Dramatic Scenes in Art

Etchings and engravings depicting emotional and narrative scenes, blending realism and allegory, with rich textures and detailed backgrounds.

Soldier, Anonymous, After François -Thomas Mondon, 1736 - 1762 print For a rocaille ornament in a landscape is a soldier with a glass in his hand. He looks in love at his lover lying on his lap. There are two soldiers on the left. Nummered above K. Augsburg paper etching the soldier; the soldier's life. couple of lovers

Le consomme. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jeanne Deny or Martial Deny after Niclas Lafrensen II.

Bathsheba Bringing Abishag to David, Print made by Richard Earlom, 1743-1822, British, after Adriaan van der Werff, 1659-1722, Dutch, 1779, Mezzotint and etching on medium, slightly textured, cream laid paper, Sheet: 25 5/8 × 19 3/8 inches (65.1 × 49.2 cm), Plate: 24 7/8 × 18 1/8 inches (63.2 × 46 cm), and Image: 23 1/8 × 18 inches (58.7 × 45.7 cm), bed, canopy, caretaker, Christianity, conversation, elderly, influencing, Judaism, Old Testament, power, religious and mythological subject, virgin, wife

Soldier, Anonymous, After François -Thomas Mondon, 1736 - 1762 print For a rocaille ornament in a landscape is a soldier with a glass in his hand. He looks in love at his lover lying on his lap. There are two soldiers on the left. Nummered above K. Augsburg paper etching the soldier; the soldier's life. couple of lovers

She Doesn't Recognize Herself ("No se conoce") 1807-45 Leonardo Alenza y Nieto Spanish. She Doesn't Recognize Herself ("No se conoce") 334954

Odimuff by Solomon. .

Susanna and the elders, Louis Surugue, After Bernard Picart, 1691 - 1733 print paper engraving / etching the elders making advances towards Susanna

Allegorical title page with Clio, Bernard Picart, 1731 print A young nobleman sits next to Clio, the muse of history. With her left hand, she points to a book about the history of Europe. With the other hand she points to the scene in the background. Fortuna, love and death fly above an exuberant crowd. In the margin a six -line caption in French. Amsterdam paper etching / engraving Clio (One of the Muses); 'Clio' (Ripa). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Death As Skeleton (+ Death with Scythe). Love Personified

Portrait of Charles II, King of Spain, standing in Harness, opposite, Jan van Cleve (III), 1700 - 1716 drawing paper. chalk. ink pen / brush king

Wedding night of Sara and Tobias; Story of Tobias. Sara has been kneeling in the sleeping room of Tobias and Sara for the wedding bed. Right right Tobias lays the liver and the heart of the fish on the glowing coals so that the bad mind disappears asymode. The angel drives him away with his sword.

Susanna and the Elders, Willem de Ryck, 1645 - 1699.

Prudentia, Hendrik van Limborch, 1691 - 1759 print In a landscape, Prudentia (caution) sees herself in her hand mirror. A snake winds around her free arm. On the floor in front of her are a skull, books, ink and a writing spring. paper etching mirror. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues

Allegorical show. An allegorical performance with a woman with a book in her hands. A naked child sitting on the floor pulls her robe. On the right, an old man kneel with a bowl of coins in his hands. Behind the old man standing a soldier with sword and shield and a woman with a violin.

Gentleman uncovering a sleeping woman in a bedroom, 18th century. Woodblock engraving from John Cleland's Fanny Hill, Amsterdam & Paris, 1880s. After the original erotic illustrations by Antoine Borel, circa 1748.

Suzanna and the Elders, Laurent Cars, French, 1699 - 1771, Jean-François de Troy, French, 1679-1752, Engraving on paper, The nude Suzanna, seated on a stone bench at a fountain, is taunted by the two elders. A terrace, left. Two-line Latin explanatory inscription, below and artist's, engraver's, and publisher's names. After painting from the Musee Rouen., France, ca. 1750, Print, Print

Judit a Holofernes, Hans Witdoeck, After Cornelis Schut (I), 1633 print Judit is about to cut Holofernes his head in his army tent. Next to her hair served with a lantern. Antwerp paper engraving Holofernes drinks too much, and falls asleep on the bed (+ angel(s))

Reproduction of a painting: Aleksander Lesser (1814-1884), Szarka i Stirad Szarka and Stirad; from: `Kłosy` 1881, no. 850, vol. 23, p. 233. Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

Allegorical show with Clio; Title page for: S. von Pufendorf, Introduction A l'Histoire Generale et Politique de l'Univers, 1732. A young nobleman is next to Clio, the muse of history. She points to a book about the history of Europe with her left hand. With the other hand she points to the scene in the background. Fortuna, love and death fly above an exuberant crowd. In the margin a six-line caption in French.

Depiction of Vertumnus and Pomona by Jan Erasmus Quellinus, drawn with gray brush and feather, highlighted with white over black chalk on gray-brown paper.

Erato, Pieter Nolpe, after Hendrick Goltzius, 1650 print Erato, the muse of lyric and love poetry, is mistakenly referred to here as Euterpe, the muse of music and lyricism and is depicted with the attributes of the Muze Urania. The sitting Erato holds a globe and a passer in her hands. There are a book and a yardstick on her feet. Book illustration for a book in which the different muses speak. Amsterdam paper etching / engraving / letterpress printing Erato (one of the Muses); 'Erato' (Ripa)

Batseba takes a bath; BatheSeba in the Badt. Batseba takes a bath in the palace garden of King David. Two maids help her. One presents her a towel, the other hangs a cloth on the washing line. From his balcony David looks at the scene.

. Allegory in which freedom protects a schrijwer against the attempts of a man (censorship) to fascinate her. In the background a monument for Laurens J. Coster.

Etching: Frontispiece or dedicatory page, Felice Giani, Italian, 1758-1823, Paper, Vertical composition of a woman in classical attire, pointing to a medallion with the head of a man, while looking over her shoulder at Cronus on the left. Cronus holds an hour glass and a book. A youth stands at the right with his left arm stretch upward and holding a laurel wreath in his right hand. The bottom margin reads 'F. Giani. in. del. 1785' over an erased signature with the same date: 'G. M. inc.', Italy, 1785, figures, Drawing, Drawing

Supplication of Saint Rochus Biblical, mythological and allegorical representations (series title), During an outbreak of the plague, Saint Roch (top right) begs the Virgin Mary for help. In the foreground a group of plague sufferers. The print is part of a series with Biblical, mythological and allegorical representations, St. Roch interceding with Mary for the plague stricken (Mary), cupids: 'amores', 'amoretti', 'putti', Johannes Glauber (mentioned on object), 1656 - 1726, paper, etching, h 340 mm × w 298 mm

Music making people around a table, Jan van Somer, 1655 - 1700

Woman on a couch surrounded by five children and accenting man, Carl Friedrich Holtzmann (Possible), after Johann Eleazar Schenau, 1750 - 1811 print Dresden paper etching family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament ~ medallion

Terror panique. Two women are in a garden for a fountain. One faint is bland, the other tries to catch her. Title illustration for part 8 of a book about the tricks of love.

Illustration from Orlando Furioso: 'Che debbo far che poss'io far qui sola / che mi da ajuto, oime, che mi consola', Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1773, Engraving

Arrival of the image of Cybele, Ludwig Gottlieb Portman, after Jacobus Buys, 1796 print Publius Cornelius Scipio Nasica receives the image of Cybele, the goddess of the earth, in the port of Ostia. He has to bring it to Rome as soon as possible. Amsterdam paper when the statue of Cybele is brought to Rome, P. Cornelius Scipio Nasica is chosen to meet the goddess in the harbour of Ostia, and ordered to bring her to Rome with the greatest pomp

. A woman in a window with drawing tool for itself, signing to the capitoline Venus for her in the windowsill. Behind her a man with a carved head in his hands. Under the window a relief with putti.

The Entombment 1650-1660 Holland. While another artist, Jeremias Falck, etched this painting from the collection of Dutch merchant Gerard Reynst for his printed album, Visscher must also have access to it. Visscherís Resurrection was printed for this commercial reproductive undertaking.. Engraving on ivory laid paper . Cornelis Visscher

Thetis puts Achilles in the fire, J. Alexander Janssens, after Victor Honoré Janssens, c. 1700 print Interior with a fireplace and a candlestick with burning candle, at night. Thetis is squatting with the fireplace and fires the fire where she wants to hold Achilles to make him immortal. Achilles leans on her knee. Peleus watches Peleus on the right in the background. In the middle: 4. Fourth print from a series of fourteen with scenes from the life of Achilles. South of the Netherlands paper engraving / etching Thetis holds Achilles in the fire

L'amour a l'epreuve. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques-Firmin Beauvarlet after Pierre-Antoine Baudouin.

Seated Woman with two Children. Artist: Anonymous, Italian, 16th century; After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 6 1/8 x 4 1/8 in. (15.5 x 10.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Chair

Sibyl seated before an open book upon which she rests her left hand, she twists her face away from the book and holds a vessel in her right hand Antonio Fantuzzi Italian. Sibyl seated before an open book upon which she rests her left hand, she twists her face away from the book and holds a vessel in her right hand 397753

Mayor Beernt Proys in Utrecht, killed, 1425; Mayor Proois in Utrecht, killed. Mayor Beernt Proys in Utrecht, lying in his bed, 1425.

The Holy Family with Saint John the Baptist 1590 Italy. Engraving with etching in black on ivory laid paper . Annibale Carracci

Sibille, Bartolommeo Coriolano, After Guido Reni, c. 1609 - 1676 print A Sibille, sitting with the head leaning in her hand. Next to her an ink jar with a writing spring. Italy paper head held in the hand(s), with elbows leaning on an elevation or on the knees. sibyls

A wounded soldier, lying on a cushion under a canopy, is visited by Telemachus, standing behind him. The scene is framed by an ornamental frame with olive branches and a bow at the bottom. Numbered upper right: No. I. Telemachus cares for the wounded, print maker: Jean-Baptiste Tilliard, (mentioned on object), intermediary draughtsman: Charles Monnet, (mentioned on object), publisher: Pierre Didot, print maker: France, intermediary draughtsman: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 312 mm × w 244 mm

Mars, Venus, et l'Amour, Simone Cantarini, Italian, 1612 - 1648, Paolo Veronese, Italian, 1528 - 1588, Etching on white paper, Mars seated under a tree, with his arms about Venus, who is watching Love at her feet, with a small dog., Italy, ca. 1640, figures, Print, Print

Male and Woman with Fruit Basket, Joseph De Longueil, After Requirements, 1765 - 1792 print France paper etching / engraving taste, tasting (one of the five senses)

A young man sitting and standing; The roller cart.

Print made by Richard Earlom, 1743-1822, British, Susanna and the Elders, 1769. Mezzotint and etching on moderately thick, slightly textured, beige wove paper.

Rubens, Peter Paul, Mark, Quirin, Susanne avec les Vieillards, Susanna and the elders, verso - stamped, print, prints, height 312 mm, width 240 mm, 1753-01-20 - 1811-09-24, print maker, printmaker, 1763 - 1811, paper, engraving, engraving (printing process), etching, South Dutch, 1577-06-28 - 1640-05-30

Unhappy family. Aubry-Lecomte, Hyacinthe-Louis-Victor-Jean-Baptiste (1787-1858), graphic artist, Bertauts, J.V. (Paryż ; zakład litograficzny ; fl. ca 1832-1869), publishing house, Prud'hon, Pierre-Paul (1758-1823), painter, Mayer, Constance (1776-1821), painter

A depiction by Giovanni Paolo Pannini of the Holy Family with the Christ child standing on a throne, and youthful Johannes kneeling on the steps, executed in chalk and feather with gray lavating before 1750/1760.

Venus naked sitting at right drying her foot with a piece of drapery, Cupid, in front of her, holding a bow in his right hand. Artist: Anonymous; After Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). Dimensions: Sheet: 7 11/16 × 6 3/8 in. (19.6 × 16.2 cm). Date: ca. 1520-30. Museum: Metropolitan Museum of Art, New York, USA.

Young woman sells wild. A young woman sells a hare to a young man, holding his head close to hers.

Pharaoh of Egypt affected by a plague; The sickbed of pharaoh. The Pharaoh and his court are affected by heavy teasing because of the kidnapping of Sara. The pharaoh is on bed in his palace. Sara is sitting next to his bed.

Silence and talkativeness, Gerard de Lairesse, 1670.

Bacchanal with nymph and putti at trees, Gilles Demarteau, After Louis Lebarbier (I), 1732 - 1776 print Bacchanal with lying nymph and two putti in trees. A putto hangs on wine rank in a tree. There is a wind instrument on the ground. Paris paper etching children's bacchanal (+ variant). nymphs (in general); 'Ninfe in commune' (Ripa)

Judit with the head of Holofernes, Andries Pauli, 1610 - 1639 print Judit with the head of Holofernes and a sword in the hands. She is accompanied by her maid. Antwerp paper etching / engraving Judith with Holofernes' head and the sword

Iphigenia accompanied by Pylades recognises Orestes, whom she is about to sacrifice 1776 Giovanni David. Iphigenia accompanied by Pylades recognises Orestes, whom she is about to sacrifice. Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa). 1776. Etching. Prints

Three putti by a tree, anonymous, c. 1705 - c. 1754 drawing Three putti by a tree; godlart. Design for a decoration. paper. ink. chalk pen / brush Cupids: 'You love', 'Amoretti', 'puitti'. Devotion, Piety; 'Divotion' (Ripa)

Scene with Four Figures of Monks Discoursing 1666-1724 Paolo Gerolamo Piola Italian This drawing is similar to several by Piola carried out in brown and white on blue-gray paper, all with the artist's initials identically placed in the upper left corner (for example, Kupferstichkabinett, Berlin, inv. no. 26083; and Uffizi, Florence, inv. no. 6861). The other drawings are on much wider sheets, however, and each consists of several thematically related vignettes. It is likely that the Four Figures of Monks Discoursing originally belonged to such a composite sketch which was later cut into smaller pieces; it may once have been joined with a similar small sheet of monks in conversation by Piola that is now in the Louvre (inv. no. RF 41 188). Paolo Gerolamo Piola not infrequently monogrammed his own drawings; the letters P. G. P, in the same hand, appear on a Bacchanal in the Uffizi, on a Preaching of the Baptist sold in London (Sotheby's, November 25, 1970, no. 13), and on a Pastoral Subje

. Landscape with a Sater knocking the sleeping Venus. Two tilting pigeons at her feet. Amor tries to stop the Sater. In the margin a six-line poem, in two columns, in French.

Venus and Adonis. The lovers of Venus and Adonis are in a landscape. Amor is standing next to her and they are surrounded by dogs. This print is part of an album.

Cephalus and Procris Johann Liss German. Cephalus and Procris 654211

Dido sacrificing the gods; Designs for paintings with episodes from the Aeneas.

Jacob blesses Manasseh and Ephraim, Jacobus Buys, c. 1734 - c. 1801, Design for a print., draughtsman: Jacobus Buys, c. 1734 - c. 1801, paper, pen, brush, h 149 mm × w 90 mm

Samson and Delila, Adriaen van der Werff, 1669 - 1722 drawing paper. chalk Samson asleep in Delilah's lap; she is usually shown beckoning to a Philistine or putting a finger to her lips

Lot and his daughters, 1557 - 1570 print Lot sits on the ground for a cave. He is embraced by one of his daughters. The other daughter pours him wine. On the left a table on which a bowl of fruits. In the background the fire of the cities of Sodom and Gomorra. Haarlem paper engraving Lot's daughters make their father drunk

Clément Pierre Marillier and Antoine Louis Romanet after Jean Honoré Fragonard, La famille du fermier, 1791 La famille du fermier

Jean Francois Marmontel (1723-1799). French writer and historian. Moral Tales. The Scruple. Edition printed in Liege, 1777. Library of Catalonia. Barcelona. Spain.

Comedy. Dated: 1778. Dimensions: plate: 30 × 20.1 cm (11 13/16 × 7 15/16 in.) sheet: 42.4 × 29.1 cm (16 11/16 × 11 7/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Hamilton Mortimer.

The morning toilet; La Toilette du Matin ou le liver. A young woman in her nightdress, with barey legs sitting on the edge of her tossed bed. For her a chambermaid is on the knees with a wash basin in the hands.

. Lot lies under a canopy against a large pillow and is drunked by his two daughters. One of the daughters lies next to him, the second daughter is naked and donates lot of wine.

Pan and Syrinx, Valentin Daniel Preissler, After Adriaen van der Werff, 1764 print With caption in French. Nuremberg paper Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705)

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). Joseph Relays to Mary God's Command to Flee, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 190 mm x 240 mm (7.48 in. x 9.45 in.).

Part of Promotion Print of Antoine Talon, Claude Mellan, 1608 - 1688 print paper engraving

Shocked man in a bedroom, Jacob Folkema, After Hubert François Gravelot, 1761 print A man is in nightwear next to his bed. He looks around with raised hands. On the left next to him is a fallen chair and candle. Under the performance is a one -line caption in French. Print left and top right marked: Ve. Part - Page 256. paper etching bedroom

The Fortunate Rescue. Dated: 1791. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

Unequal love, anonymous, after Hendrick Goltzius, 1602 print An old man approaches a young woman who holds her hand on a jug. She wears a veil in her hair. On the stone column the coat of arms of the Goltzius family. paper engraving unequal couple, ill-matched couple

Allegorical show with history, Globe and Nederlandse Leeuw, Anonymous, in Or Before 1705 print History writes in a book, sitting for a globe focused on Europe and Africa. An allegorical female figure on the right holds a passer on the Globe. On the left is an angel with a book leaning on the globe. At the front left is the Netherlands Lion with seven arrows in its leg. paper etching / engraving 'Historia'; 'Historia' (Ripa). globe. personifications of countries, nations, states, districts, etc.. beasts of prey, predatory animals: lion

Smell; Odoratvs; The five senses. The allegorical figure of smell. She has a flower vase in hand and smells of a flower. She is accompanied by a dog. In the background two biblical scenes: the foot extraction of Christ by Maria Magdalena (John 12: 3) and God's creation of Adam (Genesis 2: 7). The print has a Latin caption and is part of a five-part series about the senses.

Cimon and Pero. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). Artist and publisher: Alexander Voet II (Flemish, Antwerp ca. 1635-after 1695 Ghent). Dimensions: Sheet (Trimmed): 10 11/16 × 12 1/2 in. (27.1 × 31.7 cm). Date: ca. 1650-90. Museum: Metropolitan Museum of Art, New York, USA.

Here Nature List'ning Stood, Print made by Cornelis Apostool, 1762-1844, Dutch, after Edward Francis Burney, 1760-1848, British, Published by Samuel Ireland, active 1760-died 1800, British, 1795, Aquatint and etching on moderately thick, slightly textured, cream wove paper, Sheet: 9 x 5 15/16 inches (22.8 x 15.1 cm) and Image: 7 3/8 x 5 1/8 inches (18.7 x 13 cm), beard, breeches, church, comedy, costume, curtain, doublet, drapery, fish, frontispiece (illustration), literary theme, lyre, man, masks, moustache, nets, nudes, personification, river, riverbanks, scroll (information artifact), shore (landform), steeple, swan, togas, tragedy, trees, women, Avon, England, Europe, United Kingdom, Warwickshire

Country Pleasures. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

The blood -flowing woman, Jan Saenredam, After Hendrick Goltzius, 1661 - 1726 print In the foreground the woman who suffered from blood fluits. She is suffering from a walking stick. Christ heals the woman in the background. The print has a Latin caption and is part of a press series with famous women from the New Testament. print maker: Northern Netherlandspublisher: Amsterdam paper engraving healing of a woman with an issue of blood: she kneels before Christ after having touched his robe (Matthew 9:20-22; Mark 5:25-34; Luke 8:43-48)

A reputation (title of use)

Find Moses, James Mcardell, After Anthony Van Dyck, c. 1745 - 1765 print paper the finding of Moses: Pharaoh's daughter comes to bathe with her maidens in the river and discovers the child floating on the water

Josef I., Roman-German Kaiser.

Pallas and the Justice, Dirk van der Aa, 1767, draughtsman: Dirk van der Aa, 1767, paper, pen, brush, h 417 mm × w 286 mm

Le midi. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Emmanuel Jean Nepomucène de Ghendt after Pierre-Antoine Baudouin.

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Rubens, Peter Paul, Haarlem, Simson and Delilah, Samson's hair is cut by a Philistine, while he lies asleep in Delilah's lap. An old woman shines a candle. Soldiers stand ready in the doorway to capture Samson, after his hair will have taken away his strength., print, prent, prints, height 374 mm, width 435 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, 1552-07-18 - 1612-01-20, granter of privilege

Maria Magdalena, Francesco Brizio (ACTRUTED TO), After Ludovico Carracci, After Titiaan, 1584 - 1623 print Maria Magdalena in a landscape. In the background on the right is an ointment pot. Italy paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Illustration for 'Philip von Freudenthal'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1781. Prints; etchings. Etching

Lucretia, Crispijn van de Passe (I), 1574 - 1637 print Interior with Lucretia that is about to get through with a dagger. Bottom left a motto in Latin that refers to her virtue. In the margin a two -way caption in Latin. paper engraving death of Lucretia: she commits suicide by stabbing herself

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Kneeld man kisses the hand of a woman, Reinier Vinkeles (I), 1797 - 1802 print Amsterdam paper etching / engraving kneeling figure. kissing the hand (lovers). clock

Cimon en Pero, Bernard Lens (II), After Frederic Kerseboom, After Francesco Cozza, 1682 - 1725 print London paper etching But Suckling Cimon ('Roman Caritas')

Mystical marriage of Saint Catharina, Anonymous, After Giulio Bonasone, After Parmigianino, 1501 - 1580 print Maria is sitting on her lap with the Christ child. Christ pushes a ring on the finger of Saint Catharina who kneels before him. In the foreground on the right a piece of the wheel of Saint Catharina. In the foreground on the left a man. Italy paper etching / engraving the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

Tarquin and Lucretia. Charles-François Hutin; French, 1715-1776. Date: 1764. Dimensions: 118 × 164 mm (image); 122 × 169 mm (plate); 164 × 208 mm (sheet). Etching in black on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Woman in Katzwijm, Pieter de Mare, after Frans van Mieris (I), 1768 - 1784 print A lady in Katzijm, a letter is on her lap. In front of her is an embroidery on a chair and her maid looks at her with folded hands delivered. A crib in the background. Leiden paper etching / engraving fainting, swooning. letter, envelope. maid ~ house personnel. (other forms of) needlework, e.g.: crocheting, knitting, embroidering

Daniël kneeling for a window is spied, Jan Luyken, 1712 print Amsterdam paper etching Daniel, while praying on his knees before an open window, is discovered by the conspirators

Presentation of a story from the Aesopus fables. Two women are sitting on the hairs of a sitting figure.

Paris, Duchange, Gaspard, Coypel, Noël-Nicolas, France, Beaumont, Pierre François, Jeunes Beautez, ce feu qu'avec ce vier Plus vif que celui du Tonnerre, Allegorical scene about the origin of fire, verso - stamped, print, prints, height 228 mm, width 259 mm, 1719 - 1769, print maker, printmaker, 1729 - 1757, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1690-11-17 - 1734-12-14, after, after painting

Nude Man Seated and Nude Man Standing, with a Woman and Baby in the Background. Dated: c. 1646. Dimensions: sheet (trimmed to plate mark): 19.7 x 12.8 cm (7 3/4 x 5 1/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Personification of the practice of the arts; Exercise Civilists. A woman with a flame above her head holds a swamped book and a writing spring. In addition to her a rooster, globe, winch and bazuin on the ground. In the background there is a table with books, an inkwell and a beehive.

Joseph Marie Vien, Lot and His Daughters, 1748 Lot and His Daughters

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