Elegant Architectural Etchings

Detailed etchings of historical architectural interiors featuring galleries, courtyards, and elaborate decorations, showcasing a classical aesthetic with rich textures.

by, Work conception, French, South Netherlandish (before 1775), 1500 - 1550" Thiry, Léonard, Androuet, Jacques, Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Round building, arch and obelisk, decorated with statues in niches. In front of it is a remnant of a gate and to the right of it an obelisk. This print is part of an album., print, prent, albumblad, prints, prenten, height 158 mm, width 99 mm, print maker, printmaker, 1550 - 1575, paper, etching, 1515 - 1584, after a print by, South Dutch (before 1775), 1500 - 1550

Binnen place with a gallery, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, after 1601 View in a courtyard with a gallery with upper floor. Along the upper gallery Hermen. In the corners of diamond shapes on rolling with palmets. The print is part of an album. Antwerp paper etching View in a courtyard with a gallery with upper floor. Along the upper gallery Hermen. In the corners of diamond shapes on rolling with palmets. The print is part of an album. Antwerp paper etching

Stanza de Venti nel Teatro di Belvedere di Frascati (...), from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 2, 'Le fontane delle ville di Frascati' (plate 7) 1691 or after Giovanni Battista Falda The element of water, central to all display in the garden of the Villa Aldobrandini, also enlivened spaces inside garden pavilions, such as this magnificent room, the Sala d'Apollo or Stanza dei Venti (Room of the Winds). Recalling the feature of the ancient grotto-nymphaeum, this richly adorned stanza featured a large Mount Parnassus, the mythical home of Apollo and the Muses. Famous among seventeenth- and eighteenth-century travelers for its pneumatic and hydraulic marvels, the Stanza dei Venti included surprising water tricks and artificial sounds of thunder, wind, and rain.See 1991.1073.145(34-51) for more information.. Stanza de Venti nel Teatro di Belvedere di Frascati (...), from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 2, 'Le fontane delle vill

Luogo magnifico , Theatrical productions, Sets Architectural elements, Allen A. Brown Collection

Cabinet with paintings and Chinese porcelain; Nouveaux Livre da Partements. From series of 6 sheets.

by, Work conception, French, South Netherlandish (before 1775), 1500 - 1550" Thiry, Léonard, Androuet, Jacques, Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Round building, arch and obelisk, decorated with statues in niches. In front of it is a remnant of a gate and to the right of it an obelisk. This print is part of an album., print, prent, albumblad, prints, prenten, height 158 mm, width 99 mm, print maker, printmaker, 1550 - 1575, paper, etching, 1515 - 1584, after a print by, South Dutch (before 1775), 1500 - 1550

Design for a Stage Set:Interior of a Stateroom with Four Tables Displaying Urns and Tabernacles. Artist: Alessandro Sanquirico (Italian, 1777-1849) , Attributed to.. Dimensions: sheet: 9 3/8 x 12 1/2 in. (23.8 x 31.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Schouwburg with theater decor: De Klooster Kerk, Anonymous, After Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the CoulissenDecor De Klooster Kerk with scene from: Gijsbrecht van Aemstel. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. print maker: Northern Netherlandsprint maker: Amsterdampublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Carl Schütz's c.1775 ink drawing depicts Heliodorus being expelled from the Temple of Jerusalem as a theatrical decoration.

Print, Design for State Bedchamber, in Second Livre d'Appartement (Second Book on Interiors); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 35 x 23.5 cm (13 3/4 x 9 1/4 in.) Platemark: 28.3 x 19.9 cm (11 1/8 x 7 13/16 in.)

Katafalk Karol X Gustaw, King of Sweden, in the chapel of the castle in Stockholm; from the series: De rebus a carolo gustavo sueciae rege gestis . (Jean Le Pautre (1618-1682) according to Prince Erik Jönsson Dahlbergh (1625-1703) Lepautre, Jean (1618 1682), Dahlberg, Eri, Eri, (1625 175 1703)

Italy, Venice, Set design for the performance The Marriage of Figaro (or the Day of Madness) by Wolfgang Amadeus Mozart at the Teatro La Fenice

Theater scene in the Nederduitsse Schouwburg in The Hague, Paulus Constantijn La Fargue, after Johannes van der Wal, 1767 print Four as soldiers dressed actors are on the scene of the Nederduitsse Schouwburg on Voorhout in The Hague. The decor with perspective effect is decorated with columns and volutes. Above a stork with an eel in his beak, the symbol of The Hague. The Hague paper etching / engraving theatre, theatrical performance. group of actors, troupe; actors on the stage. theatre (building)

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One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741-1786, British, after Samuel Wale RA, 1721-1786, British, and after John Gwynn RA, 1713-1786, British, 1751, Etching and stipple engraving on moderately thick, slightly textured, cream laid paper, Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm), Plate: 9 13/16 x 12 1/4 inches (24.9 x 31.1 cm), and Image: 8 9/16 x 11 9/16 inches (21.8 x 29.4 cm), animals, arches, architectural subject, balustrade, children, cloaks, columns, concave mirrors, costume, designs, discussion, dresses, exploring, fancy dress, fans, gardens, hallways, hats, leisure, men, palace, plans, sculpture, stairs, statues, talking, windows, women, wrought iron, England, Greater London, Lambeth, London, Southwark, United Kingdom, Vauxhall Gardens

Schouwburg with theater decor: De Hel, Jan Punt (attributed to), after Paulus van Liender, after Hendrik de Leth, 1760 - 1765 print Theater show in the Amsterdam Schouwburg on the Keizersgracht with the scene of the hell with scene from: the century -tide of the Amsteldam Schouwburg. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of twelve theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Schouwburg with theater decor: the upholstered room, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenesDecor with the upholstered room with scene out: the discovered Schyndeten. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of twelve theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Arnold von Westerhout, Flemish (1651-1725), Il Greco in Troia: Plate 9, etching and engraving on laid paper restrike

TO THE NATIONAL GALLERY, THE NEW ROOMS, ENGRAVING 1876, UK

Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae architecturae formae, Interior with bed and water basin, Interior with a bed with canopy in the corner and in the foreground a water basin with fountain. Above the fountain a statue of a couple making love. The print is part of an album., print, ornamental print, album leaf, prints, height 211 mm, width 256 mm, print maker, printmaker, 1601 - 1601, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

View of a part of the Stallburg-Galerie of Archhertog Leopold Willem van Austria, 1660 print With paintings and portrait busts. Under a one -line explanation of the dimensions of the gallery. This print is part of an album. paper etching gallery (spacious corridor). picture, painting. piece of sculpture, reproduction of a piece of sculpture Hofburg

Speculum Romanae Magnificentiae: Temple of Janus 1564 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed thei

Etching by Jean Le Pautre depicting a grotto and surrounding Italian gardens between 1625 and 1682, highlighting decorative architectural and landscape elements.

A brightly lit royal chamber featuring a throne to the side. This scene was created for the tragic ballet 'La presa di Babilonia,' composed and staged by Francesco Clerico at the I. R. Teatro alla Scala in the spring of 1821. The artwork is by A. Sanquirico, with engravings by G. Castellini

Decoration for a stairwell with fountain with cascade, Daniël Marot (I), 1712 print Leaf from series with painted wall decorations for rooms and stairwells. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Republican Press Feast for the benefit of Algerians - La Kermesse in the Tuileries Garden

Two faces in the Grotto in the garden of Villa Pratolino; The villa pratolino; Vues de la Villa de Pratolino. Two faces in the Grotto in the garden of Villa Pratolino, from left and right. Central to the Grotto a fountain with a sculpture of an old man with a jug. Against the rear walls of river gods and a winged figure with a trumpet. A staircase outside the grotto.

Interior View of the Nave of Barnard's Cloisters. Artist: Edward Howard Suydam (American, Vineland, New Jersey 1885-1940 Charlottesville, Virginia). Dimensions: Sheet: 16 5/16 × 11 11/16 in. (41.5 × 29.7 cm) unevenly cut. Date: 1927. Museum: Metropolitan Museum of Art, New York, USA.

This ink drawing by Carl Schütz shows theatrical decoration representing the interior rooms of a large vestibule, emphasizing architectural detail and stage design, created around 1775.

Design for a Painted Perspective Wall Decoration. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 11 5/16 x 17 1/16 in. (28.7 x 43.4 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Palace on the water; Palaces on the water in frames; Mit Palästen und Freitreppen in Rahmen. A palace on the water in Rocaille frame. Figures talk and rest on the quay. Publisher number 170.

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

Oranjezaal at home ten Bosch, ca. 1875; Oranjezaal. East side in the house in the Bosch in 's-Gravenhage. View in the orange room of the Palace House ten Bosch in The Hague, ca. 1875. The central representation of Stadholder Frederik Hendrik in his triumphar pulled by four white horses and crowned by victory and abundance, completed in 1652. Links a few visitors.

Architectural Interior. Artist: Anonymous, French, 19th century. Dimensions: 3 3/4 x 8 1/8 in. (9.5 x 20.6 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Alkoof seen from room, Jean Lepautre, After 1628 - Before 1709 print Left and right is a statue of a woman on a pedestal, the closed bed stands against a wall with tapestry. From series of 12 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Parispublisher: Paris paper etching

Table of the Museum Temple: Iphis (Dutuit 36, White 141) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Iphis (Dutuit 36, White 141). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Veduta di altra parte della camera sepolcrale di L. Arrunzio , Archaeological sites, Tombs & sepulchral monuments, Arruntius, L. Lucius, active 43 B.C.-17 B.C.. The Antonio Cardinal Tosti Collection

Voyage en Italie en 1822, 1833. Jean-Baptiste Isabey (French, 1767-1855). Lithograph;

The Hall and Stair Case, British Museum, John Bluck, active 1791-1831, British, after Augustus Charles Pugin, 1762-1832, French, after Thomas Rowlandson, 1756-1827, British, 1808, Aquatint, hand-colored, Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)

A Cryptoportico. Artist: Antonio Fantuzzi (Italian, active France, 1537-45); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 11 11/16 × 17 1/16 in. (29.7 × 43.3 cm). Date: ca. 1545. Museum: Metropolitan Museum of Art, New York, USA.

Interior of St. Peter's Basilica. Artist: Jean François Chalgrin (French, Paris 1739-1811 Paris). Dimensions: 22 x 17 3/16 in. (55.9 x 43.7 cm). Date: 1759-61 (). Museum: Metropolitan Museum of Art, New York, USA.

Sandomierz monuments - Dom Dziełosza, Dominican Circle of the W. "W." Jakub, the chapel is deployed on the background of the Vistula Loan; Gerson, Wojciech (1831-1901); 1884 (1831-00-00-1901-00-00);Sandomierz (Świętokrzyskie Voivodeship), Wisła (river), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, peasants, Gothic (archite.), Roadside chapels, portraits, portraits, portraits, Panoramas, portals (architect.), Men's portraits, illustration projects, renaissance (style), craftsmanship, craftsmanship, views, views of the town, purchase (provenance)

Amsterdam, Springer, Cornelis, Woman kneeling before a chapel, verso - stamped, A woman kneels before a chapel, in which hangs a crucifix, on the outside of a church. A man stands with his hat in his hands next to her., print, prints, height 242 mm, width 162 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1844 - 1844, paper, papier, chine collé, etching, etchings, drypoint, dry needle

Ruin of the Church of Our Lady with the Tombstones of Genevieve and the Count Palatine Siegfried in the Mosel Valley near Andernach, from Collection of Memorable Medieval Buildings in Germany. Domenico Quaglio II; German, 1787-1837. Date: 1821. Dimensions: 403 x 316 mm (image); 573 x 401 mm (sheet). Lithograph in black with beige tint-stone on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Capuchin choir in Rome; Unknown, Campanella, Angelo (1746-1811), Dietrich, Fryderyk Krzysztof (1779-1847), Growet, François-Marius (1775-1849); 1860-1870 (1860-00-00-1870-00-00);

Upcoming unity and indifferability, from the Batavian Commonwealth and the Alliance, decoration on the town hall on Dam Square, 1795; Image of illumination for the house of the municipality; Fifteen decorations at the Alliance party in Amsterdam in 1795. The Alliance concluded between the French and the Batavian Republic on 16 May 1795 and the upcoming unity and inconsistency of the Batavian Commonwealth. Two allegorical decorations on the facade of the town hall on Dam Square in Amsterdam at the Alliance party on 19 June 1795.

Perrin, Emile César Victor (n.1814-01-19-D.1885-10-08), decor for the first act of the Sphinx. (Dummy title). Pencil, feather and brown ink, brown and gray wash on paper. Carnavalet museum, history of Paris.

Egyptian Hall, Mansion House, London. Artist: Attributed to Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London). Artist and architect: Architecture designed by George Dance (British, London 1741-1825 London). Dimensions: sheet: 5 11/16 x 5 1/8 in. (14.5 x 13 cm). Date: 1795-1825. Museum: Metropolitan Museum of Art, New York, USA.

Figures in a Roman Arcade 1763 Hubert Robert French From early in his career in Italy, Hubert Robert created architectural capricci (views combining existing monuments in imaginary compositions), in the manner of the Italian masters Giovanni Battista Piranesi (1720-1778) and Giovanni Paolo Panini (1691-1765). In this red chalk drawing, Hubert Robert lends a sense of observed reality to the representation of an invented place. The large scale of the structure and the axial perspective framing the view of another building both recall the palazzo dei conservatori in Rome, although the architectural vocabulary, in particular the groin vaults and the Doric order of the capitals are reminiscent of certain rooms in the Villa Albani. Both buildings housed important collections of ancient art, the former was open to the public, the latter was private.In 1762, Hubert Robert made several views of the both the palazzo dei conservatori and the Villa Albani, always choosing a central perspective (se

Josep Mestres Cabanes / Boceto para la ópera 'Aida', 1937. Museu Comarcal de Manresa.

Memorial for Joost van der Vondel, died in 1679. Interior of the Nieuwe Kerk in Amsterdam with a few visitors in the memorial for Joost van den Vondel, died 5 February 1679. Signed upstairs: pag. 32.

Thiry, Léonard, Androuet, Jacques, Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Square with obelisk, Square with an obelisk against which a draftsman is leaning. In the background a second draftsman sitting on a staircase. This print is part of an album., print, prent, albumblad, prints, prenten, height 159 mm, width 99 mm, print maker, printmaker, 1550 - 1575, paper, etching, etchings, Work conception, French, 1515 - 1584, after print by, South Netherlandish (before 1775), 1500 - 1550

Mausoleo antico. Piranesi, Giovanni Battista, 1720-1778. Additional, Ancient mausoleum., 1748 - 1751., 1750 - 1751. Architecture, Italy, Rome, Capricci, Columns, Buildings, Exteriors, Mausoleums, Etchings., 1 print etching; plate mark 14 1/16 x 10 1/16 in. (35.7 x 25.5 cm.), on Sheet 20 7/8 x 14 3/4 in. (53 x 37.5 cm.)

Porta Viragia, Toledo. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 282 x 216 mm. Oiled charcoal with stumping and erasing, heightened with touches of white chalk and white gouache, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Gottfried Engelmann, Man and Woman Descending Staircase, 1819 Man and Woman Descending Staircase

The Hague, Golverdinge, J. van, unknown, Armstrong, The Roman Church condemned by the word of God, Cartoon on the Roman Church, 1848, verso - stamped, Cartoon on the Roman Catholic Church. Interior of a Catholic church in which Bible quotations illustrate how Roman Catholic customs are in conflict with the word of God. This representation was used again in 1853 in response to the April Movement of April 1853., print, picture, cartoon, prints, pictures, Frederik Muller History plates, the undersigned declares that this plate was printed at his printing house. The Hague, March 24, 1848 ..., the undersigned declares to be the publisher of this plate The Hague, 1848 J. van Goldinge, at the bottom - handwritten, height 278 mm, width 426 mm, print maker, printmaker, 1848-03-24 - 1848-03-24, paper, wood engraving, printer, Publication (Event), Publication, Dutch, publisher

'The Sheepshanks Gallery', South Kensington Museum, c1860s, (1881). Interior view showing exhibition space designed by Captain Francis Fowke. This addition to the museum building was created to house a collection of paintings offered to the nation by John Sheepshanks, a wealthy cloth manufacturer from Leeds. From "The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). Sampson Low, Marston, Searle and Rivington, London, 1881

Robert Sands, 1792-1855, British, King Henry the third's Monument and Queen Eleanor. Engraving.

The Balcony. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 295 x 201 mm (image, trimmed within plate mark); 300 x 201 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Photo production of the fresco The drunkenness of Noah to Benozzo Gozzoli in the Camposanto in Pisa, Italy, Giacomo Brogi (attributed to), after Benozzo Gozzoli, 1860 - 1881 photograph This photo is part of an album. Pisa paper albumen print picture, painting. the drunkenness of Noah Campaign

Sir David Young Cameron, 1865-1945, British, Mar's Work, Stirling, 1907. Etching and drypoint.

Interior of a large gallery, the walls of which are lined with frames containing written inscriptions referring to the pictures to be contained therein. A view through a central arched opening reveals a corridor, and another gallery beyond it. In the foreground, the collector and his family are beside a table on which sculptured objects are displayed. Date: ca. 1700. Pen and sepia ink, brush and gray wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 7 7/8 x 6 1/4 in. (20 x 15.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Piranesi, Giovanni Battista, France, Paris, Daumont, Jean-François, Sale, that the ancient Romans destined for public festivals, View of the interior of a Roman building, print, prent, opticaprent, prints, prenten, opticaprenten, height 292 mm, width 440 mm, Publication (Event), Publication, French - 1775, publisher, uitgever, 1745 - 1775, paper, papier, cardboard, kaart, prepared paper, gepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, brush, schilder, cutting, haken, perforating, perforeren, print maker, printmaker, Work conception, Italian, 1720-10-04 - 1778-11-09

In the foreground are two women and a man with a hat. In the background are two other figures., Chapel of the Tower of London, print maker: Alexander Cranendoncq, (mentioned on object), Netherlands, 1830, paper, h 142 mm × w 106 mm

Varie opere di Prospettive. Designer: Ferdinando Galli Bibiena (Italian, Bologna 1657-1743 Bologna). Dimensions: 13 1/8 x 17 x 1 9/16 in. (33.4 x 43.2 x 4 cm)Box: 18 3/16 x 14 3/16 x 2 9/16 in. (46.2 x 36 x 6.5 cm). Draftsman: Drawn and engraved by Pietro Giovanni Abbati (Italian, ca. 1700-1743). Engraver: Carlo Antonio Buffagnotti (Italian, Bologna 1660-after 1710 Ferrara). Printer: Paolo Monti. Published in: Turin. Date: 1703. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Marot, Daniël (I), Troisieme Liure de Perspectives, Two houses and fountain basins, Next to the houses a garden pavilion can be seen and a terrace with a basin and a fountain. In the foreground water flows into a basin from six shells. Copy after print from series Three Views of Perspectives., print, ornamental print, prints, ornamental prints, height 251 mm, width 184 mm, print maker, printmaker, 1703 - 1703, first quarter 18th century, paper, papier, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by

Drawing, A Room in a Florentine Palace; Unknown (Italian); brush and watercolor, gouache, gold paint, graphite on white wove paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 17.8 x 27.9 cm (7 x 11 in.); Thaw Collection; 2007-27-7

Fireplace in gallery; Schouwen and wooden paneling in interiors. Schouw between double corinthian pilasters in a gallery. Right in the foreground is a man, a servant seems to him.

The times, pl. 2 , Fountains, Gardens, Sculpture, Rulers. William Hogarth (1697-1764). Prints

Design for Stage Set 1698-1765 Giovanni Battista Natali III Italian. Design for Stage Set 362005

Renaissance room with figures, anonymous, 1600 - 1699 drawing paper. ink pen / brush gallery (spacious corridor)

Design for a garden decoration. Draughtsman: Daniël Marot (II). Dating: 1705 - 1769. Measurements: h 234 mm × w 352 mm. Museum: Rijksmuseum, Amsterdam.

Man in front of a house with ornamental door in Forstenried, next to it a bass-relief from the panel above the door; verso: a cat with her litter. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Aerts, Hendrick, Londerseel, Jan van, Interior of the Archbasilica of St. John Lateran in Rome, verso - stamped, Interior of the Archbasilica of St. John Lateran, Rome. In the margin a four-line caption in Latin., print, prent, prints, prenten, height 195 mm, width 282 mm, 1575 - 1625-01-07, print maker, printmaker, 1580 - 1625, paper, papier, engraving, engraving (printing process), Work conception, South Netherlandish, 1574 - 1603-01

DECOR Project for Severo Torelli, Francois Coppee Drama, Cree on November 21, 1883 at the Theater of Odeon (ACT V) Philippe Chaperon (1823-1907). Decor project for Severo Torelli, Drama of Fran�ois Copp�e, created on November 21, 1883 at the Th��tre de l'Odeon (ACT V). Feather, watercolor and gouache.

Veduta di altra parte della Camera Sepolcrale di L. Arrunzio (View of another part of the tomb chamber of L. Arruntius), from Le AntichitàRomane. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Man is greeted upon returning, Franciscus Bernardus Waanders, after Huib van Hove BZ, 1847 print In a seventeenth-century interior, a man is greeted by his wife, child and dog when they return home. Two men wear a coffin inside. On the left in the foreground are three boxes. The Hague paper. being welcomed ~ travelling

Drawing, Theater Curtain: View of a Classical Amphitheater, Marsigli-Rossi Theater, Bologna; Designed by Antonio Giuseppe Basoli (Italian, 1774-1843); Italy; pen and brown ink, brush and watercolor on paper

Bibiena (family member) (Italian, active 18th century), An Elaborate Staircase in a Palace, pen and brown ink with gray wash

Charles Fichot (1817-1903). Palais d'Orsay. The Court of Auditors after the fire. The level of the entrements. Drawing. Paris, Carnavalet museum. 33204-5 Short, collapse, collapse, melet, staircase, Orsay palace, landing, viieme VII 8th 8 arrondissement

Red chalk drawing with brown and gray washes by Ottmar Elliger the Younger, illustrating a love festival in a bathhouse.

Fireworks at the celebration of the Peace of Utrecht in Rotterdam, 1713, Bernard Picart, After F. van Douwe, 1713 print Scaffolding with fireworks commissioned by the committed councils of the Admiralty of Rotterdam on the Maas in the port of Rotterdam, 1713. Central a building in the form of a fort with the Dutch Lion for crossed anchors. With an empty margin. Northern Netherlands paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities) Rotterdam

Rome, Piranesi, Giovanni Battista, Vedute di Roma designed and incised by Giambattista Piranesi architect Ve(nez)iano, Views of Rome, Interior of the ancient Temple of Bacchus in the old Church of S. Urbano due to distant hills from Rome through the gate of S. Sebastiano, Interior of the Chiesa di Sant'Urbano in Rome, verso - stamped, View of the Chiesa di Sant'Urbano in Rome (Originally it was a Roman temple, built under Emperor Marcus Aurelius. Called the Temple of Bacchus on the print). Title and explanatory letters in bottom margin., print, prints, height 425 mm, width 608 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Figures on the ice from at the burnt -out house on the Leidsegracht, 1684, Jan van der Heyden, After 1684 - 1690 drawing Study for the figures on the ice of the frozen canal for the ruin of a house on the Leidsegracht after the fire on January 12, 1684. Design for the illustration in the fire spray book by Jan van der Heyden, 1690 and 1735. Amsterdam paper. graphite (mineral). chalk brush / counterproof fire-extinguishing equipment. fire-fighting. winter sports. canals, waters (in city). ruin of a building ~ architecture. urban housing. severe winters Leidsegracht

Fontein with hydraulic organ in the gardens of the Villa d'Este in Tivoli, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 13. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 13. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche8. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sir David Young Cameron, 1865-1945, British, Newgate, 1899. Etching on laid paper.

Inside of the Painted Chamber as it was in the Year 1800, John Thomas Smith, 1766-1833, British, after John Thomas Smith, 1766-1833, British, 1806, Etching

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Fantasy of an Ancient Bath. Dated: 1755/1760. Dimensions: sheet: 13.7 x 20 cm (5 3/8 x 7 7/8 in.). Medium: pen and brown ink with gray wash and traces of red chalk, on laid paper pasted down on the remains of Piranesi's original mount. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Pavilion between two hedges, Anonymous, After Daniël Marot (I), in or after 1703 print On the right a pavilion between two high hedges. On the left is a vase with a tree on a pedestal. A man rolls a vase over the ground. Netherlands paper etching garden buildings

The Interior of Saint Peter's, Rome. Dated: first quarter 17th century. Dimensions: Overall: 32.9 x 43 cm (12 15/16 x 16 15/16 in.) support: 39.5 x 50.5 cm (15 9/16 x 19 7/8 in.). Medium: pen and brown ink with brown wash and watercolor heightened with white over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Italian 17th Century.

Design for a room painting with a view through a grotto with a peacock on a garden with a fountain, Design for a room painting with a view through a grotto, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 273 mm × w 235 mm

Porch of San Maclou, Rouen. Joseph Pennell; American, 1857-1926. Date: 1907. Dimensions: 250 x 262 mm (image); 240 x 340 (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Inside of the Collegiate Church of St. Catherine, James Roberts the Elder, 1725-1799, British, after John Carter, 1748-1817, British, 1781, Engraving, Sheet: 15 3/4 x 13 9/16in. (40 x 34.4cm)

Woman in traditional costumes who are knocking on a front door in Edam, Wijnand Otto Jan Nieuwenkamp, 1914 print A woman in traditional costume is correct on the front door of a home in Edam. She has a basket with her. In the foreground climbing plants and two images of lions on pedestals. paper. pencil etching folk costume, regional costume. knocking at the door. statues, sculptures in garden Execution

HER MAJESTY'S VISIT TO PARIS

Monument of the W Adys Okietka and monument to Kazimierz Wielki - board 2 from the album "The graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Adolf Fryderyk (1817-1860), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (edition); 1822-1827 (matrix) (1822-00-00-1851-00-00);

An ornate garden obelisk with water cascading down its sides. Etching by J. Goeree after S. Schynvoet, early 18th century.

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