Dramatic Scenes of Conflict

Powerful etchings illustrating intense scenes of struggle, necromancy, and war, emphasizing human emotion and historical narratives.

Four men hunt a bull, Francisco de Goya, 1811 - 1816 print Four men in Moorish clothing hunt a bull. One of the men fell off his horse. Spain paper etching / drypoint bull. hunt ~ hoofed animals. head-gear: turban

A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning, a bearded male figure's face is visible behind the group, from the series 'Turns of fantasy' (Scherzi di fantasia) ca. 1743-57 Giovanni Battista Tiepolo Italian. A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning, a bearded male figure's face is visible behind the group, from the series 'Turns of fantasy' (Scherzi di fantasia) 397636

Four men hunt a bull, Francisco de Goya, 1811 - 1816 print Four men in Moorish clothing hunt a bull. One of the men fell off his horse. Spain paper etching / drypoint bull. hunt ~ hoofed animals. head-gear: turban

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.) 1811-12 Goya (Francisco de Goya y Lucientes) Spanish. Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.) 334160

The Moors spear a bull in the field. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, circa 1814-1815. Prints; etchings. Etching, burnished aquatint, drypoint and burin

The Sacrifice of Isaac, Pen and brown ink, graphite on cream paper, Abraham is shown being stopped by a flying angel as he is about to sacrifice Isaac. Rays of light shine upon the figures. Verso: sketches of Abraham and the angel., Italy, 1800-1824, religion, Drawing, Drawing

Sultane Noire, plate 27 from Caravanne du Sultan à la Mecque. Joseph Marie Vien; French, 1716-1809. Date: 1748. Dimensions: 127 × 197 mm (image); 135 × 203 mm (plate); 208 × 266 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Joseph Marie Vien, I.

Arabs of Oran 1833 France. Etching, roulette and drypoint on ivory laid paper . Eugène Delacroix

Wizard and four men in smoking altar, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching sorcerer, magician, wizard, warlock

Print, The Pancake Woman, 1635; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); etching on off-white laid paper

Two wizards and two boys; Scherzi di Fantasia.

Rinaldo Leaving Armida. Lorenzo Tiepolo (Italian, 1736-1776); after Giambattista Tiepolo (Italian, 1696-1770). Date: 1751-1753. Dimensions: 222 x 282 mm (plate); 240 x 305 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Alexandre et Diogène , Rulers, Philosophers, Alexander, the Great, 356 B.C.-323 B.C., Diogenes, -approximately 323 B.C.. Honoré Daumier (1808-1879). Lithographs

Francisco de Goya y Lucientes, They do not know the way., 1810-1820, etching and aquatint.

The Muleteer. Marcus de Bye (Holland, 1639-circa 1688). Holland, 17th century. Prints; engravings. Etching

The month of March, Frederick Bloemaert, After Abraham Bloemaert, After 1635 - 1670 print An old man with a stick that rests and a young man who puts a spade into the ground with his foot. Two men repair a fence in the background. paper engraving March and its 'labours'. pancakes

Six beggars at a fountain.

Mercury and Argus, counterproof of copy in reverse after Cantarini ca. 1630-1648 or after After Simone Cantarini Italian. Mercury and Argus, counterproof of copy in reverse after Cantarini 341509

Au marais inonde - Le berger (The Flooded Marais - TheShepherd). Artist: Auguste Lepère, French, 1849-1918

Persée et Méduse 1644 Etched by Stefano della Bella Italian. Persée et Méduse 376735

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Apollo. Tenth issue of a sequence of 52 pieces. (A. de Vesme 505; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Holy Family and Angels pass Herderin with herd sheep, Giovanni Domenico Tiepolo, 1752 print paper etching flight into Egypt and miracles during the journey

Angelica Genest de Wond Van Medoro, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1757 - 1760 print paper etching Angelica. Medoro

The Holy Family Stepping Off the Bank, plate fifteen from The Flight into Egypt. Giovanni Domenico Tiepolo; Italian, 1727-1804. Date: 1752-1753. Dimensions: 187 x 243 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

With reason or without her /rightly or wrongly; Board No. 2 from: The disasters of war The Disasters of War, ed. II 1892 Goya, Francisco de (1746 1828)

Flight to Egypt, Anonymous, After Rembrandt van Rijn, 1636 - 1719 print Mary sits with the Christ child on a donkey led by Joseph. print maker: Low Countriesafter design by: Northern Netherlands paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Etching by Francisco Goya from 'The Disasters of War', titled 'Charity', created 1810, first edition 1863, depicting acts of Christian charity during wartime.

Hercules points his arrow at Nessus kidnapping Deïanira, draughtsman: Willem van Mieris, 1672 - 1747, paper, h 195 mm × w 213 mm

Lithograph by Rudolf Grossmann from 1918 depicting Shakespeare's character Caliban, showing figure, posture, and scene composition on handmade paper.

Sheet of Sketches 1735 François Boucher French. Sheet of Sketches 398675

Medoro and Angelica carve their name in tree trunk.

Man and Woman at Waterfal, Reinierus Albertus Ludovicus Baron van Isendoorn à Blois, After F. Bosch, 1796 - 1856 print A standing woman and a sitting man next to a waterfall. Vaassen paper etching waterfall. landscapes (+ landscape with figures, staffage)

Birds of a Feather ("Entre los suyos"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 6-9/16 x 5-3/8 in. (16.7 x 13.7 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

Lot and his daughters., Gerard ter Borch (I), 1632 print Lot was drunk drunk by his daughters. He is supported by them. The two women deliberately fed him drunk to sleep with him. (Genesis 19: 31-36). On the right is a table with a bowl with fruits. Wine jugs and bowls lie on the floor. At the bottom right in the corner a piece of clothing decorated with fur. Zwolle (Possible) paper etching Lot's daughters make their father drunk

Greek women and a Turkish warrior, Theodoor Schaepkens, 1825 - 1883 print paper etching

Standing farmer and his dog in the Akker, Thomas Simon Cool, 1841 - 1870 drawing paper. chalk dog

Abraham sacrifice.

Giovanni Battista Tiepolo (aka Giambattista Tiepolo) (Italian, 1696 - 1770). An Audience with Death (La Mort Donnant Audience), 18th century. Etching.

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Holy Family Preparing to Embark, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 190 mm x 242 mm (7.48 in. x 9.53 in.).

Rembrandt van Rijn (1606-1669), Turbanklaved Rytter, About 1632

Allegorical show with children playing, Johann Heinrich Keller (II), 1702 - 1765 drawing paper. ink. chalk pen / brush

Night face with two soldiers by a lying horse, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving horse. night. the soldier; the soldier's life

A man pulling a net with two figures behind him, from the series 'Figurine' ca. 1656-1657 Salvator Rosa Italian. A man pulling a net with two figures behind him, from the series 'Figurine' 341874

Birds of a Feather ("Entre los suyos") 1807-45 Leonardo Alenza y Nieto Spanish. Birds of a Feather ("Entre los suyos") 335149

On the ground a hunter lies next to his bag. In the distance some birds are flying., Lying hunter, print maker: Jan Weissenbruch, (mentioned on object), The Hague, (possibly), 1837 - 1880, paper, etching, h 42 mm × w 82 mm

Genre scene, two asleep. from the cycle The Rest". Bloemaert, Cornelis II (ca 1603-1692), graphic artist, Bloemaert, Abraham (1566-1651), draughtsman, cartoonist

Francisco de Goya y Lucientes, This is what you were born for., 1810-1820, etching and aquatint.

The Family of the oriental Peasant, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Plate: 8 3/4 x 7 1/2 in. (22.2 x 19.1 cm)Sheet: 8 3/4 x 6 7/8 in. (22.2 x 17.5 cm). Date: ca. 1740. Museum: Metropolitan Museum of Art, New York, USA.

Standing Philosopher and Two Other Figures, from Capricci 1740-1750 Italy. Etching on paper . Giambattista Tiepolo

L'ne renversé par la foudre , Lightning, Donkeys, Alphonse Legros (1837-1911)

No one has seen us /not one you have used; Board No. 79 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Le coupeur de bois , Woodcutters, Alphonse Legros (1837-1911)

Design drawing by Eduard Charlemont featuring a figure group in 'The Smendacht Dream' for the Burgtheater, executed in black chalk on wrapping paper, 1886-1887.

Water; Aqua; The four elements. A fisherman draws his catch. In the background a net hangs.

Copper engraving by an anonymous artist depicting the capture of Christ, created between 1490 and 1500, showing figures, posture, and interaction.

Faust and Mephisto galloping during Walpurgis Night Faust: Que vois-je remuer autour de ce gibet (...) Faust (series title) Faust, tragédie de M. de Goethe (series title), print maker: Eugène Delacroix, (mentioned on object), printer: Charles Etienne Pierre Motte, printer: Goyer & Hermet, (mentioned on object), Paris, 1828, paper, h 318 mm × w 484 mm

Francisco de Goya y Lucientes / 'Cruel Folly'. 1815 - 1819. Etching, Aquatint, Burnisher on wove paper. Museum: Museo del Prado, Madrid, España.

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Flight with Joseph in the Foreground, 1752. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 188 mm x 250 mm (7.4 in. x 9.84 in.).

Francisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Los desastres de la guerra" (aguafuerte). Plancha 42ª: Todo va revuelto. Lámina publicada por la Real Academia de Nobles Artes de San Fernando. Primera edición. Madrid, 1863.

Rembrandt van Rijn and Studio of Rembrandt van Rijn, Beheading of John the Baptist, c 1627 Beheading of John the Baptist

Young woman drops eggs from her basket, Jean Baptist Leprince, 1769 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. container made of plant material other than wood: basket. eggs, egg-dishes

Victor Alfred Paul Vignon, The Cow (La Vache), 1893 The Cow (La Vache)

Photo production of the engraving 'Eros and three children' by Marcantonio Raimondi, Benjamin Delessert, after Marcantonio Raimondi, 1853 - 1854 photograph publisher: Paris (possibly)publisher: London paper. cardboard salted paper print (story of) Cupid, Amor (Eros)

La Blanchisseuse. Marguerite Thevenard (France, 1710-circa 1770)Charles Nicolas Cochin II (France, Paris, 1715-1790). France, 1710-circa 1770. Prints; engravings. Engraving

This etching and copper engraving by Rembrandt, circa 1631, depicts the beheading of John the Baptist, showing figures, gestures, composition, and execution scene.

Doedelzakspeler, Matthias Scheits, 1672 print paper etching bagpipe, musette. one person playing wind instrument. farmers

A Woman with her Hands on a Vase, Soldier, and Slave, from Capricci 1740-1750 Italy. Etching on paper . Giambattista Tiepolo

Los moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), Plate 6 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Francisco Goya (1746-1828). Caprices. Plaque 80. 18th century. It is time. Prado Museum. Madrid.

SaintChristopher. Artist, school of: Albrecht Dürer, German, 1471-1528

A shepherd in Normandy

Kiking children; The marble.

Abraham sacrifice. Mirror-image copy to the Print of the same name from Rembrandt.

. Wounded soldier. Fifth print from a series of twelve prints with representations of soldiers and horses.

The Pancake Woman. Dated: 1635. Dimensions: plate: 11.3 x 7.9 cm (4 7/16 x 3 1/8 in.) sheet: 11.6 x 8.5 cm (4 9/16 x 3 3/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Magua stöst the war callaus, p.139,Huroni (Wyandotte), Indians, Irozezi, Magua (lit.), Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943)-collections, Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945) - collection, illustrations, literature, modernism (style), war

Roem supports the tired painting, Matthijs Balen (1684-1766), 1723 drawing paper pen / brush Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). 'Picture', Symbolic Repres invention, Allegories and Emblems ~ Painting; 'Painting' (Ripa)

Group sitting in a landscape. Draughtsman: Gesina ter Borch. Dating: c. 1658 - c. 1659. Place: Zwolle. Measurements: h 130 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Francisco de Goya (1746-1828), Quality Alleys Round Dance (75), 1810-1820

Cooking in the open air, Frederick Bloemaert, After Abraham Bloemaert, 1632 - 1670 print Two women and three men in a fire. A half -lying man puts a pan on the fire. With four -line Latin fresh. paper engraving cooking food - CC - in the open air

Sitting Horseman.

Francisco de Goya (Spanish, 1746-1828). They Do Not Know the Way (No Saben el Camino), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

If Two to One, Stuff Your Arse with Straw, from Los Proverbios Made 1815-1824 Spain. Etching and burnished aquatint on Japanese paper . Francisco José de Goya y Lucientes

The Minstery of the Present , parliamentarian of the National Assembly in the Paulskirche, Unknown

Y no hai remedio.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Dead persons, Firing squads, Executions

Copper engraving by Monogrammist BG around 1480 depicting a riding couple on horseback.

Fagot-makers (Les faiseurs de fagots). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Artist: Adriaen van Ostade, Dutch, 1610-1685, The CoupleWalking, ca.1638, Etching, platemark: 7.9 × 6.3 cm (3 1/8 × 2 1/2 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Already They Are Going ("Ya se van") 1807-45 Leonardo Alenza y Nieto Spanish. Already They Are Going ("Ya se van") 335145

Illustration for a Book: Inhabitants Leaving a Conquered City. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 2-15/16 x 5-15/16 in. (7.4 x 15.1 cm). Series/Portfolio: See Metropolitan Museum of Art acc. nos. 59.600.176 - 59.600.212. Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Ni asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Karel Dujardin (1622-78). The violin player, or Savoyard (Dutuit 52). Eat, 1658. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Print, Christ Bearing His Cross; Print Maker: Simone Cantarini (Italian, 1612 - 1648); Italy; etching on paper; 12.8 × 19.2 cm (5 1/16 × 7 9/16 in.); 1896-31-40

Francisco de Goya y Lucientes / 'Not even this way'. 1810 - 1814. Wash, Etching, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

Rijn, Rembrandt van, The blind fiddler, verso - stamped, print, prints, height 79 mm, width 53 mm, print maker, printmaker, 1631 - 1631, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Global car with farmers. A cart, drawn by two horses, leaves a peash. In addition to a Menner are four people on the cart. One of them waves a handkerchief.

David and Goliath, Rembrandt van Rijn, 1655 print paper etching story of David and Goliath (1 Samuel 17)

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

The Reaper 1853 After Jean-François Millet French. The Reaper 371537

Soldier with a stick, Salvator Rosa, c. 1656 - c. 1657 print A soldier with a feathered hat, a stick in his right hand and with his left hand pointing out. Italy paper etching / drypoint the soldier; the soldier's life. walking-stick, staff. index finger forwards, pointing, indicating

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