Emblematic Historical Scenes

Depictions of historical events and allegories, featuring groups of people, dramatic compositions, and various activities related to societal themes and cultural narratives.

Arrival of Prince William III in Utrecht in April 1674, 1675 - 1700 print The arrival of Prince William III in Utrecht in April 1674. The Prince Central on Horse in the midst of riders and foot soldiers. In the background the city of Utrecht. At the top a canvas with the title and two four -line verses in Dutch. Fifth (unnumbered) print in a series of five prints about the events occurring in Utrecht over the period 1672-74. print maker: Northern Netherlandspublisher: Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Utrecht

An Emblematical Print on the South Sea Scheme William Hogarth (British, 1697-1764). An Emblematical Print on the South Sea Scheme, 1721. Line engraving on laid paper, 10 3/16 x 12 13/16 in. (25.8 x 32.5 cm). European Art 1721

Adventure on a trip with the express car , fresco painting after the French theatrical picture gallery for the theater newspaper, born , No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Dutch envoy Willem van Lier in Venice, 1627, Matthijs Pool, after Gerard Melder, 1703 - 1740 print paper etching / engraving audition; ruler giving audience Venice

An etching by Joachim von Sandrart from 1620-1698 depicting an allegory of the beautiful arts, showing figures, artistic tools, and composition.

Death of Requesens, 1576; Death of Requesens / XVI. vocals; Scenes from the life of Prince Willem I, 1568-1584; Artificial plates belonging to the Eursten's epic, in four and twenty seeds by the Netherlands closer J. Nomsz .. Death of Requesens. The land guardian requires dies at the table during a banquet, March 5, 1576. Sixteenth vocals.

The Women of Weinsberg carry out their men on their backs, 1140, Anonymous, 1600 - 1750 print The Emperor (Roman King Koenraad III) has taken the city of Winbergen (Weinsberg), December 21, 1140. The townspeople are asked to leave the city and can take what they can carry. The women of Winbergen choose to carry out their men on their back so that they are not taken prisoner. paper etching carrying a person on one's back. capture of city (after the siege) Weinsberg

Willem III sleeps the first two days in a fishing hut at the English coast, 1688; Syn Kon: Hoogheyt sleeps in a slow fishermen hut between the 15, 16 November: 1688; Englants Schoustoneel imagending the Glorieuse voids with the croons of William III and Maria II to king and queen of Great Brittany and Vrankryk and Yrlant, etc. II part .. Prince Willem III sleeps the first two days after his arrival in England in a simple fishing hut , 15-16 November 1688. Plate E in the 'Engeants stage' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French.

Battle between the wind trade and the upcoming poverty, 1720, Anonymous, 1720 print Cartoon with the battle between Vastennond and Vasten placed in the context of the wind trade of 1720. Battle between two people on chariots pulled by children. Left fasting evening, dressed with kitchen instruments, game and poultry, drinking glasses and jugs. She and her supporters carry references to the action trade. Right fasting, dressed with fish and pretends, refers to the upcoming poverty. In the caption a verse in five columns, printed from a separate plate. Print 25 in the series The great scene of foolishness with cartoons on the wind trade or action trade of 1720. paper engraving strife of Lent and Carnival

Etching depicting Apollo killing Diomedes and Aeneas departing from Dido, created by Jean Le Pautre between 1625 and 1686, illustrating classical mythological events.

Arrival of Prince William III in Utrecht in April 1674, 1675 - 1700 print The arrival of Prince William III in Utrecht in April 1674. The Prince Central on Horse in the midst of riders and foot soldiers. In the background the city of Utrecht. At the top a canvas with the title and two four -line verses in Dutch. Fifth (unnumbered) print in a series of five prints about the events occurring in Utrecht over the period 1672-74. print maker: Northern Netherlandspublisher: Amsterdam paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Utrecht

Approach, any scapegoat, caricature on the exhibition of the Holy Rocks Christ in Trier , Pönicke, publishing house

Washington entering Trenton. 1775 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Atlas Actieux de Papier à la Mode Actieuse papiere Atlas naar de Mode. 1720. Civilier, S., active approximately 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Fontaine des harmless. (TI)

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Neros Torches. unknown, publisher

Heroism of young desils. (IT)

. Monument in memory of the folly of the year 1720. On a large car laid down by a jet the fortune of the action shares in the round. The cart is drawn by personifications of the companies of the South Sea and Mississippi (an invalid Indian) and others. The car is led by the fame in the direction of a poor house and madhouse. Around the cart are traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearance is deceiving in Latin. In the question the statement of the show in French and Dutch. Print 18 in the series of large scene of foolishness with cartriders at the 1820 wind trade.

The Analyst Besh,-n: in his own Taste. 1753. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Stefan Batory near Pskov 1581; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Monument consacré a la posterité en memoire de la folie incroyable de la XX. année du XVIII. siecle. 1720. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

The greetedish Frederik Hendrik Ouwerwet's pattern of the wrong barmoliness (TI)

Decapitation of Henri de Fleury de Coulan Buat, in The Hague, 1666. Decapitation of Henri de Fleury de Coulan Buat for a subsidiary in The Hague, 11 October 1666.

Lodewijk van Nassau leaves Bergen on a portable, 1572, Reinier Vinkeles (I), After Jacobus Buys, 1790 print Count Lodewijk van Nassau leaves Bergen on a portable, September 6, 1572. paper etching (carrying a person on a) litter, stretcher Bergen (Belgium)

Mier Bayard;

Parade of the workmen of the Stads Schuitenmakerswerf, 1787, Johan Christoffel Schultsz, 1787 print Festive parade in the evening of the Orange -minded workmen of the Stads Schuitenmakerswerf, in the months of October, November and December 1787. Long procession winds over the Kattenburgerplein, on the right The Lands Zeemagazijn, in the background the Kattenburger Bridge. The workmen wear axes and other tools, signs with the name of Prince Willem V, flags, insignia and symbols and burning tar pots and lanterns with candles. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving pageant of a guild The country's sea warehouse. Kattenburgerplein. Kattenburger Bridge

Leiden, Tangena, Johannes (17th century), Northern Netherlands, Hooghe, Romeyn de, The reception in England, Of her Highness my Lady Princess of Orange, now Queen of Great Brittain, La reception en Angleterre, De Son Altesse Madame la Princesse d'Orange, à persent Reine de la Grande Bretagne, The welcome in England, Reception of the Princess of Orange as Queen of England, 1689, Reception of the Princess of Orange as Queen of England in Margate, 22 February 1689. Off the coast, the English ships with which the princess made the crossing fire salutes. On land, she and her court are welcomed by representatives of parliament. On the left, the Margate inn. In the sky, the Queen's coat of arms carried by allegorical figures. Glued below the print is a text sheet with a description of the events and an explanation of the numbers 1-23 in 3 columns in Dutch, French and English., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 740 mm, width 588 mm, Noord-Nederl

3rd Drawing of the Monthly Subscription (April Month) / Monarchical Contudanse (IT)

Copper engraving by Aegidius Sadeler the Younger depicting the Robbery of the Sabines, created between 1590 and 1627, showing figures, action, and compositional detail.

The Slavic Barricade, The fight for freedom agrees all nations, on May , Franz Kollarz Kolář -, Lithographer, Johann Rauh -, printer

Taking the doors of the city gate in Franeker, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Removing the doors of the city gate of Franeker, February 1788. Northern Netherlands paper etching / engraving Franeker

Actionists en route to Vianen, 1720, 1720 A car with actionists leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The travel car is mixed by a jerk, on the roof a monkey with a banner with bombario, the horses are led by a devil. In and around the car actionists or wind traders. In the caption a text in three verses. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Culemborg. Vianen. First Muiderpoort A car with actionists leaves Amsterdam at the Muiderpoort and drives towards Vianen and Culemborg. The travel car is mixed by a jerk, on the roof a monkey with a banner with bombario, the horses are led by a devil. In and around the car actionists or wind traders. In the caption a text in three verses. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Norther

Afbeelding en waarachtigh Verhaal... (Representation of the True Story of Johan de Witt...). Dated: 1672. Dimensions: plate: 32.4 x 43.1 cm (12 3/4 x 16 15/16 in.) sheet: 53.9 x 43.1 cm (21 1/4 x 16 15/16 in.). Medium: etching and letterpress on laid paper. Museum: National Gallery of Art, Washington DC. Author: ROMEYN DE HOOGHE.

Returning hunting party at a fountain, Jean Moyreau, After Philips Wouwerman, 1735 print publisher: ParisFrance paper etching / engraving return from the hunt

Storch in front of Admiraal de Ruyter's house, 1672, 1782 print Furious crowd in front of Admiraal de Ruyter's house on the Prins Hendrikkade in Amsterdam. He was falsely accused of betraying the fleet to the French, October 6, 1672. Northern Netherlands paper etching street-fights, riots Amsterdam

John Law and others Torsen their debts on their shoulders, 1720, 1720 John Law and other men and women like atlas their debts like a huge sphere (with wind or paper) on their shoulders. In the foreground, the time is ready to overthrow the people with a ball. With captions in Dutch and French by S. Civilien. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching John Law and other men and women like atlas their debts like a huge sphere (with wind or paper) on their shoulders. In the foreground, the time is ready to overthrow the people with a ball. With captions in Dutch and French by S. Civilien. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

Earth in God's eyes corrupt and full of injustice, Jan van Vianen, after Gerard Hoet (I), 1720 - 1728 print The earth in Noah's time is corrupt and full of injustice. On the right in the background, the construction of the Ark has begun. Illustration of the Bible text Gen. 6: 11. Under the show the title in Hebrew, English, German, Latin, French and Dutch. publisher: Amsterdampublisher: The Hague paper etching / engraving the wickedness of mankind; the wicked are usually shown feasting and revelling

PL.12 Frog fishing. (IT)

De Tolpoort in Vianen for the Actionists, 1720, Anonymous, 1720 print Cartoon on the wind trade in Vianen. John Law is on the left as the sovereign director of the Windhandel in Vianen on his throne surrounded by Devils, on the right the toll gate, so that only people with money can enter. The caption with a verse printed in three columns of a separate plate. Print 32 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper etching / engraving Vianen

Ticket for the Benefit of Spiller, the Player, Samuel Ireland, English, ca. 1744-1800, William Hogarth, English, 1697 - 1764, Etching on paper, A street scene most likely from a play. In immediate foreground many figures. In the middle a man with immense scales behind him. He is weighing cards with names of politicians., England, 1794, Print, Print

The honorable Dutchman divides his treasures, ca. 1780, Anonymous, 1780 print Cartoons on the political relationships between the Republic and England, ca. 1780. The honorable Dutch merchant distributes money to hard -working workers, farmers and artists. Other investors are rejected. In the foreground, the Dutch Lion and the French Haan chase the English Dog. See also the Pendant. Stuck a separately printed abnormal explanation under the print. paper etching / engraving / letterpress printing political caricatures and satires. Fourth Anglo-Dutch War

Monument consacré a la Posterité en memoire de la Folie incroyable de la XX. année du XVIII. siecle Ter Eeuwiger Gedagtenisse der Dwaasheid van het XX jaar der XVIII. Eeuw Monument erected for posterity in memory of the unbelievable madness of the 20th year of the 18th century. 1720. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Painting with allegorical representation of the Netherlands that closes peace with and loosens from Germany and Spain, 1678, Benoît Audran (II), After Jean Baptiste Massé, After Charles Le Brun, 1752 print To a painting in the Salon de la Paix in Versailles. Numbered in the bottom right: No. 33. Paris paper etching / engraving peace negotiations Versailles

Scourge of darkness; Ninth plague. Egypts with duystism punished. View of a plain in a city with Mozes and Aaron in the middle, under a black sky. Moses points to the air. People on the street taste around, stumble and look with folded hands up. The print is an imagination of the ninth plague that God left over Egypt.

Monument devoted to posterity in memory of the incredible madness of the XX. year in the eighteenth century. (Title registered (letter))

Allegory on the victory of September , title page of the series by Romeyn de Hooghe to , Jean Leonard, publisher, Romeyn de Hooghe -, Copper Engraver, Geelen, Printer

Trekking of the Hollandsche Loterij in The Hague, 1696, 1735 - 1737 print Trekking of the Hollandsche Loterij in the Ridderzaal of the Binnenhof in The Hague, 1696. Against the walls of bookcases, on the ceiling the banners. Two orphan boys pull the lottery tickets out of two large round turning buses, in the foreground a crowd of spectators. Below a second, allegorical, show with a lying fisherman on a monumental stone on which a verse is entitled: each fish for benefits. On the right, Fortuna scatters with your coins, on the left a group of people led by desire and hope. paper etching / engraving Raffle, Lottery. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa) Racing room

Circumcision of Ismaël, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print Abraham prescribes his son Ismaël, helped by the members of his family. In the foreground a man who is just circumcised (Gen. 17:23). The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper engraving / etching Ishmael and all the men of the household are circumcised

States of Holland and West Friesland, Amsterdam, Schenk, Pieter (I), Theater of the War, Beginning with King Charles II. Up to King Charles III. Existing in IX. Historical Figures on an Elephant Sheet, as Battles, Sieges on Water and on Land, with the main Fortresses, Theater of the War (sheet I), 1700-1701, Sheet with nine representations of events from the years 1700-1701 of the War of the Spanish Succession. Sheet I in: Theater of War (1720 edition), the print work with the bundled series of 31 plates about the War of the Spanish Succession., print, prints, Frederik Muller Historieplaten, height 538 mm, width 635 mm, Northern Netherlands, 1660-12-26 - 1711, print maker, printmaker, 1701 - 1706, paper, papier, etching, etchings, Publication (Event), Publication, publisher, uitgever van privilege

37th table of the collection of historic engravings of the main events since the opening of the General States (1789-1791). Event of the French Revolution. Vengeance of the ex-Arquebusier Billon, explosion of his apartment, the day of a blessing of the flags in Senlis, December 13, 1789 (TF)

Etching by Jan Luyken, 1721-1778, depicting divine punishment of people with ulcers, showing figures, wounds, and 18th-century European moral scene.

Aristocrats, - Volks souperinity, - Democrats, Satire on the revolution of , Franz Werner, publisher

Cartoon on the popularity of prints and poems about the Austrian War of Succession, 1742, 1742 print Cartoon on the popularity of prints and poems about the Austrian War of Succession, 1742. On the street for two book stores and a coffee house, the buyers of prints and poems are driven away by a man with a stick. A glasses seller for the coffee house. Northern Netherlands paper etching / engraving book-shop, bookseller

Theater of the war (Leaf XX), 1719; Schouwburg van den War, starting from King Charles Den II. To K karel Den III. Existing in IX. Historical figures on an elephant leaf, as battles, water and the main fortresses (...). Leaf with nine performances of events from the year 1719. Leaf XX in: Theater of the war (1720 edition), the picture with the bundled series of 31 plates on the Spanish Succession War.

. Phoenix, Ajax and Odysseus visit Achilles and offer him gifts on behalf of King Agamemnon to win him back. He refuses them. A caption in French in the margin.

Miseries of London: Entering upon any of the bridges of London or any of the passages leading to the Thames being assailed by a group of watermen holding up their hands and bawling out. Oars Sculls. Sculls. Oars. Oars. July 14, 1807 Thomas Rowlandson. Miseries of London: Entering upon any of the bridges of London or any of the passages leading to the Thames being assailed by a group of watermen holding up their hands and bawling out. Oars Sculls. Sculls. Oars. Oars.. Miseries of London. July 14, 1807. Etching. Prints

View of Aagtekerke, Pieter Hendricksz. Schut, 1657 print paper etching city-view, and landscape with man-made constructions Aagtekerke

Allegory on the benefits for the turks through the division among the Christian nations, ca. 1664; While the crys of firm shaves around the beard / so the turck full of mother's zen grinding sward. Allegory on the benefits for the Turks achieved through the division among the Christian nations, approx. 1664. Central representation in which the Dutchman is cut into a barber shop and shaved by the hairdresser and his assistant the Spaniard with a mirror, while the Turk is grinding his warworld on the background. Surrounded by twelve small allegorical scenes in which a relevant saying is depicted.

2nd event of July 14, 1790. // Entrance of the Fedearies to the Champ de Mars (IT)

See / Youth! To your entertainment / the Kinderkar and Wagen / Blyf grateful that your more worries are worn, 1819 - 1831 print Leaf with 2 shows. Upstairs: a trekk cart falls around so that the children who sat in it fall to the ground. Below: a porter throws a wheelbarrow so that the children who sat in it fall on the floor. Under each image a four -line verse in two columns. Numbered at the top right: No. 41. Amsterdam paper letterpress printing baby-carriage, pram, perambulator

The big fat and beast walk, pl. 7 and 8. Suite and end of the big fat and beast walk Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "The big fat and beast walk, pl. 7 and 8. Suite and end of the big fat and beast walk". Board published in "caricature" of April 5, 1832. Lithography. Paris, House of Balzac.

. Landscape with an architectural niche in which delegates from the peoples of different continents have gathered. In the foreground history writing in her book. She is accompanied by a woman, in hand the hand of justice, who points to the monument on which the title in French. A putto on a globe on the monument.

Taking the doors of the city gate in Franeker, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Removing the doors of the city gate of Franeker, February 1788. Amsterdam paper etching / engraving Franeker

The large meeting place of the wind sellers, 1720, 1720 View of the Quincampoix coffee house where traders are concerned with the wind trade. On the sides four smaller scenes of the rise, fall and exodus of the actionists and the recovery of the pure negotiation. In a caption a verse in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix View of the Quincampoix coffee house where traders are concerned with the wind trade. On the sides four smaller scenes of the rise, fall and exodus of the actionists and the recovery of the pure negotiation. In a caption a verse in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Coffee house Quincampoix

Het Tegenwoordig Veward Europa Europe in Her Present Disordered State. Artist: Anonymous, Dutch, 18th century. Dimensions: image: 10 x 11 1/4 in. (25.4 x 28.6 cm)plate (trimmed): 10 5/16 x 11 13/16 in. (26.2 x 30 cm)sheet: 11 x 11 7/8 in. (28 x 30.1 cm). Date: ca. 1780. Museum: Metropolitan Museum of Art, New York, USA.

Kanon Dulle Griet shoots with prices, 1820, Anonymous, 1820 print Cartoon in which the cannon called Dulle Griet fires a salvo of all kinds of prices and medals, much marked SPQB. In the foreground, a group of dogs with Esopus dines at a round table. On the right two manne wear a dragon Waop Manneken Pis is peeing. Probably in response to the first national industrial exhibition in Ghent in August 1820 and the parties in Brussels in July 1820. Belgium paper etching firearms: cannon. cannon shots (military salute). animals acting as human beings. dog Ghent. Brussels

Cartoon at the fall of BEURNONVILLE, the French War Minister, 1793; Image of the fall of Bournonville, Minister of War of the Fransche Republic. Cartoon on the imprisonment of Pierre Riel de BEURNONVILLE, the French Minister of War, too St. Amant thanks to the betrayal of the Dumouriez flooded. The fall of the BEURNONVILLE displayed as the fall of Phaëthon. The solar car drawn by four donkeys that represent Patriots (Olieatje, Wybo Bough, Gerrit Pape and Pieter Cordemans). On the right a crumbling tower of Babel with the names of Breda, Geertruidenberg and Klundert. On the right a group of French handles horror, to the left cheering Dutch people. On the leaf under the plate a description.

Allegorical representation of the world, Theodoor Koning, After Jan Gerritsz. Visser, 1798 print Allegorical representation of the world, with four columns that represent four continents (Europe, America, Africa and Asia). For the columns there are figures and elements that can be associated with the continents. In the middle a piercing stable with a globe with a personification of the world. In hand, she has a water jug and a torch, and wears the city crown on her head. Above her head the zodiac with constellations. Netherlands paper etching / engraving Europe represented allegorically; 'Europa' (Ripa). Asia represented allegorically; 'Asia' (Ripa). Africa represented allegorically; 'Africa' (Ripa). America represented allegorically; 'America' (Ripa)

The first stage of cruelty , Punishment & torture, Dogs, Cats, George III, King of Great Britain, 1738-1820, Hogarth, William, 1697-1764. Four stages of cruelty. William Hogarth (1697-1764). Prints

Print (France)

The shame of the package, is only for the culprit. (IT)

Rev. From Paris / Decent of Louis XVI The Fuyard at the Chteau des Tuileries. / Nº103.pag.585. (IT)

The Ark of the Covenant Carried Across the Jordan, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Four illustrations of classical history from one plate, numbered LIII through LVI and all with captions Top left: Death of Democles Bottom left: Magnanimity of Roman envoys in Egypt Top right: Death of Pompey Bottom right: Wife and children of Hermias stoned to death Representations LIII and LIV marked at upper right: Opposite page 61 Representations LV and LVI marked at upper right: Opposite of page 116, Four representations from classical history Illustrations from classical history , print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 222 mm × w 282 mm

Cartoon on the disagreement between Willem III and Amsterdam, 1690; Mardi Gras de Cocq A l'Ane; French Kael-Ender, starting vander on-day children-day 1689. To the Borgers Go-Vrydag Ao. 1690; Caricatures on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon on the disagreements between Willem III and Amsterdam, 1690. The city is accused of linging with France. A man with the arm of Amsterdam on the shirt standing for hedged France that sits on a toilet and descending his back with the privileges. Behind the Dauphin on a donkey and torch in hand. For him, the poor child or Molenaarskind (with Molentje): Jacobus Frans Eduard. Up to the front right, valuables are sold to a Jewish trader. In the background the town hall and the Swygh Utrecht tower of the goals of Amsterdam. Furthermore, many other figures. Under the show a verse in which an explanation of the figures 1-12 in Dutch.

Apotheosis of Frederick the Great. Orgelbrand, Samuel (Warszawa ; wydawnictwo, drukarnia ; fl. 1836-1919), merchant employer, Koenig (König) Fr., graphic artist

An etching by Pieter Nolpe circa 1642 depicting an allegorical scene symbolizing freedom of love, showing human figures and symbolic elements.

Battle for a castle; Childerik, torrent game; Title page for: Childerik, torrent game, 1738.an old man Has Just Stipulated, Soldiers Catch Him. A Young Man Goes The Perpetrator With His Sword. Women Flee Into The Castle in The Background.

Matreau, drum at the 20th line (...) (IT)

. Needs leaves with four prints.

Print made by George Cruikshank, 1792-1878, British, Jack Sheppard's Escape from the Cage at Willesden, 1839. Etching on moderately thick, smooth, cream wove paper with beige chine collé.

The Spirit of Erasmus leaves Rotterdam, 1720, 1720 The Windhandel in Rotterdam is leaving the spirit of Erasmus de Stad, 1720. Cartoon on the Windhandel in Rotterdam. On the right in the foreground, a well -to -do rotter is trying the scales of justice, on the left it appears that the treasury during inspection only contains coal. In the caption verses in Dutch and French. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Rotterdam The Windhandel in Rotterdam is leaving the spirit of Erasmus de Stad, 1720. Cartoon on the Windhandel in Rotterdam. On the right in the foreground, a well -to -do rotter is trying the scales of justice, on the left it appears that the treasury during inspection only contains coal. In the caption verses in Dutch and French. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or actio

Pl. 12. The industrious 'prentice, Lord Mayor of London. , Mayors, Spectators, Carriages & coaches, Parades & processions. William Hogarth (1697-1764). Prints

Allegory on the appointment of Willem IV to Stadtholder of the Republic, 1747; Image of joy, committed in all the fares of the Seven Geunated Provintien, by the appointment of (...) Willem Carel Henrik Friso (...) to Stadholder, Capitein and Admiral General of the Seven Geuniore Provintien. In the flowering month of the 1947. Allegory on the appointment of Prince Willem IV to Stadtholder of the Republic, May 1747. William IV in Triomfvag drawn by the Dutch lion the Dutch garden enters, accompanied by Minerva, freedom and caution. In the air the fame and Mercury, on the right the truth in the clouds, residents in the front and background. On the leaf under the plate the declaration of the figures 1-8 and a four-line verse.

Willem V offers the Dutch Virgin his services, 1781, Reinier Vinkeles (I), After Jacobus Buys, 1782 print Allegory on the sea battle near Doggersbank between the Dutch and the British fleet on August 5, 1781. The Prince Willem V, resulting in the Dutch Virgin with Lans and Vrijheidshoed and offers his services. Northern Netherlands China paper etching / engraving personifications of countries, nations, states, districts, etc. Netherlands

Execution of Arminians in The Hague 1623 Netherlands. Etching with touches of engraving and letterpress in black on ivory laid paper (pieced) . Claes Jansz. Visscher, II

The scrap papers world in fire, 1720; Desklates of lady's fire is wrong; The great scene of foolishness. Central show with the worldly and spiritual princes and all kinds of other people from poor to rich have been collected to catch a globe that flame. In the four corners of the world's volatility of the worldly pleasures. With multiple verses. Print 63 in the series The great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Decapitation of the gildeemids on the Grote Markt in Zwolle. A large number of gildeme esters beheaded in the night of St. Luciasdag on the Markt in Zwolle, 1418. A man gets the last sacrament of a priest, behind him the executioner waits with sword.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), The Judgement of Paris; from: `Tygodnik Ilustrowany`, no. 212. Bong, Richard (1853-1935), printing house, Sommer, P. (fl. ca 1900), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Entrance to Louis-Benigne-François Bertier de Sauvigny into Cabriolet in Paris, by the Porte Saint-Martin, July 22, 1789 (Current 33, Boulevard Saint-Martin, 10th arrondistem), The people show him the head of quicked snack on a spady. Bureau of the revolutions of Paris. (Factitious title)

Stoicism of a republical / givet (IT)

Execution from Reinier van Oldenbarnevelt, David Coorenwinder and Adriaan van Dijk, 1623; Iustitle about any Arminiaensche traitors, shit in s'gravenhaech. The executions of Reinier van Oldenbarnevelt, David Coorenwinder and Adriaan van Dijk, March 29, 1623, on the scaffold on the green zoo in The Hague. With a large crowd of spectators. Legal for the three main suspects depicted for the prison gate in the strange clothing in which they have been captured. Under the main presentation of small scenes of writing the body and clothes of Reinier van Oldenbarnevelt, celebrating parts of the bodies, the piping of the guns and an allegorical scene. This also includes four portraits. Without texts under the show.

A day in the countryside (continued)

Pl. 4. Chairing the members , Crowds, Fighting, Political elections, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762. William Hogarth (1697-1764). Prints

Ballet des muses: allegorie, pour les menus plaisirs du roi. Palmeus, P. de. Prints. 1770 - 1779. Jerome Robbins Dance Division. Ballet , France , 18th century

Trijn van Leemput goes with a group of women to Vredenburg Castle to break it down, 1577, 1780 - 1795 print With a group of women, Trijn van Leemput pulls up with hammers and pickaxes to Vredenburg Castle, May 2, 1577. At the front of a woman with a flag, behind it a woman who hits a drum and a woman with a ragebol. Netherlands paper etching Vredenburg

Eiseles and Beiseles arrival in Vienna on March , Anti -Semitic caricature on the revolution in , Franz Werner, publisher

Villars, Claude Louis Hector Duc de.

Four episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with four performances from national history. From left to right: Rombout Hogerbeets and Hugo de Groot transferred to Slot Loevestein; Stadholder Frederik Hendrik welcomes Maria de 'Medici in Holland; Death of Frederik Hendrik, Prince of Orange; Official existence. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life)

Three performances from the history of Poland, Daniel Nikolaus Chodowiecki, 1795 print The prints are numbered at the top right. With caption and page reference in German and French. Berlin paper etching hut, cabin, lodge. eating. index finger forwards, pointing, indicating. ruler, sovereign

Triumphal tour of the wealth, Christian von Mechel, after Federico Zuccaro, after Hans Holbein (II), 1780 - 1795 print paper etching The Rich. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Cariot, Triummphal Car. Novel Personifications of Abstract Concepts

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