Emblems and Philosophical Prints

Prints depicting philosophical themes and conversations, often featuring figures in contemplative or allegorical settings.

Emblema XL: Ex duabus aquis

Emblema XL: Ex duabus aquis

Print (France)

Two conversing figures near a coffin on a stretcher. The figure on the right is dressed in a long robe. On the left in the background a house. Print from a book containing 36 prints with sentence images. Print used in: F. van Hoogstraten, De schoole der wereld, 1682, Two figures near a coffin on a stretcher LXXXVI. On seeing a coffin, sprinkled with flowers (title on object), print maker: Arnold Houbraken, Northern Netherlands, 1682, paper, etching, letterpress printing, h 71 mm × w 83 mm, h 157 mm × w 95 mm

Amsterdam, Boekholt, Baltes, Luyken, Jan, Title page for: C. Barlaeus, Oratien en Blijde inkomst van Maria de Medicis, 1689, Minerva and Mercurius holding the portrait of Caspar Barlaeus together with an angel, verso - stamped, print, title page, prints, height 151 mm, width 93 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1689 - 1689, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Trophy of weapons and sculptures; Cimbrico Reportata Romae in Via Exquilina Apud (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Misandere seeks out her husband Euglottus in the night to call him on his adultery. In a shabby room, Euglottus lies in bed. Misandere holds a candle in her hand. Page from a book with text on recto and verso, Misandere visits Euglottus in the night, print maker: Daniël van den Bremden, (mentioned on object), Adriaen Pietersz. van de Venne, (mentioned on object), Amsterdam, c. 1635 - 1537, paper, engraving, letterpress printing, h 230 mm × w 162 mm, h 102 mm × w 135 mm

Banner; Der Fenderich. .

The duration of the time of time. (registered title)

Expulsion from Paradise, 1740 print Adam and Eva are driven out by the angel with the flaming sword from earthly paradise. The snake crawls next to them. The image of the angel is partly removed. A title above the show. Below six verses and a reference to Genesis 3: 22-24. The print is part of an album. paper letterpress printing expulsion of Adam and Eve from paradise (Genesis 3:22-24)

Riepl Gleichdron, Approbierter und Privile gierter Sauschneider, und spanischer äpfell Abaldator, Pl. 41. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Carro del Sole, page 51 The Chariot of the Sun. text. Illustrations. 1647. Rare Book Division. Mythology, Classical, Chariots, Gods, Sun , Mythology

Iris ad Somnum missa, Iohan. Posthii Germershemii Tetrasticha in Ovidii Metam. lib. XV. qvibus accesserunt Vergilij Solis figurae elegantiss. and iam primùm in lucem editae, Posthius, Johannes, 1537-1597, Solis, Virgil, 1514-1562, Woodcut, black-and-white, 1563

The creamy. / 75. (registered title) | Almanach useful and pleasant from the lottery of the Royal Military School. (title of all)

Schmeltzing, Jan (I), Netherlands, Medal in honor of mayor Pieter van der Werff, 1604, Medal with portrait of mayor Pieter Adriaansz. van der Werff, at his death in 1604. Obverse: bust of Van der Werff within inscription. Reverse: Verse above view of Leiden. Below the print and on the back printed with text in Dutch., print, picture, historical object representation, coin declaration, prints, pictures, Frederik Muller Historieplaten, height 165 mm, width 125 mm, print maker, printmaker, 1700 - 1749, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1656-08-03 - 1693-10-18

Naakte Fortuna op wereldbol draait het rad van fortuin rond, Hendrik VII steekt een stok in het rad; Titelpagina voor: Historia regni Henrici Septimi Angliæ regis, Amsterdam 1662; Historia regni Henrici Septimi Angliæ regis.Naked Fortuna stands on a globe, in her right hand, she holds a vase and a bit, with the left hand she turns the wheel of fortune around. Different headwids and attributes are attached to the wheel that can be associated with different positions such as an emperor crown, king wreath, broom and kick. On the left are Hendrik VII and a soldier who touch Fortuna and on the right Hendrik VII who puts a stick in the wheel and a soldier who gestures to the globe. The title is stated on a cloth above the performance.

Cornelis Galle I, Frontispiece for Matthew de Morgues, Diverses pieces pour la defense de la Reyne, 1637, engraving on paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Niobé. Forty-second number of a suite of 52 pieces. (A. de Vesme 519; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Execution / remarkable, / Madame de Brinvilliers ... (IT)

Weber, Wilhelm.

France, French crown, Paris, Grass, Henry le, Bella, Stefano della, Jeu des fables, Card game with mythological scenes, Orphée et Eurydice, Nine of spades, Orpheus and Eurydice, Playing card with a scene of Eurydice being pulled back into the underworld. Orpheus is already outside. Text and spades in the bottom margin., print, playing card, prints, height 88 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Monsieur Robert von Parukenfeldt, Pl. 18. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Siracusanorum Regis Interitus (The Murder of the King of the Syracusans) from T Livius Patavinus historicus duobus libris auctus, plate 86 from Woodcuts from Books of the XVI Century 1520 Italy. Woodcut on paper . Zoan Andrea

Blazoen van de Jennettebloeme (Lier), 1561, 1561 - 1562 Blazoen van de Jennettebloeme, Rederijkerskamer in Lier. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Blazoen van de Jennettebloeme, Rederijkerskamer in Lier. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Dedale et Icare. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

Leaf from Amadis de Gaule, plate 71 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1560. Dimensions: 56 × 89 mm (image); 141 × 89 mm (image/te×t); 169 × 113 mm (sheet). Woodcut on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Event on July 9, 1647 during the Napolitan uprising, Anonymous, 1652 - 1664 print With a battering ram, insurgents try to gain access to a fortress on the third day of the Napolitan uprising in 1647. paper etching / engraving / letterpress printing revolution, revolt. siege arms, e.g.: battering ram Naples

Sailor with a large banner; Receüil de Plusiers Navires, et Païsages Faits Apres Le Naturel, Par R. Zeeman, 1650; Seascapes and landscapes.Titel leaf for a series of thirteen seascapes and landscapes. A sailor with a large banner, ships in the background.

London, Ward, Thomas, Title page for: Gilbert Burnet, Memoires pour servir à l'histoire de la Grande-Bretagne, 1725, Two women at a monument with portraits of emperors, verso - stamped, An ornamented monument with a book title and two portraits (possibly emperors). At the bottom a coat of arms. On the right sits a crowned woman with a scepter attached to chains with shackles. On the left a woman (possibly Venus), a putto with a torch and two birds., print, engraving, title page, prints, engravings, height 135 mm, width 82 mm, print maker, printmaker, 1725 - 1725, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Two putti carry the arms of Archduke Leopold Willem van Oostenrijk Title page for: Painter-painting of David Teniers, gheboortigh of Antwerp painter and the camera-servant of the most noble Leopol. Guil. arts-hertogh and Don Ian van Oostenr (...), 1660 (title on object), Two winged putti with cloak in an ornamental frame. They hold the crowned weapon of Archduke Leopold Willem of Austria. This print is part of an album, cupids: 'amores', 'amoretti', 'putti', coat of arms (symbol of sovereignty), governor of the Southern Netherlands Leopold Willem, Don Juan II of Austria, Coenraet Waumans (mentioned on object), 1660, paper, letterpress printing, h 125 mm × w 184 mm

Frontispiece for "The Customs of Lorraine". Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Sculpture by Niobe with her daughter; Niobes Cu Filia in Hortis Magni Ducis (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Blanchon, Jean Andre

Allegorical title page with portrait of Publius Ovidius Naso, Frans Brun, Franz Isaac Brun (Rejected Attribution), 1637 print Above a portrait of Ovidius surrounded by putti. Below that the title with Minerva and Mercury on either side. Among the nine people. print maker: Netherlandspublisher: Rotterdam paper engraving portrait of a writer. cupids: 'amores', 'amoretti', 'putti'. specific aspects, allegorical aspects of Mercury; Mercury as patron. specific aspects, allegorical aspects of Minerva; Minerva as patroness. the Muses acting together (as group)

Of the real portraits of the habititis of all parts of the world carved in copper for Opera by Bartolomeo Grassi. First book., 1585 Title page of series costume prints. Title in the middle, in ornament list with the weapon of .... two putti with horns of abundance. In the middle of a cartouche with ram heads, in which the image of a sailing ship in a storm at sea. On the right a naked woman with scissors and rolls of dust; On the left a naked man with the same attributes. Print from album 'Dei Veri Ritratti Degl'Habiti di TVtte Le Parti del Mondo Intagliati in Rame by Opra di Bartolomeo Grassi', 1585. paper engraving Title page of series costume prints. Title in the middle, in ornament list with the weapon of .... two putti with horns of abundance. In the middle of a cartouche with ram heads, in which the image of a sailing ship in a storm at sea. On the right a naked woman with scissors and rolls of dust; On the left a naked man with the same attributes. Print from album 'Dei Veri Ri

Jupiter and Danaë; Close three; Jupiter et Danäé; Card game with mythological performances; Jeu des Fables. Playing card with a representation of golden rain (Jupiter) that drops out of a cloud on the lying Danaë. Text and clover in the undermaster.

Mons.r Gilles Platfues, Maitre de Danse a l'Academie des Lourdeaux, Pl. 22. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

The lively effigies of Theinmingus the present emporer of the Western Tartars, who hath lately overrrun and possessed himself almost of the whole empire of China The history of that great and renowned monarchy of China. Semedo, Alvaro, 1585-1658. Prints. 1655. Rare Book Division. Catholic Church , China, China , History , To 1644

Count Dirk VII van Holland, 1586 - 1587 Count Dirk VII van Holland, back. His sword supports the tip on the ground. A climbing lion on the weapon. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Count Dirk VII van Holland, back. His sword supports the tip on the ground. A climbing lion on the weapon. The print is part of a book with descriptions and representations of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

King Cambyses; Persian kings; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. King Cambyses of Persia standing with his hand on his sword. In the background you can see how Cambyses kills the son of Prexaspes with an arrow. Above the show a three-legged text in Latin. This print is part of an album.

Loken shop with a seller and a customer. .

The winged Fame, with two trumpets at feet, and the personification of Art, with palette, brushes and painter's stick at feet, hold up a canvas with the title of the print series. Title print of a series of Roman ruins, consisting of copies after a print series by Willem van Nieulandt, Personifications of Fame and Art Ruinarum Antiquarum quae Romae sunt (...) (title on object) Roman ruins (series 2) (series title), Willem van Nieulandt (II), (mentioned on object), print maker: anonymous, 1594 - 1685, paper, engraving, h 101 mm × w 140 mm

La Giostra di Giuliano de Medici... ca. 1495-1500 Angelo Poliziano Italian The humanist scholar Politian, a protégé of Lorenzo de' Medici, was a leader in the use of the Tuscan dialect in poetry. His most famous poem, composed to commemorate the joust in 1475 of Lorenzo's brother Giuliano, is, among other things, a compendium of mythological tales drawn from Ovid and other sources. Politian provides a vivid description of the garden of Venus, where the little brothers of Cupidthose who concern themselves with the love affairs of ordinary peoplesharpen their arrows on whetstones and cause even the fish to fall in love. A possible inspiration for many mythological images is the poet's account of the marvelous house of the goddess, adorned with representations of the loves of the gods.The image of a knight on horseback that opens the text of the Giostra is also found in another famous Florentine book, Jacobo de Cessolis' Libro di giuocho di scacchi (Book of the Game of Chess) of 1493 (4

Allegory of the Transitoriness of Life n.d. Jacob Matham Netherlandish. Allegory of the Transitoriness of Life 384839

Vertumnus, Roman god of seasons, change and plant growth. With scythe, sapling and dog. Voltumna or Veltha, supreme god in the Etruscan pantheon. From a cornelian gem. Vertumnus Incis. in Corneola. Copperplate engraving from Francesco Valesio, Antonio Gori and Ridolfino Venutis Academia Etrusca, Museum Cortonense in quo Vetera Monumenta, (Etruscan Academy or Museum of Cortona), Faustus Amideus, Rome, 1750.

JEROGLIFICO DE LA EDAD DE CARLOS II - GRABADO SIGLO XVII. Author: PRADA F. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), renowned queens' game. Clytemnestre. Thirty-seven number of a suite of 52 pieces. (A. de Vesme 627; Dutuit 118) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Tennet dance. The noble woman

Title Page 1735 François Boucher French. Title Page 398670

Finis - Quaeso. Finis - Quaeso. Third shock. Part of 'Sinnepoppen', R. Visscher, 1614.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. The Narsingue. Twentieth issue of a series of 52 pieces. (A. de Vesme 575; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Sloop at a shepherd on a shore, Adriaen Matham, after Adriaen Pietersz van de Venne, 1625 print A sloop with men and a woman tied to the hands is approaching a coast. A shepherd, with his dog and his herd of sheep behind him, comes to the boat. A sailing ship on the horizon. Book illustration from: Jacob Cats, Houwelijck, 1625. Print Maker: Haarlem Printer: Middelburg paper engraving / letterpress printing rowing-boat, canoe, etc.. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock. rocky coast

Count Floris V van Holland; Comfort and short history of the graves of Hollandt Zeelandt Ende Vrieslandt; Graves and gravingen from Holland. Count Floris v van Holland, for feet, with sword on his shoulder. On the coat of arms a climbing lion. The print is part of a book with descriptions and shows of the graves of Holland, Zeeland and Friesland.

Woman picks up with a rolling pin, Paulus Lesire, 1643 print Kitchen interior with kneeling man by the fire. Behind him is a woman with a rolling pin in the attack. paper etching / letterpress printing kitchen-interior. violent death, being killed; being mishandled and maltreated; seeking death

Title print for the scene of foolishness, 1720; Honorary title, or Gordryn for the Schouburg Domestic Discharges, painted with the action store des Greens and Dorren Tyds, or mirror of the paper waerelds; The great scene of foolishness.Title Print With Centrally a Performance in Which Father Has a Mirror to a Mirror to A Young Woman with a Globe. Here Around It A Frame With Dwarfs, Animals And Rollerwork With All Kinds Of Inscriptions, Printed From A Second Plate. On The Leaf Under the Plate A Fresh in 5 columns. Print 1 in the Series The Great Scene of Foolishness with cartriders at the 1820 Wind Trade.

Death of Absalom, Anonymous, After Hans Sebald Beham, 1530 - 1533 print paper Absalom takes counsel with Ahitophel

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Orpheus and Eurydice. Forty-sixth issue of a suite of 48 pieces. (A. de Vesme 520; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

89. DE Advocat; Luken, Caspar (1672-1709), Luken, Jan (1649-1712); 1694 (1694-00-00-1694-00-00);

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Venus and Adonis. Thirty-sixth issue of a sequence of 52 pieces. (A. de Vesme 525; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Diligentia and Tempus at Het Wapen van Haarlem; Haerlem Vicit Vim Virtus. The arm of Haarlem, awarded a laurel wreath and tree branches. A ship and the text Haerlem behind the weapon. The weapon is flanked by inaccess or diligents, with an open book on shot and staff in hand, and Tempus as a winged old man with scythe and hourglass.

Welcome game of the Violieren, 1561, 1561 - 1562 Scene from the welcome game of the Violieren, the Rederijkerskamer in Antwerp. Three nymphs with violets standing for Stadsmaag van Antwerp and rhetoric. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Scene from the welcome game of the Violieren, the Rederijkerskamer in Antwerp. Three nymphs with violets standing for Stadsmaag van Antwerp and rhetoric. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Schoppen Tien, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by Apollo and Diana who kill the children of Niobe. Text and kicking in the lower margin. print maker: Francepublisher: ParisFrance paper etching (Story of) niobe. Apollo and Diana kill Niobe's Children

Coat of arms in monumental list of allegorical figures, Leonard Gaultier, 1624 print print maker: Francepublisher: Paris paper engraving / etching armorial bearing, heraldry. symbolic representations, allegories and emblems ~ the monumental arts

Allegory on science with time and fame; Title page for: Antonius Schultingius, Dissertatio Juridica Inauguralis AD L CXCVII D Divers Regul Juris Quam Annuente Deo Ter Opt. Max, Leiden 1729. Allegory on science with personification of fame that blows on two praise stuff and a tableaux with the time that a man or woman leading to a temple with virtues.

. Print at the top right numbered: 31.

Apollon et Marsyas. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. The nine muses. Twenty-third number of a series of 52 pieces. (A. de Vesme 533; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Couple saws a bar; Enige Joyeuse, Pour Les Bons Esprits. On a high trestle lies a thick bar sawn by a man and a woman. The man stands on the beam, the woman is standing on the floor and holds the large saw downstairs. In the background a village view with church. Under the show a Sonnet with erotic connotation in French.

This political and allegorical poster dates to 1594, the time of the Protestant Reformation. It is titled 'The Deliverance of France by Perfee Francois.' The poster was done in honor of Bearnais, represented here as the savior of France. The allegory is with the Greek myth of Perseus and Andromeda.

Title page for the book 'Statuti Dell'ordine de' Cavalieri di Santo Stefano '; Statuti Dell'ORDine de 'Cavalieri di Santo Stefano. Latin text on a canvas, attached to a monument with personnifications of justice and strength, and a lady with a banner and shield on which the cross of the Maltese knights. At the foot of the monument of weaponian and Turkish prisoners. On versosted light (counter) print of an oval frame with a peripheral.

Seated men and putti, anonymous, 1650 print Two men with books are on either side of a cartouche with the title of the book. Above it two putti with a laurel wreath above a globe. paper engraving sitting figures. Cupids: 'Amores', 'Amoretti', 'Putti'

Augsburg, Custos, Dominicus, Mang, Christoph, Vos, Maerten de, Netherlands, Wierix, Dialogue between Man and Religion, verso - stamped, Winged radiant personification of Religion tramples Death in the form of a skeleton with a scythe and with one leg in the grave. Religion leans on a wooden cross and holds in one hand an open book indicated as the gospel of peace, in the other hand a bridle or reins. Against a landscape ravaged by war. In the caption a dialogue in the form of question and answer between Man and Religion in Latin and Hungarian., print, prints, height 410 mm, width 240 mm, German, 1560 - 1615, print maker, printmaker, 1601 - 1615, paper, engraving, engraving (printing process), letterpress printing, color printing, Work conception, after print by, South Netherlands, 1532 - 1603-12-04, after design by, Publication (Event), Publication, publisher, client

Pyramus en Thisbe; Ruiten twee; Pyrame et Thisbe; Kaartspel met mythologische voorstellingen; Jeu des fables.Playing card with a representation of Thisbe that discovers the body of Pyramus. Text and diamond in the undermarge.

Frontispiece for the "Statutes of the Order of the Knights of Saint Stephen". Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards from the kings of France, Louis XIV minor with Anne of Austria. Quaranth number of a suite of 40 pieces. (A. de Vesme 649; Dutuit 119) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Great Britain. Forty-septime number of a sequence of 52 pieces. (A. de Vesme 548; Dutuit 117) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Ferdinand II (German emperor), Antwerp, Plantiniana, Officina, Moretus, Balthasar (I), Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: J. Lipsius, Opera omnia, Antwerp: 1637, Allegorical title page with stone arch with a medallion portrait of Justus Lipsius, verso - stamped, On a stone arch is placed a medallion portrait of the writer Justus Lipsius. On either side the personifications of Philosophy and Politics depict the main subjects within his oeuvre. Next to the arch are two portrait busts of ancient authors that Lipsius edited: Seneca and Tacitus. Next to them Minerva and Mercury and the seated personifications of Virtue (left) and Prudence (right). Proof of a title page for Lipsius' collected works., print, engraving, title page, prints, engravings, height 315 mm, width 200 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, printmaker, 1637 - 1637, paper, papier, graveren (drukprocedé), Work conception, 1577-06-28 - 1640-05-30, after a design by,

Northern Netherlands, Title for the Saturday Pub Talk. Or Schildery aan de Wandt, Cartoon on the sheet Saturday Pub Talk, 1786, verso - stamped, Cartoon on the Rotterdam patriot sheet Saturday Pub Talk that first appeared on March 4, 1786. In an inn, two patriotic workmen are sitting and talking while drinking a drink. On the left, Death is riding a crocodile. On the floor lie patriotic sheets: 'het Kroegpraatje', 'Post voor de Nederrijn' and 'Republiquein aan de Maas'. On the wall hangs a painting showing a large house, flanked by portraits of William I and William V. On the sheet below the plate is an explanation and a verse., print, prent, prints, prenten, Frederik Muller Historieplaten, height 309 mm, width 198 mm, print maker, prentmaker, 1786 - 1786, paper, papier, etching, engraving, engraving (printing process), letterpress printing, letterpress

Jupiter et Europe. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Allegory on philosophy; Title page for: Schuler, Johannes. Philosophi (...), 1663. Above Proves the personalization of philosophy. In her hand she holds a ring as a symbol of eternity. Around her the personifications of the seven sub-disciplines with their attributes: metaphysics, angelography, ethics, physics, logic, psychology and a partly cut off, seventh subdiscipline. At the top left, Mercury takes a young Willem III by hand. On the right assist a spiritual. Left and bottom right different scholars on either side of a banner with the title. Above seven persons of bad properties for scientists: error (error), pertinacies (stubbornness), invidia (envy), arrogance (arrogance), praejudicium (prejudice), servitus (submission) and segnities (slowness). Under a cityscape of Breda on a cartouche.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Spain. Sixth issue of a sequence of 52 pieces. (A. de Vesme 545; Dutuit 117) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Title page for: P.J. Kasteleijn, a test about the art of always being cheerful. In four sings. Amsterdam, 1780, Cornelis Bogerts, after Jan Ekels, 1780 print A half -naked allegorical female figure holds a stone with the inscription: congratulations et recreation. Three naked boys play in the grass. Amsterdam paper etching / letterpress printing Happiness, Felicity

Allegorical title page with throne Astraea, 1632 print Throne Astraea with caduceus and bowl in her hands. On either side of her the constellations lion and scales. On the left the personification of good governance, with city crown and snake. On the right a woman with five breasts and a horn of abundance. A man and a devil are chained to and a base. print maker: Southern Netherlandspublisher: Antwerppublisher: Antwerp paper engraving (story of) Dike (Astraea), goddess of Righteousness and Justice. allegory, personification of good government

Joel, frances.

Metzger, Ulrich Daniel.

Arabie Troglodytique 1644 Etched by Stefano della Bella Italian. Arabie Troglodytique 382652 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Publisher: Published by Henri Le Gras, French, Dedicatee: Made for Louis XIV, King of France, French, Saint-Germain-en-Laye 16381715 Versailles, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Arabie Troglodytique, 1644, Etching, state iii. The Metropolitan Museum of Art, New York. Gift of the Estate of James Hazen Hyde, 1959 (59.654.19(16))

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Title page for the pamphlet: The Italian Soothsayer. Esopus, Antonio Magino, and Dirk Rembrantz van Nierop, 1702. Scientists look up at the sky with telescopes in which Phathon (Louis XIV) falls from the sun chariot. In the foreground a beggar with a hunchback (Esopus). In the background a tableau with birds symbolizing fighting princes. Title page for the pamphlet: The Italian Soothsayer. Esopus, Antonio Magino, and Dirk Rembrantz van Nierop, 1702 The Italian Soothsayer. Esopus, Antonio Magino, and Dirk Rembrantz van Nierop Esopus in Europe , print maker: Romeyn de Hooghe, Northern Netherlands, 1702, paper, etching, letterpress printing, h 175 mm × w 140 mm

a) Calisto beaten by Juno and changed into a bear; on verso: b) Calisto and her son become twostars. Artist: Unknown

Tiburtine Sibille; Imagini Gentilissime delle Dodici Sibille (...). Bust of the Tiburtine Sibille. In her right hand she holds a bowl and a palm branch in her left hand. The show is caught in a medallion with a peripheral in Latin. Under the show a six-line caption in Latin. Around a framework with flowers, including with an iris. Print is part of an album.

Title page for: Sn, Wedding songs for the lord Ole Kierulf, and the young lady Anna Maria Grunelius, 1767, Allegory of the marriage bond between Ole Kierulf and Anna Maria Grunelius, verso - stamped, Cartouche with allegory of marriage bond: Ole Kierulf and Anna Maria Grunelius hold each other's hands and walk towards an altar with a holy fire. They are thus entering into marriage. Cupid and two putti stand next to them. Behind them an angel with two torches and Juno on clouds. On the cartouche sit Mercury and putti with garlands and shields with the initials of the couple. Next to the cartouche sit two river gods., print, title page, prints, height 282 mm, width 227 mm, height 126 mm, width 168 mm, print maker, printmaker, 1767 - 1767, paper, etching, etchings, engraving, engraving (printing process), letterpress printing

Fame and Minerva point to Philippe Quinault's tomb Title page for: P. Quinault, Le theatre, part II, 1697, print maker: Caspar Luyken, publisher: Antoine Schelte, (mentioned on object), Amsterdam, 1697, paper, etching, h 114 mm × w 63 mm

Fall of phaeton; Herchepinge by Publius Ovidius Naso. Page from a book with text on Recto and Verso, and an image at the start of book 2. The horses of the solar car are going through and Phaëthon falls out of the car. The heat of the sun is imminent to be placed on fire. Jupiter throws a lightning bolt to the car to save the earth.

Hugo Capet, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance by the French king Hugo Capet. Text under the show. Paris paper etching Ruler, Sovereign

Views of the Surroundings of Haarlem (Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd) 1628 Claes Jansz. Visscher. Views of the Surroundings of Haarlem (Beschryvinge ende lof der stad Haerlem in Holland. In rijm bearbeyd: ende met veele oude ende nieuwe stucken buyten dicht uyt verscheyde kroniken, handvesten, brieven, memorien ofte geheugenissen ende diergelijke schriften verklaerd ende bevestigd). Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). 1628. Engravings and etchings. Prints

Two orientally dressed men looking at the constellation of Sagittarius. Print from a book containing 36 prints with sentence images. Print used in: F. van Hoogstraten, De schoole der wereld, 1682, Figure near an apple tree XI. At the sight of a tree in full bloom (title on object), print maker: Arnold Houbraken, Northern Netherlands, 1682, paper, etching, letterpress printing, h 73 mm × w 83 mm, h 157 mm × w 95 mm

Title Paginavoor Chronica Carionis by P. Melanchthon, Isaeck van Aelst, After David Vinckboons, 1629 print A plaque in an architectural frame mentions the title of the book. On the plaque is a portrait bust of P. Melanchthon. On both sides are the allegorical figures Historia and Memoria on stone pedestals. On the pedestals medallions with the portraits of Julius Caesar and Keizer Karel V. Arnhem paper engraving Memory; 'Memoria' (Ripa). 'Historia'; 'Historia' (Ripa). historical persons

unknown, Paris, Gras, Henry le, Bella, Stefano della, Jeu des reynes renommées, Card game with renowned queens, Penelope, Playing card with a representation of Penelope, the wife of Odysseus and the queen of Ithaca, weaving. Text in bottom margin., print, playing card, prints, height 90 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, uitgever van privilege

Daphne changes into a laurel tree; Ovidii Metam. LIB. I Daphne in Laurum XIIII; Scenes from the first book of Ovidius' Metamorphosen; Metamorphoseos Liber Primus (...). Daphne is changed by her father Peneus in a bay leaf. Apollo, who haunted her, extends to her in vain. Above the top left of the Cupid's bow. Under the show a four-line explanation in Latin.

Figure at an apple tree, Arnold Houbraken, 1682 print Two oriental dressed men look at the constellation Sagittarius. Print from a book in which 36 prints with sentences. Print used in: F. van Hoogstraten, The School of the World, 1682. Northern Netherlands paper etching / letterpress printing trees: apple-tree

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