Engraved Illustrations & Title Pages

Decorative engravings showcasing mythical and historical scenes, framed with ornate designs, highlighting figures and narratives in European artistry.

A Galei with secular and spiritual gentlemen, 1577, 1577 - 1578 A Galei with secular and spiritual gentlemen and musicians, in De Nieuwe Vaart in Brussels. The boat decorated with branch green or trees and coats of arms from provinces. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels A Galei with secular and spiritual gentlemen and musicians, in De Nieuwe Vaart in Brussels. The boat decorated with branch green or trees and coats of arms from provinces. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels

Arion Spring overboard on a dolphin, 1728 print The singer Arion plays on his winch on the back deck of a ship and jumps overboard at the end of his song. On the left in the sea the dolphin on whose back Arion will continue to travel to Tainaron. Above the show two angels with the coat of arms of the Dauphin. At the bottom a Meerman and -Min on either side of the title. paper engraving (story of) Arion. Arion rides on a dolphin, holding his lyre

Frontispiece for the Catalogue of the work of Thomas De Leu 1866 Charles Meryon French. Frontispiece for the Catalogue of the work of Thomas De Leu 378022

Illustration at Canto IV of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a representation at Canto IV of TASSO's 'Gerusalemme Liberata'. Idraote is at Armida and Satan for the Hellpoort. In the background, Armida is in the camp of the Christian fighters.

Nich with an empty cartouche flanked by the apostles Peter and Paulus, Wendel Dietterlin (I), 1593 - 1595 Numbered: 48. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. St. Peter as first bishop of Rome. the apostle Paul of Tarsus; possible attributes: book, scroll, sword

Title Page and Dedication for the "Compendiosa totius Anatomiae delineatio" 1545 Thomas Geminus Title and dedication page (bound together) of the anatomy book published by Thomas Geminus in London in 1545. The book reproduced the anatomical plates from Andreas Vesalius' "De humani corporis fabrica", combined with the text of the "Epitome" by the same author, both published in 1543. The work counts as one of the first examples of the use of engraving in England. The ony other example of engravings predating the "Compendiosa" are found in "The Birth of Mankind, otherwise named the Womans Book", an English version of Eucharius Rösslins "Der schwangern Frauwen und Hebammen Rosengarten" of 1513, published first by Richard Jonas in 1540, and in a new version by Thomas Raynalde in 1545. Geminus is sometimes associated with these publications, but the inferior quality of the engraved illustrations speaks against this attribution.. Title Page and Dedication for the "Compendiosa totius Anatomi

Display of the Lisbloem (Mechelen), 1561; The Lisbleme. Scene from the play of the Lisbloem, Rederijkerskamer in Mechelen. Angel with justice and the river god of the Scheldt. For the land jewel of Antwerp in 1561.

Allegory on the praise of music, 1587 - 1592 Allegory on the praise of music. Title print for the series entitled: Encomium Mucies. In the middle an open book with the music notation of the six -part motet: NATA, ET Grata Polo, et Vocum Discordia Concors Musica, Scitque Homines Flectere, Scitque Deos. Flecter Scitque Feras: At Quisquis Nescius Illa Flectier, NEC Homo, NEC Fera, Sed Lapis Est (the music is born in heaven and pleases God with her polyphony that sounds in harmony. She can touch both mortals and gods, and she can and she can Even wild animals touch. The one who is not moved by music is not a human or animal, but a stone). The music book is held by three women's figures: Harmonia, Musica and Mensura. Musica (in the middle) wears a laurel wreath on the head. Harmonia (left) has a winged heart, with ears, in the right hand. Mensura has a T-shaped instrument with clocks in the left hand (the precursor of the metronome). The three personifications are surrounded by musical inst

A Galei with secular and spiritual gentlemen, 1577, 1577 - 1578 A Galei with secular and spiritual gentlemen and musicians, in De Nieuwe Vaart in Brussels. The boat decorated with branch green or trees and coats of arms from provinces. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels A Galei with secular and spiritual gentlemen and musicians, in De Nieuwe Vaart in Brussels. The boat decorated with branch green or trees and coats of arms from provinces. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels

A star falls into the pit of hell as locusts torture those unelected to heaven. Woodcut, c. 16th century.

Title print for presterie de masquerades; The masquerades. A Latin text in a cartouche, above which a skeleton comes out. This skeleton holds a mask for the faces of the two figures leaned against the left and right side of the cartouche. This print is part of a series of ten numbered prints: a title print and nine prints on which two or three masked and / or declared figures are displayed for feet.

Pyramus en thisbe, 1580 print The myth of Pyramus and Thisbe in an oval. The moment this is shown when this pyramus sees death on the ground and plunges himself into a sword without hesitation. Probably belongs to an oval representation of the history of Leander and Hero; Perhaps this is a medallion that is engraved on two sides. paper engraving (story of) Pyramus and Thisbe

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Borel, Antoine (1743 Post 1810), Blanchon, Jean Andre

Cyparissa in Een Cipres Veranderd, Virgil, 1569 print After Cyparissus accidentally killed his favorite deer, he was turned into a cypress by Apollo. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Cyparissus changed into a cypress: when pining away for the loss of his favourite stag, Cyparissus the hunter, minion of Apollo, is changed into a cypress by the god (Ovid, Metamorphoses X 106). scrollwork, strapwork ~ ornament. homosexual love

Iuno ad inferos, Iohan. Posthii Germershemii Tetrasticha in Ovidii Metam. lib. XV. qvibus accesserunt Vergilij Solis figurae elegantiss. and iam primùm in lucem editae, Posthius, Johannes, 1537-1597, Solis, Virgil, 1514-1562, Woodcut, black-and-white, 1563

Martial arms sprout out of the dragon teeth seeded by Cadmus; Ex Draconis Dentibus gays. .

Titelcartouche in kwabstijl, anonymous, Simon Cammermayer, 1666 - before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament

Antwerp, Plantijn, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes of Lucas van, Exercitatio alphabetica nova et utilissim, Cartouche with a mascaron on both sides, Sheet XXVI. From a series of 21 numbered cartouches with calligraphy in a frame of scroll and fittings with grotesques, garlands and mascarons ., print, ornament print, prints, ornament prints, height 214 mm, width 282 mm, print maker, printmaker, 1569 - 1569, third quarter 16th century, paper, etching, etchings, Northern Netherlands, 1541 - 1583-03-29, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

A woodcut by Lucas Cranach the Elder from 1555 depicting a house regiment, showing figures, interior architecture, and ceremonial arrangement.

Jacob gets the paternal blessing of Isaac and the marriage of Jacob and Lea; The history of Jacob. Ornament for satellure edge. Upper half: Isaak is on bed and gives his blessing to his son Jacob who kneels in front of the bed. Rechka watches. Left in the Esau doorway. Lower half: on the right the meal for the marriage of Jacob and Lea. On the left a glimpse into a bedroom with the birth of Lea's child. Both halves with Latin caption in cartouche.

Medea kills one of her children, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Medea kills her two children; she flees from Corinth in a chariot drawn by winged dragons

Engel holds up a cloth with dedication, around soldiers and weapons, Johann Wilhelm Baur, 1633 Italy paper etching angels. private soldier. (military) equipment and supply. armorial bearing, heraldry

Two witnesses, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1585 print The two witnesses prophesy and are killed by the beast from the underground depth. In the background they rise to heaven. In the margin a four -line caption in Latin. Thirteenth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving the two witnesses of God are slain by the beast and the people rejoice over their death

Cartouche on a pedestal flanked by Leeuwen and a unicorn, Wendel Dietterlin (I), 1593 - 1595 Numbered: 27. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. helmet. unicorn. beasts of prey, predatory animals: lion

28. When the Sham people Against the lady of the road, you have been complained of, you have to be the preventing such a lot of copper plague to hang kaza; 29. Joshuzu, the people, he liked; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Apollo en hyacinth, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing death of Hyacinthus: he is struck by a discus thrown by Apollo; possibly through jealousy of Zephyrus, who blows just as Apollo hurls the discus. scrollwork, strapwork ~ ornament. Hyacinthus' blood changed into a hyacinth: when Hyacinthus is accidentally killed by Apollo with a discus, the god changes his blood into a hyacinth. homosexual love

Cipus crowned with two horns, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. horns growing on Cipus' head: when horns grow upon his head, Cipus, the Roman praetor, consults a diviner and is told that he must be king; but rather than destroy the Republican constitution he banishes himself (Ovid, Metamorphoses XV 565)

Woodcut and type print by Lucas Cranach the Elder from 1522 illustrating the opening of the seventh seal and the seven trombones from the New Testament (Revelation 8), depicting angels, instruments, and figures.

Decapitation, Jost Amman, 1573 print print maker: Neurenbergpublisher: Frankfurt am Main paper warfare; military affairs. instruments of torture, execution or punishment: gallows. death penalty, execution

Byblis en Caunus, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Byblis falls in love with her brother Caunus, who scorns her love

Etching by an unidentified monogrammist from 1579 depicting the tomb of Albert of Bavaria with architectural details and sculptural elements.

Weis, Hans.

Illustration from Sebastian Brandt: Navis Stultifera, Strassburg 1497 19th century Albrecht Dürer German. Illustration from Sebastian Brandt: Navis Stultifera, Strassburg 1497 387777

New Year's entry of the Carpenter Guild in Haarlem, ca. 1600. New Year's play of the Carpenter Guild or Sint-Jozefgilde in Haarlem, ca. 1600. Jozef at work in his carpentry workshop, on the floor the Christ child and John play the Baptist, left Maria. Presentation in picture frame with Putti with the weapons of Habsburg and Haarlem, attributes of the carpenter and ornaments. At the bottom of the New Year's greeting in 4 verses of 13 lines each in 2 columns, drawn with the motto love Baert Peace.

Odysseus on the island of Circe, Antonio da Trento (Possible), After Parmigianino, 1602 print Odysseus and his men arrive on the island of sorceress Circe. In the middle is Circe who gives the men a magic drink so that they will change into boar. print maker: Italypublisher: Mantua paper Ulysses on the island of Circe (Homer, Odyssey X). Circe. Ulysses' companions are changed into all kinds of animals

Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt, Das Narrenschrift. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 1/4 x 5 11/16 in. (21 x 14.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving showing an allegorical text cartridge featuring a portrait of Louis XIV, created by Sébastien Le Clerc between 1657 and 1714, combining symbolic and portrait elements.

Panel with siege of city in Cartouche, c. 1655 - c. 1657 print Print is part of an album. Paris paper etching ornaments ~ art. siege

Esemplario di lavori, page 5 (verso) August 1529 Nicolò Zoppino Italian Published by Nicolo Zoppino, Italian, active 16th century, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers: vines and foliage intertwined among architectural elements with half of cherub head and wing on top right corner, vines and flowers intertwined among architectural elements with sun medallion hanging from center of highest vine.. Esemplario di lavori, page 5 (verso) 658729

Theater with allegorical performance at De Munt, 1578. The stage drawn up at the currency one with allegorical representation from the story of Scipio, 1578. Theater performance during the arrival of Matthias in Brussels, January 18, 1578.

Photo collection Government information service. Drawing 1501. Undated

The Woman Healed of an Issue of Blood from Plenarium (also called Deutsche Evangelien und Episteln, or German Gospels and Epistles), Plate 36 from Woodcuts from Books of the 15th Century Original 1489 Germany. Woodcut in black, and letterpress in black (recto and verso), on buff laid paper, tipped onto cream wove paper mat . Unknown artist (Illustrator)

Cartoon to the intake of Ghent, 1708; 't Gentile Rommel-Musyk and the French Chamade of Vlaordre / De Gentile reverse mottle glove; The gentile reverse mottle glove, and the Flemish Chamade shrore crossed and gently reflected; The Palmhof of Allies / 't Lusthof of Momus. Cartoon on the intake of Ghent by the Allies, December 30, 1708. A rugged fleapot player dances while a French tamboer hits the retreat. In the background the surrender of the city to Marlborough. Down a glove with verses. Verses in the plate in Dutch. Part of: The Palmhof of Allies, a series of 9 unprecedented cartrents on the French in the year 1708 of the Spanish Succession War. Part of the printing work under the collective title 't Lust Court of Momus with the bundled series of cartooning during the 1901-1713 of the Spanish Succession War.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Elluin, François Rolland (1745 Ca 1810), Blanchon, Jean Andre

Illustration from Turnierbuch (Tournament Book), plate seven from Woodcuts from Books of the XVI Century 1530 Germany. Woodcut on paper . Monogrammist H.H.

Illustration at Canto IX from tasso 'gerusalemme liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a performance at Canto IX from TASSO's 'Gerusalemme Liberata'. A lump of warring soldiers on horseback. Dead horses and soldiers are dead on the ground. In the background, the Archangel hifts Michaël about Jerusalem and drives away demons.

Print (France)

De Prins Vaart in the ship through De Nieuwe Vaart, 1577, 1577 - 1578 The prince sails in the ship through the Nieuwe Vaart in Brussels. The prince sat at a table in a boat decorated with branch green or trees and coats of arms. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels The prince sails in the ship through the Nieuwe Vaart in Brussels. The prince sat at a table in a boat decorated with branch green or trees and coats of arms. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels

De little mens Hali Nasili Pascha, 1716, 1716 The Muslim little man Hali Nasili Pascha, with turban and scepter in hand. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with tendrils and flowers. Numbered right in the middle: 14. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching The Muslim little man Hali Nasili Pascha, with turban and scepter in hand. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with tendrils and flowers. Numbered right in the middle: 14. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf tone, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Sheet of lace designs. Prints. 1595 - 1597. Spencer Collection. Lace and lace making, Patterns (Design elements), Allegories

New Year's Substitute of the Timmermans Guild in Haarlem, ca. 1600, 1590 - 1610 print New Year's Square of the Timmermansgilde or Sint-Jozefsgilde in Haarlem, ca. 1600. Joseph at work in his carpentry workshop, on the floor the Christkind and Johannes de Boper, left Maria. Presentation in frame with putti with the weapons of Habsburg and Haarlem, attributes of the carpenter and ornaments. At the bottom of the New Year's greeting in 4 verses of 13 lines each in 2 columns, drawn with the motto love Baert Vrede. print maker: Northern NetherlandsHaarlem paper letterpress printing Joseph with the Christ-child (and Mary) in his carpenter's workshop. Joseph at work in his carpenter's workshop. carpenter Haarlem

Drawing, Melchizedek bringing bread and wine to Abraham above; Below: Unicorn hunt below; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Engraved by Hans Collaert II (Flemish, 1560 - 1628); Published by Philips Galle (Flemish, 1537 - 1612); Subject: Philostratus, The Athenian (Greek, 170 - 247 CE), Medici Family; Netherlands; pen and ink, brush and brown wash over black chalk on laid paper

Beggars and Their Vanities (recto) and Of Irate Women (verso) from Navis Stultifera (Ship of Fools), Plate 30 from Woodcuts from Books of the 15th Century. Unknown Artist (Strasbourg, late 15th century); printed and published by Johann Reinhard Grüninger (German, c. 1455-1532); original text by Sebastian Brant (German, 1457-1521); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1497. Dimensions: 76 x 111 mm (image, recto); 78 x 111 mm (image, verso); 196 x 140 mm (sheet). Woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, USA.

Consequences of wealth; The misery of wealth. In the procession behind Queen's money will follow (honor), listen (Splendor) and fame (FAMA). Although positive, their attributes point to their transience. Honor has flowers and a whom closed pot, listen a sealed document and blows fame on a praise. Between them in four-poultryers (parasiti), which benefit from other people's wealth and success. Under the show a verse in Latin and a French and Dutch caption in letterpress. This print is part of an album.

Print (France)

Veen, Otto van, Tempesta, Antonio, Copies after Tempesta's Batavian Revolt, Confédération des Bataves, planche IV, Conspiracy of Claudius Civilis, 69-70, The conspiracy of Claudius Civilis in the Schakerbos. Claudius Civilis tells the elders during a night meeting in the forest that they are being treated as slaves by the Romans. Print 4 in a series on the Batavian Revolt, copied from the series Batavorum cum Romanis bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux dépens de Marc-Michel Rey, Amsterdam 1770. Representations printed in a large ornamental frame in which a cut-out title is pasted at the top and a caption in French at the bottom., print, history print, prints, Frederik Muller History plates, height 140 mm, width 202 mm, height 370 mm, width 300 mm, print maker, printmaker, 1768 - 1770, third quarter 18th century, paper, papier, etching, etch

Emperor Octavian and the Sibyl. Dated: c. 1480. Medium: metalcut, hand-colored in green, light rose, and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.

Drawing, Four Allegories of Virtue, Villa Aldini, Montmorency, France; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and greyish-brown wash, black chalk on grey textured paper; 28.6 x 25.4 cm (11 1/4 x 10 in.)

Woodcut by Johann Schöffer from 1507-1508 showing a legal or administrative transaction, including figures, objects, and written records.

Sheet of 4 Small Woodcuts. 1501 - 1525. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Eyn Newe kunstlich moetdelboech alle kunst 1532 Peter Quentel German Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.The first edition of this second book of Peter Guentel appeared in 1529 according to Lotz who records 2 complete copies- 24 leaves, sigs. a - f 4. Althought incomplete, this is the only recorded copy of the second edition. A number of the patterns are copied fom the second edition of Schonsperger's first book (Lotz 1 b) after Schonsperger had abandoned printing on only one half of the page. Several more were adaptations of patterns in Schonspereger's last book (Lotz 5) drawn by Anton Woensam von Worns according to Lotz as are also the scrolling leaves and flowers and renaissance ornament on the verso of the title, leaves 2 - 5. Among the missing leaves are 3 pp. of alphabet, based on Schonsperger's and the arms of Cologne attr. to von Worms which a

A woodcut from around 1480-1490 depicting an anti-Judaistic representation titled 'Der Jewish Usury', showing figures and symbolism in late 15th-century German printmaking style.

Woman in a carriage, Europe, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a woman in a carriage that is drawn by two horses. Personification of Europe. Text in STUDMARGE. Paris paper etching Europeans. horse. two-wheeled vehicle drawn by two animals Europe

Letter N with three children whose child washes its hair; Alphabet with children ..

Theuerdanck on his Sickbed, from Theuerdanck. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Melchior Pfintzing (German). Dimensions: Sheet: 12 7/16 × 9 1/8 in. (31.6 × 23.2 cm). Publisher: Hans Schönsperger. Date: 1517. Museum: Metropolitan Museum of Art, New York, USA.

Illustration from Heldenbuch, plate 32 from Woodcuts from Books of the XVI Century. Virgil Solis, the elder (German, 1514-1562) and Jost Amman (Swiss, 1539-1591); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1590. Dimensions: 92 × 137 mm (image); 190 × 139 mm (image/te×t); 217 × 172 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: the Elder Virgilius Solis.

The Quincampoix coffee house in Amsterdam, 1720, 1720 Central performance of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a hover head. In the caption a verse in four columns. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving Coffee house Quincampoix Central performance of the Quincampoix coffee house in the Kalverstraat, the center of the Action Trade in Amsterdam, 1720. In the frame references to projects in Muiden, Utrecht, Harlingen, Weesp, Rotterdam and the Mississippi. At the bottom of a weapon made up of windmills and a hover head. In the caption a verse in four columns. Print in the bound fourth edition (304 B 12) of the great scene of fo

Of S. Marc'Antonio Tritonian

Trinity Bourbonnaise. (IT)

Cartouche with calligraphy, above it are two dogs, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1569 print Leaf III. Cartouche with the text Aymés Iustice .... from series of 21 numbered cartouches with calligraphy in a frame of rolling and fittings with grotesken, garlands and mascarons. print maker: Netherlands (possibly)print maker: Netherlandsafter design by: Netherlands (possibly)publisher: Antwerp paper engraving ornament ~ cartouche. dog. calligraphy

The Hague, Weygand, François Joseph, Jeu des Cosagnes, Cossack game, verso - stamped, Board game with a spiral with squares numbered 1 to 63, which expresses the fear and amazement with which the Parisians looked at the arrival on French soil of the soldiers of the allied army (Cossacks). In the corners views of Moscow: the Kremlin, the Red Square, the Main Gate and the house of Mr. Paschkoff (the later Lenin Library). Several squares show Cossacks and weapons. In the middle field a representation of the Cossack camp on the Champs Elysée, March 31, 1814, and the rules of the game in Dutch and French., print, prent, volksprent, gameboard, speelbord, prints, prenten, volksprenten, height 518 mm, width 659 mm, Dutch, print maker, printmaker, 1814 - 1814, paper, papier, etching, etchings, printer, drukker, Publication (Event), Publicatie, publisher

Le Vite de'Piv Eccellenti Pittori Scultori et Architettori... Author: Written by Giorgio Vasari (Italian, Arezzo 1511-1574 Florence). Dimensions: Vol. 1: 9 13/16 × 6 7/8 × 1 11/16 in. (25 × 17.5 × 4.3 cm)Vol. 2: 9 13/16 × 6 7/8 × 1 3/16 in. (25 × 17.5 × 3 cm)Vol. 3: 10 1/16 × 6 7/8 × 1 15/16 in. (25.5 × 17.5 × 4.9 cm). Publisher: Published by Heirs of Filippo da Giunta (Florence). Date: 1568. Museum: Metropolitan Museum of Art, New York, USA.

Hercules in Gevecht met Acheloü Virgil, 1569 print In the foreground, Hercules takes the river god Acheloüs in the form of a bull at the Hoorns. On the right is Hercules in a fight with the river god in the form of a person and in the form of a snake. In the background some nymphs fill the horn of abundance. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Hercules breaks off a horn; Naiads fill the horn with flowers and fruits; it thus becomes the Cornucopia. 'Cornucopia', Horn of Plenty

Title frame with printing press, hunter, birds and animals; Auff des Bocks zu Leyypczick Antwort D.M. Luther. Title listening with eight small representations around rectangular frame with title. At the bottom left there are two men at a printing press, above it is a jerkled man with a drinking glass and a beer mug while burglars circle around his head. Above left a owl is attacked on a branch by birds. In the middle above the title is an eagle with spread birds. A goat or bok is attacked in the top right corner by a bear. Right fight a dog with a deer and a wolf with a sheep successively. Under in the margin, a hunter walks with his booty and is a heron with frogs in addition to a large monogram Ig. On the verso of this woodcut there is a piece of text from the book for which this illustration was used.

Maximilian as Architect; with a Statue of St. Leopold; and Busts of Maximilian's Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18 1517/1518 Albrecht Dürer Maximilian as Architect and the stonework on the column are by Albrecht Altdorfer; The Statue of St. Leopold is by Albrecht Dürer; and the portraits are by Hans Springinklee.. Maximilian as Architect; with a Statue of St. Leopold; and Busts of Maximilian's Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18. Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). 1517/1518. Woodcut and letterpress. Prints

Wszyscy Święci w MNK unknown

Rotterdam, Hendriksen, Jan, Lubeek, Hermanus van, Sees children brother and sister playing, Will generously share in their joy, verso - stamped, Sheet with 4 representations of brothers and sisters, in oval decorative frames. A two-line verse below each representation. Numbered top left: No. 12., print, prent, volksprent, volksprenten, prints, prenten, height 427 mm, width 336 mm, Dutch, 1770 - 1807, print maker, prentmaker, 1810 - 1810, paper, woodcut, colors, letterpress printing, Publication (Event), Publication, publisher

True image of Mr. Quinquempoix, 1720, 1720 print Ware image of Mr. Quinquempoix. John Law portrait medallion as Mr Quinquempoix above a brewing kettle in which coins are transformed into shares. Witch boiler with devils, owls etc. Above the portrait the fool with a crown of peacock springs and holly leaves. Above a banderole with: No. 1 or shit or king. This plate printed within a larger plate with title and verses in French on either side. Print 37 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. print maker: Northern Netherlandsprint maker: Southern Netherlands paper etching / engraving brewing, boiling (in a cauldron); witches' kitchen

SLAET, Hendrik Danielszoon.

Entry of His Majesty William III, King of Great Britain, etc., in Holland; or Detailed Descriptions of Everything Related to His Arrival and Sojourn in the Hague and Elsewhere, as Decorations of Honor Were Erected Everywhere (Komste van Zyne Majesteit Willem III, Koning van Groot Britanje, enz in Holland; ofte Omstandelyke Beschrijving van Alles, Het Welke op des Zelfs Komste en Geduurende Zyn Verblyf, in 's-Graavenhaage en Elders, ten Teeken van Vreugde en Eere, is Opgerecht en Voorgevallen) 1691 Netherlands. Book with sixteen, eleven folded, engravings with etching and letterpress in black on cream laid paper . Romeyn de Hooghe

Allegory on the battle between France and the Pope, 1624, 1624 print Allegory of the battle between France and the Pope, 1624. Hanenfight between two roosters adorned with the papal crown and the French Koningskroon, in the background royal spectators. On the right a cook (Spain) At the kitchen his knife. Outside, a globe sets fire to a globe, with the Engelenburcht in the background. Various texts are printed in Dutch and French on the magazine under the plate. print maker: Low Countriesprint maker: Northern Netherlands paper etching / engraving / letterpress printing cock-fighting

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (hexagon). Below that a face on a few buildings (a village) On a river ('Kelkent'), about which a bridge is located. In the corner at the top right the number 136 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. landscape with bridge, viaduct or aqueduct. river

Title page with allegorical frame; Historia Naturalis. Title page with frame with seven allegorical female figures. Part of the first album with drawings of four-legged friends. First of twelve albums with drawings of animals, birds and plants known around 1600, made by Emperor Rudolf II. With explanation in Dutch, Latin and French.

Title Page, from Des Pendants de Cleffs pour les Femmes 1580-1600 Johann Theodor de Bry Netherlandish Title page from a series of five plates of pendant designs, with the title lettered in French and German in an oval at center and the artist's signature in a circle at top center. The ornamental pendant design includes a variety of sea creatures, a satyr, a griffin, and a sphynx.. Title Page, from Des Pendants de Cleffs pour les Femmes 424105

Image of his full-length highness Print Willem de Vyfden, as well as (...). Leaf with 2 performances. Left in a bow decorated with tendrils and orange trees, Willem V, for a tent with Dutch flag, on the coast. Right, in an equal decorated arch, Wilhelmina van Prussen for a balustrade, her arm leaning on a book. Under the representation of a verse in four columns.

Engel with face like the sun and legs like columns of fire, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1646 print The angel with a face like the sun and legs like columns of fire, with one leg on sea and one leg on land, gives the book to John. Under the show a reference in Latin to the Bible text in op. 10: 1. This print is part of an album. paper engraving the mighty angel with the little open book in his hands: he is wrapped in a cloud; his legs are pillars of fire, which stand one on land and one in the sea ~ Apocalypse

Title Page, from Des Pendants de Cleffs pour les Femmes. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 3 5/8 × 1 1/8 in. (9.2 × 2.9 cm). Series/Portfolio: Des Pendants de Cleffs pour les Femmes. Date: 1580-1600.Title page from a series of five plates of pendant designs, with the title lettered in French and German in an oval at center and the artist's signature in a circle at top center. The ornamental pendant design includes a variety of sea creatures, a satyr, a griffin, and a sphynx. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury unknown

Medallion with Judas Makkabeus, 1574 - 1637 print Left and right above the medallion is a bird, bottom left and bottom right a lion. Shaded background. One of 8 partly numbered prints from a series of 9. Netherlands (possibly) paper engraving Judas Maccabeus (not in biblical context)

St. Calixtus; St. Hedwiges; Sts. Martinian and Saturian; St. Florentinus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Bybelschefichten, des Old Testaments. Leaf with 9 performances of stories from the Old Testament, about Adam and Eva and the flood. Under every image a verse. Numbered at the top right: No. 147.

Five amoritary kings hung; The history of Joshua; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The five amoritary kings are hung on the command of Joshua, with the commander's staff in his hand. On the left the cave in which the kings were caught. Under the show a reference in Latin to the Bible text in JOZ. 10. This print is part of an album.

Memnon op de Brandstapel, Virgil, 1569 print At the stake is Memnon whose ashes turn into birds called the memnonides. At the top right Aurora that jupiter begs to give her son the immortality. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Memnon's ashes changed into birds: Memnon's ashes are changed into birds, the Memnonides; they rise from Memnon's funeral pyre and fight around his tomb (Ovid, Metamorphoses XIII 608). Aurora mourning Memnon

Giovanni Battista Piranesi and Francesco Piranesi (authors), Catalogo delle Opere Date Finora Alla Lvce Da Gio Battista Piranesi Catalogo delle Opere Date Finora Alla Lvce Da Gio Battista Piranesi

Sts. Gervase & Protase; St. Silverius; St. Eusebius of Samosata; St. Paulinus of Nola. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

A scholar's study. Etching by C.W. Sherborn, 1890.

Narcissus, Stefano Della Bella, 1620 - 1664 print. playing card Play card with a performance of Narcissus at a water source. Text and heart in the lower margin. print maker: Francepublisher: ParisFrance paper etching (story of) Narcissus

Albrecht Dürer, Saint Sebaldus Standing on a Column, c 1501 Saint Sebaldus Standing on a Column

Cartoon on the Elector of Bavaria, 1706, 1706 print Cartoon on Maximilian II Emanuel, Elector of Bavaria as a crippled rider with a wooden leg climbing on a horse. Page no. 11 (numbered top right) in the series of 25 magazines entitled: By joint to the Koninglyke Almanach, called the Golde Year of the allies, 1706. Part of the print work published under the collection title: 't Lust-Hof of Momus, with The bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

King Baleus; Baleus; Liber chronicarum. A flower celk in which a king with scepter and rich apple, looking up left. The text identifies him as the Assyrian King Baleus. The show is part of the sequence of Assyrian kings in the Liber Chronicarum. The print is part of an album.

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