Emotionally Charged Figures

This cluster features poignant representations of human figures, showcasing themes of vulnerability and introspection through dark tones and expressive forms.

Having workers, Willem de Zwart, c. 1886 print paper etching / drypoint harbour. coal-shovel

Figure sitting under a tree, John Dunge, 1917 print paper trees. sitting on the ground

Fallen angel sitting on a rock, Johannes Josephus Aarts, 1881 - 1934 print A naked, winged man sits on a rock. His arms rest on his raised right knee. paper angels. darkness. man (showing himself) undressed, quasi-nude

Tete du Christ, state III. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

Depicts a mother holding her child, created as an etching by Théophile Alexandre Steinlen.

Having workers, Willem de Zwart, c. 1886 print paper etching / drypoint harbour. coal-shovel

Fantasy: Various profiles, in the middle a large head with 'empty' hood, used to the right, Samuel Jessurun de Mesquita, 1920 print Various profiles, in the middle a large head with 'empty' hood, used to the right. paper

Hand and hat: Fragment of the cutting plate with Pieter Haringh portrait. big hat, and profil

Peasant Digging. Jean François Millet; French, 1814-1875. Date: 1863. Dimensions: 142 × 106 mm (image); 282 × 212 mm (sheet). Woodcut on greenish-gray laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

The Circus (Le cirque). Dimensions: 27.6 cm x 35.9 cm, 21.7 cm x 30 cm, 21.6 cm x 29.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI GABRIEL IBELS.

Woman and Boy in De Wolken, Johannes Josephus Aarts, 1881 - 1934 print A naked woman and boy, both partially covered by the woman's cloak. Various clouds around them. The woman wears a flower wreath in her wavy hair. paper (showing oneself) undressed, quasi-nude. clouds

Polish allegory; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Oannes I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms, plate 14 from The Temptation of Saint Anthony (3rd series) Made 1896 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

C'est le Diable. Dated: 1888. Dimensions: image: 25.1 x 20 cm (9 7/8 x 7 7/8 in.) sheet: 44.2 x 30.9 cm (17 3/8 x 12 3/16 in.). Medium: lithograph on chine coll. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Zum Sturm, board 10; Erler, Erich (1870-1935), Wetteroth, Heinrich (Munich; Graphic AD; 1860-1925), Verlag von P.H. Beyer & Sohn (Leipzig; Publisher; 1897-); 1918 (1900-00-00-1950-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, cycles, front (war), German graphics, German (culture), assault (war), war, World War (1914 -1918), team

Catacombe, Palermo, Wijnand Otto Jan Nieuwenkamp, 1912 print Dried corpses of priests, hung on a wall in the catacombs of the Capucins in Palermo. paper catacombs. monastic orders, monastic life ~ Roman Catholic church. the corpse Catacombs of the Capucijnen

Design for cover for: Prière Marmitale, Théophile Alexandre Steinlen, 1894 print Paris paper female sex; woman. street lighting

Female figures with man on the back of Vogel, Johannes Josephus Aarts, 1881 - 1934 print A naked man flies on the back of a bird. He raises his arms to heaven. He is viewed from above by different women dressed in dresses. There is a cat in their midst. Clouds and flowers float in the sky. Japanese paper (handmade paper) counterproof flying on or with the aid of animal(s). birds. flowers. cat. surrealia, surrealistic representations

Light; Lumière. Two figures, seen on the back, standing in front of a large window. Behind it on a much more gutter bowl, a face of a man with eyes closed.

Karnawa; Makowski, Tadeusz (1882-1932); 1931 (1931-00-00-1931-00-00);

Caltnadel print by Max Beckmann depicting boys sitting by a window, created in 1922, showing interior setting and human figures.

Un chant d'amour. Max Ernst; American and French, born Germany, 1891-1976. Date: 1958. Dimensions: 315 x 246 mm (image); 397 x 292 mm (sheet). Color lithograph in beige and dark blue on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Plate Three from A Passion in the Desert. Willi Geiger; German, 1878-1971. Date: 1924. Dimensions: 150 × 97 mm (plate); 266 × 180 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Molen, Dick is, print A house for the mill. transparent paper windmill in landscape

Babel II (version B); Kubicki, Stanis AW (1889-1942); 1918 (1918-00-00-1918-00-00);Rebellion (artistic group - 1918-1920), expressionism, towers

Birth of the Wolf by Marc, Franz (1880-1916) / Private Collection / 1913 / Germany / Woodcut / Animals and Birds /Expressionism

Chloë is milking one of Daphnis' Geiten, Aristide Maillol, 1937 print paper goat. Chloe. Daphnis (in Greek mythology a shepherd who invented pastoral poetry

Three musicians, Reijer Stolk, 1913 print Seen three musicians in costume on their backs. Japanese paper (handmade paper) musician

Alone in this life of pitfalls and malice, plate five from Miserere. Georges Rouault; French, 1871-1958. Date: 1922. Dimensions: 575 × 451 mm (plate); 655 × 505 mm (sheet). Heliogravure with burnishing, roulette and drypoint on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bather (Evening) I (Zinc etching). Anders Zorn; Swedish, 1860-1920. Date: 1896. Dimensions: 150 x 98 mm (image/plate); 364 x 178 mm (sheet). Etching on tan wove paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

$T \et d'ut barbu; Jasi Ski, Feliks Stanis Aw (1862-1901); after 1894 (1894-00-00-1896-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, Poland (culture), portraits, portraits, male portraits, purchase (provenance)$

Christ on theCross. Artist: Lovis Corinth, German, 1858-1925

Henri de Toulouse Lautrec, Last Ballad (Ultime ballade), 1893 Last Ballad (Ultime ballade)

The Entombment, Rembrandt van Rijn, c. 1654 print parchment (animal material) etching / drypoint Christ's entombment (possibly by angels)

Squated figure and two crowned men. A squat naked figure keeps a plateau up. Then two crowned men face each other with their hands on each other's shoulders.

Two naked men at a swirling air mass. .

Hungarian Foilists. Goryńska, Wiktoria (1902-1945), graphic artist

Tangiers, a group of men seated near an arch ca. 1861 Mariano Fortuny, 1838-1874 Spanish. Tangiers, a group of men seated near an arch. Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). ca. 1861. Etching. Prints

Dagobert Peches 'Lying Female Act' (1920-1921) is a woodcut on Japanese paper depicting a reclining female figure, emphasizing posture, form, and anatomy.

Adam in Eva, Anonymous, 1570 - 1590 print Adam and Eva stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermar, the text Genesis 3. Reconstructed from two fragments. Southern Netherlands paper engraving Eve offers the fruit to Adam

Crouching Woman. Erich Heckel; German, 1883-1970. Date: 1914. Dimensions: 420 x 311 mm (image); 659 x 496 mm (sheet). Woodcut on gray laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Print, Carceri Series, Plate V; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; etching; 56.0 x 41.3 cm (plate mark)

Depicts figures at a swimming pool, created as a Caltnadel print by Max Beckmann in 1922, showing human interaction, posture, and water environment.

Kneeling Mother at the Bed of Her Sleeping Son (Kniende Mutter am Bett des Schlafenden Sohns). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 10 15/16 x 15 3/8 inches (27.8 x 39.1 cm). Series/Portfolio: Der Tote Tag. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Einsame. Dated: 1914. Dimensions: plate: 23 × 12.3 cm (9 1/16 × 4 13/16 in.) sheet: 28.5 × 20 cm (11 1/4 × 7 7/8 in.). Medium: etching on laid buff paper. Museum: National Gallery of Art, Washington DC. Author: Heinrich Tischler.

Two figures of which the judge has a parasol and a sword in hand (Hayano Kampe). .

(UN CUISINIER.). Artist: Paul Gavarni, French, 1804-1866

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 98 × 72 mm (plate); 158 × 101 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A drawing by Egon Schiele around 1909 depicting two men with nimbes, executed in pencil and ink lavated on drawing paper, focusing on figure, posture, and facial features.

He has fallen down by dogs; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Attraction I 1896 Norway. Lithograph in black ink on greyish-ivory China paper . Edvard Munch

Henri de Toulouse-Lautrec (French, 1864-1901), Last Ballad (Ultime ballade), 1893, lithograph in black and yellow on velin paper

Paul Gauguin, Te Po (The Long Night), 1894 1895 Te Po (The Long Night)

Exhibition by the artist's group Bridge at the Artsalon Fritz Gurlitt. Otto Mueller (Moravia, Libava 1874-1930)Erich Heckel (Germany, 1883-1970)Karl Schmidt-Rottluff (Germany, 1884-1976)Ernst Ludwig Kirchner (Germany, 1880-1938)Max Pechstein (Germany, 1881-1955). Germany, Berlin, 1912. Books. Printed material and ten woodcuts on wove paper

Madonna with Kind against Wang, Else Berg, 1919 print Woman with headscarf and a child in her arms that she pushes against her cheek, with two other figures in the background; stylized. Japanese paper (handmade paper). printing ink mother and baby or young child

DIBUJO-JESUS LAVA PIES A LOS APOSTOLES. Author: ARTURO PEYROT (1908-1993). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Woodcut on gray handmade paper by Ernst Ludwig Kirchner depicting a beaider with boys at a table, executed in 1917, showing figures, table, and compositional layout.

Des peuples divers habitent les pays de IOcéan (The Different Peoples Who Inhabit the Land and the Sea), from La Tentation de Saint-Antoine (Temptation of St. Anthony), third series. Artist: Odilon Redon, French, 1840-1916

Redon, Odilon (n.1840-04-22-D.1916-07-06), and I, Jean, I saw the holy city, the new Jerusalem, who descended from heaven, from God (Mellerio 184) (Main title), 1899. Lithography on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Peter Schlemihls wundersame Geschichte: Schlemihl in der Einsamkeit des Zimmers (Peter Schlemihl's Wondrous Story: Schlemihl in the Solitude of His Room). Dated: 1915. Dimensions: block: 33.4 x 24 cm (13 1/8 x 9 7/16 in.) sheet: 41.2 x 34.5 cm (16 1/4 x 13 9/16 in.). Medium: color woodcut on wove paper. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

5, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 520 x 399 mm (sheet). Lithograph from one stone in gray on unbleached gray wove handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pompeian Souvenir. Jan Cox; Belgian, 1919-1980. Date: 1964. Dimensions: 186 × 186 mm (plate); 460 × 328 mm (sheet). Aquatint and drypoint, with burnishing on paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Male and Woman in Groen, Yo Sugano, 1937 - 1969 print Naked man with angel by head, standing by tree in the form of a naked woman. Japan paper etching the (nude) human figure; 'Corpo humano' (Ripa). transformation, metamorphosis of person

Horsewoman. Mehoffer, Józef (1869-1946), graphic artist

Time - an old man in the forest; Makowski, Tadeusz (1882-1932); Before 1924 (1915-00-00-1923-00-00);

Edouard Manet (French, 1832-1883), Line in Front of the Butcher Shop (Queue devant la boucherie), 1870, etching

In my dream I saw a mysterious face in the sky, Odilon Redon, 1885 print A long face of a man, his hand in front of his mouth. First print of six from the album "Hommage A Goya". print maker: Franceprinter: Paris . head (human)

It is the Devil, the seven dead sins on his wings bearing, Odilon Redon, 1888 print The devil as a monstrous being. He wears small heads in his arms. Second print of ten in the first series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Parispublisher: Brussels . temptations of St. Antony Abbot. Bible (+ devil(s)). the Seven Deadly Sins (personified)

Still life with agaw; Makowski, Tadeusz (1882-1932); 1914 (1914-00-00-1914-00-00);

Terms and naked male figures, 1656 print A medallion with a performance. Around the medallion sculptures of naked figures and putti. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching Cupids: 'Amores', 'Amoretti', 'Putti'. The (nude) Human figures; 'Humano body' (Ripa)

Expert, 1963 print Surrealistic landscape with objects, text and circles floating in the air and floating in the air. paper. printing ink drypoint

Roche, Pierre (n.1855-D.1922-01-18), minaret de Touloun (Cairo) (main title), 1913. Gypsography, black draw .. Petit Palais, Museum of Fine Arts of the city of Paris .

Study for "Greek Girls Bathing". Dated: c. 1872. Dimensions: sheet: 26.67 × 17.94 cm (10 1/2 × 7 1/16 in.). Medium: crayon on purple laid paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

Lovis Corinth, Adhba the Camel (Adhba die Kamelin), German, 1858-1925, 1919, drypoint in black on wove paper

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ThreeNudes. Artist: Otto Mueller, German, 1874-1930

The Women's Portret, Isaac Israel, 1875 - 1934 drawing paper. chalk anonymous historical person portrayed alone

Head of a Human, Marie Danse, 1889 - 1909 print paper etching head (human)

Standing woman in front of a window, Leo Gestel, 1891 - 1941 drawing paper. chalk female sex; woman. window

Redon, Odilon (n.1840-04-22-D.1916-07-06), and another angel came out of the temple which is in heaven, also having a sharp hawk. (Mellerio 180) (main title), 1899. Lithography on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

FLAUTISTA Y DORMILONA - 1933 - GRABADO- PUNTA SECA Y MONOTIPO - CORTESIA DE LA SEEI- MARTI GASULL. Author: PABLO PICASSO. Location: SEEI. MADRID. SPAIN. WALTER MARIE THERESE.

Three People, a Mask, a Fox and a Bird, headpiece forLe sourire. Paul Gauguin (French, 1848-1903); printed by Pola Gauguin (Danish, born France, 1883-1961); published by Christian Cato, Copenhagen. Date: 1899. Dimensions: 103 × 184 mm (image); 268 × 425 mm (sheet). Wood-block print in black ink on ivory China paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Three women in a garden; Les Roses d'Antan. Three women in a garden walking to a staircase, within a frame of roses.

Charles Paul Renouard (French, 1845 - 1924). Avant le Ballet, 1898. Collotype on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.).

Weapent trophies including shields and spear and helmet ..

Squatting naked woman. Draughtsman: Rik Wouters. Dating: 1892 - 1916. Measurements: h 305 mm × w 433 mm. Museum: Rijksmuseum, Amsterdam.

The Toad, from Histoire naturelle. Pablo Picasso (Spanish, 1881-1973); written by Georges-Louis Leclerc, comte de Buffon (French, 1707-1788); published by Martin Fabiani (French). Date: 1936. Dimensions: 267 x 212 mm (image); 370 x 280 mm (sheet). Aquatint, sugar lift etching, scraping, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

'Portrait of Jeanne Duval', mid 19th century. Artist: Charles Pierre Baudelaire

Paul Nash, 1889-1946, British, Winter, Hampden. Woodcut.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (n.1855-08-02-D.1922-01-18), hero and Léandre (main title), 1912. Gypsography, draw in brown and blue. Petit Palais, Museum of Fine Arts of the City of Paris.

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This 1920 lithograph by Max Beckmann, titled King and Demagogue, depicts two figures in a symbolic and expressive composition reflecting power and social themes.

This Will Be the Last Time, Dear Father!, plate 36 from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 592 × 434 mm (image/plate); 649 × 507 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Church or Gelmeroda. Lyonel Feininger; American, 1871-1956. Date: 1918. Dimensions: 285 x 232 mm (image); 355 x 290 mm (sheet). Woodcut printed in black, on Japanese laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Shouter (Der Rufende). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 8 11/16 x 10 3/8 inches (22.1 x 26.4 cm). Series/Portfolio: Der Tote Tag. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

Print, Vase monumental décoré d'un bas-relief de caricatures; France; etching

Chagall, Marc (1887-1985) Private Collection Graphic arts 28,4x38 Mythology, Allegory and Literature Illustration for the poem The Dead Souls by N. Gogol

Lithograph by Max Beckmann from 1920 showing a dancing couple, emphasizing movement, posture, and interaction.

A vignette from plant and geometric motifs before the poem Joyful Cemetery in: Zygmunt Lubicz Zaleski, on a narrow sleep and storm. Tadeusz Józef Makowski, Warsaw Paris Kraków: Centnerszwer I SKA, 1914, p. 30 arranged and decorated. Makowski, Tadeusz (1882 1932), Centnerszwer and S ka, Reiff, A. Heymann

Zelfportet, Ludwig Meidner, 1919 print Japanese paper (handmade paper) drypoint portrait, self-portrait of graphic artist

Farmer resting under a tree in a meadow with cows. Design for a print.

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