Egyptian Funerary Objects

Canopic jars and shabti figurines from ancient Egypt, crafted from various materials, representing significant cultural and religious practices of the time.

Adoring ,, c. 960 - C. 1279 Adorant. On a pedestal. China . Adorant. On a pedestal. China .

Canopic Coffin in the Form of Imsety. Dimensions: L. 27.2 × W. 9 × H. 6.7 cm (10 11/16 × 3 9/16 × 2 5/8 in.). Dynasty: Dynasty 22. Reign: reign of Osorkon I. Date: ca. 924-889 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Faience amulet in the form of a lion-headed deity. Culture: Egyptian. Dimensions: H.: 2 7/8 in. (7.3 cm). Date: 664-30 B.C..Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for Sakhmi, the War Goddess, a ram for Khnum and a cat for Bast. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591088

OUCHEBTI. Terracotta with blue glaze. Magne collection. Coming from: avenue des Gobelins, n ° 14, 1880. Paris, Musée Carnavalet. Momiform figurine (or osiriaque), her arms crossed on the chest; His hands hold the scepter Heka and the Flabellum Nekhakha (or Nekher) Egyptian antiquity, chaouabti, blue glacure, uuchebti, funeral statuette, terracotta, ancient

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.7 × w. 4.4 × d. 3.6 cm (4 5/8 × 1 3/4 × 1 7/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

TOGADO OFERENTE PROCEDENTE DEL CERRO DE LOS SANTOS - ESCULTURA IBERICA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 623387

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625422

Adoring ,, c. 960 - C. 1279 Adorant. On a pedestal. China . Adorant. On a pedestal. China .

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.7 × w. 4.3 × d. 3.6 cm (4 5/8 × 1 11/16 × 1 7/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12 × w. 4.4 × d. 3.4 cm (4 3/4 × 1 3/4 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Lower Mesopotamia, Iraq, Winged tutelary god from Nimrud, ivory

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12 × w. 4.5 × d. 3.3 cm (4 3/4 × 1 3/4 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Figurine of Isis Suckling Her Son Horus. Egypt, Late Period - Ptolemaic Period (664 - 30 BCE). Sculpture. Bronze

Fragment of a Standing Buddha Indonesia (Kalimantan) ca. 8th century View more. Fragment of a Standing Buddha. Indonesia (Kalimantan). ca. 8th century. Bronze. Sculpture

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb. ca. 990-970 B.C.. Faience. Third Intermediate Period. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb MMA 60, Chamber B, Burial of Henettawy C (4), MMA excavations, 1923-24. Dynasty 21

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591091

Boat; around 1550 1295 BC ; New PA

Lady in trip dress. 581-618. Chinese art. Sui period. Terra-cotta. FRANCE. ëLE-DE-FRANCE. Paris. Guimet Museum.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.8 × w. 4.7 × d. 3.4 cm (4 5/8 × 1 7/8 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591089

Amulet of the Ram-Headed God Amun. Egyptian. Date: 1295 BC-664 BC. Dimensions: 3.3 × 1.3 × 1 cm (1 5/16 × 1/2 × 3/8 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12 × w. 4.3 × d. 3.4 cm (4 3/4 × 1 11/16 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Prehistory, Iraq, Samara culture. Alabaster female figure, 6th millennium b.C. From Tell es-Sawwan. Detail.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.7 × w. 4.3 × d. 3.4 cm (4 5/8 × 1 11/16 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.9 × w. 4.3 × d. 3.3 cm (4 11/16 × 1 11/16 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Shabti of Ity ca. 1279-1213 B.C. New Kingdom, Ramesside This shabti is inscribed with the name Ity, perhaps an abbreviation for Iineferty, the wife of Sennedjem. Other objects in the collection that were discovered in the same tomb can be viewed here.. Shabti of Ity 551122

Offering to crown. Copper alloy. 1st century. Paris, Carnavalet museum. Offering Couronne Radiee Copper alloy, antiquity, radiee crown, offering, statuette, ancient

Ancient Egyptian ivory statuette of woman holding child in arms, Predynastic Period, 3100-3000 B.C.

Faience amulet in the form of the dwarf god Pataikos. Culture: Egyptian. Dimensions: H.: 1 15/16 in. (5 cm). Date: 664-30 B.C..Amulet, Ptah-seker. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625469

Overseer Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Overseer Shabti of Henettawy (C), Daughter of Isetemkheb 591809

Onuris. Dimensions: H. 10 cm (3 15/16 in.); W. 2.2 cm (7/8 in.); D. 4.4 cm (1 3/4 in.)H. (with tang): 10.4 cm (4 1/8 in.). Date: 664-30 B.C..Onuris is depicted here, recognizable by his short hair and distinctive garment, which comprises a long skirt with a short kilt worn overtop. His curled hair is arranged in three layers of thick, almost shaggy locks. A break at the top of the head shows where his crown would have rested; the crown would have comprised four tall feathers, either represented flat and side-by-side or forming a three-dimensional cylinder. Onuris was a fierce god, known for capturing enemies in battle or hunting dangerous animals. In this role, he personified good conquering and controlling forces of chaos and disruption. Most copper alloy statuettes show him with his right arm raised in the act of spearing a defeated enemy or animal, or holding a rope, which presumably he used to snare his prey. This representation is unusual, first for the treatment of the thick l

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625474

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591065

Warrior from shields; Qi Night Dynasty (555-577) (555-00-00-577-00-00);Chinese (culture), figurines, grave figurines, men, Chinese art, terracotta, warriors, purchase (provenance)

Female Figure ca. 1850-1750 B.C. Middle Kingdom Female figures of this type, often found with burials especially of the Middle Kingdom, were in the past called "concubines." Nowadays they are understood in a more general sense as representations of the life-giving female powers of sexual attraction and giving birth, powers from which the dead could derive a new life. As is the case for most representatives of the type, this faience figure lacks the lower legs and has elaborate tattoos all over its body. The figure also wears a girdle of cowrie shell shaped beads and a long bead necklace crossed over the chest. The hair is arranged in the so-called "Hathor" style-two thick tresses with curled ends falling forward over the shoulders.. Female Figure. ca. 1850-1750 B.C.. Faience, paint. Middle Kingdom. From Egypt, Memphite Region, Lisht North, cemetery east of the tomb of Senwosret (758), Pit 752, MMA excavations, 1906-07. Late Dynasty 12-early Dynasty 13

Netsuke. Standing character. Japan. Ivory. Paris, Cernuschi museum. Clothing element, netsuke, dress object, traditional clothing

Statuette of the Goddess Neith 1069 BCE-664 BCE Egypt. Bronze . Ancient Egyptian

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 12 × w. 4.1 × d. 3.4 cm (4 3/4 × 1 5/8 × 1 5/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Bronze statue of warrior

Sandstone statue of King Amenhotep I

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625404

Overseer Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.6 × w. 4.1 × d. 3.5 cm (4 9/16 × 1 5/8 × 1 3/8 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Amulet of Taweret. Egyptian. Date: 1070 BC-332 BC. Dimensions: 4.75 × 1.75 × 1.5 cm (1 7/8 × 1 11/16 × 9/16 in.). Faience. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Ancient Egyptian.

Standing warrior ca. late 3rd millennium B.C. Standing with arms bent and extended, this figure has distinctive elongated proportions, a pointed head with long braided hair, and a bearded oval face with large eyes (originally inlaid). He once held weapons in his hands, perhaps a spear and mace, and wears a knee-length kilt and a wide belt with long tassel ties. The feet have sandals and the tangs on the bottom served to attach the figure to a stand or other furniture, perhaps in a temple. The figure may represent a hero or even a deity, although he does not wear distinguishing headgear such as horns or a crown. The statuette is impressive for its size, larger than most bronze examples of its type.The style of the figure is related to early third millennium bronzes found near Antioch in Syria, and it may be a later example in the same tradition.. Standing warrior 327398

Mourning Saint John, c. 1250-1275. Spain, Kingdom of Castile and Leon, 13th century. Polychromed oak; overall: 154.9 x 36.9 x 20.4 cm (61 x 14 1/2 x 8 1/16 in.).

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.6 × w. 4.6 × d. 3.1 cm (4 9/16 × 1 13/16 × 1 1/4 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Artemis Efesia, by Unknown artist, 2nd Century, alabaster and bronze, full relief. Italy: Campania: Naples: National Archaeological Museum. Whole artwork. Statue Artemis Efesia female divinity goddess fertility nimbus/halo heads griffin wicker basket/calathus cloth/robe pectoral decoration zodiac signs breasts bull scrota zoomorphic protomes

Imhotep Figurine, Late Period.. Seated figure of Imhotep with scroll on knee and bronze seat decorated with figures of gods

Outer coffin of Amenemopet ca. 975-909 B.C. Third Intermediate Period Amenemope was a God's Father of Amun, Scribe of the Double Treasury of the Lord of the Two Lands and the House of Amun, and a member of a prominent priestly family at Thebes that had retained the same offices for generations. The two coffins are said to come from Sheikh Abd el-Qurna, in Western Thebes.The outer and inner coffins are very similar in shape and decoration. The lids each feature a well-modeled face and the curved beard indicative of the deified dead. The exposed hands hold the mekes, or document case, associated with royalty. The body is slim and the kneecaps protuberant, and each figure wears a bright red cloth, or stola, that encircles the neck and whose ends emerge beneath the folded arms. The stola, mekes, and oversize collar are among the features that scholars have, in recent decades, recognized as distinctive of the era between 975 and 909 B.C.The figural decoration on each lid is in miniature, fi

Amun. Dimensions: H. 8 cm (3 1/8 in.); W. 2.5 cm (1 in.); D. 4 cm (1 9/16 in.). Date: 332-30 B.C..This small figure represents the great god Amun.is highly detailed. He wears a corslet and crown bearing a feather pattern, and his collar with its round beads is molded in strong relief. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: H. 12.3 × W. 4.5 × D. 4 cm (4 13/16 × 1 3/4 × 1 9/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C..See 25.3.19. Museum: Metropolitan Museum of Art, New York, USA.

Foundation figure of a deity ca. 2500-2350 B.C. Sumerian. Foundation figure of a deity 327394

Statuette of a Striding Figure. Proto-Elamite or Mesopotamian. Date: 3000 BC-2800 BC. Dimensions: 17.2 × 5.7 × 5.7 cm (6 3/4 × 2 1/4 × 2 1/4 in.). Copper. Origin: Mesopotamia. Museum: The Chicago Art Institute, USA.

Wooden figure of a noble from the reign of Tutankhamun, an ancient Egyptian pharaoh who was the last of his royal family to rule during the end of the 18th Dynasty (ruled c. 1332 - 1323 BC in the conventional chronology) during the New Kingdom of Egyptian history

Ozyrys. unknown, author

Female Musician. China. Date: 618 AD-906 AD. Dimensions: 20.7 × 13.4 × 12.9 cm (8 1/8 × 5 1/4 × 5 1/16 in.). Earthenware with polychrome pigments. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.8 × w. 4.3 × d. 3.2 cm (4 5/8 × 1 11/16 × 1 1/4 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Kore Holding a Dove, 525-500 BC. Greece, Rhodes, late 6th Century BC. Terracotta; overall: 23 cm (9 1/16 in.).

Statuette of Beset (Besis) 664-30 B.C. Late Period-Ptolemaic Period Beset, like her husband Bes, holds a bow-legged stance with hands on thighs and wears a feather crown. She has a less animal-like and less exaggerated face. Here she is nude, although she can be dressed.Beset is a much older figure, but becomes particularly popular in the Ptolemaic Period. She shares Bes's protective and apotropaic functions.. Statuette of Beset (Besis). 664-30 B.C.. Cupreous metal. Late Period-Ptolemaic Period. From Egypt

Standing female tambourine player. Culture: Cypriot. Dimensions: H. 4 1/2 in. (11.4 cm). Date: ca. 600-480 B.C..This figurine, in the Kamelarga style, has a wheel-made, hollow cylindrical body. The lower part is broken away. Museum: Metropolitan Museum of Art, New York, USA.

Appliqué for a funeral couch. Unknown

Statue of Nefertum. Unknown

Statue of a courtier Ihy ca. 2200-2100 B.C. Old Kingdom. Statue of a courtier Ihy 548491

Female statue of the Early Cycladic folded-arm type. Parian marble. 2700-2300 BC. National Archaeological Museum of Athens. Greece.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625393

Woman with jewels and a fan shaped hat, late Mohenjo-daro period, terracotta statuette

Standing female figurine. Culture: Cypriot. Dimensions: H. 6 1/16 in. (15.4 cm). Date: ca. 600-480 B.C..The figurine is mold-made and solid, with a flat back. Her feet and left hand have broken off. The back of her head is oblique. Museum: Metropolitan Museum of Art, New York, USA.

Shabti of the Treasurer of Lower Egypt Pa-abumeh, called Psamtik-seneb Late Period 595-380 BC Although there a number of shabtis for Pa-abumeh in collections around the world, including 22 in Cairo and eight at The Met, the location of his tomb is not known. As a Treasurer of the King of Lower Egypt and King's Acquaintance, it is possible that he was buried at Saqqara, where many of the highest officials of his time had their tombs.No two of Pa-abumeh's shabtis at The Met are identical, but all are mummiform, with the arms crossed over the chest and the hands and head emerging from the wrappings. The features of the faces are generally well-defined, and the strap that holds the long divine beard to the chin can be seen in several examples, including this one. The left hand holds a pick and the right hand holds a hoe, along with a twisted cord that leads to a basket behind the left shoulder.Nine horizontal lines of inscription cover the body and legs, wrapping around to meet on either s

Worker Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: H. 11.5 × W. 4.5 × D. 3 cm (4 1/2 × 1 3/4 × 1 3/16 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C..See 25.3.19. Museum: Metropolitan Museum of Art, New York, USA.

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 625406

Uszebti. unknown, author

Archaic Figurine, 400-100 BC. Mexico, Guanajuato, Chupicuaro, 4th-1st Century BC. Earthenware with pigments; overall: 12.8 cm (5 1/16 in.).

Worker Shabti of Henettawy (C), Daughter of Isetemkheb ca. 990-970 B.C. Third Intermediate Period See 25.3.19.. Worker Shabti of Henettawy (C), Daughter of Isetemkheb 591797

Amulet - Nefertum; 332-30 BC ; Ptolemean period (-332-00-00--30-00-00);The art collection of ancient Egypt, Nefertum (Mitol.

Mingqi Exorcist. Terracotta with traces of polychromy. China, Han de l'Est. Paris, Cernuschi museum. Dancing sorcerer Eastern Han, Han East time, exorcist, exorcist, funeral figurine, funerary figurine, mingqi, period, polychrome trace, terracotta, terracotta, polychromy trace

Campania Caserta Capua Museo Campano51. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Statuette of the Lady Tiye ca. 1390-1349 B.C. New Kingdom The "mistress of the harim Tiye" wears the voluminous wig and clinging dress of her time. Her necklace is made of gold, semi-precious stones and glass.. Statuette of the Lady Tiye. ca. 1390-1349 B.C.. Wood, Egyptian blue, paint. New Kingdom. From Egypt. Dynasty 18

Decorated Tube or Finial. Iran, Luristan, Luristan bronzes, circa 1000-650 B.C.. Architecture; Architectural Elements. Bronze, cast

Amulet of the God Anubis 664 BCE-332 BCE Egypt. Faience . Ancient Egyptian

ESTATUILLA ANTROPOMORFA-TERRACOTA-500/1400 DC-PROC MATAQUI(LIMBABURA)48X17,5CM. Location: PRIVATE COLLECTION. QUITO. ECUADOR.

Lapis lazuli woman. Egypt's closest known source of lapis lazuli is Afghanistan and the material was therefore highly-prized. The head and body of this statuette were made separately and pegged together. The eyes are hollowed for inlay. The unique features may suggest that the piece is not of Egyptian origin. From the temple at Hierakonpolis, Eatly Dynastic about 3300-3000 BC.

Pre-Colombian feminine statuette, from Ecuador. Dated 300 AD

Overseer Shabti of Henettawy (C), Daughter of Isetemkheb. Dimensions: h. 11.8 × w. 4.6 × d. 3.2 cm (4 5/8 × 1 13/16 × 1 1/4 in.). Dynasty: Dynasty 21. Date: ca. 990-970 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Marble statue of Osiris Chronocrator with snake, symbol of passing of time

Figure of aGoddess

Faience amulet in the form of a cat. Culture: Egyptian. Dimensions: H.: 1 5/16 in. (3.3 cm). Date: 664-30 B.C..Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for Sakhmi, the War Goddess, a ram for Khnum and a cat for Bast. Museum: Metropolitan Museum of Art, New York, USA.

Figural study of a female nude kneeling late 18th-early 19th century Jacques-Edmé Dumont Jacques-Edmé Dumont was a highly accomplished Neoclassical miniaturist. His family, a dynasty of sculptors, preserved a great many of these captivating little terracottas (see 2015.378-.382a, b). This figural study shows how Dumont expertly wielded a flat-sided stick to carve the clay along rectangular planes.. Figural study of a female nude kneeling. Jacques-Edmé Dumont (Paris 1761-1844). French. late 18th-early 19th century. Terracotta. Sculpture-Miniature

Cardinale in Piedi. Giacomo Manzu (1908-1991). Bronze with gold and brown patina. Cast in 1984. 93.4cm.

Royal throne leg with equestrian warrior Eastern India, Odisha 17th century This remarkable ivory sculpture is one of a set of four throne legs, now dispersed. Like its companions, it is distinguished by its superb sculptural quality. The equestrian warrior is seen in dynamic action, the spectacular rearing horse and his princely rider moving as one in ferocious combat. The royal rider displays a large sectarian forehead mark (tilka) that proclaims his devotion to Vishnu. View more. Royal throne leg with equestrian warrior. Eastern India, Odisha. 17th century. Ivory with traces of polychrome and iron armature. Ivories

Germany, Berlin, Altes Museum, Statue of an Offerings - Bearer

Female Ancestor Figure (AnaDeo)

Painted limestone statue of the royal courtier, Nekhesfta and his son Nekheftek. VII Dynasty, circa 2200 BC. The Seventh Dynasty of Egypt would mark the beginning of the First Intermediate Period in the early 22nd century BC. Almost nothing is known of this dynasty and Egyptologists often consider it fictitious

Seated Figure, 300 BC-AD 700 (Thermoluminescence date, 285 BC-AD 515). Mexico, Oaxaca, Zapotec style, 300 BC-AD 700. Ceramic, slip; overall: 32.2 x 17.9 x 18.8 cm (12 11/16 x 7 1/16 x 7 3/8 in.).

Figure of a Seated Man. Culture: China. Dimensions: H. 1 7/8 in. (4.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Furniture element ca. 18th century B.C. Old Assyrian Trading Colony. Furniture element 323569

Campania Caserta Capua Museo Campano84. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Patera Handle in Kouros Form. Unknown

Thoth as baboon 332-30 BC Ptolemaic Period Thoth in the baboon form is here depicted with a small narrowing muzzle and particularly exuberant cheek manes. Somewhat unusually the god also has a uraeus on his disk. No horns are indicated in association with the disk. It is actually open to question whether a moon disk indicating Thoth or a sun disk indicating another aspect of the god or having some other import is represented.. Thoth as baboon. 332-30 BC. Faience. Ptolemaic Period. From Egypt

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