Dynamic Action and Group Scenes

Sketches capturing various scenes of action, including dogfights and celebrations, illustrating lively interactions among figures.

Children playing in front of the side of a building in Zwolle, c. 1656 drawing Zwolle paper. ink.

Illustration for a Book: Siege of a City 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Siege of a City 339297

Group of Figures: A Dogfight. Date/Period: Ca. 1785. Genre subject. Graphite, brown wash and gouache on medium, cream, slightly textured laid paper. Height: 111 mm (4.37 in); Width: 197 mm (7.75 in). Author: Paul Sandby.

Figures Lighting A Fire And Fireworks, William Williams (England, active 1763 - 1800)

Landscape with a cow between two fantastic creatures on horseback, Christoph Jamnitzer, 1573 - 1610 print The cow wears a large tree between the horns. Two children suck on her udders. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, divided into three books Germany (possibly) paper etching

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

John Hamilton Mortimer, 1740-1779, British, Three Soldiers in Armour Sitting on Stone Blocks, undated. Pen and black ink on medium, slightly textured, cream laid paper.

Children playing in front of the side of a building in Zwolle, c. 1656 drawing Zwolle paper. ink.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Political Caricature: 'The Spiritualists', Anthony Walker, 1726-1765, British, formerly attributed to William Hogarth, 1697-1764, British, undated, Gray wash and pen and gray ink on medium, slightly textured, cream laid paper, Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm), bottles, caricature, coats, desks, devil, genre subject, hats, jesters, men, politics, swords, wings (costume accessories), women

Plate 17 of the 'Tauromaquia': The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 9/16 x 13 3/4 in. (24.3 x 35 cm)Sheet: 12 x 17 1/2 in. (30.5 x 44.5 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Feather drawing showing six craftsmen, one standing and five seated, with tools in front of them.

Genre scene sketch Cercha, Stanis AW (1867 1919)

Bacchanale with Children and Donkey 19th century Jean-Baptiste Carpeaux French. Bacchanale with Children and Donkey. Jean-Baptiste Carpeaux (French, Valenciennes 1827-1875 Courbevoie). 19th century. Etching. Prints

Sater with dancing nymphs; Bacchanals. The Sater in the middle with a penis cooker is surrounded by dancing nymphs. A person behind him keeps a portrait of a man up. A classic building in the background.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Soldier with Horse and Groom, from the Vari Capricci, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, Only state, Italy, 1750-1760, Print, Print

Blondin, the hero of Niagara, Rope dancers from the flea, Unknown

The Annunciation to the Shepherds, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1655, paper, pen, brush, h 189 mm × w 280 mm

A Standing Woman Holding a Child, a Seated Male at her Feet, first half 18th century. Alessandro Magnasco (Italian, 1667-1749). Pen and brown ink with brush and brown wash over red chalk; sheet: 19.2 x 22.9 cm (7 9/16 x 9 in.).

George Romney, 1734-1802, British, Group of Figures, with a Flying Figure Above, undated. Graphite on medium, slightly textured, cream laid paper.

Market, Willem van Wessem, Jacques Dassonville, 1735 - 1787

Bandits are warned, Bartolomeo Pinelli, 1819 - 1823 Four bandits are warned by a woman with child. The print is part of an album. Rome paper etching Four bandits are warned by a woman with child. The print is part of an album. Rome paper etching

Le Paysan Frappant son Ane (The Peasant Striking his Donkey), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 25 1621-35 Jacques Callot French. Le Paysan Frappant son Ane (The Peasant Striking his Donkey), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 25. Lux Claustri ou La Lumière du Cloitre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching; second state of two (Lieure). François Langlois (French, baptized Chartres, 1588-1647 Paris). Prints

Man Helping a Rider to Mount a Horse, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1640 - c. 1641, paper, pen, h 142 mm × w 149 mm

Man helping a rider to mount a horse, Rembrandt van Rijn, c. 1640 - c. 1641 drawing Amsterdam paper. ink pen riding a horse, ass, or mule; rider, horseman

Figures in costumes from 1420-1440, 1885 Mainly studies of knights with swords, including knights on horseback, and two female figures who wear long dresses and main caps. Page 6 from a sketchbook with 6 sheets. . historical costume. knight. hacking and thrusting weapons: sword. head-gear: cap (+ women's clothes)

Four painters (the Koekkoek brothers) Enter the landscape. Draughtsman: Barend Cornelis Koekkoek. Dating: 1813 - 1862. Measurements: h 143 mm × w 234 mm. Museum: Rijksmuseum, Amsterdam.

Two standing men, a seated man and a head study, Herman Saftleven, 1619 - 1685, draughtsman: Herman Saftleven, 1619 - 1685, pencil, brush, h 99 mm × w 149 mm

The Entombment of Christ Artist's working dates 1451-1506 Italy. Pen and brown ink on cream tracing paper . Andrea Mantegna

Thomas Rowlandson, Doctor Syntax at the Scene of a Shipwreck, c. 1815-20, pen and brown ink over watercolor and graphite on tan wove paper.

Four painters (the Koekkoek brothers) enter the landscape, laden with drawing and painting utensils, Four painters (the Koekkoek brothers) enter the landscape., draughtsman: Barend Cornelis Koekkoek, 1813 - 1862, paper, h 143 mm × w 234 mm

Markt, Willem van Wessem, after Jacques Dassonville, 1735 - 1787 print A crowd on a market. On the right a woman leaning on a lower door. Amsterdam paper etching market. horse

Francisco de Goya (1746-1828), the Moorers who settled in Spain and abandoned the Quran's superstition, acquired this art to hunt and spit a bull on the plain, 1815-1816

Etching by Augustin Hirschvogel, 1549, depicting Ananias and Sapphira, emphasizing figures, gestures, and narrative.

Bust of a screaming male man and bust of a man with beret with plume; Collection of different scribbles and etchings; Recueil De Divers Griffonements & Preuves d'eau forte ..

Joseph in Prison Interpreting the Dreams of the Butler and Baker, Rembrandt van Rijn, c. 1650 - c. 1655 drawing Amsterdam paper. deck paint. ink pen / brush Joseph interpreting the dreams of the butler and the baker (the two dreams combined). Joseph interpreting the dreams of the butler and the baker (the two dreams combined)

Two women and two men, Herman Saftleven, 1619 - 1685 drawing Two standing women, a sitting man and a man walking to the left. paper. pencil. chalk brush standing figure - AA - female human figure. sitting figure

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Taking Over the Cart or Children with the Cart 1862 Charles-François Daubigny. Taking Over the Cart or Children with the Cart. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper, redrawn in graphite on verso. Drawings

Standing bearers with Habsburg weapons and the Pope van Rome, Plaat I, 1530 - 1536 print Conducting carriers with weapons from Habsburg and the Pope Clemens VII van Rome, plate I. PROCESS OF Charles V with the Pope Clemens VII in Bologna after his coronation to Keizer, February 24, 1530. Mechelen paper etching festivities (+ parade, pageant, cavalcade ~ festive activities) Bologna

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Anonymous depicts Joseph narrating his dreams using brown ink and white highlights, showing Joseph and listeners, gestures, and expressions on paper around 1645.

Reverse Copy of Le Paysan Portant son Sac (The Peasant Carrying his Sack), from Les Caprices Series A, The Florence Set 17th century Anonymous. Reverse Copy of Le Paysan Portant son Sac (The Peasant Carrying his Sack), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Anonymous. 17th century. Etching. Prints

Pogoń of the horse after Prince Leszek Biały, a leather from the woodcut in: "A collection of woodcut imprints in various Polish works in the 16th and 17th centuries reflected and now in the Library of the Jagiellonian University preserved", Kraków 1849, No. 1164 il. p. 99 - Print according to the woodcut in: Maciej Miechowita, "Chronica Polonor m, Impressum Craccovi a E: per hieronym m Vietore m", December 1, 1521, book one, part VIII; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

An ink and pen drawing by an anonymous artist showing spectators on a rotunda balustrade, with a seated antique warrior in the foreground holding his sword and observing a second warrior, highlighting posture and interaction.

Francisco de Goya (1746-1828), a Maurer caught by the Taurus in the Arena, 1815-1816

Georg Philipp Rugendas drawing in red chalk and stone chalk depicting figures fleeing, showing human motion and gesture.

Jean Louis Forain, The Return Home, c 1915 The Return Home

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Stuers, Victor de, Montfort, baroness de, Caricature of the treatment of a man in a health resort, recto lower left - handwritten in pencil, print, caricature, prints, pictures, verso - stamped, Tubière Grimoard, recto lower right - handwritten in pencil, Pseudonym of the baronnes de Montfort à Montpellier 1907., 75, height 138 mm, width 182 mm, print maker, printmaker, 1900 - 1908, paper, papier, drypoint, dry needle, plaattoon, 1843-10-20 - 1916-03-21, intermediary draughtsman

Woodcut on paper by an unidentified artist depicting the entry of Emperor Charles V into Bologna on November 5, 1529, showing ceremonial processions on sheets 14 to 16.

A satire by French artist Jacques Callot titled 'The Mouth's Labour', c1592-1635.

Sheet of Sketches: Six Figures. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1758-1778. Dimensions: 231 x 365 mm. Pen and black and gray ink on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A pencil sketch sheet by Rudolf Weyr showing figures, compositional elements, and preliminary design details.

Two Figures and a Dog 17th century () Anonymous, Dutch, 17th century Dutch. Two Figures and a Dog 335261

Cheerful company.

Three grotesiness mixing, leaf from the "Neuw Grottensken book". .

Street fight. Kostrzewski, Franciszek (1826-1911), draughtsman, cartoonist

Royal Recreation, Isaac Cruikshank, 1756-1810, British, 1795, Etching

On the beach , Beaches, Sunbathing. Charles H. Woodbury (1864-1940). Prints

Wonderful Fishing, Ugo da Carpi, After Rafaël, 1609 print Christ is in the boat and Peter kneels for him. Behind Peter is Andreas, who is in surprise about the many caught fish spreading his hands. James and Johannes bring in the nets in the other boat. print maker: Italypublisher: Mantua paper the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

A Man and a Monkey Riding on Horseback (in Sketch Book With Drawings on Twenty-six Leaves). Artist: Frederic, Lord Leighton (British, Scarborough 1830-1896 London). Dimensions: Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm). Date: ca. 1849. Museum: Metropolitan Museum of Art, New York, USA.

Costume of the street Davis and Hudson Bay, 1726, 1726 print Man and woman in costume of the street Davis and Hudson Bay. Plate no. 455 in part XVIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 hand -numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Amsterdampublisher: Leiden paper etching folk costume, regional costume. indigenous peoples of the American arctic regions Canada. Greenland

Allegorical representation of Niyazi Beya over the sixth monster; around 1908 (1903-00-00-1912-00-00);Semerau-Siemianowski, Władysław (1849-1938), Semerau-Siemianowski, Władysław (1849-1938)-collection, poster, gift (provenance), occasional prints, Islamic art, Turkish art

Pedro de Orrente / 'Various studies / Soldiers'. XVII century. Pencil, Chalk ground on laid paper. Museum: Museo del Prado, Madrid, España.

Etching 'The Rider' by Rembrandt van Rijn, around 1629, depicting a mounted figure on horseback with detailed landscape and attire.

Jacques Callot (1592-1635). "The whims, the peasant shock. Thirtieth number of the suite of 50 pieces engraved in Florence" (Lieure 243, Meaume 828). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-2 Etching, engraving

The Artist's Studio, Henry Bernard Chalon, 1771-1849, British, undated, Graphite on medium, slightly textured, blued white, wove paper, mounted on thick, smooth, cream, wove paper, Sheet: 3 1/8 × 4 5/8 inches (7.9 × 11.7 cm), Contemporary drawn border: 4 1/2 × 6 1/8 inches (11.4 × 15.6 cm), and Mount: 5 5/8 × 7 1/16 inches (14.3 × 17.9 cm), artist, artworks, dog (animal), drawing, easel, figure study, genre subject, horse (animal), men, painting, studio (work space)

Worship of the Golden Calf Made 1668-1720 Italy. Pen and black ink with brush and blue wash, heightened with lead white (partly discolored), on ivory laid paper . Antonio Zannoni

The Dairymaid of Boulogne (Third Plate). Alphonse Legros (French, 1837-1911). Etching;

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Study sheet with two standing men and a seated man, whose head has been repeated three times. Draughtsman: Cornelis Troost. Dating: 1706 - 1750. Measurements: h 188 mm × w 295 mm. Museum: Rijksmuseum, Amsterdam.

Drawing, Five Men; Italy; pen and ink, brush and bistre on paper

Scene from the story of Don Quixot, Johann Christoph Weigel, 1725 print Numbered below: 6. Nuremberg paper etching Don Quixote. birds

Hektor sets fire to the Greek ships, 1804 print Hektor sets fire to the Greek ships. Print no. 16 on page 9 in the album 'Raccolta di Soggetti pictures', a Prentalbum with 42 numbered etchings on 28 pages of Luigi Sabatelli (I) himself and from students to his design. paper etching Hector - most important deeds

The Leopards' Cage at the Menagerie mid-18th-early 19th century Giovanni Domenico Tiepolo Italian. The Leopards' Cage at the Menagerie. Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). mid-18th-early 19th century. Pen and brown ink, brown wash, over black chalk. Drawings

Drie belades shifts, herman's seducts, 1619 - 1685 drawing paper. chalk brush oaring, sculling. oaring, sculling

Five Drunken Villagers and a Woman on a Sleigh. Vijf dronken boeren in een slede. Draughtsman: Cornelis Dusart. Dating: 1680 - 1695. Measurements: h 160 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.

Anonymous / 'Saint Francis in Prayer'. XVII century. Pencil, Red chalk, Grey-brown ink on brown paper. Museum: Museo del Prado, Madrid, España.

Les bûcherons (2nd plate) , Woodcutters, Trees, Alphonse Legros (1837-1911)

Two men dragging with a cart, c. 1651 drawing Zwolle paper. ink. chalk brush

Bartolomeo Pinelli, Death of Epaminondas, 1812, Pen and brown and grey ink and brush and brown and gray wash, over black chalk, heightened with white, on thick ivory wove paper, laid down on artists mount.

Francisco de Goya (1746-1828), a Maurer caught by the Taurus in the Arena, 1815-1816

Northern Netherlands, Orange tree pulled down, 1795, verso - stamped, Cartoon on stadtholder William V, who is fleeing to England on 18 January 1795. The Austrian and Prussian eagles try in vain to keep the Orange tree upright, which is pulled down by a citizen. Jupiter sends lightning bolts from the clouds. On the left the French rooster chases away the English dog, in the background the alliance of the Dutch Maiden with France around the tree of liberty in the Dutch Garden., print, engraving, cartoon, prints, engravings, Frederik Muller Historieplaten, height 181 mm, width 251 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, etsen

Rider and hunting scene in a Chinese landscape, 1727 - 1775 print Landscape with a rider on the left and a figure with fan under a parasol. A river goes through the landscape with a hunting scene on the other side. paper etching Chinese. river. hunt ~ mammals

Paul Gauguin (French, 1848 - 1903), The Ox Cart (Le char a boeufs), in or after 1895, woodcut on japan paper

Children playing in front of the Raadhuistoren and the school in Zwolle, Moses ter Borch (attributed to), c. 1656, draughtsman: Moses ter Borch, (attributed to), Zwolle, c. 1656, paper, h 149 mm × w 199 mm

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: tenth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Della Bella, Stefano (known as Etienne de la Belle) (n.1610-05-18-D.1664-08-22), a Pole holding a horse by the bridle and speaking to two other men (A. de Vesme 289; Dutuit 220) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

'Story of Tobit'. The Netherlands. The Netherlands, 1540s. Dimensions: 19,5x41,5 cm. Museum: State Hermitage, St. Petersburg. Author: Master of the Prodigal Son.

Bartping image on the Spaniard, Pieter Jansz Quast, 1644 drawing Spotting drawing on the Spaniard: a richly dressed Spaniard is in the midst of seven scoops, who have to blow and mock him. parchment (animal material). pencil brush Europeans: Spaniards (+ caricatured)

Anthony Pasquin, 1763-1818, British, Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England, undated. Pen and brown ink on medium, slightly textured, cream wove paper.

Creditor and poverty-seeker, 1720, anonymous, 1720, Cut-out sheet with the drawn design for the representation of the creditor and poverty-seeker, part of the print depicting the Rise and Fall of the Actionists. Design for a part of print 7 in the series The Great Tableau of Folly with cartoons on the Wind Trade or Action Trade of 1720. Design for a print., draughtsman: anonymous, Northern Netherlands, 1720, paper, h 95 mm × w 68 mm

Family, William Williams (England, active 1763 - 1800)

Study sheet with Jacob wrestling with the angel, Harmen ter Borch, after Gerard ter Borch (I), 1649, draughtsman: Harmen ter Borch, (mentioned on object), intermediary draughtsman: Gerard ter Borch (I), Zwolle, Feb-1649, paper, brush, h 125 mm × w 174 mm

Jupiter and Callisto and Venus and Adonis. Two performances on a leaf. Above: Jupiter, in the form of moon godin Diana, embraces Callisto. She holds a bow in her hand. Below: a woman touches a seated man, with bow in his hand, and says something to him. The Venus is probably, who wants to prevent her beloved Adonis to hunt. This print is part of an album.

Sketch of putti with symbols related to the VOC, Jurriaan Andriessen, 1752 - 1819, paper, graphite (mineral), h 96 mm × w 250 mm

Anatomical drawing. Artist: Anonymous, French, 18th century. Dimensions: sheet: 8 5/16 x 13 3/16 in. (21.1 x 33.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

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