Emotional Narrative Etchings

A collection of historical etchings depicting poignant scenes of human connection and contemplation, featuring intricate details and expressions in monochrome.

La jeune Tarentine , Falling. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching by Daniel Nikolaus Chodowiecki from 1750-1809 depicting the Calas family's farewell, showing figures, gestures, and compositional layout for a narrative scene.

Simplicius am Grabe des Einsiedlers, from the series Intermezzi n.d. Max Klinger German. Simplicius am Grabe des Einsiedlers, from the series Intermezzi 384462

La jeune Tarentine , Falling. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Le mendiant , Beggars, Alphonse Legros (1837-1911)

Bending Man, Benigno Bossi, 1737 - 1797 print Young man in antique clothing, bending to the left, for an antique vase. Possibly a philosopher. paper etching scholar, philosopher

Depiction of a girl on stage by Tiburce de Mare, created with steel stitch technique on Japanese paper around 1880, showing figure and stage setting.

Début de la Valküre , Fictitious characters, Heroes, Wagner, Richard, 1813-1883. Ring des Nibelungen. Walküre. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Bacchus , Dancers, Fictitious characters, Bacchantes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Ex-Libris Léon Gambetta , Roosters, Hands, Alphonse Legros (1837-1911)

Lélio listens to the sounds of a harp, Henri Fantin-Latour, 1888 print Paris paper harp - CC - out of doors. inspiration of the musician - CC - out of doors

Man kneels with an outdoor conscious woman in the forest, Reinier Vinkeles (I), 1798 - 1811 print Amsterdam paper etching / engraving horse. kneeling figure. apparent death

View of the Castle of Walzin, Philip Zilcken, 1890 - 1930 print Japanese paper (handmade paper) etching / drypoint landscape with tower or castle. rocks Castle of Walzin

The Meeting in the Woods. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 281 × 223 mm (image); 597 × 366 mm (sheet). Transfer lithograph on cream China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Pleasure, Elastic Phantom!, plate 5 of 9. Odilon Redon; French, 1840-1916. Date: 1890. Dimensions: 219 × 153 mm (plate); 440 × 315 mm (sheet, appro×.). Photogravure made from original drawing, in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Dernier thème de R. Schumann , Composers, Angels, Fictitious characters, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching by Giovanni Battista Tiepolo depicting a man's head on a stake, created in the 18th century, illustrating historical punishment and execution practices.

Berlioz and a lady on a ball, Henri Fantin-Latour, 1888 print Paris paper historical persons. ball, formal dance. dress, gown: evening dress

Napoleon I Bonaparte stands up from his grave, Henri Charles Guérard, 1856 - 1897 print Napoleon I Bonaparte stands on his grave after the words '18 Brumire '. These words refer to the coup that took place on November 9, 1799. Paris paper etching illustration ~ printed matter, book. historical persons. grave, tomb

Playing Amor visits three nymphs at the Bron, Salomon Gesner, 1770 print paper etching cupids: 'amores', 'amoretti', 'putti'. nymphs (in general); 'Ninfe in commune' (Ripa). spring (fluids extracted from the earth). flute, aulos, tibia

SeatedSoldier. Artist: Salvator Rosa, Italian, Naples, 1615-1673

Parsifal. Acte II. Évocation de Kundry , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

L'ne renversé par la foudre , Lightning, Alphonse Legros (1837-1911)

Diana and Callisto, William Unger, After Titian, 1861 - 1889 print Vienna paper. etching Jupiter, in the guise of Diana, and Callisto

Amor and Putti sharpen their arrows, Julien -Léopold Boilly, After Pierre Prud'Hon, 1806 - 1874 print paper. (story of) Cupid, Amor (Eros). cupids: 'amores', 'amoretti', 'putti'. torch

Artist: J. C. Lemaire, French, active 18th century, LaClochette, Etching and engraving, image: 9 × 13.5 cm (3 9/16 × 5 5/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Artist: Salvator Rosa, Italian, Naples, 1615-1673, SeatedSoldier, Etching, sheet: 7.2 × 5 cm (2 13/16 × 1 15/16in.), Italian, 17thcentury, Works on Paper -Prints

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.) Ca. 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.) 381298 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.), 1810 (published 1863), Etching, drypoint, burin and burnisher, Plate: 5 11/16 8 7/16 in. (14.5 21.5 cm) Sheet: 9 15/16 13 7/16 in. (25.2 34.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(17))

Two young women sat on a sarcophagus, Louis le nain, after Titian, 1883 print The two women on the sarcophagus and the putto between them, represent the heavenly and the secular love. paper. etching heavenly love versus earthly love. sarcophagus

Lying woman, Willem de Zwart, c. 1886 print paper etching / drypoint adult woman (+ lying)

Copper engraving by Schelte Adamsz. Bolswert depicting a Pietà with Saint Johannes and two angels, created between 1604 and 1659, showing devotional religious figures in Flemish printmaking.

Man sat on a stone bank, Louis Desplaces, After Jean Antoine Watteau, 1692 - 1734 Young man, possibly an actor, sitting on a stone couch in a landscape under a tree. His right hand leans on a stick. print maker: ParisFrance paper etching clothes, costume (+ men's clothes). clothing for the upper part of the body (VEST) (+ men's clothes). coat (+ men's clothes). shoes, sandals (+ men's clothes). hacking and thrusting weapons: rapier. bench. sitting on an elevation

Old Man with a Turban Artist's working dates 1636-1670 Italy. One of a set of sixteen small heads with ìOrientalî headdresses, this plate has a spontaneous quality a depth of characterization that parallel some studies made at the same time by Rembrandt.. Etching on ivory paper . Giovanni Benedetto Castiglione

Everything is topsy-turvy, plate 42 from The Disasters of War 1815-1820 Spain. Etching, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

L'incendie (3rd plate) , Fires, Alphonse Legros (1837-1911)

La Mort et le bûcheron (2nd plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Pastorale , Country life, Dance, Musicians. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

LeCuvier. Artist: Charles-Jean-Louis Courtry, French, 1846-1897

Ernst Friedrich von Lephart (also known as Ernest de Liphart) (1847-1932). "Letrine" D "of the chapter" The portraits of Victor Hugo ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102268-25 Hair, drawing, drape, ink, woman, illustration of literary work, lettrine, sea, female nude, nudite, 19th 19th 19th 19th 19th 19th century

Gerda Grönberg II. Anders Zorn; Swedish, 1860-1920. Date: 1892. Dimensions: 190 x 134 mm (image); 197 x 139 mm (plate); 435 x 322 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

. Maria is sitting outside a stable and gives the Christ child the chest. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

A tomb, according to Rembrandt's image; Basan, Pierre-François (1723-1797), Rijn, Rembrandt Van (1606-1669); 1738-1779 (1738-00-00-1779-00-00);

Zwevende engel met banderole; Graphices examples of various artists.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), hero and Léandre (main title), 1912. Gypsography, black draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Study sheet with man with Takkebos and kneeling woman at ice sleigh.

Japanese women, Philip Zilcken, 1867 - 1890 print paper etching Japanese (+ costume). female sex; woman

Etching and copper engraving by Karl Rahl (The Older) from 1794-1843 depicting 'The Fortune Teller', showing a figure engaged in fortune telling with detailed scene composition and engraving.

At the Dressmaker 1895-1896 United States. Etching on cream laid paper . William James Glackens

Allegory on the lighting, 1795. Allegory on the lighting, 1795. The female personification of the lighting floats above the world and shines its light on Europe. On the leaf single drawn studies of details of hands, foot and head.

Reading man, Piet Verhaert, 1879 print paper ETCHING / ROUCH reading. adult man

LEnfance du Christ. Le repos de la Sainte Famille , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Hercules en Atlas, Jean Pesne, After Nicolas Poussin, 1678 print France paper etching / engraving Hercules carries the heavens on his shoulders

Visvangst, Jacques de Gheyn (II) (attributed to workshop or), After Karel van Mander (I), 1580 - 1596 print Tobias has caught a fish. The angel Rafael asks him to cut the fish into pieces and to keep the intestines. Tobias will later use the bile of the fish to cure his father's blindness. In the lower margin a four -line Latin text. Amsterdam paper engraving the angel Raphael tells Tobias to cut the fish to pieces

Painting monkey, Charles Verlat, 1886 print paper ETCHING / ROUCH monkeys, apes. animals acting as human beings. artist at work, in his workshop

Hunting still life with Haas, Louis Monziès, After Jean Baptiste Siméon Chardin, 1881 print paper etching still life of related objects. spoils of the hunt, game, venison

Adam en Eva, anonymous, after Bartholomeus Spranger, after Hendrick Goltzius, 1585 - 1596 print Adam and Eva stand for the tree of knowledge in paradise. Eva just takes on the apple of the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the lower margin a two -line Latin text. Copy in mirror image to engraving by Hendrick Goltzius from 1585. Reconstructed from three fragments. Northern Netherlands paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Two soldiers and a kneeling woman, depicted from the back. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Bather (Evening) III 1896 Sweden. Etching in black on tan wove paper . Anders Zorn

Forest face with a woman sitting on a tree trunk, Reinier Vinkeles (I), After Jacobus Buys, 1789 print In an open space in the forest, a woman is thinking on a tree trunk. In the background a castle with a drawbridge. Amsterdam paper etching / engraving forest, wood. castle. drawbridge ~ fortified city

Lazarus generation: Kleine Plaat, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Print, A Human Skull and a Bone Burning on an Altar, plate 7 from the Scherzi di Fantasia; Designed by Giovanni Battista Tiepolo (Italian, 1692 - 1770); Italy; etching on laid paper; 22.3 x 17.9 cm (8 3/4 x 7 1/16 in.); 1931-67-54

Mikuláš Aleš: Kresba.. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

Illustration for Hamlet: The Death of Ophelia (IV, 7), Eugène Delacroix, French, 1798 - 1863, Lithograph on paper, The Death of Ophelia (IV, 7), France, 1843, Print, Print

H.C. Henneberg (1826-1893); Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848); , Eight traesnit after J. th. Lundbye. Member Sheet from the Danish Radenerforening, 1840's

Putti on clouds with grape vines and dishes, François de Meersman, after François Boucher, 1840 - 1905 print The performance symbolizes autumn. paper. etching Autumn, Fall, 'autumn'; "Autumn" (bank). Cupids: 'Love' '' Amoretti '' Putti '

Bound Print, Plate 3, L'Oiseau de Proye (The Bird of Prey), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys); Designed by Christophe Huet (French, 1700-1759); Etched by Jean-Baptiste-Antoine Guelard (French, 1719-ca. 1755); Published by Charpentier; France; etching on paper; 26 × 31.8 cm (10 1/4 × 12 1/2 in.)

Fleur perdue ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Mad Woman of St Marie-à-Py, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 288 x 195 mm (plate); 475 x 353 mm (sheet). Drypoint on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Modesty of Sodom Made 1888 Belgium. Heliogravure retouched with drypoint, soft varnish (vernis mou) and aquatint on ivory laid paper . Félicien Rops

Olwene roams the forest, Karel Frederik Bombled, 1852 - 1902 print Olwene, a young, Celtic dressed woman, wander around in a forest. She clings to a few rocks. Illustration in the fifth singing of the epic praise Aeddon. paper etching / drypoint forest, wood. Despair; 'Disperatione' (Ripa). extinct, 'historical' peoples: Gauls (+ women). tales and fairy tales (AEDDON)

La Naissance de Vénus. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Botticelli, Sandro (1444 aut 1445-1510), draughtsman, cartoonist, Hautecoeur, Jules (fl. 1885-1902), publisher

Lucifer; Stuck, Franz von (1863-1928), Verlag der Gesellschaft für Vervielfältige Kunst (Vienna; Publisher; 1871-1934); 1890 (1890-00-00-1890-00-00);Kobyliński Roman, collection, Lucifer, hell (iconogr.), Satan (Bible), Evil, allegory, devil (fantast.), Religious scenes, fantastic images

Spring 1896 Germany. Etching on tan wove paper . Heinrich Johann Vogeler

A Eugène Delacroix , Artists, Supernatural beings, Tombs & sepulchral monuments, Delacroix, Eugène, 1798-1863. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Harold en Italie. Dans les montagnes , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Joachim en Anna, anonymous, after Ventura Salimbeni, in or after 1590 print Joachim and Anna standing in a landscape. Both are connected to vines with Maria who floats on a cloud. Italy paper etching story of Joachim and Anna

Houthakker and Turning Doodle player, Rudolph Meyer, 1615 - 1638 print paper etching one person playing wind instrument - CC - out of doors. beggar

Jason, plate 6 from Liber Studiorum Published 1807 England. Etching and engraving in brown on ivory wove paper . Joseph Mallord William Turner

Portrait of Hendrik Conscience, Piet Verhaert, 1883 print paper etching historical persons. old man. beard

The phoenix or the statue overthrown. Bisson Frères (French, active 1840 - 1864)

Boreas an Onernhyia, Johannes Sunners, After Peter Paper Rubens, 1835 - 1904 print The Windgod Boreas flies away with the desperate Athenian princess Oreithyia in his arms. Germany paper. engraving Boreas abducting Orithyia

Study of flower and characters Ary Renan (1858-1900). "Study of flowers and characters". Paris, museum of romantic life.

The Pastoral Play 1888 England. Etching in black on ivory laid paper . Theodore Roussel

Mother with child sat in a landscape, Louis Gallait, 1850 print paper etching mother and baby or young child

Emile Bernard (1868-1941). Frontispiece for "the end of Satan". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101108-3 Years thirty 1930 30, aquatinte, drawing, etching, frontispiece, illustration, litterian work, character, skeleton

Lionnet, Anatole, Virginie Dejazet on her deathbed, December 2, 1875. (Fictitized title), 1875-12-02. Carnavalet museum, history of Paris.

Vignette with a putto that is on two shields. .

Edö 1907 Anders Zorn Swedish. Edö. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1907. Etching; third state of three (Asplund). Prints

The Horrors of War: The Beds of Death. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Adam and Eve Eating the Forbidden Fruit. from the LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Study of a Fallen Soldier 17th century Adam Frans van der Meulen Flemish. Study of a Fallen Soldier 347511

Baron Moïse Begging, from Au Pied du Sinaï. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1897. Dimensions: 175 × 144 mm (image); 339 × 236 mm (sheet). Color lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Les chemineaux: Après le crime , Tramps, Victims of crimes, Alphonse Legros (1837-1911)

River landscape with various sailing ships, Hippolyte Emmanuel Boulenger, 1869 print Brussels paper etching / drypoint sailing-ship, sailing-boat. river

Baigneuses (moyenne planche) , Bathing, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Edö. Artist: Anders Zorn (Swedish, Mora 1860-1920 Mora). Dimensions: Plate: 7 1/16 × 4 3/4 in. (17.9 × 12 cm)Sheet: 12 13/16 × 9 15/16 in. (32.6 × 25.2 cm). Date: 1907. Museum: Metropolitan Museum of Art, New York, USA. Author: Anders Zorn.

Fryderyk Chopin on Podczaszy Ski, Boles Aw (1822-1876), Kwiatkowski, Teofil (1809-1891), Bank Polski (Warsaw; Litographic in Zak 1829-1862); 1849 (1849-00-00-1849-00-00);

Le Paradis et la Péri. Début. (2e planche) , Fictitious characters, Angels, Schumann, Robert, 1810-1856. Paradies und die Peri. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

L'Étoile du Soir (2e planche) , Fictitious characters, Stargazing, Wagner, Richard, 1813-1883. Tannhäuser. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

The Werewolf. Félicien Rops (Belgian, 1833-1898); Edmond de Schampheleer (Belgian, 1824-1899); printed by J. Bouwens (Belgian, active 19th century); written by Charles de Coster (Belgian, 1827-1879). Date: 1862-1872. Dimensions: 125 × 204 mm (image); 159 × 241 mm (plate); 133 × 203 mm (primary support); 229 × 300 mm (secondary support). Etching, with engraving and roulette, on gray wove paper, laid down on ivory wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

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