Emotional Historical Scenes

Dramatic illustrations depicting mourning and comfort among women, with scenes from historical narratives including comforting gestures and expressions of sorrow.

Photo production of an engraving of the birth of Christ by Lucas Vorsterman, after the painting by Peter Paul Rubens, Jean Louis Bargignac, after Lucas Vorsterman, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print Mary, Joseph and the new-born Christ (Nativity)

Leonnatus comfort the women who mourn for Darius III, Leonaert Bramer, c. 1655 - c. 1665 The woman and possibly daughters of Darius III think that Darius was killed in the fight against Alexander the Great. They mourn, pull their hair or wring their hands. Alexander sends his officer Leonnatus, right, to comfort the women. The woman with the crown is probably StaTeira, the wife of Darius III. Numbered at the top right: 24. Drawing is part of an album. paper. ink pen / brush The woman and possibly daughters of Darius III think that Darius was killed in the fight against Alexander the Great. They mourn, pull their hair or wring their hands. Alexander sends his officer Leonnatus, right, to comfort the women. The woman with the crown is probably StaTeira, the wife of Darius III. Numbered at the top right: 24. Drawing is part of an album. paper. ink pen / brush

Scene in a farmer's interior, Anonymous, 1600 - 1699 drawing prepared paper. deck paint. ink pen / brush castle. inn, coffee-house, public house, etc.

Non -resistant servant brought before the king, Anonymous, 1585 print The merciless servant stands in an opening in front of the king's throne and must account for his behavior. His debts were abandoned by the king, but then he had put another servant in prison, because he in turn was a bit guilty. The king is angry because the servant does not show as he has shown pity. On the table books and an ink set. In the foreground a dog. Under the show a reference in Latin to the Bible text in mat. 18. The chapter number is incorrectly stated: 3 instead of 18. Antwerp paper engraving the king reproaches his servant for his mercilessness and delivers him to the tormentors ~ parable of the unmerciful servant

Academie van beeldhouwer Baccio Bandinelli, Anonymous, After Agostino Veneziano, After Baccio Bandinelli, 1531 print Students are signed in the Baccio Bandinelli workshop. The Florentine sculptor held one of the earliest drawing academies in the Cortile del Belvedere in the Vatican. Around a table are students who draw a modello at candlelight. On the right is Bandinlli with another Modello in his hands. Several Modelli and Vases are set up in the room, which, like the figures, cast strong shadows on the walls. Italy paper engraving place or institution of education and training of the artist, e.g.: academy of art. draughtsman studying classical remains. candle. piece of sculpture, reproduction of a piece of sculpture. student Vatican CITY

Academy of sculptor Baccio Bandinelli. Students are signed in the Baccio Bandinelli workshop. The Florentine sculptor held one of the earliest sign academies in the Cortile del Belvedere in the Vatican. Around a table are students who talk to candlelight a modeling. On the right, Bandinelli is in his hands with another Modello. There are several models and vases in the room, which, like the figures, throwing strong shadows on the walls.

The parable of the vineyard with workers demanding wages, drawn in brown and gray ink with white corrections over black chalk by Philips Koninck.

Photo production of an engraving of the birth of Christ by Lucas Vorsterman, after the painting by Peter Paul Rubens, Jean Louis Bargignac, after Lucas Vorsterman, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print Mary, Joseph and the new-born Christ (Nativity)

Farmer's family near chimney, Cornelis Ploos van Amstel, After Adriaen van Ostade, 1767 print Interior with a family around the chimney. A mother feeds her baby. The print is loose in an album, see page 59. Amsterdam paper etching open hearth, fire-place. interior of the house. family life at home

Musicians and Drinker in an inn, Jan Miense Molenaer, 1619 - 1708 print In an inn or brothel, a man sits behind a table with a glass in his hand. He is robbed by a prostitute. At the table two musicians, one of which is singing with a violin and the other with a hurdy -gurdy in the hands. On the left a minnekozend pair and a child. Rear right keeps a woman the consumption consumption. A dog under the table. Amsterdam paper etching / engraving the man is robbed (brothel scene). hurdy-gurdy player. glass, rummer. (lovers) kissing each other. dog

Drinks Man, Vrouw and Violist, Wybrand Hendriks, c. 1759 - 1831 print A man with a raised glass in one and a jug in the other hand sits at a table with a reading woman. A standing man, with a violin and bow in the hand, has hit his arm around the neck of the woman. unknown paper etching one person with musical instrument, not playing. glass, rummer. container of ceramics: jar, jug, pot, vase. violin, fiddle

Large company where a woman can appoint one, draughtsman: Gerhard Peter Frantz Vilhelm Munthe, 1859 - 1929, paper, h 175 mm × w 126 mm

Scene from the Eighty Years' War. Possible design for a print.

Academie van beeldhouwer Baccio Bandinelli, Venetian Augustine, After Baccio Bandinelli, 1531 print Students are signed in the Baccio Bandinelli workshop. The Florentine sculptor held one of the earliest drawing academies in the Cortile del Belvedere in the Vatican. Around a table are students who draw a modello at candlelight. On the right is Bandinlli with another Modello in his hands. Several Modelli and Vases are set up in the room, which, like the figures, cast strong shadows on the walls. Italy paper engraving place or institution of education and training of the artist, e.g.: academy of art. draughtsman studying classical remains. student. piece of sculpture, reproduction of a piece of sculpture. candle Vatican CITY

Testament van Eudamidas, Antoine de Marcenay de Ghuy, After Nicolas Poussin, 1755 - 1765 print Numbered below: No. 15. paper etching making a testament. death of Eudamidas: on his deathbed, having no money, he entrusts his mother and daughter to the good care of his two friends; the testament of Eudamidas

Smokers at the Inn 1610-85 Adriaen van Ostade Dutch. Smokers at the Inn 396326

Inn with Triket players, Wallerant Vaillant, After David Teniers (II), 1658 - 1677 print In an inn, a few pipe -smelling men play tricks at a table. One of the men keeps the scoring around the wall with a chalk. There is a dog at the table. paper backgammon, tric-trac. inn, coffee-house, public house, etc.. dog

Drinking company at the table. .

Scene in brothel with bathing man and women. Bore scene with foreground man in bath flanked by two women. Two figures of which one with lute. On the right a putto and behind it seated couple at the table. (Sardanpolus in the bath)

Princess of Orange caught in Goejanwellesluis, 1787; The Prison of His Royal Highness Teh Princess of Orange at Gowerwells Sluis. Princess Wilhelmina van Prussen and her courtesettes held in the very smoky home in Goejanverwellesluis and guarded by piping and drinking soldiers, 28 June 1787. Right a chamber of honor between two free farmers. In the foreground a basket with bottles, three Gouda Pipes and two packs of tobacco noticed as 'patriotic tabacco' and 'states of tabacco in Holland' and marked with images of a pig and a donkey.

At the lawyer, David van der Kellen (1827-1895), 1837 - 1882 print In a departure there is a richly dressed lawyer in front of the fireplace near a desk, for which a gesturing man stands with a hat. With the man is a boy who looks in the direction of the viewer and has a ham and sausage with him. The man may ask the lawyer, who makes it clear to the man with a hand gesture that council costs money. In the background there is a bookcase with two busts on it and behind a fence the silhouette of a figure at a desk is visible. paper etching / drypoint lawyer, attorney at law. sausage. ham

LA VIEJA Y LA MOZA EN JARRAS SIGLO XIX - DIBUJO A PLUMA Y AGUADA- PAPEL- 120x175mm. Author: LEONARDO ALENZA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Farmers interior (first version), Jabes Heenck, after Adriaen van Ostade, c. 1767 - 1782 print Three figures at a table near an open window in a farming interior. Northern Netherlands paper etching / drypoint interior of the house. open window. dog. drinking

Georg Haas (1751-1817); C.A. Lorentzen (1746-1828), Illustration to Holberg's comedies, CIRCA 1815

Possible design for a print, Scene from the Eighty Years' War, draughtsman: Johannes Christiaan d'Arnaud Gerkens, 1833 - 1892, paper, pen, brush, h 126 mm × w 96 mm

. In an inn or brothel, a man is behind a table with a glass in his hand. He is robbed by a prostitute. Two musicians at the table, one with a violin and the other singing with a drailer in the hands. Left a minne couple and a child. Right right a woman keeps the consumptions. A dog under the table.

Three performances of family life. First show takes place in the interior of a bedroom. A mother helps her children at the morning toilet. She greases her daughter's dress. Her son in the meantime attracts his stockings. In the second show, a young woman talks to an older woman. The younger woman has a pan in both hands. A small child stands for her. In the third show, an old man learns to walk a toddler through a leash and a harness. Mother and father lure the child to them.

The Practitioners of the Visual Arts (upper half of torn sheet), Jan van der Straet, called Stradanus, Flemish, 1523-1605, Cornelis Cort, Dutch, 1533 - 1578, Engraving on laid paper, 1578, Print, Print

In a room old, banking monkeys weigh and count money The money is stored in money bags in a treasury Young monkeys throw the money on the floor Part of a series consisting of a title print and plates in which monkeys figure as humans in a variety of scenes from everyday life The print has a two-line verse in Dutch, Appen wegen en count geld Apenspel in de wereld 't Aapenspel in de Werelt , print maker: Leonard Schenk, (possibly), print maker: Matthijs Pool, (possibly), publisher: Leonard Schenk, (mentioned on object), Amsterdam, 1720 - 1767, paper, etching, h 154 mm × w 192 mm

La vérité sur le cas de M. Valdemar , Hypnotism, Poe, Edgar Allan, 1809-1849. Facts in the case of M. Valdemar, Alphonse Legros (1837-1911)

Augsburg, Hertel, Johann Georg (II), Rijn, Rembrandt van, Christ and the scribes: a sketch, Christ disputing with the doctors: a sketch, verso - stamped, print, prints, height 120 mm, width 209 mm, print maker, printmaker, 1711 - 1800, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, Publication (Event), Publication, German, 1701 - 1800, publisher

A drawing by Maria Anna Angelika Catharina Kauffmann depicting a winter allegory with women and children by a fire in a courtyard, executed in black and gray feather, gray and brown brush, lavated with white before 1781.

Sater at the table with a farmer's family, Andreas Scheits, After Matthias Scheits, 1677 print Moralizing representation with text in the Dutch. paper etching satyr(s) (in general). farmers. (family) meal

Pl. 1. An election entertainment , Banquets, Intoxication, Crowds, Political elections. William Hogarth (1697-1764). Prints

Do not fear anything" - a miser counting nine pennies, illustration to Józef Ignacy Kraszewski’s novel Master Twardowski" (chapter XVI). Gierdziejewski, Ignacy (1826-1860), draughtsman, cartoonist

Novelists / here the vulgar prophane

Honoré Daumier, Et toi, qu'est ce que tu trouves de meilleur , 19th century Et toi, qu'est-ce que tu trouves de meilleur ...

Two inns scenes: Man looks in empty jug, two men watch and two smokers and drinker in inn; Two inn scenes: the empty jug and the two smokers and the drinking farmer. Two inn scenes: man looks into empty jug, two men watch and two smokers and drinker in inn. Two copies to prints of Adriaen van Ostade are merged with an irisselage

Interior with a lute woman, Henricus Wilhelmus Couwenberg, after Nicolaas Pieneman, 1837 print In a departure of the Muiderslot, a woman sits in an armchair and plays on a lute. P.C. Hooft holds a music magazine for her. Amsterdam paper steel engraving one person playing string instrument (plucked)

A Harlot's Progress, Plate 5 before April 1732 William Hogarth British. A Harlot's Progress, Plate 5 401588

De renowned shoemaker, Cornelis Dusart, 1693 - 1697 print A woman, balancing on one leg, can be fitted with the shoemaker in the studio new shoes. paper etching shoe-maker, cobbler

Christ Seated Disputing with the Doctors 1654 Rembrandt (Rembrandt van Rijn) Dutch. Christ Seated Disputing with the Doctors 391993

Company in an interior, Nicolaas van der Worm, After Christina Chalon, 1772 - 1828 print A group of people of different ages have gathered around a table in a simple interior. A few of them hold a jug or a pipe. Leiden paper etching communal rooms. family group, especially parents with their child(ren)

Dancing man and wife, two sitting men and wife, Cornelis Pietersz. Bega, 1642 - 1664 print paper etching dancing

Two Trikkrakers, Jacob Gole, after Jan Havicksz. Steen, 1670 - 1724 print Two men play tricks while two others watch. Next to the game board a glass of beer and a pipe. Amsterdam paper backgammon, tric-trac. pipe ~ tobacco

Second Scene of Thieves. Artist: After Louis Léopold Boilly (French, La Bassée 1761-1845 Paris); Probably Gror (active Paris, early 19th century). Dimensions: Sheet: 10 9/16 x 13 3/8 in. (26.9 x 34 cm)Image: 9 3/8 x 12 5/8 in. (23.8 x 32 cm). Date: ca. 1805. Museum: Metropolitan Museum of Art, New York, USA.

Preventing by Pieter Hassselaer, 1573. Interior with the capture of Pieter Dirksz. Hassselaer by Spanish soldiers in his mother's house, August 1573. Links Kenau Simonsdaughter Hassselaer. The moment when Pieter Dirksz. Hassselaer announced that the Spaniards are younger brother Claes Dirksz. Wanted to arrest in his place. Presentation in contours.

Honoré Daumier (French, 1808-1879), A la buvette, 1847, lithograph

Chalk, ink, and pencil draft by Gustav Gaul depicting a composed scene, showing figure arrangement and preliminary design elements.

Hemskirk Van Heemskerck, Boors carousing, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 38. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 38. paper. photographic support. cardboard albumen print

Lesson in the workshop of a turner, Daniel Nikolaus Chodowiecki, 1791 print Berlin paper etching turner in wood. workshop. workbench. education. Utopia

Photo collection Government information service. painting. undated

Soldiers and women in an inn, Hans Ulrich Frank, 1656 print The letter M is mentioned at the top of the print. paper etching hotel, hostelry, inn. the soldier; the soldier's life. lovers; courting, flirting

Artist: Francisco del Pedro, Italian, 1749-1806, After: David Teniers, the Younger, Flemish, 1638-1685, Bar scene, Etching, sheet: 32.7 × 39.5 cm (12 7/8 × 15 9/16 in.), Italian, 17th century, Works on Paper - Prints

Interior of an inn with six figures around a table by a fireplace. One of the men smokes a pipe while another pours a glass of beer., Peasant Inn, print maker: Jacob Gole, (mentioned on object), Adriaen van Ostade, Amsterdam, 1670 - 1724, paper, h 250 mm × w 180 mm

LIKE SHIPS UPON THE SEA, DRAWN BY SYDNEY HALL, "Come in, Violet, and shut the window." 1883

In a pub interior, a crippled man and a dwarf watch a vomiting man. In the background, a man urinates into a bowl. An owl sits in the room. Interior with urinating man, vomiting man, a dwarf and a beggar, print maker: Jan van der Bruggen, (mentioned on object), 1659 - 1740, paper, h 177 mm × w 232 mm

Three -Koning Festival, Reinier Craeyvanger, after Jan Havicksz. Steen, 1851 print A company has gathered around the table in an interior. They eat, drink and make music. On the left, a woman taps beer from a barrel. Behind the company a fireplace with a painting above it. To a painting by Jan Steen. print maker: Netherlandsafter painting by: Netherlandsprinter: The Hague paper Twelfth Night, usually falling on the eve of January 6 (+ eating and drinking ~ festive activities)

Small human miseries. Childhood. (Dummy title)

Regents of the Orphanage in Haarlem, Cornelis Ploos van Amstel, after Jan de Bray, 1777 - 1786 print The regents of the orphanage of Haarlem gather around a table. The messenger is in the background. Amsterdam paper etching board, esp. governors, trustees, etc. (Dutch: 'regenten'). table

Two men set fire to the spinning skirts of a sleeping woman, Johann Andreas Benjamin Nothnagel, 1739 - 1804 print paper etching spinning (manufacture of yarn). sleeping in chair. burning

. .

William Hogarth,English, (1697-1764), A Rake's Progress: pl.7, 1735, etching and engraving

Discovery of a lover, Jacob Houbraken, After Cornelis Troost, 1754 - 1764 print Interior with a down woman, the character Geertruy, who begs her husband, Filibert, for forgiveness after her lover has been discovered in the basket in the background. Scene from the comedy the discovered Schijndugd by David Lingelbach from 1687. Amsterdam paper engraving kneeling on both knees - AA - female human figure (+ relations with sad character (expressive connotations)). hidden love discovered. hiding, hiding oneself. container made of plant material other than wood: basket

The Descent From The Cross, William Strang (Dumbarton, Scotland, 1859 - 1921) 1897 Reworked

Stone chalk drawing by Johann Georg Trautmann depicting drunken farmers with a torch at a pub entrance, highlighting figures, gestures, and nighttime scene.

Image reproduction: Juliusz Kossak (1824-1899), Mier Stefan Czarniecki; beginning of the 20th century (1850-00-00-1875-00-00);

Barrington bore it all with exemplary patience', 1878/1879, pen and brown ink with graphite on heavy wove paper, sheet: 22 x 30.2 cm (8 11/16 x 11 7/8 in.), image (6.4 cm of sheet width is folded under): 22 x 23.8 cm (8 11/16 x 9 3/8 in.), George Du Maurier (artist) British, 1834 - 1896

Rijn, Rembrandt van, Abraham welcomes the angels, verso lower right, print, prints, Rembrandt f. 1656, lower left, VW, verso central, verso lower middle, verso lower left, height 159 mm, width 131 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1656 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

Illustrations for J.G. Muller's 'Siegfried von Lindenberg'

Photo production of the painting The Sint-Nicolaas party by Jan Steen, Anonymous, Léon & Lévy (Attributed to), after Jan Havicksz. Steen, 1867 - 1880 photograph Amsterdampublisher: Paris paper. cardboard albumen print festivities on St. Nicholas (Eve) (December 5) Rijksmuseum Amsterdam

Monkeys as shoelapers, ca. 1720; Monkey game. Monkeys as shoemakers in a workshop. Verses in French and Dutch in the caption. PRENT Nr. 9 in a series of 16 prints of approx. 1720 in which monkeys like people figurine in all kinds of household scenes.

Inn interior with drunk visitors who refuse to pay; LES MAUVAIS PAYEURS. Design for a print.

Copper engraving and etching by Laurent Cars, created between 1719 and 1771, showing a blind elderly man in a rustic interior.

Regents of the Orphanage in Haarlem, Cornelis Ploos van Amstel, after Jan de Bray, 1777 - 1786 print The regents of the orphanage of Haarlem gather around a table. The messenger is in the background. Amsterdam paper etching board, esp. governors, trustees, etc. (Dutch: 'regenten'). table

Arrest of Major Wildman, Frederick Coffay Yohn, American, 1875-1933, Brush and black and grey watercolor, white gouache, graphite on illustration board, Illustration showing a group of men with drawn swords entering a room with two figures. One, standing, turns; the others, seated, appears startled., USA, ca. 1900, figures, Drawing, Drawing

Grandfather's Portrait, from "Illustrated London News". Artist: After William Henry Knight (British, Newbury, Berkshire 1823-1863 Hammersmith). Dimensions: Image: 9 1/8 × 12 1/2 in. (23.2 × 31.7 cm)Sheet: 9 3/4 × 12 15/16 in. (24.8 × 32.8 cm). Engraver: William Luson Thomas (British, London 1830-1900 Chertsey, Surrey). Date: January 4, 1862.A farmer examines a portrait drawn on a slate by his young son as others in the family look on. Museum: Metropolitan Museum of Art, New York, USA.

Farmers to a meal in an inn; The breakfast. In a messy departure in a inn, four men and a woman use a meal. The drink flows richly and the men's smoking pipe. A boy helps a small child with drinking from a jug. There are playing cards on the floor, a broken pipe and an empty can. Originally, under this show, a Latin fresh from the poet tibull was in two rules: Securae RedDamus Tempora Mensae / Venit Post Multos Una Serena Dies. However, the strip with text has been cut off.

Picture photography: Kazimierz Lisowski (Dominican), Dominican cuts in Sandomierz by Tatars, 1726; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); around 1880 (1875-00-00-1885-00-00);Amalia (1846-1928) - collection, Krieger

Family concert. According to his own image, he was drawn by Henryk Piątkowski in Paris. Słujekół Ski, Józef (1857 1928)

Le Déjeuner de Voltaire à Ferney or Le Souper des Philosophes. Unknown Artist; after Jean Huber (Swiss, 1721-1786). Date: 1768-1780. Dimensions: 207 x 315 mm (image); 234 x 344 mm (plate); 290 x 395 mm (sheet). Etching in black on bluish gray laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

The Rag Gatherers, Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), 1858, Etching on medium, moderately textured, blued white laid paper, Sheet: 7 1/16 x 4 15/16 inches (18 x 12.5 cm), Plate: 6 x 3 1/2 inches (15.2 x 8.9 cm), and Image: 6 x 3 1/2 inches (15.2 x 8.9 cm), bed, bucket, cap, child, cupboards, doorway, genre subject, house, jacket, peasants, pots, poverty, rafters, sheets, shelves, table, trousers, woman

Wine Jest. Volterrano (Baldassare Franceschini) (Italian, 1611 - 1690)

The Recovery (Picturesque Beauties of Boswell, Part the Second). Artist: Thomas Rowlandson (British, London 1757-1827 London); After Samuel Collings (British, active 1784-95). Dimensions: Sheet: 10 7/16 × 11 7/16 in. (26.5 × 29.1 cm)Plate: 10 in. × 10 3/4 in. (25.4 × 27.3 cm). Publisher: E. Jackson (London). Series/Portfolio: Picturesque Beauties of Boswell. Subject: James Boswell (British, Edinburgh, Scotland 1740-1795); Samuel Johnson (British, Lichfield, Staffordshire 1709-1784 London). Date: June 20, 1786. Museum: Metropolitan Museum of Art, New York, USA.

Woman and a man at a table, Anonymous, After David Teniers (II), 1700 - 1799 print A man and a woman at a wooden table. The man has put a hand around the shoulders of the woman and raises his glass. Low Countries paper etching couple of lovers. glass, rummer. table. jar, jug (used as drinking-vessel)

Alchemist in hisLaboratory. Artist: Francisco del Pedro, Italian, 1749-1806 After: David Teniers III, Flemish, 1638-1685

Beneath a bust, crowned by children, sits a considerable lady, who lets herself be presented with a design by a courtier and an abbé, Lady lets herself be presented with a design, draughtsman: Gabriel Jacques de Saint-Aubin, 1772 - 1774, paper, pen, h 112 mm × w 175 mm

Francisco de Goya y Lucientes / 'Street Performers'. 1812 - 1820. Grey-brown wash on laid paper. Museum: Museo del Prado, Madrid, España.

Drawing lessons at an Academy, Jacob Smies, 1774 - 1833 drawing A dozen men are drawing to a piping nude model. paper. watercolor (paint). ink pen / brush academy, association of artists. place or institution of education and training of the artist, e.g.: academy of art. drawing-lesson

Andries Langedul in Antwerp imprisoned while reading the Bible, 1559, 1683 - 1685 print Andries Langedul is imprisoned in Antwerp while reading the Bible, 1559, and later beheaded in prison. Northern Netherlands paper etching persecution of heretics

Four men keep a man on the table, Henri Dillens, 1841 print One of the men points out through the window to the River Scheldt. paper etching interior ~ representation of a building. adult man (+ five persons) Scales

Séguin, F., at Fradin, end of the century hotel, rue Saint Denis; The entrance and the room on the ground floor (dummy title), 1898. Black Pierre Rehaut de Gouache. Carnavalet museum, history of Paris. Men in a room

Company of Peasants in a Tavern, c. 1670-1679. Date/Period: Ca. 1670-1679. Pen and light and dark-brown ink over graphite pencil and black chalk, gray wash. Author: Adriaen van Ostade.

Last Moments of the Duke of Wellington , The last moment of Arthur Wellesley, Duke of Wellington from Illustrated London News , John Gilbert -, Artist, Joseph Lionel Williams , artist

A woman holding a songbook (left) and a man holding a glass (right) are singing to the accompaniment of a man playing the violin. Etching after A. van Ostade.

Reynard accused

Company drinking farmers, draughtsman: D. van 's Gravenweert, 1695, parchment (animal material), h 181 mm × w 213 mm

Workshop scene by Christian Wilhelm Ernst Dietrich, executed with brush in brown, showing figures, tools, and studio elements, circa 1740-1742.

Ram sacrifice - in an album with prints after Guercino's drawings. Bartolozzi, Francesco (1727-1815), graphic artist, Guercino (1591-1666), draughtsman, cartoonist, Piranesi, Giovanni Battista (1720-1792), publisher, Salomoni, Giovanni Generoso (1714-1779), printer

The Recovery (Picturesque Beauties of Boswell, Part the Second) June 20, 1786 Thomas Rowlandson. The Recovery (Picturesque Beauties of Boswell, Part the Second). Picturesque Beauties of Boswell. Thomas Rowlandson (British, London 1757-1827 London). June 20, 1786. Etching. Elizabeth Jackson (British, active 1785-87). Prints

Osio as a speaker -a Sattinus on the government of Ludwik Filip; Grandville, Jean-Jacques (1803-1847); after 1830 (1830-00-00-1855-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, France (state), Grandville, Jean Jacques (1803-1847) - legacy, Le Charivari (Paris - magazine - 1832-1937) , Ludwik Filip I (King of France - 1773-1850), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, caricatures, political caricatures, donkeys, parliament, French drawings, satire, animals

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