to the right a chimney with a cariatide and Delft blue tiles. On the wall hangs a painting with a sleeping Nymph by a Sater spied.

Cato en Ptolemy, Ludwig Gottlieb Portman, after James Buys, 1799 print Cato de Jongere offers Ptolemy van Cyprus to accept the function as a high priest of Aphrodite in Paphos, as compensation for the loss of his kingship. Amsterdam paper etching (story of) Marcus Porcius Cato the Younger - non-aggressive activities of person from classical history

Long Sermons and Long Sieges are apt to Lull the Senses February 11, 1783 Thomas Rowlandson. Long Sermons and Long Sieges are apt to Lull the Senses. February 11, 1783. Etching and aquatint. William Humphrey (British, 1742-in or before 1814). Prints

Installation of Willem V as a heritage city center, 1766; Willem V, at Hooge Meeting, initiated to cuisine, under the oath of confidentiality. The installation of Prince Willem V as a peripheral stage holder in the States General on March 8, 1766. The Prince participates in a meeting of the States General.

. Interior of a library with a monument the portraits of the author and the translator of the book: Willem Sewel and Egbert Buys. For the monument two women who symbolize the birth countries of men, with the English unicorn and the Dutch lion respectively. On the right a man on a desk on which the title in Dutch and a Bijenkorf, as a symbol for eloquence. He is talking to a woman who holds a winged hand on a staff. Left in the foreground putti that study the alphabet.

Print made by David Allan, 1744-1796, British, born in Scotland, Glaud and Peggy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper.

Two gentlemen visiting a scholar, Jan Goeree, 1749 print Two gentlemen in eighteenth-century clothing talk to the learned Sewels in his study. The title of his book can be read on the side of the desk. On the left a large bookcase. On the right is a dog. In the background a door is open that leads to a backyard with a pond. Amsterdam paper engraving scholar in his study. backyard. dog. book. shelves, rack, sideboard. coat: overcoat (+ men's clothes). housecoat (+ men's clothes). head-gear: hat (+ men's clothes). wig. clothes, costume (+ men's clothes)

Men read in a library, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing public library. study; 'studiolo'; library

Prince Jan Kazimierz in a prison in France. Copy of the image al. Lessera from the exhibition of paintings of the Tow. Z. pcs. In the king. Half. Gorazdowski, Edward (1843 1901)

Winter from the Series, The Four Seasons, Abraham Bosse, French, 1602-1676, Etching on off-white laid paper, Scene of the interior of a house. At left a group of women are making fritters over an open fire. At center a table is being set. At right beyond a bed frame, a woman stands before a mirror. Image enclosed in engraved frame, France, 1635, interiors, Print, Print

Amsterdam, unknown, Vos, Maerten de, Passe, Crispijn van de (I), Antwerp, Maes, Joseph, Chambre, XVIe Siècle, Reproduction of a print of a rich man on his deathbed by Crispijn van de Passe after Maerten de Vos, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, Chambre avec son, recto - printed, LITT: C. - PL. 24, JJvY, height 341 mm, width 230 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgisch, 1838 - 1908, clichémaker, Work conception, 1564 - 1637, after print by, Zuid-Nederlands, 1532 - 1603-12-04, after design by

Woman in Katzwijm, Pieter de Mare, after Frans van Mieris (I), 1768 - 1784 print A lady in Katzijm, a letter is on her lap. In front of her is an embroidery on a chair and her maid looks at her with folded hands delivered. A crib in the background. Leiden paper etching fainting, swooning. letter, envelope. maid ~ house personnel. (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Women leave inn, Cornelis de Wael, Martinus van den Enden (I), 1630 - 1654

Obrzezanie. Rembrandt van Rijn (1606-1669), graphic artist

Columbus Breaking the Egg ca. 1800 Dent British. Columbus Breaking the Egg 417900

Woman creates the shaft from the fireplace; The axle shovel.

Three gentlemen and two ladies in an interior. On the left, a woman has a hand around the shoulders of a man sitting in a chair and her other hand in his outer garment, Five figures in an interior, print maker: Jacob Ernst Marcus, (mentioned on object), Derk Anthony van de Wart, (possibly), Amsterdam, 1784 - 1826, paper, etching, h 200 mm × w 121 mm

Illustration No. 2 (from 12) to the Song Ch. H. Hölty 'Ego Elegie Auf a Landmirl (Elegance on the Fate of a Rural Girl), Posted in the Publishing House: Small Taschen Calender on the common year 1795, Myth of copper gzieret and and given to Berlin. Chodowiecki, Daniel Nikolaus (1726 1801)

The lost son wasted his money, 1580 - 1588 print The lost son wastes his money by leading a dissolute life. Under a pergola he sits at a table with women who make music. Under the performance an explanatory text about Venus and Bacchus, the gods of love and drink, in Latin. This print is part of an album. paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn

Affatica il Villan mentre il Soldura…. Artist: Giovanni Volpato, Italian, 1740-1803

The Duke of Gloucester (later Richard III) accusing Jane (Elizabeth) Shore of witchcraft. Engraving.

Personified soul sits with the personification of the Flesh (worldly temptations) under a pergola and rejects the meat on the table, Personified soul no longer tastes the flesh The Soul no longer finds pleasure in the Flesh, print maker: Jan Luyken, Amsterdam, 1714, paper, etching, h 89 mm × w 75 mm

The maid Elsje van Houweningen catches Hugo de Groot trying out the book chest, assisted by his wife Maria van Reigersberg, March 1621, Hugo de Groot's escape from Loevestein, 1621, print maker: Gerard Sibelius, (mentioned on object), Gerard Sibelius, (mentioned on object), Northern Netherlands, 1768 - 1771, paper, etching, h 155 mm × w 104 mm

Presents Offered to the Bride. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 12 1/8 x 15 3/4 in. (30.8 x 40 cm)Plate: 10 5/16 × 13 1/8 in. (26.2 × 33.4 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Wedding in the Countryside(Le mariage à la campagne). Date: ca. 1633. Museum: Metropolitan Museum of Art, New York, USA.

S. Simon et S. Jude, apôtres (St. Simon and St. Jude, Apostles), October 28th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Simon et S. Jude, apôtres (St. Simon and St. Jude, Apostles), October 28th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

unknown, Paris, Leblond, Jean (I), Bosse, Abraham, Le Mariage à la ville, Signing of the marriage contract, verso - handwritten in pencil, print, prints, verso - stamped, No. 9, height 263 mm, width 332 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1633 - 1633, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1594 - 1666, publisher, uitgever, verlener

The Dice -like Devil, Johannes Jacobsz van den Aveele, 1682 print A maid seduced by the thief -like devil steals a money pouch from a wall cupboard. Amsterdam paper etching Christian religion (+ devil(s)). maid ~ house personnel

Illustration No. 2 (from 12) to the novel of Tobias George Smollett The Adventure of Peregrine Pickle (Adventures of Peregrine Pickle), posted in Berliner Genealogischer calender auf das jahr 1786 Chodowiecki, Daniel Nikolaus (1726 1801)

Jan Pietersz Saenredam, after Hendrik Goltzius, Evening, c1595 1598 Evening

Glass Blower ca. 1753 Claude Augustin Duflos le Jeune French. Glass Blower 394315

Sight 1635-38 Abraham Bosse French. Sight 350799

. In a room there is a richly dressed lawyer for the fireplace with a desk, for which a gesturing man is standing. At the man there is a boy who looks in the direction of the spectator and has a ham and sausage. The man may ask the lawyer who makes the man with a hand gesture clear that board costs money. In the background there is a bookcase with two busts and behind a fence, the silhouette of a figure is visible at a desk.

Le Grand Maitre dEcole (The Schoolmaster). Artist: Jean Jacques de Boissieu, French, 1736-1810

Philips, Jan Caspar, Northern Netherlands, Courtship, Marriage and first childbirth in a respectable Dutch household around 1750, Untying the garter, verso - stamped, Interior of bedroom, woman seated on chair, man on knees beside her untying the garter from under her skirts, three women around her. Print no. 9 in a series of twelve prints with two-line verses about Dutch wedding customs ca. 1750., print, prints, Frederik Muller History plates, Zoo speelnoods ...daar wel vinden., middle bottom, height 110 mm, width 62 mm, 1700 - 1775-04-24, print maker, printmaker, 1740 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

A fierce woman and a spinning man, Jacques de Gheyn (II) (workshop or), After Jacques de Gheyn (II), 1593 - 1597 print A woman is shouting in a kitchen with her hands in the side to a man who is busy with a fire with spinning skirts. In the background at the doorway, the upper body of a second woman, who lights the arm. Under the performance four lines of text in Latin. Netherlands paper engraving fighting. man and wife quarrelling, 'Marriage í la mode'

Amsterdam, Founder, heirs of widow Cornelis, Haarlem, Numan, Hendrik, Allusion to the cap maker, Two women are making a cap on a model head at a table., print, engraving, book illustration, prints, engravings, height 93 mm, width 72 mm, 1736-03-21 - 1788, print maker, printmaker, 1786 - 1786, paper, papier, houtcut, letterpress printing, Publication (Event), Publication, Dutch, publisher

Numbered bottom center: Tab I, Two women with children in a kitchen filled with food, print maker: Daniel Beyel, (mentioned on object), Johann David Schleuen (I), (possibly), intermediary draughtsman: Daniel Nikolaus Chodowiecki, (mentioned on object), München, (possibly), 1785 - 1823, paper, etching, h 184 mm - w 233 mm

Luther for the Rijksdag in Worms, 1521, Reinier Vinkeles (I), After Christian Bernhard Rode, 1794 - 1796 print Luther in the attitude of 'I am here, I cannot do otherwise', on the Rijksdag in Worms, 17-18 April 1521, in the hall with left Keizer Karel V. paper etching protestant confessions Worms

Illustration for Journey of Zofia from Memel to Saxony by Johann Timoteus Hermes (Sophien's journey from Memel to Saxons by Joh. Tim Hermes) in: Berlin Genealogisches Calender on the year 1778) Zofia at the Desk, Occupied by Writing (copy) Berger, Daniel (1744 1824), Chodowiecki, Daniel Nikolaus (1726 1801)

Nicolas Delaunay after Sigmund Freudenberger, La Félicité villageoise, 1784 La Félicité villageoise

. The painter Eduard explains Leonoor, whose portrait he has manufactured his love. At the door is Leonoor's Jaloors Man Don Pedro, which is held by the paintsman. Above the door hangs a painting with a representation of Alexander, who gives the painter Apelles his mistake campaspe. Scene from the second company of the play The painter by love, from Molière.

Illustration for Henry Pestalozzi's 'Leonard and Gertrude or the Village Customs' (Set of 8 etchings). Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1782. Prints; etchings. Etchings

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Illustration for 'Caroline of Lichtfield'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

people women 16th - 18th century ""The bad housewife"" copper engraving coloured by Abraham Bosse (1602 - 1676) Paris France circa 1670 private collection,

The wine is a spotter. A nar-like figure is about to put a sleeping woman a pispot on his mind. He sticks out his tongue. On the table, where the woman has put her head to rest, is an enclosed wine glass. There is an owl on the door of the window.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Origen in prison tortured with fire, verso - stamped, 29, height 115 mm, width 147 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, - 1693-06-26

Card players and a peeing man, Jan van der Bruggen, 1659 - 1740 print Four men are playing card for an inn. De Waardin offers them pipes. Behind a wooden fence is a man who plays against one of the card players through a crack of the fence. He holds a finger on his lips. paper inn, coffee-house, public house, etc.. playing-cards

Folkema, Jacob, Democritus Carves a Mathematical Model in a Plinth, Figures watch as Democritus, a Greek scholar, carves a mathematical model in a plinth. Among the spectators, one figure holds a tablet on which an inscription is written in Greek letters. In the margin is a three-line caption in French. Print marked at top right: Frontispice du Tom I.er., print, prent, prints, prenten, height 145 mm, width 88 mm, Dutch, 1692 - 1767, print maker, prentmaker, 1702 - 1767, paper, papier, etching, etsen

Coligny, Gaspard de.

Interior with a flute player and an old woman at a table, Jacques-Philippe Le Bas (Possible), After David Teniers (II), 1746 print Paris paper etching / engraving flute, aulos, tibia. one person playing wind instrument. making music; musician with instrument

A Midnight Modern Conversation. William Hogarth; English, 1697-1764. Date: 1732-1733. Dimensions: 329 x 455 mm (image); 345 X 470 mm (plate); 372 X 497 mm (sheet). Etching and engraving selectively printed in black and red on ivory laid paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: Sheet: 11 11/16 × 7 7/8 in. (29.7 × 20 cm)Plate: 11 5/8 x 7 3/4in. (29.5 x 19.7cm). Date: 1759.Born into the lower classes, Carmontelle served as aide-de-camp and topographer to the Orléans regiment during the Seven Years War, when his caricatures gained him considerable popularity. After the war he was employed by the Orléans household in various capacities, including reader to the young duc de Chartres. Carmontelle is best known today for the portraits of society figures he made during this period. He produced only six prints; the present composition is his most ambitious. Museum: Metropolitan Museum of Art, New York, USA.

Heineken, Christian Heinrich .

Three men around a table. One of the men looks at some precious stones in his hand. In the foreground a dog., Emblem: gem Three men at a table looking at gems, print maker: Caspar Luyken, publisher: Christoph Weigel, Neurenberg, 1695 - 1705, paper, etching, h 110 mm × w 124 mm

Wszyscy Święci w MNK Rentz, Michael Heinrich (1698 1758), Montalegre, Joseph de (fl. 1696 1729)

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Abimelech sees Isaac caressing Rebecca, verso - stamped, Isaac embraces Rebecca. Abimilech, Rebecca's husband, looks on from the background and makes a defensive gesture., print, prent, prints, prenten, height 150 mm, width 183 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

At the lawyer, David van der Kellen (1827-1895), 1837 - 1882 print In a departure there is a richly dressed lawyer in front of the fireplace near a desk, for which a gesturing man stands with a hat. With the man is a boy who looks in the direction of the viewer and has a ham and sausage with him. The man may ask the lawyer, who makes it clear to the man with a hand gesture that council costs money. In the background there is a bookcase with two busts on it and behind a fence the silhouette of a figure at a desk is visible. paper etching / drypoint lawyer, attorney at law. sausage. ham

Louis XIII (king of France), Paris, Langlois, François, Bosse, Abraham, The five senses, Les cinq sens, La Veue., Visus., Sight, verso - stamped, In a bedroom with a four-poster bed, a lady is dressing up. She is sitting behind her dressing table on which there is a mirror and items of clothing. Her maid helps her put on a collar. Under the skirt we see a shoe with a large rosette. On the floor, in front of the four-poster bed, a pair of slippers. In the background on the right, in front of an open window, a man looks at the sky with a telescope. With poem in French and Latin in the margin., print, prints, height 266 mm, width 334 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1635 - 1636, paper, papier, engraving, engraving (printing process), etching, Work conception, after own design of, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, uitgever, 1601-09-27 - 1643-05-14, granter of privilege

L'heureuse fécondité. Dated: 1777. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Jean-Honoré Fragonard.

The Adoration of the Shepherds. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Abraham Blooteling (Dutch, 1640-1690). Dimensions: sheet: 8 7/8 x 6 1/8 in. (22.6 x 15.6 cm). Date: after 1650. Museum: Metropolitan Museum of Art, New York, USA.

Bernard Baron after William Hogarth, Marriage a la Mode pl 3, 1745 Marriage a la Mode: pl. 3

Het Spoiled Household, Pieter van der Borcht (I), After Maerten de Vos, 1545 - 1608 print Shoemaker in front of his house, sitting in front of his workbench. Instead of working, he drinks a pint of beer. His leather boys who make shoes kick Keet. The wife of the shoemaker stands in front of him. His daughter is already calling on a fence. In the background, farmers dance to the music of a bagpipe. With a top of a rule in Latin and caption of 2 columns of 4 lines each in French and Dutch. Antwerp (possibly) paper etching / engraving shoe-maker, cobbler. more than one couple dancing. man and wife quarrelling, 'Marriage í la mode'

The die of the widow, her lately a blind child (...); Le Mariage à la fashion.

An Election Entertainment. Plate I.. 1755. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Departure for the Sabbath baron Dominique Vivant Denon French. Departure for the Sabbath. baron Dominique Vivant Denon (French, Givry 1747-1825 Paris). Etching. Prints

Interior with family that blesses the food at the table, Claude Augustin Duflos, After Jean Baptiste Bénard, 1710 - 1786 print print maker: Francepublisher: Paris paper etching / engraving prayer at table, saying grace. interior of the house

Hudibras and Sidrophel. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Vision of Saint Peter. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Jan van der Straet.

Herberg interior with drinking men, Jean Pelletier, After Adriaen van Ostade, 1746 - 1780 print Paris paper engraving / etching inn, coffee-house, public house, etc.. vomiting. drunkenness

Amsterdam, Pool, Matthijs, Apenspel, Nursery of the Apes, ca. 1720, verso - stamped, The nursery of the apes, with nurse, mother and the newborn monkey. In the caption verses in French and Dutch. Print no. 1 in a series of 16 prints from around 1720 in which monkeys appear as people in all kinds of household scenes., print, prints, Frederik Muller Historieplaten, height 166 mm, width 199 mm, Noord-Nederlands, 1676 - 1740-03-25, print maker, printmaker, 1720 - 1720, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

"It is good candles which light the way". Dated: 1640s. Dimensions: overall: 14.6 x 16.7 cm (5 3/4 x 6 9/16 in.). Medium: pen and ink with brown wash and white heightening over black and red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Jordaens.

Poor shoemaker in conversation with a rich man, Caspar Luyken, 1704 print Nuremberg paper etching / letterpress printing contrast between rich and poor. shoe-maker, cobbler. conversation, dialogue; conversation piece

Philips, Jan Caspar, Northern Netherlands, Courtship, Marriage and first childbirth in a dignified Dutch household around 1750, verso - stamped, Courtship. Interior with a loving couple on the right and a cupid with a bow and arrow on the left. Print no. 3 in a series of twelve prints with two-line verses about Dutch wedding customs ca. 1750., print, prints, Frederik Muller History plates, Do not delay, Jonker... the wound will heal., bottom center, height 110 mm, width 62 mm, 1700 - 1775-04-24, print maker, printmaker, 1740 - 1760, paper, etching, engraving, engraving (printing process), intermediary draughtsman

The Artist and his Family. Daniel Nikolaus Chodowiecki; German, 1726-1801. Date: 1771. Dimensions: 190 x 245 mm. Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

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