Emotive Biblical Scenes

Dramatic prints capturing biblical moments with deep shadows and light contrasts, featuring figures in sorrowful or contemplative poses in intimate settings.

The Laundresses, c. 1880-1882, Edgar Degas, French, 1834 - 1917, 4 1/2 x 6 1/8 in. (11.43 x 15.56 cm) (plate)8 1/2 x 11 7/8 in. (21.59 x 30.16 cm) (sheet)15 3/4 x 19 3/4 x 1 1/8 in. (40.01 x 50.17 x 2.86 cm) (outer frame), Etching and aquatint, France, 19th century, A prodigious and innovative printmaker, Degas was a keen observer of daily life in Paris, especially the working world of milliners and laundresses. In this mixed intaglio print, he presents a sympathetic portrayal of two women ironing clothes in what appears to be a basement laundry, while a third woman rests with head in hand. Echoing his own social concerns for the often miserable lives of the working poor, Degas repeatedly explored the subject of laundresses and other workers in his paintings, drawings, and prints.

The burial laying.

The Holy Family with the Cat and Snake, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

The Laundresses, c. 1880-1882, Edgar Degas, French, 1834 - 1917, 4 1/2 x 6 1/8 in. (11.43 x 15.56 cm) (plate)8 1/2 x 11 7/8 in. (21.59 x 30.16 cm) (sheet)15 3/4 x 19 3/4 x 1 1/8 in. (40.01 x 50.17 x 2.86 cm) (outer frame), Etching and aquatint, France, 19th century, A prodigious and innovative printmaker, Degas was a keen observer of daily life in Paris, especially the working world of milliners and laundresses. In this mixed intaglio print, he presents a sympathetic portrayal of two women ironing clothes in what appears to be a basement laundry, while a third woman rests with head in hand. Echoing his own social concerns for the often miserable lives of the working poor, Degas repeatedly explored the subject of laundresses and other workers in his paintings, drawings, and prints.

Company in sixteenth-century clothing in a pub, Louis Antoine Carolus, 1849 print paper etching / drypoint inn, coffee-house, public house, etc.

Two men on an anvil in the Smidse, Willem Linnig (II), 1864 print paper etching smith, blacksmith. tools, aids, implements ~ crafts and industries: anvil

Painter in his studio, Adriaen van Ostade, 1645 - 1649 print Painter at work in his studio, he sits behind his donkey by the window with a book on a ton next to him. Two assistants or students prepare paint at a table under a staircase. paper etching / drypoint painter at work, in his studio. painter preparing colours

La PetitForge. Artist: Charles-Émile Jacque, French, 1813-1894

The Entombment, Rembrandt van Rijn, c. 1654 print paper etching / drypoint Christ's entombment (possibly by angels)

Painter sees his work in his studio, Piet Verhaert, 1876 print paper etching workshop, studio ~ painter. easel. window

The Forge James Abbott McNeill Whistler (American, 1834-1903). The Forge, 1861. Etching on tissue paper, Image: 7 3/8 x 12 3/8 in. (18.7 x 31.4 cm). American Art 1861

Woman at a Well 1842 Charles Jacque. Woman at a Well. Charles Jacque (French, Paris 1813-1894 Paris). 1842. Etching. Prints

Moldavian Interior. Rodolphe Bresdin; French, 1825-1885. Date: 1859. Dimensions: 164 × 111 mm (image); 198 × 128 mm (plate); 271 × 175 mm (sheet). Etching on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bead-stringers , Doors & doorways. James McNeill Whistler (1834-1903). Lithographs

Not/Elend, Blatt 1. aus dem Zyklus: Ein Weberaufstand. Kollwitz, Käthe (1867-1945), graphic artist

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, The game of golf, verso center bottom - pencil, print, engraving, prints, Rembrandt f. 1654, lower left, Coppier, height 95 mm, width 143 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, third quarter 17e eeuw, third quarter 19th century, third quarter 19e eeuw, fourth quarter 19th century, fourth quarter 19e eeuw, first quarter 20st century, first quarter 20e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Three magicians burning a snake, from the Scherzi ca. 1743-50 Giovanni Battista Tiepolo Italian. Three magicians burning a snake, from the Scherzi 384182

Christ and the Samaritan woman, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Life class , Artists' models, Classrooms, Art education, Drawing. George Bellows (1882-1925). Prints and Drawings

Writing man and reading boy, Willem Linnig (II), 1852 - 1890 print paper etching scholar in his study

Koopman in his office, Jacobus Ludovicus Cornet, After Thomas Wijck, 1825 - 1882 print A merchant is in an armchair and sharpens his pen. For him a desk with all kinds of books, as well as writing tools and a globe. paper etching merchant, salesman. other rooms

Reading man, Ary Johannes Lamme, 1822 - 1900 print A man is sitting in a dusk interior at the table at the light that falls in the right through the window. paper etching reading

Ile de Grenelle. (Registered Title (letter)) | Citle or Madame LePere in Sewing, Grenelle Island (factic title)

Royal graves, in the Wawel crypt; Wyczóżó Kowski, Leon (1852-1936), Pruszcz Ski, Aureliusz (Kraków; artistic inn; 1873-Post 1930); 1911-1912 (1911-00-00-1912-00-00);Kushtelan Ludmiła, collection, Wyczółkowski, Teka Wawel, Illustration, graves, Japanese, purchase (provenance)

Hieronymus in a dark student room.

Meeting, possibly a bacchanal, in a room with vaults, Marius Holleman, 1916 drawing Basement or dungeon with vaults and left in the foreground a wine barrel with partly undressed figures around it. One person lifts a glass. paper. thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus. wine-vault, 'cave'

Cellar with drinking man, Romain Looymans, 1893 print paper etching alcoholic drinks. basement, cellar

Interior with an old woman at a window. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 190 mm × w 227 mm. Museum: Rijksmuseum, Amsterdam.

The Rag Shop, Milman's Row. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 95 x 162 mm (image, trimmed within plate mark); 102 x 162 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Kitchen interior with wife and children. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 273 mm × w 380 mm. Museum: Rijksmuseum, Amsterdam.

A seated man and woman in oriental dress. On the wall behind them rags of cloth. Bazaar in Constantinople, print maker: Marius Bauer, (mentioned on object), 1890, paper, etching, h 216 mm × w 168 mm

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Two men on an anvil in the Smidse, Willem Linnig (II), 1864 print paper etching smith, blacksmith. tools, aids, implements ~ crafts and industries: anvil

The Well 1845 France. Etching on ivory laid paper . Charles Émile Jacque

The Card Players Made 1850 France. Etching, engraving and roulette on cream China paper laid down on ivory wove paper . Charles Émile Jacque

The Coppersmiths. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 221 x 217 mm (image); 225 x 220 mm (plate); 244 x 227 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Handiculent lady by the window, Louise Danse, 1883 print paper. etching (other forms of) needlework, e.g.: crocheting, knitting, embroidering

The Forge, 1862. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

Luckets Seles, Jacquen Europe Adiens Liere Lauglele, After Jean François Milllet (II), 1853 print paper letterpress printing crafts and industries (+ agricultural processes). shearing (sheep)

The Village Sweet Shop. James McNeill Whistler; American, 1834-1903. Date: 1886. Dimensions: 79 x 122 mm (image, trimmed within plate mark); 84 x 122 mm (sheet). Etching with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Rest on the Flight into Egypt: A Night Piece (reverse copy) late 18th-mid-19th century Francesco Novelli Italian. The Rest on the Flight into Egypt: A Night Piece (reverse copy) 391762

Interior of a barn, Adriaen van Ostade, 1647

Mutter und Kind; Liebermann, Max (1847-1935); 1891 (1891-00-00-1891-00-00);Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, childhood, women, motherhood, modernism (style)

Two Women of the Street and Their Companions. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1898. Dimensions: 291 × 191 mm (image); 302 × 200 mm (plate); 436 × 338 mm (sheet). Etching from a zinc plate on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Virgin and Child with the Cat and the Snake. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1654. Dimensions: 91 x 142 mm (image/sheet, cut within plate mark). Etching on cream Japanese paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

The Little Forge Made 1902 United States. Etching in black on Japanese paper . Donald Shaw MacLaughlan

Chez Madame Dupont prints, etchings, works on paper

A Trio. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1928. Dimensions: 255 × 189 mm (image/ plate); 303 × 250 mm (sheet). Drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Rembrandt van Rijn (1606-1669), Gravlaeggelsen, About 1654

The Circumcision in theStable. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Haarlem, Ostade, Adriaen van, Interior of a hay barn, On the right a woman leaning forward. This print is part of an album., print, album sheet, prints, height 160 mm, width 195 mm, height 355 mm, width 262 mm, Northern Netherlands, 1610-12-19 - 1685-04-28, print maker, printmaker, 1647 - 1647, paper, etching, etchings, Work conception, after own design by, 1846 - 1900

Pencil drawing by August Xaver Karl von Pettenkofen illustrating a scene from Gil Blas.

Howard Visiting a Prison. Drawing. Graphite with gray wash on medium slightly textured cream wove paper. Height: 114 mm (4.48 in); Width: 156 mm (6.14 in). Author: GEORGE ROMNEY.

Bazaar in Constantinople, Marius Bauer, 1889 print Three men in Eastern clothing under a vaulted passage. In the foreground a sleeping dog. paper etching market-hall Constantinople

The mechanic. (Title Title) | The Cree of Paris. (Title of the whole)

Young woman covers a table in a richly decorated departure, Théodore Joseph Cleynhens, 1851 - 1909 print paper etching adolescent, young woman, maiden. laying the table. interior ~ representation of a building

Woman opens door, Kornelis Jzn de Wijs, 1842 - 1896 print Netherlands paper. etching opening the door

Funeral procession leaves a house of death; Two women's heads, Hendrik Valkenburg, 1836 - 1896 drawing paper. chalk cortege, funeral procession. interior of the house

Two figures at a staircase. .

Little Forge (TA)

Fruit-Shop, Paris (Greengrocer's Shop, Paris) 1892-93 James McNeill Whistler American. Fruit-Shop, Paris (Greengrocer's Shop, Paris) 372732

Interior of a house, Jan Chalon, 1748 - 1795 print Interior of a house. A man is reading a pamphlet on a chair. Two women talk to each other through an open window. A dog in the foreground. paper etching / drypoint reading. pamphlet ~ printed matter. dogs (circus performance)

Ruelle du Pêcheur Made 1902 United States. Etching in black on cream wove paper . Donald Shaw MacLaughlan

Etching and drypoint with foul biting in dark brown ink on ivory laid paper.

Twee scènes uit life, comments and opinions Johann Bunkels, Daniel Nikolaus Chodowiecki, 1778 print John Buncle is on the left with Henriette in the library. In response to his marriage proposal, she suggests that he talks about more sensible topics, such as the Hebrew Bible that is open on the table. On the right, John Buncle saves Miss Melmoth from a flooded cabin during a storm. Numbered: No. 1. And No. 2. paper etching Literature. study; 'studiolo'; library. globe. the Bible as a book. storm at sea. saving a person from drowning

Mixing the paint, Anthon Gerhard Alexander van Rappard, 1868 - 1892 drawing paper. cotton (material ~ textile industry). dyeing of cloth

Lazio Roma Rome S. Stefano Rotondo7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, fresco painting, sculpture, architectural fragments, sculptural fragments. Post-medieval: Sculpture, fresco painting, painting, architectural sculpture Antiquities: Sculpture Object Notes: Called the "second Pantheon of Rome", this church dates from the 5th century A.D. Alberti worked on the restoration in the 15th century. These photographs date from March, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Farewell Breakfast at Asnières 1861 Charles-François Daubigny French. The Farewell Breakfast at Asnières 336996

Adriaen van Ostade depicts the interior of a barn with active farmers, drawn in black chalk with gray in places, showing several brownish spots on the paper.

Interior of a part with a seated woman and a watering man. Draughtsman: anonymous. Dating: c. 1700 - c. 1800. Measurements: h 182 mm × w 272 mm. Museum: Rijksmuseum, Amsterdam.

Alphonse Legros, The Hearth (Le foyer) The Hearth (Le foyer)

The Virgin and Child with the cat and the snake, Rembrandt van Rijn, 1654 print paper etching Madonna: Mary sitting on the ground, the Christ-child in her lap

Christian Kongstad Petersen (1862-1940), "Tanten in Blunderstone" (variation over the same motif as Recto), 1922

Two figures at a staircase. .

Le réfectoire , Monks, Eating & drinking, Refectories, Alphonse Legros (1837-1911)

Moonlight , Moonlight, Boats, Helms, Sailboats. Frank W. Benson (1862-1951). Prints and Drawings

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Loafer , Leisure. Charles H. Woodbury (1864-1940). Prints

Entrance to a hind period. Different figures on and at a staircase direction the entrance of a hind period.

Sketches of groups of people in interior. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 273 mm × w 382 mm. Museum: Rijksmuseum, Amsterdam.

Deathbed Scene 1847-1875 France. Black and white pastel on brown wove paper . Jean Baptiste Carpeaux

Gide et J. Baudry, Paris, Lemercier, Rijn, Rembrandt van, Bisson Frères, Photographic reproduction of an etching of the Descent from the Cross by torchlight by Rembrandt van Rijn, photograph, photo, page, reproduction, photos, photographically illustrated books, height 213 mm, width 163 mm, French, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after a print by, printer, Publication (Event), Publication, publisher

Dancer (Danseuse). Dimensions: 57.2 cm x 42 cm, 29.2 cm x 23.5 cm, 19 cm x 16.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: James McNeill Whistler.

DutchSchnapps. Artist: Julian Alden Weir, American, 1852-1919

Molenaar, closed door, c. 1910 - c. 1911 copper (metal)

Childe Hassam, The Spar Shop, Gloucester, 1918 The Spar Shop, Gloucester

A monk playing on organ, pl.8, verein für Original-Radierung in München, VI, 1897; Anetsberger, Hans (1870-1942), Verein für Original-Radierung (Munich; Association; Fl. 1850-), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937), Bruckmann, Friedrich (Munich; Publisher; 1815- 1898); 1897 (1897-00-00-1897-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, angels (iconogr.), Monks, modernism (style), organs (musical instruments), Viola da Gamba (musical instruments), death (personification), death (symbol.)

Longshore Men 1859 James McNeill Whistler American When Whistler moved to London from Paris in 1859 he found lodgings in a wharf district below Tower Bridge. Commercial activity along the Thames, whose banks were densely lined with warehouses, became a frequent source of inspiration with this image centered on figures in a pub or "ordinary" (cheap restaurant) seated around long wooden tables. Longshore men did a variety of jobs along the river, most often unloading goods from ships and barges. The Met's two other impressions of this print are 83.1.20 and 17.21.72.. Longshore Men 372509

The Staircase with Trophies. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

Saturday Afternoon on the Roof. John Sloan (American, 1871-1951); printed by Bolton Coit Brown (American, 1864-1936). Date: 1919. Dimensions: 268 x 326 mm (image/plate); 330 x 445 mm (sheet). Lithograph on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

On the Seine, 88 (title registered) | On the Seine, at night, 1888 (dummy title)

Curse (Verfluchung). Artist: Ernst Barlach (German, Wedel 1870-1938 Rostock). Dimensions: image: 10 7/16 x 12 11/16 inches (26.5 x 32.2 cm). Series/Portfolio: Der Tote Tag. Date: 1912. Museum: Metropolitan Museum of Art, New York, USA.

A cow is milked in the stable.

A drawing by James Ensor depicting the corner of a desk, showing surface details, objects on the desk, and perspective.

The Dutch door , Doors & doorways, Interiors. Childe Hassam (1859-1935). Prints and Drawings

Soupe à trois sous. Whistler, James McNeill (1834-1903). 1859. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

James McNeill Whistler (American, 1834 - 1903), The Beggars, 1879-1880, etching

Depicts 'Bitter Presence' from Goyas 'The Disasters of War', created with etching and aquatint around 1810, showing figures experiencing suffering, violence, and despair during war.

Drawing by Ferdinand Boberg. Motala, Nordic

Marché aux légumes à Pontoise, 1891, by Camille Pissarro. Gift of Cedric Savage, 1955.

Le repas.. Avery, Samuel Putnam, 1822-1904. Prints. 1864. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Eating & drinking, Breast feeding

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