Dynamic Human Figures

Artistic studies of human anatomy from various angles, displaying muscular forms and dynamic poses through detailed sketches and etchings.

Soldier, draughtsman: Pellegrino Tibaldi, (attributed to), after: Michelangelo, 1542 - 1596, paper, h 341 mm × w 194 mm

Lying naked man, Jean Augustin Daiwaille, 1820 - 1833 print The man is on the floor. He is lying on his back with his lower body turned and raised his right leg. His right hand rests on his diaphragm. Amsterdam paper adult man (+ lying). nude with covered genitals (+ lying)

Backward male nude. Draughtsman: Jan Willem Pieneman. Dating: 14-Feb-1803. Measurements: h 610 mm × w 463 mm. Museum: Rijksmuseum, Amsterdam.

Study of the act of sitting measures; Bonnet, Louis Marin (1736-1793), Bouchardon, Edmé (1698-1762); before 1793 (1756-00-00-1793-00-00);School of decorative arts (Warsaw) - collection, acts, male acts, reproductive graphics, drawing, art, studies (sketches), academic study

Pierre Puvis de Chavannes (1824-1898). Standing man, brandishing an ax. Black pencil with white raises on gray-blue paper that has become gray. Museum of Fine Arts of the City of Paris, Petit Palais. 78969-22 Black pencil, front, drawing, human body study, ax, naked man, male naked, nudite, hold, 19th century

Emerich Fechter created a drawing of a naked grotesque male figure using pen and feather technique.

Kneeling male nude, seen from the front (1st prize 1804), Johann Joseph Schwachhofer, 1804 drawing paper. chalk kneeling figure (+ nude human being). kneeling figure (+ nude human being)

Prometheus bound to a rock, his liver eaten by an eagle. Crayon manner print by Lucien after P.T. Leclerc.

Arthur Pond, ca. 1705-1758, British, Untitled: Man, 1740.

The Amazon (Study) Anselm Friedrich Feuerbach (1829-1880 German)

Personification of day. Copy of the Personalization of Day at the Medici Graftombe in the S. Lorenzo, Florence.

Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534, Seated Man Holding aFlute, early-mid 16thcentury, Engraving, platemark: 17 × 11.6 cm (6 11/16 × 4 9/16in.), Italian, 16thcentury, Works on Paper -Prints

Antonello da Messina's sketches feature Saint Sebastian and possibly Thomas Aquinas, drawn with chalk and feather using brown and gray washes.

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Two Male Figures: Study for "The Good Samaritan". Dated: 1918. Dimensions: overall: 43.4 x 26.2 cm (17 1/16 x 10 5/16 in.). Medium: black and white chalk on gray laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles Hazelwood Shannon.

Man studying half-body, the arm tense Ary Renan (1848-1900). "Study of man in mid-body, the stretched arm". Paris, museum of romantic life.

Male nude, lying on the abdomen, shortened, Louis Fabritius Dubourg, 1726 drawing paper. chalk the (nude) human figure; 'Corpo humano' (Ripa)

A Seated Slave. Artist: Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). Dimensions: 18 1/8 x 12 3/16 in. (46 x 31 cm). Date: mid-18th-early 19th century.A contemporary of Domenico Tiepolo, Novelli was a decorative painter and prolific draftsman. This drawing is a copy after one of the four bronze sculptures of slaves on the base of the monument to the Grand Duke Ferdinand I de' Medici of Tuscany (Piazza Giuseppe Micheli, Livorno, Italy). These highly dynamic figures of bronze enchained captives, positioned at the four corners of the pedestal in crouching postures, were designed by the sculptor Pietro Tacca and installed in 1626. The marble statue of Ferdinand I surmounting the pedestal was sculpted by Giovanni Bandini, whose work is exhibited nearby. Museum: Metropolitan Museum of Art, New York, USA.

Sitting male naked. Draughtsman: Steven Goblé (mentioned on object). Dating: 1780 - 1799. Measurements: h 532 mm × w 413 mm. Museum: Rijksmuseum, Amsterdam.

Man met bladmuziek, Venetian Agostino, After Baccio Bandinelli, 1515 print At the foot of a tree is a naked man. He wears a cloth on his head and sits next to an open book with sheet music. A (measuring) instrument in his left hand. In the background a village with a church. Italy paper engraving notation of music. the (nude) human figure; 'Corpo humano' (Ripa). city-view, and landscape with man-made constructions

Christ with the Cross. Circle of Rosso Fiorentino; Italian, 1494-1540. Date: 1528-1532. Dimensions: 333 × 175 mm. Black chalk, on cream laid paper, laid down on tan laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

A study of the naked man, depicted to the belt, lifted up; Thoma, Hans (1839-1924); around 1882 (1877-00-00-1887-00-00);

The Heilige Jerome Pietro Rotari, after Antonio Balestris, 1725 print Italy paper etching the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Study of a lying naked man, draughtsman: Carle van Loo, 1715 - 1765, paper, brush, h 514 mm × w 427 mm

Plaster of antique statue of standing nude man, with raised left arm, draughtsman: Johannes Tavenraat, anonymous, 8-Nov-1827, paper, h 585 mm × w 348 mm

Amsterdam, Daiwaille, Jean Augustin, Seated naked man, verso - stamped, The man is sitting on a block and holds his hands above each other and outstretched in front of him. He looks to the lower left., print, prints, height 545 mm, width 425 mm, 1786-08-06 - 1850-04-11, print maker, printmaker, 1820 - 1833, paper, papier, lithografie (techniek), druk in rood

The left arm stretched, Anonymous, 1700 - 1800

. Night personification lying on a stone bow. Under her arm, the face of an old man can be seen, under her knee a bird of prey.

Study of a Nude Man Posed as Bacchus. Antoine Coypel (French, 1661 - 1722)

Woman with sword and shield, possibly minerva, schiavone (attributed to), 1532 - 1563 print Italy paper etching (story of) Minerva (Pallas, Athena)

A study of the naked desire to sit on stone and pouring water pouring out from shells; Thoma, Hans (1839-1924); 1880-1900 (1880-00-00-1900-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, acts, shells, men, German drawings

Roof of a Sabine woman, side view, Jan Harmensz. Muller, After Adriaen de Vries, 1596 - 1600 print. drawing A Roman is robbing a Sabine woman. Side view of a washing model by sculptor Adriaen de Vries. Amsterdam paper. chalk engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast. piece of sculpture, reproduction of a piece of sculpture

A King of Judah and Israel. Artist: Martin Fréminet (French, Paris 1567-1619 Paris). Dimensions: Sheet: 17 1/8 x 10 5/16 in. (43.5 x 26.2 cm). Date: n.d..Fréminet, who had built a considerable reputation in Italy, was summoned back to France in 1602 by the French king, Henri IV who, two years later, put him in charge of decorating the vault of the chapel of the Trinity at the château of Fontainebleau. Fréminet's concept was for a compartmentalized ceiling featuring scenes in oil on plaster within a complex scheme of painted and gilt stucco ornament. This study is preparatory for one of the eight standing figures of kings of Judah and Israel which punctuate the side walls.The figure's strength and regal bearing are expressed in the lively ink line delineating the musculature and Roman military costume, while the anatomy is further accentuated with a smoky shading in black chalk and touches of white chalk. Drawn as if seen from below, the king stands in contrapposto, his right hand on hi

Sitting naked man with flute, Cornelis van Noorde, after Samuel van Hoogstraten, after Rembrandt van Rijn, 1765 print A naked sitting man with a flute or a stick in his hands. Haarlem paper sitting on the ground. wind instruments

Photo production of drawing Raphael from Windsor Castle, two struggling men.

Male nude, lying on the belly over a rock, Jacob Smies, 1803 drawing Male naked, lying on the stomach over a rock. No. 27. paper. chalk lying figure

Sitting male nude, the head on the knee, draughtsman: Jacob Willemz. de Vos, 1809, paper, h 309 mm × w 409 mm

Seated male nude, Adriaen van de Velde, 1646 - 1672 drawing paper. chalk sitting figure

Figure (recto and verso), from Premier livre de figures dAcademies gravées en Partie par les Professeurs de l Académie Royale 1737 France . Collin de Vermont

Photo production of a drawing by Giovanni Francesco Penni, figure study of a man standing on a fish, Charles Thurston Thompson, After Giovanni Francesco Penni, After Rafaël, c. 1852 - in or before 1857 photograph Windsor Castle paper albumen print adult man. fishes

Venus with fruit in her hands. Image of Venus, the goddess of love, naked, seen on the back. In her right hand she holds fruits and leaves. The image comes from the collection of Vincenzo Giustiniani, whose weapon on the base can be seen.

Male nude, lying on the side, to the left. Draughtsman: Louis Fabritius Dubourg (mentioned on object). Dating: 1737. Measurements: h 465 mm × w 308 mm. Museum: Rijksmuseum, Amsterdam.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Peasant with the feet in the water turning her dress. Eleventh number of a suite of 23 pieces. (A. de Vesme 469; Dutuit 123) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

An écorché seen from the back. Red-chalk drawing, 17th century.

Hercules from Maczug in a long time, sitting at a division; Koska, Ferdinand (1808-1862); around 1854 (1849-00-00-1859-00-00);

Medicine, Anatomy, Reclining Male Figure, by Michelangelo, Historic, digitally restored reproduction from a 19th century original.

Academy Study after Plaster of Laocoön, Johannes Taventrate, After Anonymous, 1819 - 1881 drawing paper. chalk piece of sculpture, reproduction of a piece of sculpture (+ ceramics ~ arts). names of artefacts and man-made objects (buildings excluded). Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice

The Borghese Gladiator. Pencil drawing by R. Earlom.

Francisco Bayeu / 'Crippled man'. 1787 - 1791. White chalk, Black chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

A red chalk drawing by Andrea Appiani depicting a standing putto, highlighting the figure's posture and proportions.

Saint Christopher and the Holy Child. Guido Reni (Italy, Bologna, 1575-1642). Italy, 1600-1640. Prints; engravings. Etching

Chalk drawing by Francesco Bartolozzi showing a seated male figure, supported by a rod, executed with red and white chalk on brownish paper.

Battista Franco, Saint John the Baptist, 1550s Saint John the Baptist

Black and white chalk drawing by Giovanni Battista Casanova depicting a group of Florentine wrestlers, executed on brown painted paper.

Figure (recto and verso), from Premier livre de figures d'Academies gravées en Partie par les Professeurs de l' Académie Royale. Collin de Vermont (French, 1693-1761); Charles-Nicholas Cochin, the younger (French, 1715-1790); after Charles-Joseph Natoire (French, 1700-1777); printed by Gabriel Huquier (French, 1695-1772); published by Jombert Père (French, 18th century). Date: 1737. Dimensions: 276 × 183 mm (recto plate); 222 × 193 mm (verso plate); 307 × 233 mm (sheet). Etching (recto and verso) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

HOMBRE DESNUDO - SIGLO XIX. Author: MARIANO FORTUNY. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Study of a kneeling male nude figure, Francesco Trevisani, 1685 - 1695 drawing paper. chalk kneeling figure

Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 18 5/8 x 12 in. (46.7 x 30.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The act of sits; Alchimowicz, Kazimierz (1840-1916); 1873 (1873-00-00-1873-00-00);Polish Artistic Society (Warsaw - 1899-1939) - collection, men's acts

Muscles of lower leg and knee: two figures. Red-chalk drawing, 17th century.

Homme drape, tourne vers la droite et tˆš¢te d'un autre.

Lazio Viterbo Bagnaia Villa Lante00. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint John the Baptist. Dated: 1550s. Dimensions: plate: 18.4 × 28.7 cm (7 1/4 × 11 5/16 in.) sheet: 19.1 × 29 cm (7 1/2 × 11 7/16 in.) mount: 25.2 × 31.9 cm (9 15/16 × 12 9/16 in.) (all unevenly cut). Medium: etching with engraving on laid paper, laid down on blue paper. Museum: National Gallery of Art, Washington DC. Author: Battista Franco.

Nicolai Abildgaard (1743-1809), sitting mask figure, circular framed. Draft decoration in Teahouse in Sorgen Free Park, 1743-1809

Bacchus, Hendrik Van Der Borcht (II), After Parmigianino, 1638 print A naked bacchus with a wine jug in his right hand and a winebokaal in his left hand. He seems to dance to clouds. Print from a series to various drawings by Parmigianino from the Arundel collection. paper etching (story of) Bacchus (Dionysus), Liber. bottle of wine. glass of wine

Christus wijzend op de wond in zijn zijde. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1610 - 1630. Place: Verona. Measurements: h 285 mm × w 190 mm. Museum: Rijksmuseum, Amsterdam.

Anonymous depiction of Pan as an atlant in side view integrated into a fireplace, executed with feather, laved, and white grown on blue-gray paper between 1550 and 1580.

'Study of a Woman', 1937. Artist: Aristide Maillol.

Reclining River God. Artist: Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). Dimensions: 18 7/16 x 24 7/8 in. (46.8 x 63.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The lion dender. Sitting naked man.

Apollo, half-length, and sketch of a vase. Artist: Hendrick Goltzius. Draughtsman: anonymous. Dating: 1700 - 1799. Place: Nederlanden. Measurements: h 255 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Design for a statue of Christ, Louis Royer, 1803 - 1868, Design for a sculpture., draughtsman: Louis Royer, 1803 - 1868, paper, h 323 mm × w 198 mm

Male nude, lying on the belly over a rock. Draughtsman: Jacob Smies (mentioned on object). Dating: Feb-1803. Measurements: h 363 mm × w 519 mm. Museum: Rijksmuseum, Amsterdam.

Sabinous virgin robbery. A rocky party is a Roman man with a rowed Sabijn Virgin in his arms. She turns away from him with spread arms. Between the legs of the Roman, a reported Sabijn man.

Mercury Abducting Psyche ca. 1621 Adriaen de Vries Netherlandish. Mercury Abducting Psyche 374027

Lévy, Henri-Léopold (n.1840-09-23-D.1904-12-30), Study (main title). Charcoal on paper put on the tile. Petit Palais, Museum of Fine Arts of the City of Paris.

Hendrick Goltzius (1558-1617); Cornelis Cornelisz. Van Haarlem (1562-1638), De Fire Himmelstormer - Phaeton, 1588

Italy, Parmigianino, Trento, Antonio da, Christ and the twelve apostles, Saint Philip, verso - stamped, The standing apostle Philip with cross., print, prints, height 124 mm, width 68 mm, Italian, 1510 - 1550, print maker, printmaker, 1520 - 1550, 16th century, paper, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24

Pen drawing by Bartolomeo Suardi, known as il Bramantino, depicting Christ standing with a cross, executed in laviert pen with white highlights.

Albrecht Dürer, Saint Sebastian Bound to the Tree, 1500-1501, engraving on paper.

Fighters. Engraving of the sculptural group exhibited at the Charpentier Gallery in Paris which reproduces the work of the French sculptor Felix Charpentier (1858-1924). Engraving by Thiriat.

L.a. School (1838-1867), KENTARUARY, 1866

Nicolai Abildgaard (1743-1809), Loer day. The winged man figure of the time or death, with a le in one hand, in the other one ended ring, 1743-1809

Juan Bautista Martínez del Mazo (Copy after: Rubens, Peter Paul) / 'Mercury'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Marsias, Cornelis Bloemaert (I), after joachim von Sandrat (i), c. 1636 print An image of the Sater Marsyas just before he starts being skinned. With his hands and feet he is tied to a tree. His pan flute is on the floor. The image comes from the Vincenzo Giustiniani collection, whose weapon can be seen on the pedestal. paper engraving (story of) Marsyas. piece of sculpture, reproduction of a piece of sculpture

Cupid from Amor Arguing with Zeus, After Raphael, Raphael, (Italian, 1483-1520), Red crayon on paper, Standing figure of cupid facing right. Copy of Cupid from the fresco, 'Armor Arguing with Zeus.', Italy, 1550-1600, figures, Drawing, Drawing

The Return of the Prodigal Son. Dated: c. 1640. Dimensions: sheet: 20.5 x 18 cm (8 1/16 x 7 1/16 in.). Medium: pen and brown iron gall ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: called Guercino Giovanni Francesco Barbieri.

A red chalk drawing with wash and white heightening by Guglielmo Cortese depicting St. Pasquale with a raised view of the sky, emphasizing figure and composition.

Black ink sketches by Anton Hanak for a Beethoven monument in Berlin, created 1928-1933, focusing on structural and compositional studies documented in 1933.

Fury, Buonarroti, Michelangelo, 1510

S. Jacobus Minor, Print made by Johann Lorenz Haid, 1702-1750, German, after Giovanni Battista Piazzetta, 1682-1754, Italian, Published by Johann Christian Leopold, 1699-1755, German, early 1750s, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 20 1/16 x 14 inches (51 x 35.6 cm), Plate: 15 3/16 x 10 5/8 inches (38.5 x 27 cm), and Image: 13 13/16 x 10 5/8 inches (35.1 x 27 cm), apostle, beard, Christian, Christianity, cloak, curls, disciple, gaze, halo, historical subject, moustache, religious, religious and mythological subject, solemn, staff, thoughtful

Amsterdam, Muller, Harmen Jansz, Vries, Adriaen de, Jan Harmensz., Mercury and Psyche, Mercury and Psyche: side view with the side of Mercury, verso - stamped, Mercury carries Psyche to heaven. After a sculpture by sculptor Adriaen de Vries. Side view with the side of Mercury., print, prent, prints, height 510 mm, width 260 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1595 - 1599, paper, papier, engraving, engraving (printing process), 1556 - 1626-05-15, after image by, Publication (Event), Publication, Netherlands, 1540 - 1617-10-07, publisher

Bust of a man with beard, to the right, Jan van Somer, 1655 - 1700 print paper

National Games in Olympia. Greek olympic athletes. Greece ancient history. Old engraving illustration from the book Universal history by Oscar Jager 1

Naked Woman Op A Rock, Cornelis Schut (I), After Peter Paul Rubens, 1618 - 1655 print To Rubens' Diana paper etching human figure of ideal proportions, e.g. academic nude - AA - female human figure

Academy. Dimensions: plate: 45.9 x 50.1 cm (18 1/16 x 19 3/4 in.) sheet: 46.5 x 50.7 cm (18 5/16 x 19 15/16 in.). Medium: chalk manner in red on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder after Carle Van Loo Gilles Demarteau.

"Coral" (Study for Mural, World's Columbian Exposition, Chicago). Artist: Walter Shirlaw (American, Paisley, Scotland 1838-1909 Madrid). Dimensions: 54 1/2 x 31 3/4 in. (138.4 x 80.6 cm). Date: ca. 1892. Museum: Metropolitan Museum of Art, New York, USA.

W Drowiec; Kowarski, Felicjan Szcząny (1890-1948); 1945 (1945-00-00-1945-00-00);Contemporary painting, message (provenance), genre scenes

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