Dramatic Landscapes and Scenes

Artworks featuring dramatic landscapes, classical themes, and detailed views of natural and man-made environments, often in bold contrasts.

Design for Stage Curtain: Apollo and Marsyas, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over black chalk on wove paper, Horizontal rectangle. Curtains frame scene, stage frame shown. Middle-ground shown sitting at foot of enormous tree, in center Marsyas and Apollo plays flute. Muse character () holds wreath over head. At right, Listerners shown behind main audience at left in foreground. Middleground, at left Dionysos with procession. Caption written in ink over graphite: 'Teatro della V musica.', Italy, 1800-1801, theater, Drawing, Drawing

François Nicolas figure (1825-1901). "Winds, that is to say this populace of Titans ...". Albumin paper. 1868. Paris, house of Victor Hugo.

Design for Stage Curtain: Apollo and Marsyas, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over black chalk on wove paper, Horizontal rectangle. Curtains frame scene, stage frame shown. Middle-ground shown sitting at foot of enormous tree, in center Marsyas and Apollo plays flute. Muse character () holds wreath over head. At right, Listerners shown behind main audience at left in foreground. Middleground, at left Dionysos with procession. Caption written in ink over graphite: 'Teatro della V musica.', Italy, 1800-1801, theater, Drawing, Drawing

Etching and copper engraving by François Philippe Charpentier depicting a maritime swell en route to India, produced between 1754 and 1797.

Jean Jacques Le Veau's etching (1773) shows a classical Italian landscape featuring an aqueduct, vegetation, and surrounding natural environment.

Fisherman and theAfrite. Artist, attributed to: Henry Marsh, American, 1848-1860 After: John La Farge, American, 1835-1910, M.A. (HON.) 1896

Etching by John Browne from 1776 depicting a waggoner driving a horse-drawn cart along a rural road, illustrating 18th-century printmaking techniques and daily life.

Jean Moyreau created an etching in 1762 showing the organization of horse-drawn teams for work or transport.

Etching by Pierre Jacques Duret, created between 1749 and 1799, depicting an Italian gondola on the water with figures and architectural background.

Sketch related to "Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver" (from Album). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 3 3/8 x 5 3/8 in. (8.6 x 13.7 cm). Date: ca. 1876. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Lonely Tower, 1879. Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper.

Drawing, Stage Design, Flood; Italy; pen and brown ink, brush and wash on white wove paper

Print made by David Lucas, 1802-1881, British, A Lock on the Stour, Suffolk, 1831. Mezzotint on moderately thick, slightly textured, cream wove paper.

DijkBrraak at Millingen, 1799, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1799 - 1800 print Breakthrough of Rijndijk near Millingen, 7 February 1799. Part of a group of six albums of dike breakthroughs and flood in the southern part of Gelderland in February 1799. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Millingen paper etching / engraving dike-break. storm on land Millingen. Rhine

Copper engraving and etching by François Boucher between 1720 and 1770 illustrating the wedding of Amor and Psyche, showing mythological marriage rites in classical imagery.

Victime de la foudre , Victims, Lightning, Trees, Alphonse Legros (1837-1911)

The deluge. Mezzotint by J. Martin.

Heavy fog in Amsterdam, 1790, Reinier Vinkeles (I), After Jacobus Buys, 1791 - 1795 print Heavy fog in Amsterdam on December 31, 1790. People walk on the street with torches, a carriage fell into the canal. Northern Netherlands paper etching / engraving mist, fog Amsterdam

Victims of the flood disaster of 1855, Charles Rochussen, After Hendrik Albert van Trigt, 1855 print In a collapsed hut there are victims of the flood disaster of 1855. On the right a number of rescue staff. Title print for a series of 24 prints about the flood disaster of 1855. Amsterdam paper. etching rescue work during a flood. flood

Ceres, Cybele and the followers of Flora Op de Wolken, Bernard Picart, After Charles Le Brun, 1713 - 1719 print Ceres, Cybele and the followers of Flora on the clouds. They prepare the wedding party for Van Hercules and Hebe. Along the edges instructions for mounting the print on other prints. Print is part of a series of prints, which together present the painted ceiling with the apotheosis of Hercules in the Hôtel Lambert in Paris. publisher: Amsterdampublisher: Paris paper etching / engraving (decorated) ceiling. (story of) Flora - offspring, companion(s), train etc.. (story of) Ceres (Demeter). (story of) Cybele, Rhea Cybele, Great Mother of the Gods (Berecynt(h)ia) Lambert Hotel

Team at a fence, Albertus Brondgeest, 1796 - 1849 print Netherlands paper. etching agricultural implements: plough

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Jean Moyreau created an etching in 1762 depicting a merchant selling ducks outdoors with figures interacting around stalls.

Wall and face of a man, Johannes Mock, 1810 - 1884 print Study sheet with a wall and before that the face of a man. Ets exercises left and right. Netherlands paper etching fence, wall, paling. head (human)

The Fox, the Flies, and the Hedgehog (La Fontaine, Fables, XII, 13) 1733 Jean-Baptiste Oudry French. The Fox, the Flies, and the Hedgehog (La Fontaine, Fables, XII, 13) 337911

Print made by Henry Dawe, 1790-1848, British, Mill near the Grand Chartreuse, Dauphiny, 1816. Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper.

David Lucas after John Constable, Hadleigh Castle, 1832 Hadleigh Castle

Hardraw Fall, Samuel Middiman, ca. 1750-1831, British, after Joseph Mallord William Turner, 1775-1851, British, 1817, Etching and line engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm), Plate: 11 3/8 × 17 9/16 inches (28.9 × 44.6 cm), and Image: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)

De Libercaster, Théophile Alexandre Steinlen, 1903 print paper Freedom, Liberty; 'Libertà' (Ripa). tools, aids, implements ~ crafts and industries: chain

Baden van Dioclectianus, with tower, Hendrick Hondius (I), After Petrus Stephanus, 1600 print View of the ruins of the baths of Dioclectian, with figures and a high tower in the middle. Perspectivic dotted lines connect the buildings and the foreground with the horizon. To be read: Horison (rights) and: base (bottom right). In circle. At the top: c.lxxxvi. Print from a series of six with performances of Roman ruins. The Hague paper engraving public baths. ruin of a building ~ architecture Thermen from Diocletian. Rome

Onweer, Félix Hilaire Buhot, after John Constable, 1857 - 1898 print paper drypoint / etching thunderstorm. adolescent, young woman, maiden. (farm) wagon, freight wagon, cart. horse England

Faust and Mephistopheles in the Hartz Mountains (Goethe, Faust) 1825-27 Eugène Delacroix French. Faust and Mephistopheles in the Hartz Mountains (Goethe, Faust) 337093

Rispah, plate 46 from Liber Studiorum Published 1812 England. Etching and engraving in brown on ivory laid paper . Joseph Mallord William Turner

Table of Museum Temple: Dioscares (Dutuit 36, White 116) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Dioscares (Dutuit 36, White 116). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Ships at sea in a rain shower, Henri François Schaefels, 1863 print paper etching sailing-ship, sailing-boat. rain. landscapes with waters, waterscapes, seascapes (in the temperate zone)

. A wooden bridge from tree trunks over a swirling river with waterfall. Travelers cross the bridge. The first print of an eight-language series with bohemian landscapes.

Lazio Viterbo Bagnaia Villa Lante48. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Barn in a landscape, Burning barn in a landscape located on water. Figures are depicted around the barn, some of which carry a bucket, barn, open fire (in general), Cornelis van der Grient (mentioned on object), Netherlands, 1858, paper, drypoint, h 186 mm × w 217 mm

Etcher: Giovanni Domenico Tiepolo, Italian, 1727-1804, After: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770, The Holy Virgin Appears to Saint SimonStock, Etching, platemark: 61.6 × 40.2 cm (24 1/4 × 15 13/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Odilon Redon, La Peur (Fear), 1865 La Peur (Fear)

View of a rocky coast with a shipwreck on a rough sea during a storm. Marked on the top left: A.5., Shipwreck, print maker: Matthieu van Plattenberg, (mentioned on object), Matthieu van Plattenberg, (mentioned on object), unknown, (mentioned on object), Paris, 1617 - 1660, paper, etching, engraving, h 144 mm × w 233 mm

Amor commissioned Mercury to proclaim his power to the universe, Louis Desplaces, After Bernard Picart, after Eustache Lesueur, 1740 print The love god Amor sends Mercury, the messenger of the gods, to proclaim his power to the universe. Amor is flanked by Hebe, the goddess of youth, and Venus, the goddess of love. To the painting in the cabinet de l'amour of the Hôtel Lambert. Print is part of a series of prints to the paintings in the Hôtel Lambert in Paris. Paris paper etching / engraving (story of) Venus (Aphrodite). (story of) Hebe (Juventas). (story of) Cupid, Amor (Eros). (story of) Mercury (Hermes). 'Omnia vincit Amor', Love the conqueror, Love triumphant (+ variant) Lambert Hotel

Lyme Regis, Norfolk, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Line engraving and etching, 3rd state on moderately thick, slightly textured, beige, wove paper, Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm), Plate: 10 1/8 × 12 7/8 inches (25.7 × 32.7 cm), and Image: 6 9/16 × 10 1/16 inches (16.7 × 25.6 cm)

King David's Sacrifice, draughtsman: Felice Giani, Paris, c. 1812, paper, brush, pen, h 489 mm × w 673 mm

Samson carries the gates of Gaza up to the mount of Hebron. Etching by J. Taylor after F. Verdier, 1698.

Four encyclopedic voor stalls, Johann David Schleuen (I), after Daniel Nikolaus Chodowiecki, 1765 - 1806 print Hunger and thirst; cripple; hail; storm paper etching meteorological phenomena

Triumph of Hercules; Ceiling paintings in Sint Petersburg.

William Miller, 1796-1882, British, Great Yarmouth, Norfolk, 1827-1838. Engraver's proof (early).

Le cirque du Long- Rocher, 1888. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Print made by Edward P. Brandard, 1819-1898, British, Coast Scene with Fishermen Hauling a Boat Ashore, undated. Line engraving, engraver's proof.

Joseph Mallord William Turner and Thomas Goff Lupton, Ben Arthur, published 1819 Ben Arthur

Etching and aquatint from 1810 by Francisco Goya depicting people fleeing from fire during war, illustrating civilian distress and destruction of surroundings.

O. Coslo. "An awkward friend". Pencil on paper. Paris, house of Victor Hugo. 101107-11 Body, drawing, throwing, lantern, night, character, rampart, empty, nocturnal

A copper engraving from 1615 by Hendrick Goltzius depicting a figure escaping from a lioness, showing dynamic movement and interaction between human and animal.

Manfred et Astarté (2e planche) , Fictitious characters, Romances, Schumann, Robert, 1810-1856. Manfred. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Allegory of the fall of the French regime, 1813, Noah van der Meer, 1813 - 1814 print In a landscape, the French eagle is hit by the Russian eagle. On the left, the French weapons, flags and deeds fall into the abyss. In the background a Frenchman is on the ground. He is guarded by two eagles. Dark clouds and lightning in the sky. Allegory of the fall of the Napoleonic reign, 1813. See the Pendant. Netherlands paper etching / engraving predatory birds: eagle. weapons. lightning, flash of lightning, thunderbolt

Personification of Labor, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 29. Print is part of an album. Augsburg paper etching Labour

Giovanni Battista Piranesi, The Giant Wheel, 1780s The Giant Wheel

Etching by Gérard Audran depicting the biblical passage of the Red Sea, created between 1680 and 1690, illustrating the Israelites crossing with dramatic waves and detailed figures typical of 17th-century engraving.

STRANDING OF SINBAD'S SHIP, BY GUSTAVE DORE, 1832 - 1883, French. 1870, Art, Artist, romanticism, colour, color engraving.

Stage Design: A Suicide in a Cavern, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite, gray ink on lined off-white laid paper, Interior of cave with small opening toward sky. Man committing suicide running into his sabre., Italy, ca. 1796-1801, theater, Drawing, Drawing

Alpine Pasture. Dated: 1918. Dimensions: image: 35 x 45 cm (13 3/4 x 17 11/16 in.) sheet: 41 x 50.4 cm (16 1/8 x 19 13/16 in.). Medium: woodcut printed in black. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Der Starb Napoleon; Vernet, Horace (1789-1863), Völlinger, Joseph (1790-1846), Velten, Johann (1784-1864); 1822 (1822-00-00-1822-00-00);

Ryno et Hermangarde. Dated: 1879/1880. Dimensions: plate: 17.5 x 11.5 cm (6 7/8 x 4 1/2 in.) sheet: 23.5 x 16.5 cm (9 1/4 x 6 1/2 in.). Medium: etching, drypoint, softground etching, salt lift, aquatint (spirit ground) and roulette in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Giants are crushed; Paintings in the Sala dei Giganti. Part of a wall painting with giants that are crushed by collapsing rocks. Links two people in a doorway.

Graflegging, Melchior Küsel (I), after Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 22. Print is part of an album. Augsburg paper etching Christ lying in the sarcophagus

Juhas with sheep, illustration to the article by Adam Gie Guda "The Polish Carpatians" in "The English Illustrated Magazine"; Witkiewicz, Stanis AW (1851-1915); 1888 (1888-00-00-1888-00-00);Giełgud, Adam Jerzy (1832-1920), Giełgud, Adam Jerzy (1832-1920). In the Polish Carpatians, The English Illustrated Magazine - illustration, highlanders, illustrations for the press, unknown (provenance), sheep, shepherds, mountain landscapes, Poland (culture), Polish drawings

Allegory against Pelegianism, Claude Mellan, 1608 - 1688 print Coat of arms of Marie Madeleine de Vignerot, Duchess of Aiguillon, on a rock in a turbulent sea. paper engraving False Church personified. rocky coast. storm at sea. armorial bearing, heraldry

Allegory on the sea ship, Jakob Wangner, After Jacques de la Joue (II), 1729 - c. 1781 print print maker: Germanypublisher: Augsburg paper etching building a ship, ship under construction. triton(s). sailing-ship, sailing-boat. sea

Looking south from Philae, 1881-1884, by Harry Fenn. Published by D. Appleton, New York. Depicts the Nile River and the architectural elements of Philae, including bas-reliefs and columns, alongside sailboats. 24 x 10.5 cm

Rinaldo (2e planche) , Fictitious characters, Knights, Supernatural beings, Renaud de Montauban Legendary character, Brahms, Johannes, 1833-1897. Rinaldo. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Copper engraving and etching by Philipp Jakob Loutherbourg the Younger in 1795 titled 'The Morning,' representing a time-of-day theme in European art.

Félix Hilaire Buhot, La Traversée (The Passage), 1879 1885 La Traversée (The Passage)

Cèdres du Liban destinés a la construction du temple Doré, Gustave, 1832-1883. still image. Conjectural works. 1866. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Woodcutting, Biblical events, pulling, Cedar of Lebanon, Temple of Jerusalem (Jerusalem), logs, Horse teams, Cedar trees

Mobilization or La Marseillaise. Artist: Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859-1923 Paris). Dimensions: Plate: 20 15/16 × 16 1/8 in. (53.2 × 41 cm)Sheet: 25 11/16 × 19 11/16 in. (65.2 × 50 cm). Date: 1915.Known primarily for his work in the 1880s and 1890s, Steinlen shifted his subject matter during World War I to the everyday experience of war. In this detailed print, he rendered the mobilization of French ground and sea troops on August 2, 1914. Anticipating Germany's invasion of France, this particular moment gave rise to patriotism--a sentiment captured here in the people's gestures and the many French flags. Expressive lines infused with movement capture the intensity of the event, an effect likely indebted to sketches made from life. The figure of Marianne--a symbol of the French Republic--leads the charge from above. She is a reference to François Rude's 1836 sculpture La Marseillaise (named after the national song) at the Arc du Triomphe, whic

Castor and Pollux. Engraving from 'Tableaux du temple des muses' (1655) by Michel de Marolles (1600 - 1681), known as the abbé de Marolles; a French churchman and translator. In Greek and Roman mythology, Castor and Pollux were twin brothers, together known as the Dioskouroi or Dioscuri. Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced Leda in the guise of a swan

Photo production of (presumably) a drawing entitled 'Appearance', 1879 photograph Part of album with 30 photo productions of drawings of the Faust story by J.W. von Goethe. München paper. photographic support. cardboard albumen print Faust. appearances. woman (showing herself) undressed, quasi-nude

Plate Twelve of 38 from Oeuvres de J. B. Huet. Jean Baptiste Huet; French, 1745-1811. Date: 1796-1799. Dimensions: 480 × 350 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Winter: Cuvier-Chtillon Cliff. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1887. Dimensions: 219 × 165 mm (image); 300 × 227 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

David Lucas after John Constable, Hadleigh Castle (Large Plate), 1830 and 1832 Hadleigh Castle (Large Plate)

Standard-Bearer Crossing a Stream. Odilon Redon; French, 1840-1916. Date: 1868. Dimensions: 102 × 168 mm (image); 120 × 185 mm (plate); 225 × 315 mm (sheet). Etching and drypoint on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rider in the Mountains. Rodolphe Bresdin; French, 1825-1885. Date: 1866. Dimensions: 253 × 215 mm (image); 300 × 230 mm (plate); 335 × 226 mm (chine); 416 × 312 mm (sheet). Etching on off-white China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Night face with Ferdinand, Constantia and a second man in the forest. .

Don Quixote he traveled almost all that day. Don Quixote he traveled almost all that day. Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

Kidnapping; Zimmermann, Alfred (1854-1910); 1900-1901 (1900-00-00-1901-00-00);

The Giant Wheel, plate 9 from Carceri dInvenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Hadleigh Castle (Large Plate). Dated: 1830 and 1832. Medium: mezzotint progress proof. Museum: National Gallery of Art, Washington DC. Author: David Lucas after John Constable.

Campania Napoli Naples S. Lorenzo Maggiore115. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Taormina from the theatre , Cities & towns, Ruins, Mountains. Joseph Pennell (1857-1926). Prints and Drawings

Lazio Roma Rome S. Stefano Rotondo5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, fresco painting, sculpture, architectural fragments, sculptural fragments. Post-medieval: Sculpture, fresco painting, painting, architectural sculpture Antiquities: Sculpture Object Notes: Called the "second Pantheon of Rome", this church dates from the 5th century A.D. Alberti worked on the restoration in the 15th century. These photographs date from March, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

James C. Allen, active 1821-1831, British, Aldborough, ca. 1830. Etching and engraving, Engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle.

Approach to Venice, James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

Depiction of Emperor Maximilian I in Bregenz on Lake Constance. Wooden stick print by Hans Burgkmair, 1514-1516.

Juliusz Kossak (1824-1899), Mier Longinus podbipiKossak, Juliusz (1824-1899), Kossak, Juliusz (1824-1899)-reproduction, Podbipięta, Longinus (lit.), Sienkiewicz, Henryk (1846-1916), Sienkiewicz, Henryk (1846-1916)-literary work, Sienkiewicz , Henryk (1846-1916). With fire and sword, illustrations for literary works, painting, Polish painting, Poland (culture)

Le marché aux pommes (Paris) (Apple Market[Paris). Artist: Auguste Lepère, French, 1849-1918

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: Siege and conquest of Naarden by Willem III, Prince of Orange; Rear Admiral David Vlugh is killed during the First Battle of Schooneveld; Jumping from the gunpowder tower at Heusden; Peace of Westminster., print, prints, verso - stamped, 97, 108, 105, 100, height 113 mm, width 256 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Jonah is vomited out by the whale. Old Testament. Antique bible illustration by Gustave Dore (1832-1883)

The Birdcage, Charles H. Jeens, 1827-1879, after Joseph Mallord William Turner, 1775-1851, British, 1859-1879, Steel engraving

PORTADA DEL PARIS-MURCIE. Author: Gustave Dore (1832-1883). Location: ARCHIVO MUNICIPAL. MURCIA. SPAIN.

Etched by Joseph Mallord William Turner, 1775-1851, British, Ben Arthur, Scotland, 1819. Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper.

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