Elegant Rococo Designs

Intricate engravings of rococo-style interiors and decorative details, showcasing ornate fireplaces, mantels, and furniture with elaborate designs.

Schover Met Phorants, Emauel Eyel, After Franch XAver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two three -armed candlesticks. Publishing number 164. paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Schover Met Phorants, Emauel Eyel, After Franch XAver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two three -armed candlesticks. Publishing number 164. paper etching / engraving open hearth, fire-place. chandelier, candelabrum

Ontwerp voor een schoorsteen met Mercurius, Argus en Io; Neu inventirte Hollaendische Camine, Anderer Theil, serie T; Neu inventirte Hollaendische Camine, Anderer Theil / Nouveau Livre de Chéminees Hollandoises, Second Livre.Design for a chimney with a representation of Mercury who sust with his shepherd flute Argus. Behind Argus is io in the form of a cow. The mantelpiece is decorated with rocaille and shelled ornaments. Publisher number 19.

Writing table; Write tables. Writing table with rocaille ornaments and clock. Publisher number 163.

Mantelpiece with a representation of Boreas that Oreithyia abuses; Neu Inventirte Hollaendische Camine, Anderer Theil, series T; Neu Inventirte Hollaendische Camine, Ander Theil / Nouveau Livre de Chéminees Hollandoises, Second Livre. Design for a chimney with a representation of Boreas that Oreithyia oval. The mantelpiece is decorated with rocaille ornaments, volutes and fruits.

Pruisen; La Prusse et la Religion; D Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).An ornamented door with narren, garlands and a dessus de-porte with a tambourine and thyrsi. Right a rectangular table with a wolf, a crown with a sword, a rooster on a hive and a cross. Print number 40.

Fireplace with vases; Différens Ornements The Cheminese and Chambranles. An ornamented fireplace with two vases with flowers, garlands, leaf motifs and heart motifs.

Schouw Met putto, Emanuel Eichel, after Franz Xaver Habermann, 1731 - 1775 print Fireplace with rocaille ornaments, a putto and two winged angel heads. Publishing number 164. Augsburg paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Grafmonument van Remigius du laury, Franz Ertinger, after the trees Quellinus (2), 1679 print The burial monument of Remigius du Laury. On an elevation there is a tomb for two ornamented doors with acanthus leaves and putti. Balusters and two personifications with a cross and the papal tiara on either side. In addition, two smoking vessels flank a bust of the deceased. Putti with laurel wreaths, palm branches and a cross surround the bust. At the bottom a top view of the monument with a nine -line Latin text. Antwerp paper etching grave-building, monumental tomb. historical events and situations; historical persons

TROOMFBOOG MET COMEL IV, ABOBASTIES LECLLC (I), afterHe Claude at a 2006 print Triumph arch with three passages crowned with an image of Charles IV on horseback and a laurel wreath. Between the passages are Cararians. Above the passages Images of Pax and Ceres in triumph cars and burning hearts. paper etching triumphal arch. riding a horse, ass, or mule; rider, horseman Nancy

Alca decoration design; Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Print, Cabinet on Stand; Jean Le Pautre (French, 1618-1682); France; etching on white laid paper; 20.9 x 14.1 cm (8 1/4 x 5 9/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Drawing

Open garden in Rocaille frame; Gardens in Rocaille frame. Open Garden With Hedges and Fountain. In Rocaille Frame. Publisher Number 121.

Altar with two female figures; Altäre.a altar with rocaille ornaments, with left and right a standing woman. Between the two angels on the pillars of the altar cherubs between the clouds. The altar is closed at the top by a putto.

Design for a chimney with Diana as goddess of the hunt, Anonymous, after Gerrit de Grendel, 1709 - 1762 print Design for a chimney with a performance by Diana with a bow and arch in the hands and a hunting dog on a pedestal. The mantelpiece is decorated with rocaille neatries and volutes. A candlestick on both sides. In the middle above: No. 18. after design by: Middelburgpublisher: Augsburg paper engraving chimney. (story of) Diana (Artemis). rocaille ornament

Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs Printed ca. 1750-56 Carl Pier Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by a baldachin of rocaille ornaments leading up to the all-seeing eye of God, surrounded by rays of sunshine. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Pulpit, Plate 3 from an Untitled Series of Pulpit Designs. Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Temple with fountain and bacchus on a ton; Artis Perspectivae (...). Squares temple with fountain. Bacchus is on a ton on the fountain. This print is part of an album.

Design for Mantle Piece, from 'Nouveaux Desseins de Cheminées', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1675, Print, Print

Subsema with bas-relief, c. 1655 - c. 1657 print At the top is a winged woman, with insignia of the prince, in front of a round medallion. From the second edition. Paris (possibly) paper engraving

Cologne, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Corinthia.I, Two connected columns, Corinthian column, plan and elevation of the capitals and a pedestal, Page 15 from a series of title page and 28 leaves., print, ornamental print, prints, ornamental prints, height 288 mm, width 188 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher

Print, Design for Mantle Piece, from "Nouveaux Desseins de Cheminées"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; Plate: 23.4 × 16.7 cm (9 3/16 × 6 9/16 in.) Paper: 25.9 × 18.6 cm (10 3/16 × 7 5/16 in.)

Schouw with Wapentrophee, De Saint -Morien, After Richard de Lalonde, 1784 - 1785 print An ornamented fireplace with a pendulum and at the top a panel with a weapon trophy. Paris paper etching / engraving open hearth, fire-place. 'tropaion', i.e. decorative ornament ~ weapons

Altar founded by the predikeren, 1685; This is on a court by the PP Predicheer and. Altaar founded by the Prachteren in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Schouw, 1819 - 1849 Leaf 10 Verso from a sketchbook with 52 sheets. paper. pencil chimney-piece, mantelpiece

Two Alternate Designs for a Doorway 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Alternate Designs for a Doorway 340680

Anonymous / 'The Altarpiece of the Virgin'. XVIII century. Grey-brown wash, Pencil on yellow laid paper. Museum: Museo del Prado, Madrid, España.

Balera with Christ image; Plan et elevation the quatre cars sous un baldaquin; Xxxiiia Cahier du supplement; Supplément Au Recueil élémentaire d'Architecture. Front view and map of a canopy with a medallion with God's father. Under the Baldakijn there is an altar with a picture of Christ with the cross. Print number CXCVII.

Underbousa with medallion; Cheminées a l'Italienne. Medallion with the kidnapping of Proserpina, on both sides is a putto on a lion.

Design for the Ornamentation of a Wall or a Private Altar 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for the Ornamentation of a Wall or a Private Altar 365558

Eroeboog for the Duke of Marlborough, 1704; Early bow in eternal memorial of the redfall war dates from the brightened hero and general John Churchil Hertog van Marlebourg (...). Erobow for the Duke of Marlborough In honor of his leadership in the Battle of Höchstädt on August 13, 1704 where the Allies defeated the French and the Bavaria. At the top of the duke in armor armor, on either side medallions with portraits of Prince Eugenius from Savoye and Hessen Kassel's inheritance prince. A blank coat of arms in the middle. In the arc a predicted position in Dutch.

Fireplace with putto; Schouwen.schouw with Rocaille ornaments, a putto and two winged angel heads. Publisher number 164.

Seen from the front; Chaires the predicators. With a hanging hexagonal body supported by consoles and putti. From second edition.

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Böllmann, Hieronymus, Representation d'Orthographie de diverses sortes d'Epitaphes, Epitaph with putti in a niche, verso - stamped, In a niche an epitaph with rocaille ornaments and in the middle a cross surrounded by eight stars. On the left and right are vases with flames and winged putti with a skull are seated., print, ornamental print, prints, ornamental prints, height 291 mm, width 184 mm, German, print maker, printmaker, 1715 - 1726, paper, engraving, engraving (printing process), Work conception, 1689 - 1741, after a design by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

Wall Decoration with Military Attributes, Unknown, Italian, Pen and brown ink, brown and gray wash, over graphite, ruled border in pen and brown Support: off-white laid paper, The central part is projecting; it consists of a mensa, the front of which is decorated with a trophy arms, and a molded oblong frame. Doric columns are embedded upon pedestals and above is an entablature. The frieze shows triglyphs and two trophies. On top is a broken pediment and 'Strength' and 'Justice' sit upon the cornice. A coat of arms stands in the center which includes Anjou fleur-de-lys, a lion rampant with a garbe, upon triple mount and below three stars. Beside the columns stand two classical warriors, upon pedestals with shadows shown., Bologna, Italy, Italy, 1775-1800, Drawing, Drawing

Drawing, Project for an altar in a side chapel; Italy; pencil, pen, ink, brush, and grey watercolor on paper

Design for a Monumental Altar, Plate c from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Georg Gottfried Winckler Ornament print a design for an altar in a late Baroque style, with a statue of the Virgin Mary above the altar table, flanked by statues of four female saints (Faith, Hope, Charity and Saint Agnes). This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate c from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. After Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Georg Gottfried Winckler (German, 1710-1786)

Charles Louis Clérisseau, L'Ordre Corinthian, in or before 1768 L'Ordre Corinthian

Stage Design: Bedroom with alcove, Pen and brown ink, brush and gray wash on white laid paper, Vertical rectangle showing two alternative designs for a bedroom. In the foreground, a richly decorated alcove, the opening of which is formed by an arch supported by twisted solomonic columns. Behind, the bed is surmounted on one side with a scrolling ornate back topped with a crown. Ruled borders., Italy, Italy, ca. 1790, theater, Drawing, Drawing

Design for an Arch withFountains. Artist: David van Velthem, French, ac. Lyon 1623-1628

Decorative board engraved in copper by Agostino Veneziano, 1530-1535, featuring geometric patterns and ornamental details.

Design for a chimney with representation of a musician couple; Neu Inventirte Hollaendische Camine, Erster Theil, Series S; Neu Inventirte Hollaendische Camine, Erster Theil / Nouveau Livre de Chéminees Hollandoises Premiere Partie. Design for a chimney with a representation of a woman playing a guitar and a singing young man. They are sitting in front of a garden vase. The mantelpiece is decorated with rocaille ornaments and volutes. A candlestick on either side.

Meister WA's 'Bishop's Rod (Upper Part)' (c. 1465-1490) is a copper engraving depicting the top portion of a bishop's crosier, showing Gothic ornamental details and ecclesiastical design.

Design for a Monumental Altar, Plate h from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Artist: Johann Michael Leüchte (German, active Augsburg, died 1759). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by a crucifix and flanked by the figure of Mozes and a priest (Levi) from the Old Testament. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Schouw met beschilderd paneel; 49e Cayer Modéles de Cheminées à l'usage des Apartemens; Cinquième Volume, Recueil élémentaire d'architecture (...).An ornamented fireplace with a small panel with figures and a large painted panel with figures listening to a preaching man in a landscape. Print number 289.

Kachel in Nis, carpenter, After François de Cuvilliés (Sr.), in gold after 1745 print An ornamented stove with animal heads in a semicircular niche, panels on either side. Print number 76. Germany paper etching / engraving heating stove. 'concha' ~ architecture

Wall layout with panels; Wall layouts. Wildlings with two panels with pastoral scenes, with rocaille frame. In the foreground a table decorated with a seedilles. Publisher number 135.

Top and bottom of underbousa; Projet. The lower part with a variant for the right half. Top left is listed: MOTIFS DECORATION, top right: Sculpture and Marbrery, Bottom right: N ° 2.c.

Amsterdam, Passe, Crispijn van de (II), Oficina Arcvlaria ((...)), Bovticqve Menvseries ((...)), Schriner Laden ((...)), Schrinwerckers Winckel, Cabinet, With a variant for the decoration of the right half. The cabinet has three pillars, on the left an Ionic column, in the middle a male herm and on the right a female herm. At the bottom a plan of the cabinet can be seen and the dimensions are on the right., print, ornament print, prints, ornament prints, height 338 mm, width 223 mm, Work conception, 1597 - 1670-01-06, after a design by, 1642 - 1642, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, publisher

Erpoort at the Grote Brug, 1751, Caspar Jacobsz. Philips, after Pieter Beuckels, 1751 print Double folded leaf. Numbered at the top right: 3. The honorary gate placed at the Grote Brug. On the arch portraits of Stadholder William IV and his predecessors, with statues of religion and freedom. Part of the illustrations of the festive inauguration of Stadholder William IV as Markgraaf van Veere on 1 June 1751. print maker: Amsterdamafter design by: Veere paper etching triumphal arch Veere

Drawing, Project for an Alter; Italy; graphite, pen and ink, brush and watercolor on paper

Two half epitafes or wall lists, three half doors with portals, 1610 print Doors with wooden paneling or a choir fence. Blad 20 from series of title page and 28 magazines. paper etching

Fireplace, table and wall candlestick, 1699 - 1726 print A fireplace with rocaille ornaments, an ornamented fireplace, above and below half faces and under half a flower basket. To the right of the fireplace hangs a rocaille wall candlestick, on the left part of a rocaille table is visible. Neurenberg (possibly) paper etching / engraving open hearth, fire-place. rocaille ornament. chandelier, candelabrum. table

Altar in the form of a tempietto founded magistrates on the Meir, 1685, 1685 print Altar in the form of a tempietto, founded by the magistrates of the city of Antwerp on the Meir. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching other decorative structures (~ triumphal entry, etc.) Antwerp. Meir

Queen of England, Sepulchral monument of Elizabeth I, Queen of England, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Cole, James, Dart, John, d. 1730, Engraving, between 1723 and 1727

Drawing (Italy); pencil, pen, sepia, brush, and grey water color.

Giovanni Battista Piranesi, Fantasy of a Façade with Bizarre Ornaments, 1764 1766 Fantasy of a Façade with Bizarre Ornaments

Jan van den Hoecke depicts an altar painting frame showing the miracles of Franz Xaver with Madonna in heaven using gray and black brush and brown highlights on architectural framework, illustrating figures and gestures.

Copper engraving by Agostino Veneziano representing the Constantine Book, produced between 1515 and 1550, focusing on historical manuscript illustration.

Design for a Wall Tomb ca. 1630 Anonymous, French, 17th century French. Design for a Wall Tomb 343756

Fireplace with chandelier; XIIe Cahier de l'oeuvre m cheminées avec Leurs Trupeaux & c. An ornamented fireplace with garlands and a four-armed chandelier. Two Thyrsi and flowers above that. On either side of the fireplace panels with flowers, hearts, winches, medallions and two four-armed candlesticks.

Subsema with oval medallion, Jean Lepautre, c. 1710 print There is a richly decorated pedestal on the architraaf with an oval medallion in which a blacksmith can be seen with his anvil. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome. Dimensions: Sheet: 15 1/2 × 9 15/16 in. (39.4 × 25.2 cm)Mount: 16 1/8 in. × 11 3/16 in. (41 × 28.4 cm). Former Attribution: Bastiano Torrigiani (Italian, Bologna -1596 Rome). Date: ca. 1585-90. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wall Fountain 1550-1620 Anonymous, Italian, Lombard, 16th century Italian. Design for a Wall Fountain 340697

Franse kroon, Parijs, Chéreau, Jacques-François, Boucher, Juste Nathan François, Berthault, Pierre Gabriel, O Galerijen, Plan et Coupe d'une Gallerie Ornée en face des Croisées, Gallery with doors, Paris, verso - stamped, Design and plan of a gallery with three doors. The gallery is decorated with vases, statues, pilasters, medallions, horns of plenty and paintings or tapestries., print, ornamental print, prints, ornamental prints, height 224 mm, width 362 mm, 1748 - 1819, print maker, printmaker, 1752 - 1794, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Studies of Three Candlesticks; Attributed to Domenico Campagnola (Italian, 1500 - 1564); Italy; about 1530 - 1550; Pen and brown ink; 29.8 x 18.4 cm (11 3,4 x 7 1,4 in.)

Studies of Three Candlesticks. Attributed to Domenico Campagnola (Italian, 1500 - 1564)

Choir chair between two columns, after 1666 - 1709 print Choir chair between two columns. Above the choir chair a crown element with two kneeling angels with a medallion on which the pigeon of the Holy Spirit. Print is part of an album. Paris paper etching ornaments ~ art. seats of the clergy, choir-stalls

Heater in Nis; Wall decorations; 19ME Livre t Livre de Decorations de Lambris. An ornamented heater with animal heads in a semicircular niche, on both sides of panels.

Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome ca. 1585-90 Bastiano Torrigiani Italian. Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome 633460

Oak Carving from Fireplace in the Jerusalem Chamber, Westminster. Artist: Charles James Richardson (British, London 1806-1871 London). Dimensions: sheet: 10 5/8 x 7 1/2 in. (27 x 19.1 cm). Date: 1820-71. Museum: Metropolitan Museum of Art, New York, USA.

Design for a doorcase, Graphite, pen and bistre ink, brush and bistre wash on paper, Doorway with curve at top. Foilage hangs in the center above the doorway., Italy, 1750-75, architecture, Drawing, Drawing

Coenotaphiorum (2). Artist: Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()); Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Engraved by Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: sheet: 9 x 5 7/8 in. (22.8 x 15 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1563.Architectural funerary monument with an altar table meant to be placed against a wall. In the aedicula of the avant-corps above the sarcophagus a kneeling man in harnas and a patron saint (Saint John the Evangelist) have been placed. Below the image is a Latin inscription, made up out of eight lines, divided over two columns. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Lindenberg, Jacob, Alewijn, Abraham (1664-1721), Northern Netherlands, Pola, Hendrik, Arch of Honour In the Eternal Memory of the Glorious War Deeds of the Most Illustrious Hero and General John Churchil Duke of Marlebourg, Arch of Honour for the Duke of Marlborough, 1704, Arch of Honour for the Duke of Marlborough in honour of his leadership at the Battle of Höchstädt on 13 August 1704, where the Allies defeated the French and the Bavarians. At the top the Duke in armour on horseback, on either side medallions with portraits of Prince Eugene of Savoy and the Hereditary Prince of Hesse Kassel. In the centre a blank coat of arms. In the arch a poem of praise in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 404 mm, width 250 mm, print maker, prentmaker, 1704 - 1704, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1676 - 1748, 1664-11-16 - 1721-10-04, writer, Publication (Event), Publication, Dutch, publisher

Two pedestals with tablets, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print Two pedestals with rectangular tablets. Print number 228. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm)

Vaas in Nis, Jean François de Neufforge, 1763 print A vase with garlands and medallions on a pedestal in a semicircular niche flanked by Ionian pilasters. Above the niche a medallions with portrait and profil, helmets, flags and weapons. Print number 296. Paris paper etching vase ~ ornament. 'concha' ~ architecture

Door with Bokkenkop and Book with Drawings, Anonymous, After Jean Charles Delafosse, in or After 1771 print An ornamented door with goat head, a sword, a snake and a book with drawings. On the left a rectangular list of Landscape aan Zee, a crown with two swords, a burning heart, a turtle and a caduceus. Numbered up above 61. paper etching / engraving door. he-goat, billy-goat. book in which illustrations are essential

Design for the Entrance to a Chapel. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 13-9/16 x 9 in. (34.5 x 22.9 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Collection of planks of furniture: Cabinet. Nineteenth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks: cabinet. Nineteenth cabinet of a sequence of 21. Etching. 1575.

Design for a chimney with Mercury, Argus and IO, Anonymous, Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a performance by Mercury who with his shepherd whistle Argus asleep. Behind Argus is in the form of a cow. The mantelpiece is decorated with rocaille and shell ornaments. Publishing number 19. after design by: Middelburgpublisher: Augsburg paper engraving chimney. Mercury lulls Argus into sleep by making music. rocaille ornament

Design for a Monumental Altar, Plate i from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Johann Michael Leüchte Ornament print with a design for an altar in a late Baroque style, with a large architectural reliquary on the altar table crowned by a small figure of the Risen Christ, flanked by two spiral columns. The floorplan for the altar is depicted directly below the elevation. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate i from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Almanach of the Gods for the Year 1768 1768 France. Etching and engraving on ivory laid paper . Gabriel Jacques de Saint-Aubin

Leaf with two decorations from the right room, Theodoor Koning, After J.S. Creutz, 1782 print Above: Decorated chimney with a niche in which a personification of justice with a city crown on the head. The weapons of Zaandijk, Westzaand, Westzaan, Wormerv are hanging around the Virgin. And Koog. Below: a door piece with an allegory in wisdom. The print is part of a series with ten images from the court in Westzaan. Amsterdam paper etching symbols and allegories of jurisprudence. Wisdom; 'Sapienza', 'Sapienza humana', 'Sapienza vera' (Ripa). chimney-piece, mantelpiece Westzaan

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Johann Georg (II), Port des Chaises, Sling coaches, Sling coach, verso - stamped, Sling coach with rocaille ornaments, floral motifs and paintings with two putti and obelisk. Publisher number 207., print, ornamental print, prints, ornamental prints, height 249 mm, width 184 mm, German, 1701 - 1800, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Gate to the vineyard of Sint -Jan van Lateranen, 1636 - 1647 print Hoofdpoort to the villa of Vincenzo Giustiniani in the vineyard of Sint-Jan van Lateranen in Rome. Above the gate the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving gate, entrance Rome

Altar Frame 16th century Anonymous, Italian, 16th century Italian. Altar Frame 342276

Theater with Duke Frederik I, 1594. Theater with the Duke Frederik I in 1314. Festive arrival of Archduke Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this arrival Descriptio et Explicatio Pegmatum, Arcuum Spectaculum Quae Bruxellae Brabant. Pridie Cal. Feb. Ao. 1594 EXHIBITA FUere, sub Ingressum ... Ernesti ... Archiducis Austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594. Numbered: 3.

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Drawing, Project for an altar; Italy; pencil, brush, pen, sepia and grey water color on paper; Mat: 35 × 17.7 cm (13 3/4 × 6 15/16 in.)

ARCO REALIZADO POR LA LLEGADA DE FELIPE III A LISBOA - GRABADO SIGLO XVII. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FELIPE III REY DE ESPAÑA Y PORTUGAL (1578-1621).

Fireplace with two chained prisoners; Schouwen and wooden paneling in interiors. Cross section of a room with a fireplace with two chained figures for a weapent probe. On the left and right two corinthian columns.

Door with painting attributes; II Cahier Desseins des Portes; Dessoints de la fashion Neuve au Gout Antique (...). Design for a door with panels and garland. Above a panel with painting attributes.

Eisenlohr & Weigle, memory board (grave slab) (Without Dat.): View. Ink on cardboard, 63.7 x 47.1 cm (including scan edges)

Drawing, Project for an altar of the Annunciation for S. Antonio dell'Ospedale in Anagni; Italy; pencil, pen, and black ink with rose, yellow and black water color washes on paper

Design for a Cartouche with a Blank Compartment surrounded by 8 Medallions ca. 1543-45 Anonymous, French, 16th century. Design for a Cartouche with a Blank Compartment surrounded by 8 Medallions. Anonymous, French, 16th century. ca. 1543-45. Etching

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 41e Cahier Divers Fragmens D Architecture, Architectural fragments, Panel with weapons, verso - stamped, A panel with a helmet, shields and weapons above a door or window opening with a triangular pediment. Print number 241., print, ornamental print, prints, ornamental prints, height 334 mm, width 208 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

The Play Theater in Antwerp, 1561, 1561 - 1562 The play theater founded on the Antwerp market for the Landjuweel of Antwerp in 1561. On top of the scaffolding the weapons of Melchior Schetz and Antoon van Stralen and the motto of the Violins: WT Ionsten versaemt. Antwerp paper Antwerp The play theater founded on the Antwerp market for the Landjuweel of Antwerp in 1561. On top of the scaffolding the weapons of Melchior Schetz and Antoon van Stralen and the motto of the Violins: WT Ionsten versaemt. Antwerp paper Antwerp

Half of rectangular ceiling; Ceilings à la modern. In the middle an empty rectangular surface, in the corners round medallions with flower vases. From second edition.

Project of a tomb made the President of ***** in Dijon in 1733; Tomb and epitaph projects. OnWerp Voor Een Graf. (FUHRING 102)

Drawing (Italy)

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