Emblematic Print Designs

A series of intricate emblematic prints, depicting allegorical scenes and biblical narratives with ornate cartouche designs.

The Dwarf Amazoon Struik -Rooveres, 1720, 1716 - 1720 The Bavarian dwarf amazoon reaveres, in one hand a chopping knife and a basket with eggs, with the other she makes an obscene gesture. In the caption verses in German, French and Dutch. Numbered right in the middle: 42. Print within a decorative frame pressed from a separate plate with dwarfs. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The Bavarian dwarf amazoon reaveres, in one hand a chopping knife and a basket with eggs, with the other she makes an obscene gesture. In the caption verses in German, French and Dutch. Numbered right in the middle: 42. Print within a decorative frame pressed from a separate plate with dwarfs. Part of part II in the second Dutch -bou

Title print for the series: Bombario Actionist and the Spirit of Esopus, 1720, Anonymous, 1718 - 1720 Emblem composed of a cartouche and a devil with a basket with dwarfs on his head. Central a scene with Bombario, a street seller and a monkey. Numbered right in the middle: 1. part of the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel. print maker: Northern Netherlandspublisher: Amsterdam paper etching Emblem composed of a cartouche and a devil with a basket with dwarfs on his head. Central a scene with Bombario, a street seller and a monkey. Numbered right in the middle: 1. part of the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Parable of the workers in the Wijngaard, Anonymous, After Pieter van der Borcht (I), After Georg Pencz, c. 1570 - c. 1610 print Parable of the workers in the vineyard. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16)

Worship of the seven -member beast, 1585 print From the sea comes the seven -piece crowned beast that is honored by the people. From behind a mountain the second beast appears in the form of a ram. Under the show a reference in Latin to the Bible text in op. 13. This print is part of an album. paper engraving the leopard-like beast with seven heads comes out of the sea and is worshipped together with the dragon

Pieth stables with performances of fame and a sacrifice, 1636 - 1647 print Two piercos. The Pieth stable on the left with a performance of fame. The Pieth stable on the right with a figure at a sacrifice. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). sacrifice ~ Roman religion

Allegorian ship. Allegorian ship of virtues sailing on the sea of the world's unrest. For the land jewel of Antwerp in 1561.

Etching by Hubertus Quellinus from 1665 showing a female personification alongside a coat of arms, river gods, and a sculpture socket with inscription, in Baroque engraving style.

The Dwarf Amazoon Struik -Rooveres, 1720, 1716 - 1720 The Bavarian dwarf amazoon reaveres, in one hand a chopping knife and a basket with eggs, with the other she makes an obscene gesture. In the caption verses in German, French and Dutch. Numbered right in the middle: 42. Print within a decorative frame pressed from a separate plate with dwarfs. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The Bavarian dwarf amazoon reaveres, in one hand a chopping knife and a basket with eggs, with the other she makes an obscene gesture. In the caption verses in German, French and Dutch. Numbered right in the middle: 42. Print within a decorative frame pressed from a separate plate with dwarfs. Part of part II in the second Dutch -bou

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention) Various artists/makers 1773 This album contains several print series with designs for strapwork cartouches. The first half of the album consists of plates from the series Targhe ed altri ornate d varie e cappriciose invenzione (), published in Rome by Carlo Losi in 1773. The series is made up out of Italian copies in reverse after several print series originally published in Antwerp in the sixteenth century. The Italian copies were likely made soon after, likely in the context of Antonio Lafreris publishing ventures in Rome. Losi obtained the old plates combined them into one series of twenty-five prints. The title plate and following eleven prints are copied after the series Veelderhande cierlijcke Compertimenten (), designed by Jacob Floris and published by Hans Liefrinck in 1564. These are followed by copies in reverse (with some alterations) after Hans Vrede

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Blanchon, Jean Andre

Paul's decapitation; Paintings of Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican; History of Petrus and Paul; Disegno della Loggia di San Pietro in Vaticano Dove Si da La Benedizione. A painting with the beheading of Paul. Paul is kneeling on the floor. A man with a raised sword is behind him. A group of soldiers is watching. The scene is flanked by images from Petrus and Paul. Print is part of an album.

Album magazine with five prints with a bowl and hunting scenes, Virgilius Solis, After Cornelis Floris (II), 1500 - 1599 print Album magazine with five cut prints: four hunting scenes and an ornament dish on a high leg. paper engraving / etching hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). hunt ~ mammals. stag-hunting. dish, plate, saucer. boar-hunting

Etching by Daniel Hopfer from 1500-1536 depicting Marcolfus and Bolikana, with scenes related to Lent, highlighting figures and composition.

Arts and Sciences, Decoration on the Noordermarkt, 1795, Anonymous, 1795 Arts and Sciences, Allegorical Decoration Founded on the Noordermarkt in Amsterdam at the Alliantie Party on June 19, 1795. Minerva sitting in the clouds with shooting shell (equality) above a wreath and fire. Playing apollo on the winch at the top. Illustration in the Batavian Revolution and Alliance Almanach before 1796. print maker: Netherlandspublisher: Amsterdam paper etching Northern market Arts and Sciences, Allegorical Decoration Founded on the Noordermarkt in Amsterdam at the Alliantie Party on June 19, 1795. Minerva sitting in the clouds with shooting shell (equality) above a wreath and fire. Playing apollo on the winch at the top. Illustration in the Batavian Revolution and Alliance Almanach before 1796. print maker: Netherlandspublisher: Amsterdam paper etching Northern market

Peter's vision of the unclean animals, Anonymous, After Maerten de Vos, 1654 print Simon Petrus prays in Simon's house the tanner. A sheet with all kinds of unclean animals appears above him. Numbered in the bottom left: VIII. At the bottom of the margin a two -way caption in Latin. Part of a series of twelve performances of the actions of the apostles. Part of an album with mainly Christian performances. paper engraving Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Odysseus embraces Laërtes in his vineyard, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus makes himself known to his father Laërtes and embraces him in his vineyard. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus makes himself known to his father Laërtes and embraces him in his vineyard. The print is part of an album. Paris paper etching / engraving / letterpress printing

Base with coat of arms flanked by male and female dressed with leaf vines, Wendel Dietterlin (I), 1593 - 1595 Numbered: 11. Print is part of a book. Strasbourg (France) paper etching wild man, wodewose, woodehouse. wild man, wodewose, woodehouse - AA - female. pedestal of a piece of sculpture (perhaps in the form of a herm)

Portrait of Angelo Barbarigo and the personnifications of religion and impartiality; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with the portrait of Angelo Barbarigo, with cardinal hat on the front. On the back the pope under a canopy. He hands a cardinal hat. The pedestal is flanked by religion and impartiality or justice. Religion is shown as a veiled woman with cross and book. A flame in her left hand. In addition to her is an elephant. The woman's right is blindfolded and has a sword and cardinal hat in her hands. The print is part of an album.

The Dwarf Great Gardenier of Love Kruidhoven as Harlekijn, 1720, 1716 - 1720 The Dwarf Great Gardenier of Love Kruidhoven as Harlequin with a black mask. In the caption verses in German, French and Dutch. Numbered right in the middle: 35. Print within a decorative frame printed of a separate plate with samples, at the top three birds. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The Dwarf Great Gardenier of Love Kruidhoven as Harlequin with a black mask. In the caption verses in German, French and Dutch. Numbered right in the middle: 35. Print within a decorative frame printed of a separate plate with samples, at the top three birds. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind t

Term with fruit garlands and the three graces, Anonymous, After Hugues Samin, 1572 print Numbered at the top right: 75. Numbered in the bottom right: K 2. According to the explanation on page 76, this is a combination of the Doric, Ionic, Corinthian and Composite Order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments). Graces (Charites), generally three in number; 'Gratie' (Ripa)

Battle between heavenly and earthly army, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1646 print An angel is in the middle of the sun and calls to the birds. The heavenly army, led by a rider with papal miter and a sword in his mouth, fights against the earthly army. The beast perishes in a pile of fire. Under the show a reference in Latin to the Bible text in op. 19:11. This print is part of an album. paper engraving the beast and the false prophet conquered

Failed draft of Louis XIV and the Duke of Anjou, 1706, 1706 print Triumph car with Louis XIV and the Duke of Anjou pulled by six princes in the direction of a temple where the Spanish crown is kept. At the top two cartouches with representations with Jesuits, 1706. In the plate 3 columns verses in Dutch and French. Page no. 21 (numbered at the top right) in the series of 25 magazines entitled: By joint to the Koninglyke Almanach, called the Golde Year of the allies, 1706. Part of the print work published under the collection title: 't Lust-Hof of Momus, with The bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Draperie Met Opdracht Aan Antonio Barberini, Giovanni Battista Fonda, After Pietro Ferrerio, in or after 1655 print A drapery with an assignment to Antonio Barberini is stopped by female personifications of painting and architecture. Above the Draperie Het Wapen van Barberini. In the background a look into a street with buildings. Print is part of an album. paper etching coat of arms (symbol of sovereignty). drapery, draped garment, 'Gewandgebung'. 'Architectura', symbolic representations, allegories and emblems ~ architecture; 'Architettura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

Dancing pair of dwarf, 1720, 1718 - 1720 Dancing pair of dancing. In the caption verses (with sexual allusions) in German, French and Dutch. Print without a decorative frame. Nummered right in the middle: 3. Part of part IV (a series of six records of dancing couples at a wedding party) in the second Dutch -bound edition from 1720 (and partly related to the wind trade in that year) of a series of caricatures with dwarfs, known Like the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching Dancing pair of dancing. In the caption verses (with sexual allusions) in German, French and Dutch. Print without a decorative frame. Nummered right in the middle: 3. Part of part IV (a series of six records of dancing couples at a wedding party) in the second Dutch -bound edition from 1720 (and partly related to the wind trade in that year) of a series of caricatures with dwarfs, known Like the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Ceres Verhinder de Moord op Triptolemus Virgil, 1569 print Ceres turns Lyncus into a lynx the moment he tries to kill the sleeping Triptolemus. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Lyncus changed into a lynx: Ceres changes Lyncus into a lynx when he is on the point of murdering the sleeping Triptolemus (Ovid, Metamorphoses V 657). scrollwork, strapwork ~ ornament

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III is bound in contemporary vellum and dated 14 February 1741. dedicated to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara. Two recipes, one for varnish and the other for acid for etching

Reproduction of a title page from the Theatrum Orbis Terrarum by Abraham Ortelius, with Jupiter, Juno, Neptune and other figures, Anonymous, After Christoffel Plantijn, c. 1875 - in or before 1880 photomechanical print Antwerp paper photolithography (story of) Jupiter (Zeus). (story of) Juno (Hera). (story of) Neptune (Poseidon). title-page

Ixion embraces a cloud, Giulio Bonasone, 1501 - 1580 print Ixion tried to seduce Juno, Jupiter's wife. As a punishment, Jupiter sculpted her image from clouds. The drunk Ixion hugs a cloud in the form of Juno here. Amor wraps a canvas around Juno. Under a four -line verse in Italian. The show is caught in a decorative frame with putti and female saters. Italy paper etching / engraving (story of) Juno (Hera). Ixion embraces a cloud (Nephele) in the shape of Juno

Album magazine with seven prints with arabesken, male Hermen and Adam and Eva in paradise, master of the dice, Agostino Veneziano, 1500 - 1599 print Album magazine with seven -cut prints: Adam and Eva in paradise, two male hermes, designs for fox hats with representations of saints and Bible stories, a circular and a rectangular ornament with arabesks. paper etching / engraving constructive (architectural) parts ~ human beings. trees (+ stem, trunk). trees: palm-tree (+ stem, trunk). saints. ornament ~ arabesque. thimble

Cartouche, 1666 - before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. ornament ~ cartouche

Print (France)

80. Tobias' sight restoration by Angio; 81. Mier Holofernes; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

41 don't hate yet, 1614 XLI Non Odit Taming. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing XLI Non Odit Taming. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing

Term in the form of a female Sater, Anonymous, After Hugues Samin, 1572 print Numbered at the top right: 59. Numbered H 2. According to the explanation of page 60, this is the composite order. Print is part of an album. paper letterpress printing pedestal of a piece of sculpture (perhaps in the form of a herm). Herm: pillar with the head of Mercury, patron of travellers. herms (garden ornaments). satyr(s) (in general) - LL - female satyrs (in general)

Three vertical panels with leaf ornament and figures, After 1634 - Before 1667 print Three vertical panels with leaf ornament and figures. In the middle panel an oval medallion containing the personification of hope. Print is part of an album. Paris paper etching ornaments ~ art. ornament ~ grotesque. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues

Theater with truth personification, 1578. Scene with personnification of the truth. On the opposite page a cartouche with the verse that stood above the scene. Theater performance during the arrival of Matthias in Brussels, January 18, 1578.

Monster, anonymous, 1679 - 1685 print Sticked on the rear bract a printed list (1-30) and a print of a monster found in 1679. At the top right of the print numbered: 46. Part of the seventh album with drawings of reptiles, amphibians and natural history ensembles. The seventh of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. paper etching / engraving / letterpress printing fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). dragon

The Dwarf Potjerollia van Mestenburg, 1720, 1716 - 1720 The dwarf Potjerollia of Mestenburg as a farmer's wife. In the caption verses in German, French and Dutch. Numbered right in the middle: 37. Print within a decorative frame printed of a separate plate with heads of Chinese dwarfs and masks. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching The dwarf Potjerollia of Mestenburg as a farmer's wife. In the caption verses in German, French and Dutch. Numbered right in the middle: 37. Print within a decorative frame printed of a separate plate with heads of Chinese dwarfs and masks. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel, partly

30. Piast; 31. Leszek VIII; 32. Ziemomys; 33. Mieczys Aw or Mieszko The first monarch of the Polish Christian Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

1. Title figure to the preface of the New Testament from the Leopolita Bible; 2. Annunciation of Miss Maria; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Consignment Daer HEBDY't, 1614 Decide there already. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing Decide there already. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing

Esemplario di lavori, page 5 (verso). Dimensions: 9 5/16 x 7 1/4 x 15/16 in. (23.7 x 18.4 x 2.4 cm). Published in: Venice. Publisher: Nicolò Zoppino (Italian, Ferrara 1478/80-1544 Venice) , Venice. Date: August 1529.Published by Nicolo Zoppino, Italian, active 16th century, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers: vines and foliage intertwined among architectural elements with half of cherub head and wing on top right corner, vines and flowers intertwined among architectural elements with sun medallion hanging from center of highest vine. Museum: Metropolitan Museum of Art, New York, USA.

De Dwerg Boose Griet as Waardin, 1720, Pieter van Buysen Jr., 1718 - 1720 The Dwarf Boose Griet as worth with a burning piece of wood. In the caption verses in German, French and Dutch. Numbered right in the middle: 32. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The Dwarf Boose Griet as worth with a burning piece of wood. In the caption verses in German, French and Dutch. Numbered right in the middle: 32. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Copper engraving and etching by Adriaen Collaert depicting martyrs, created between 1560 and 1618.

Underweysung der Messung (Nuremberg, 1538) 1538, 1527, 1532 Albrecht Dürer German. Underweysung der Messung (Nuremberg, 1538) 336657

Austerity, 1589 - 1611 print The personification of austerity is in a landscape with an open book in hand. Next to her a jug and two loaves. A lizard at her feet. In the background a tent camp with a tent where people are sitting. A kneeling figure prays on the mountain above the camp. Under the show a four -line verse in Latin. This print is part of an album. paper engraving sobriety; 'Sobriety', 'abstinence' (Ripa)

Hunter with a crossbow; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Print is part of an album.

Stiegen von Marmor so in dem Lustgarten desz Card. Aldobrandini zu Freschcadj führt. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Conversion of the prisoner of Filippi, Anonymous, After Philips Galle, After Jan van der Straet, 1646 print The prisoner of Filippi attempts to commit suicide when he notices that the prison doors are open. He fears that the trapped have escaped. The apostle Paulus and his companion Silas, however, stayed in the cell. Paul then repents the prisoner. Under the show a reference in Latin to the Bible text in hand. 16:27. This print is part of an album. paper engraving Paul and Silas prevent the warder from committing suicide (story of the conversion of the warder

How is this clean troubled 'cared for, by virgins and by boys! / A single, (who is sickly,) is sleeping at the foot, 1715 - 1813 print Leaf with 2 performances of the Free and Free Tree. Left: a tree full of women, where men can sort out a freight. Right: a tree full of men, where ladies can "pick" a potential freer. Under each image an eight -line verse. Numbered at the top right: No. 139. print maker: Netherlandspublisher: Amsterdam paper letterpress printing shaking lovers out of a tree, with cudgel - CC - pursuit of a man

Blazoen van de Lelikens Uten Dale (Zoutleeuw), 1561, 1561 - 1562 Blazoen van de Lelikens Uten Dale, Rederijkerskamer van Zoutleeuw. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Blazoen van de Lelikens Uten Dale, Rederijkerskamer van Zoutleeuw. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Album magazine with seven prints with wild animals, Eva, a hunting scene, ornament and a naked figure tied to a tree, Virgilius Solis, After Cornelis Bos, 1500 - 1599 print Album magazine with seven -cut prints: wild animals, a hunting scene, ornament prints and a naked figure tied to a tree. paper engraving hunters hunting (N.B.: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'). hunter. boar-hunting. ornaments ~ art. vase ~ ornament. ornament ~ arabesque. the (nude) human figure; 'Corpo humano' (Ripa). Eve (not in biblical context)

Portraits of Jacobus I and Anna, 1603 - 1605 print Portrait of Jacobus I, king of England with his wife Anna van Denmark, ca. 1603. both standing in front of a niche. Between them the king's family tree. With caption of 4 lines in Latin. Nummered at the bottom left: 344. The print is part of an album. Cologne paper etching

Print (France)

Shepherdin with Spinnrok and two shepherds, Jean Couvay, After Abraham Bloemaert, 1632 - 1675 This print is part of an album. paper etching This print is part of an album. paper etching

The Dwarf Sinjoor Strïcadus, 1720, Joost van Sassen, 1718 - 1720 The dwarf Sinjoor Strïcadus. In the caption verses in German, French and Dutch. Numbered right in the middle: 20. Part of the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel. print maker: Northern Netherlandspublisher: Amsterdam paper etching The dwarf Sinjoor Strïcadus. In the caption verses in German, French and Dutch. Numbered right in the middle: 20. Part of the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf toneel. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Prospect der Brügen, Wasserfahl, und Vestung, eine Mehl v. Lucca. Küsel, Melchior I (1626-1683), graphic artist, Baur, Johann Wilhelm (1607-1642), graphic artist

Portal of wood with pine cones, birds and branches and inside is a man, Wendel Dietterlin (I), 1593 - 1595 Numbered: 14. Print is part of a book. Strasbourg (France) paper etching Doric order ~ architecture. architecture (+ wood, e.g.: panel ~ arts). fruits: pine-cone. foliage, tendrils, branches ~ ornament

A 1515 woodcut from Dürers workshop depicting Sipp and his sister-in-law at the right side portal (C 3) of the honorary gate of Emperor Maximilian I, showing figures and architectural ornamentation.

German returned gentleman, Christoph Krieger, After Cesare Vecellio, 1598 paper paper

Chandelier with tenders with leaves, 1714 print Numbered in the top left: no. 45. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching Chandelier, a candlestick. Candle. vine

Information Committee, 1795, Anonymous, After David Hess, After James Gillray, 1799 Cartoon on the information committee. 1795. Four members of this committee try in vain in vain to make light in the dark. A man is leaning on a ladder against a column with a broken lantern. Venice paper etching / engraving Cartoon on the information committee. 1795. Four members of this committee try in vain in vain to make light in the dark. A man is leaning on a ladder against a column with a broken lantern. Venice paper etching / engraving

Drawing, Design for an Overdoor; Netherlands; pen and ink, brush and sepia washes; 12.3 × 17.7 cm (4 13/16 × 6 15/16 in.)

Ancient woman, Christoph Krieger, after Cesare Vecellio, 1598 Mirror image and other rug; attitude paper Mirror image and other rug; attitude paper

Sculpture of a son of Niobe, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. the sons of Niobe, who were mounting their horses, die by the darts of Apollo

Bees at a tree stump / ostrich in a palm tree, Anonymous, After Aegidius Sadeler (II), 1666 print An emblem with two performances. Above a swarm of bees at a tree stump. A hand in a cloud plays on a harp. Below is an ostrich at a palm tree. There is a phases on the tree. paper engraving / letterpress printing insects: bee. harp. trees: palm-tree. walker and runner birds: ostrich

Odysseus in the underworld, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 Odysseus visiting the underworld. Hades, the ruler of the underworld, is in the middle with the three -headed dog Cerberus. On the right, Odysseus meets the hero Hercules. On the left three figures who underwent their punishment for a variety of crimes in the Tartarus: Tantalus, Sisyphus and Tityus. The print is part of an album. Paris paper etching / engraving / letterpress printing Odysseus visiting the underworld. Hades, the ruler of the underworld, is in the middle with the three -headed dog Cerberus. On the right, Odysseus meets the hero Hercules. On the left three figures who underwent their punishment for a variety of crimes in the Tartarus: Tantalus, Sisyphus and Tityus. The print is part of an album. Paris paper etching / engraving / letterpress printing

Interior of the bookstore of Theodore de Hansy, 1726 - 1771 print Interior of the store of publisher and book seller Theodore de Hansy on the Pont Au Change in Paris. High bookcases and a counter on either side of the departure. The window offers a view of the ferry Neuf with the Pomp La Samaritaine. The address of the Hansy under a cartouche with Saint Nicholas and the Ton with three children. paper engraving book-shop, bookseller. St. Nicholas restores to life three children who had been murdered, dismembered, and salted down in a pickling tub by an inn-keeper. bridge Change bridge

Eight designs for cartouches; NUOVE INVENZIONI D'ornamenti d'Architettura E d'Intagli Diversi Utili Ad Argentieri Intagliatori Ricamentori et Altri Professori delle Buose Arti del Disegno. Eight designs for cartouches with monograms and different crowns for ecclesiastical leaders and secular princes. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, pulse chairs, organ cabinets and other ecclesiastical art, followed by designs for four-poster beds, children's clothing and other domestic furniture.

Personification of painting and Mercury as personification of sculpture in architectural ornaments and cartouches, Wendel Dietterlin (I), 1594 Text in Latin in the cartouches, the tablet and the objects in the print. This is the second part (Liber II) of two. Print is part of a book. Strasbourg (France) paper etching other architectural details. personification of (art) academy; 'Academia' (Ripa) (+ painting, drawing, graphic arts). personification of (art) academy; 'Academia' (Ripa) (+ architecture). personification of (art) academy; 'Academia' (Ripa) (+ sculpture)

The accumulated promoters / inhun honor and seeed (ti)

Cartoon on the electoral frost of Bavaria, 1706; The great French band-crawl with the bannier of bangness, in no danger; 11. The tastelessness of the Beyerian Bander-Lord; Bycup to the Koninglyke Almanach, called the Gulde-Year of Allies, 1706 / 't Lusthof by MoMus. Cartoon at Maximilian II Emanuel, Keurvorst of Bavaria as a crippled rider with a wooden leg climbing on a horse. Leaf No. 11 (numbered at the top right) in the series of 25 blades entitled: Bycup to the Koninglyke Almanach, called the Gulden-Year of Allies, 1706. Part of the print work issued under the collective title: 't Lust-Hof van Momus, with The bundled Series of spot prints during the 1901-1713 of the Spanish Succession War.

Family Nathanker put out of the house, Daniel Nikolaus Chodowiecki, 1773 print The family of Sebaldus Nathanker is put out of the official residence. In the doorway are Wilhelmine, Sebaldus Vrouw, and their daughter Mariane with the child Charlotte on her arm. Behind them is Truffelius, Sebaldus successor. The family is met by a group of soldiers. paper etching Literature. private soldier. suspension, expulsion (from a society)

Bliżej Kultury unknown

Hercules op de Brandstapel, Virgil, 1569 print Hercules at the stake on which he had himself laid. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Hercules has himself carried to Mount Oeta and placed on a pyre

Matrona Orliens, Christoph Krieger, After Cesare Vecellio, 1598 paper paper

Les Singuliers et Nouveaux Portraicts... page 47 (recto) 1588 Federico de Vinciolo Italian Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.From top to bottom, and left to right:Design is printed upon a grid and illustrates the personification of Jupiter who rides an eagle. Surrounding Jupiter are various foliage elements and 2 diabolical figures at the bottom.. Les Singuliers et Nouveaux Portraicts... page 47 (recto) 358422

Mediocre woman, Christoph Krieger, after Cesare Vecellio, 1598 paper paper

Portal with various ornaments, Wendel Dietterlin (I), 1593 - 1595 Numbered: 10. Print is part of a book. Strasbourg (France) paper etching Tuscan order ~ architecture. parts of church exterior and annexes: portal. 'Laub- und Bandelwerk' ~ ornament. scrollwork, strapwork ~ ornament

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III is bound in contemporary vellum and dated 14 February 1741. dedicated to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara. Two recipes, one for varnish and the other for acid for etching

Letters in the inscription "Herby"; allegorical figures; Recreating the picture of Apelles "Kaletnia" according to Lukian's description; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Bliżej Kultury unknown

Leaf with caricatures of small people in the wind trade, 1720, 1720 Leaf with caricatures of small people in the wind trade. Printed from a large plate on which all four performances are etched 1-4. Plate 1: Emblem with bombario in a frame with the devil and goat legs, crowned by a basket full of fools. Plate 2: A small person as a night watchman with a magic lantern on his back. Plate 3: A small person as a doctor with a bird on his hand. Plate 4: A little person like an old woman with a dog on her arm. The sheets 2-4 have a caption in two columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Leaf with caricatures of small people in the wind trade. Printed from a large plate on which all four performances are etched 1-4. Plate 1: Emblem with bombario in a frame with the devil and goat legs, crowned by a basket full of fools. Plate 2: A small person

Display of the Goudbloem (Antwerp), 1561, 1561 - 1562 Scene from the play of the Goudbloem, Rederijkerskamer in Antwerp. Fortuin standing with a foot on the Werldbol, Mercury sitting on the right and two other figures. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Scene from the play of the Goudbloem, Rederijkerskamer in Antwerp. Fortuin standing with a foot on the Werldbol, Mercury sitting on the right and two other figures. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Achthoekig zwartornament; Zwartornamenten.An octagonal black ornament as a pendant in a workshop at an oven. A man places a tongs in the oven. His leather boy is behind him with a bellows. In the middle of numbered 4. The print is part of an album.

Sculpture of a Roman soldier on horseback; Aequitis Contra Amosonem (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

King Janus, or man has two faces. (IT)

Leaf from Decachordum Christianum by Marco Vigerio, plate 81 from Woodcuts from Books of the XVI Century 1507 Italy. Woodcut on paper . Unknown artist

Matt's very bad, 1614 XXVI pessima placent pluribus. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing XXVI pessima placent pluribus. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing

January, 1633 - 1643 print Personification of the month of January. A grotesque figure with a glass and a palm branch with crowns in his hands. Paris paper etching January; 'Gennaro' (Ripa)

Bacchante kneeling before a term of Priapus, masturbating it into a vase. Une femme devant un Priape. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Grave of Pope Clemens X, Arnold van Westerhout, After Alessandro Specchi, 1693 - 1717 print Graf from Pope Clemens X. A sarcophagus with sculptures of female personifications and putti. Above that a sculpture from Pope Clemens X. The grave is in a niche. Above the niche, the coat of arms of Pope Clemens X. Nummered above: Tabula 33/ Pag. 112. Print is part of an album. print maker: Romeafter drawing by: Italypublisher: Romepublisher: RomeThe Hague paper etching grave, tomb. sarcophagus St. Peter's basilica

46 gives the wax credit, Roemer Visscher, 1614 XLVI that Cera Fidem. First shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing XLVI that Cera Fidem. First shock. Part of 'Sinnepoppen', R. Visscher, 1614. publisher: AmsterdamThe Hague engraving / printing

Reproduction of a print of a portrait of Charlotte van Bourbon surrounded by Grotesken, by Hendrick Goltzius, Anonymous, After Hendrick Goltzius, After Covens & Mortier, c. 1875 - in or before 1880 photomechanical print Antwerpafter design by: Amsterdam paper photolithography historical persons - BB - woman. ornament ~ grotesque

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Copper engraving and etching by Léonard Gaultier depicting a laurel metaphysician, created between 1581 and 1649, showing symbolic and allegorical elements.

Two putti, one with grapesros, at a plant in pot, Pietro Antonio Cotta, After Guido Reni, 1675 - 1685 print Italy paper etching cupids: 'amores', 'amoretti', 'putti'. potted plants

The Dwarf Rusticus Schoolutsius, 1720, Pieter van Buysen jr., 1718 - 1720 The Dwarf Rusticus Schermutsius as a member of the Tyrolean militia. In the caption verses in German, French and Dutch. Numbered right in the middle: 39. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The Dwarf Rusticus Schermutsius as a member of the Tyrolean militia. In the caption verses in German, French and Dutch. Numbered right in the middle: 39. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Het Nieuwe Licht, Pieter van Woensel, 1795 - 1796 The Dutch Virgin pours new oil in her lamp. The lamp is on top of a pile of books by Boerhaave, Grotius, Huygens, Locke, Newton, et al. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1796'. Netherlands paper etching Netherlands The Dutch Virgin pours new oil in her lamp. The lamp is on top of a pile of books by Boerhaave, Grotius, Huygens, Locke, Newton, et al. Illustration in Pieter van Woensels Almanak 'De Lantaarn for 1796'. Netherlands paper etching Netherlands

Three Captains Brought Up for Judgment, from Theuerdank Die geuerlicheiten vnd einsteils der geschichten des loblichen streytparen vnd hochberümbten helds vnd Ritters herr Tewrdannckhs. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg); Type design by Vincenz Rockner (German). Author: Written by Melchior Pfintzing (German). Dimensions: Sheet: 14 3/4 × 9 15/16 in. (37.4 × 25.3 cm). Engraver: Jost de Negker (1480-1546). Printer: Printed in Nuremberg by Hans Schönsperger the Elder (German, active Augsburg 1481-1520). Series/Portfolio: Die geuerlicheiten vnd einsteils der geschichten des loblichen streytparen vnd hochberümbten helds vnd Ritters herr Tewrdannckhs. Date: 1517. Museum: Metropolitan Museum of Art, New York, USA.

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