Epic Battles and Legends

Dramatic scenes depicting epic battles and legendary figures, including the triumphs of Joshua and Ninus, rendered in detailed etchings with dynamic action.

Allegories ter ere van paus innocentius x, Pietro Testa, c. 1645 print An allegorical representation with the portrait of Pope Innocent's X. Assignment at the bottom right. paper etching pope. rainbow

Joshua paralyzes the horses and burns the cars of the peoples, Antonio Tempesta, 1613 print The kings from the north are defeated by Joshua. He burns their chariots and makes the horses lame by cutting off their legs. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching the kings of the north are defeated by Joshua, who burns their chariots and cripples their horses by cutting the hamstrings

Americvs Vespvccivs florentinvs portentosa..... Straet, Jan van der (1523-1605). Prints. 1585. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. America , Discovery and exploration, Discoveries in geography, Voyages and travels, Supernatural beings, Vespucci, Amerigo, 1451-1512 , journeys, Explorers , Italian

Triumph of death, leaf from the consequence of triumphs to Petrarca. .

Ninus van Nineve as the first king from the vision of Daniël, 1643 print Ninus, founder of Nineve and notorious general, drives a flag in his hand with the image of a lion (Babylonia). The horse tramples King Oxyartes from Bactria. A cityscape in the background. In addition to Ninus, a lion with eagle wings appears from the sea, a reference to a vision of Daniël about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text then. 7. This print is part of an album. Amsterdam paper engraving the lion with eagle's wings (griffin), standing on its hind legs ~ Daniel's visions. the world empires symbolized by four beasts (Daniel ch. 7). male persons from classical history (NINUS OF NINIVEH)

The Temptation of St. Anthony 1556 After Pieter Bruegel the Elder Netherlandish. The Temptation of St. Anthony 383057 Artist: After Pieter Bruegel the Elder, Netherlandish, Breda () ca. 15251569 Brussels, Artist: Pieter van der Heyden, Netherlandish, ca. 15251569, Publisher: Hieronymus Cock, Netherlandish, Antwerp ca. 15101570 Antwerp, The Temptation of St. Anthony, 1556, Engraving, sheet: 10 5/16 x 13 3/8 in. (26.2 x 33.9 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1928 (28.4(13))

Thisbe flight for the lioness; Metamorphoses from Ovid. Thisbe waited at a source on her beloved Pyramus. Suddenly a lioness turned up, after which thisbe fled and her veil leaves behind. In the undermarge a four-line explanation, in two columns, in Latin.

Allegories ter ere van paus innocentius x, Pietro Testa, c. 1645 print An allegorical representation with the portrait of Pope Innocent's X. Assignment at the bottom right. paper etching pope. rainbow

Migazzi of Wall and Sonnenthurm, Christoph Anton Graf.

Heuvellandschap with Schaapherders, Carl Friedrich Holtzmann, after Johann Georg Wagner, 1768 print Dresden paper etching low hill country. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle driving, cattle driver. 'en route', traveller under way

Purgatory. Etching by E. Henne after P. Bruegel the elder.

Schipbreuk met naked power, Simon Novelanus (attributed to), after Cornelis Cort, c. 1595 print A shipwrak has been washed up on the coast. Loose trucks and seem to float in the sea. Thunder is raging above the sea. A naked woman with an ox coat and a caduceus runs on the beach. This woman is the personification of the naked virtue: Nuda Virtus. Vienna paper etching shipwreck

Collection of gods at the Olympus (right part); Collection of gods at the Olympus. Part of the ceiling decoration by Giovanni Lanfranco in the Villa Borghese in Rome. The central representation with the Greek gods at the Olympus.

Sadeler, Johann (I), Vos, Maerten de, Noah and the Flood, Beginning of the Flood, verso under - stamped, The Beginning of the Flood. It is raining and in the foreground people are trying to save themselves by moving to higher ground. Others are drowning. In the background Noah's ark. The print has a Latin caption above and below., print, prints, height 208 mm, width 268 mm, Work conception, South Netherlandish, 1550 - 1600-08, after print by, 1586 - 1636, paper, engraving, engraving (printing process), print maker, printmaker, 1532 - 1603-12-04, intermediary draughtsman, after drawing by

Allegory over the victory over Spain during the Battle of Nieuwpoort, 1600, Jan Saenredam, 1600 print Allegory over the victory over Spain during the Battle of Nieuwpoort, July 2, 1600. Triumphwagen with the Netherlands Lion. In his claws the lance with freedom hat and the sword of the defense. The car is governed by the personifications of caution (Prudentia) and victory (Victoria), Victoria has a lance in her hand with the weapons of the conquered cities. In the back of the car the sprouting Oranjeboom with the weapon of Prince Maurits. The car is drawn by the personification of Eendracht (Concordia). Vigilance (Vigilantia) runs next to it. At the front of the chain a group of prisoners including Francisco de Mendoza and the captured banners. In the air the fame (fama) with two trumpets. Behind the car musicians, the members of the States General and the people. Centrally at the bottom of a cartouche with the assignment to Maurits. In the caption a verse of 6 columns in Latin. paper

Fleeing Turk. Baur, Johann Wilhelm (1607-1642), graphic artist

Print marked top right: Second Part Fol. 214., Riot at Tours in which the Corpse of a Protestant is Mistreated, 1621 Riot at Tours, and Violence to the Reformed Neven the Maltreatment to a Dead Liege , print maker: Jan Luyken, (mentioned on object), print maker: Caspar Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1696, paper, etching, h 292 mm × w 370 mm

Charon's Bark with Souls Crossing the Styx, plate two from Darstellungen aus Dante's Hölle. Joseph Anton Koch; German, 1768-1839. Date: 1808-1809. Dimensions: 329 x 382 mm (plate); 359 x 438 mm (sheet). Etching on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

God orders Jonah to go to Nineve, Philips Galle, After Maarten van Heemskerck, 1596 - 1633 print Jonah is on the coastline and looks at God who lies on a cloud and talks to him. On the quay wall is the ship with which Jonah Vlucht. On the water you can see how Jonah is thrown overboard later. print maker: Haarlempublisher: Antwerp paper engraving Jonah is sent by God to Nineveh to preach to its sinful citizens

. On the yacht, Silvio kills the big wild boar that lasts the harvests of the farmers. His dogs storm on the prey. Print from a series of 12 prints that illustrate the play IL Pastor Fido, 2nd scene from the 4th deed.

Neptunus calms the waves; Metamorphoses from Ovid. Neptune is sitting on his car that is drawn by hippocampuses and soothes the waves of the flood. Two multi-men are blowing on tritons corners. In the background the ark of Deucalion and Pyrrha which has washed up on a mountain top.

Herod and his riders in battle with robbers / armed enemies flee when they see Herod after his victory over the army of Antigonus in the bath.Two representations of a plate. At the Top Right Numbered: 58 and 60.

Pieter van der Heyden after Pieter Bruegel the Elder, Avarice, published 1558 Avarice

Antwerp, Jode, Gerard de, Bol, Hans, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Noe, History of Noah, Flood, The flood overflows the land. People and animals are swallowed by the water. People try to save themselves by climbing to higher ground and into trees. In the background, Noah's ark floats. At the bottom, a reference to the Bible text in Gen. 7 in Latin. Print is part of an album., print, album page, prints, height 239 mm, width 327 mm, print maker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

J. Muller (1700-1700), Illustration Til Adam Olearius, "Persian Rosenthal of a meaningful poet Schich Saadi ...", Schleswig 1660, 1660

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Amsterdam, Luyken, Jan, Shah Sefi, Emperor of Persia, shows his sister the three heads of her children killed by him, ca. 1632, Dutch ship Walcheren explodes together with five Portuguese ships, 1631, Storming of the palace of the viceroy of Mexico, 1623, Beheading of Henri de Talleyrand-Périgord by an untrained executioner, 1626, verso - stamped, Uncut sheet with four prints., print, prints, height 223 mm, width 310 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings

Silvio kills the big wild boar, Richard van Orley (II), c. 1695 - c. 1705 print On the hunt, Silvio kills the big wild boar that has long endangered the harvesting of the farmers. His dogs are storming on the prey. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 2nd scene from the 4th deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido

Allegories ter ere van paus innocentius x, Pietro Testa, c. 1645 print An allegorical representation with the portrait of Pope Innocent's X. Assignment at the bottom right. print maker: Italypublisher: Rome paper etching pope. rainbow

Jonah Thrown into the Stormy Sea. Dated: 1610/1620. Dimensions: plate: 21 x 26.8 cm (8 1/4 x 10 9/16 in.) overall: 28.6 x 35.4 cm (11 1/4 x 13 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Justus Sadeler after Paul Bril.

Legislation on Mount Sinai, Caspar Luyken, 1698 print Amsterdam paper etching Mount Sinai is covered by a thick cloud, thunder and lightning

Allegory on true patriotism, 1788. Extensive allegory on the occasion of the recovery of Stadholder Willem V in 1788. At an obelisk, the prince (in Roman costume) of the Dutch lion receives the commandostaf, right its wife and children, also in classic robe . The Dutch Virgin is central to the monument. In the clouds Mercury, caution, fame and justice. Left on the traps are seven men who symbolize the provinces, for that purpose the people. To the right, Prussia is the last patriots and pride, envy and void by a wild man with lightning bolts (a divine plague) reports. Centrally at the front of the weapons of the Prince and Princess of Orange.

Giulio Bonasone (Italian, c. 1498-c. 1580), The Triumph of Love, 1545, engraving

Monument depicting four scenes of the accident that befell Count Stanislaw Potocki on July 27, 1678. Top left the ship and her passengers sail from Mechelen, right the ship explodes near Willebroek, bottom left everyone tries to save themselves, right the uninjured count standing amidst the wounded and dead. Behind the monument allegorical figures, at the top the coat of arms of Potocki. Beneath the scenes inscriptions in Latin, The Accident of Count Stanislaw Potocki, 1678, print maker: Romeyn de Hooghe, (mentioned on object), Jan III Sobieski (koning van Polen), (mentioned on object), Romeyn de Hooghe, (mentioned on object), Northern Netherlands, 1678, paper, etching, engraving, h 485 mm × w 708 mm

Jefta is welcomed by his daughter; History of Jefta; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Jefta returns to the ammonites after victory and is festively welcomed by his daughter and musicians. Jefta, on horseback, desperately looks up, because he had promised God that if he would win the victory, he would sacrifice the first person he would encounter. Jefta is followed by his army. Under the show a reference in Latin to the Bible text in RI. 11. This print is part of an album.

Design for Book Illustration late 18th century Franz Sigrist Austrian. Design for Book Illustration. Franz Sigrist (Austrian, Altbreisach 1727-1803 Vienna). late 18th century. Pen and black ink, brush and black and gray wash, white heightening on paper washed with pinkish gray. Incised for transfer. Mounted on pink paper with pencil framing lines.. Drawings

Fire of Trondheim, 1681, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 111 mm × w 156 mm

Violence; Avaritia; The seven deadly sins. Female Steriness Personification (Avaritia) sits between money box, money bags and money pouch. For her on the ground a frog or path. All kinds of fantastic scenes and chips with which this principal sin is depicted. With caption of a rule in Latin and a rule in Dutch.

Meeting of the gods, c. 1636 - 1670 print Jupiter meets with the other gods about the intended destruction of humanity by a flood. His wife Juno is by his side. On the right are Mercury, Neptunus and Bacchus. Under a landscape with a calm river and buildings. paper engraving origin of man (+ aggressive, unfriendly activities and relationships). meetings of the gods (+ aggressive, unfriendly activities and relationships)

Stefano Della Bella, Scena Grotto d'Vulcano, 1637 Scena Grotto d'Vulcano

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Indian slaves working in a mine in Cuba, engraving from the Cosmography by Andre Thevet, 16th Century.

The Allied European princes strike the stove of the war to pieces, 1706; 3. The blindness or the forneys des war; Bycup to the Koninglyke Almanach, called the Gulde-Year of Allies, 1706 / 't Lusthof by MoMus. Cartoon in which the Allied European princes hit the heating house or stove of the war in the alchemist workplace of King Louis XIV and the Pope and Cardinal to pieces, 1706. With three smaller scenes at the bottom. Leaf No. 3 in the series of 25 blades entitled: Bycup to the Koninglyke Almanach, called the Gulden-Year of Allies, 1706. Part of the print work issued under the collective title: 't Lust-Hof van Momus, with the bundled Series of Series Cartrans during the 1901-1713 of the Spanish Succession War.

Christian fears to be crushed by a falling rock, Jan Luyken, 1684 print Print at the top right numbered: 41. Amsterdam paper etching / letterpress printing 'en route', traveller under way. rock-formations

Group figures on a boat, unknown, c. 1830 - c. 1835 print In the middle above: no 102. Numbered in the top right: pl. 210. Belgium paper rowing-boat, canoe, etc.. political caricatures and satires. fruits: pear

Goliath lies on the ground. David stands with one foot on his chest and raises Goliath's sword above his head, ready to behead him. On the left, the Philistines flee, while Saul's soldiers give chase. In the margin a one-line caption in Latin from 1 Sam. (erroneously identified as 1 Kings on the print), David beheads Goliath Story of David and Saul , print maker: anonymous, Maarten van Heemskerck, publisher: Hieronymus Cock, print maker: Low Countries, publisher: Antwerp, publisher: Antwerp, 1555 - 1633, paper, engraving, h 202 mm × w 248 mm

Fokke, Simon, Amsterdam, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: Collections for the expelled Piedmontese; Admission of Salzburg emigrants in the Netherlands; Piling gnawed to pieces by a strange sea creature; Conviction of the Governor of Ceylon, Petrus Vuijst., print, prints, verso - stamped, 149, 152, 151, 150, height 112 mm, width 249 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

View of the Italy coast; Veuë des Costes d 'Italy; Seaports; Vues de Ports de Mer. A coastal landscape with a tower on the right. Four card games in the foreground. On the left a ship lies on its side.

Charon's Boat, Print made by John Bell, 1811-1895, British, between 1838 and 1850, Etching on moderately thick, slightly textured, beige wove paper with cream chine collé, Sheet: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm), Plate: 8 3/8 x 12 1/16 inches (21.2 x 30.6 cm), and Image: 5 13/16 x 10 11/16 inches (14.7 x 27.2 cm), agony, begging, boat, clouds, death, hell, men, mythology, people, pleading, religious and mythological subject, river, souls, staff, Styx, torturing, women

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Allegorical performance with martyrs; Title page for: Aurelius Clemens Prudentius and Joannes Nanning, hymns at H.H. Martyrs, 1740. A woman with wings at the head and beams around, is chained to a stake. Four men with firewood, burning torch, weapon and chain are all around. In addition to the woman there is a figure with snake hair and tries to grab the cross from her hands. Above the stale a putto flies with laurel wreath in his hand and Christ is open on clouds with his arms, ready to receive the woman in his empire. In the background, martyrs are tortured and killed

Effect of Thunder ca. 1755-85 After Joseph Vernet. Effect of Thunder. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1755-85. Engraving. Bertaud (French). Prints

De Verslagen Actionist in de Stoel met Rickels, overeeden geLAUWerd Paard van Troje The defeated stock-jobber seated in the chair with jingles, having been ridden over by the Laureated (reference to John Law) Horse of Troy. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire, Law, John, 1671-1729

Netherlandish 16th Century after Hieronymus Bosch, Hieronymus Cock (publisher), The Last Judgment Triptych The Last Judgment Triptych

Parable of the bad winemakers, 1643 print In a fenced vineyard, viticultures kill the servants of the owner of the vineyard. The servants came to pick up the part of the harvest to which the owner was entitled. If his servants do not return, the owner decides to send his son. His son is thrown out and killed in the foreground by the tenants. Under the show a reference in Latin to the Bible text in Luc. 20: 9. This print is part of an album. Amsterdam paper engraving the wicked husbandmen kill the servants of the lord, who are sent to gather the fruits. at last the lord sends his son, '... they cast him out of the vineyard, and killed him'

Saint Paul landing on Malta (Acts. 27-28). Etching by F. Bartolozzi after B. West, 1791.

Use of the new fire spray hoses, 1677; Image of Geoctrojeaned snake-fire spuytes (...) Nieuwelyk invented, brought to PractyCQ, and to all lenders of place and ween tearityly, by Jan Vander Heide, and Jan Vander Heide de Jonge, Generaale Firesters of the Stadt Amsterdam; Dessean des Pompes A Boyaux (...). Leaf with a large representation of the application of the new hose fir sprayers from Jan van der Heyden and Jan van der Heyden de Jonge in extinguishing a fire in a church or palace an imaginary city. The titles in Dutch and French are pressed under the plate on a separate plate. Belongs to the top prayer at the fire eating book by Jan van der Heyden.

Flood, Caspar Luyken, Christoph Weigel, 1695 - 1705

Plate Six from Drawings of Several Movements by Soldiers 1644 Italy. For the subject of this work, della Bella chose the movements of soldiers toward and through a town, which is recognizable as Arras. He dedicated the work to Henry du Plesseys, Count of Roche-Guyon, whose coat of arms appears in the first and second plates.. Etching on ivory laid paper . Stefano della Bella

Spot Print on Travelmansdorff and d'Alton, Anonymous, 1787 - 1790 print Cartoon on the defeats of the Austrians under governor Ferdinand count of Trauttmansdorff and General d'Alton. The Austrians look at the moon with telescopes while on the left the Brabant Leeuw Austrian soldiers is attacking. Hereby the date December 1, 1789 written by hand. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving full moon represented as face. astronomy (and cosmography) (+ scholar, scientist (at work)). telescope Brabant

Joseph Sebastian Klauber, Johann Baptist Klauber, after Johann Wolfgang Baumgartner, Summer, mid 18th century Summer

Antwerp, Hendricx, Gilles, Rogiers, Theodoor, Rubens, Peter Paul, Neefs, Jacob, Dish with triumph of Galatea, verso - stamped, A dish belonging to a water jug of Charles I, King of England. An oval dish with in the middle the triumph of Galatea or the birth of Venus: a naked woman surrounded by sea nymphs and tritons. Around the image shell motifs and a border with sea creatures and water animals., print, image, ornamental print, prints, images, ornamental prints, height 219 mm, width 282 mm, Northern Netherlands, 1610-06-03 - 1660, print maker, printmaker, 1630 - 1660, paper, etching, etchings, Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Work conception, 1602 - 1654, after design by, Publication (Event), Publication, publisher

Offer Van Isaak, Andrea Andreani, After Domenico Beccafumi, 1586 print paper when Abraham has his hand raised to kill Isaac, God or the hand of God restrains Abraham's hand

Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, Pickaert, Pieter, England's theatre depicting the principal events in Ireland from the year 1690 to the campaign of S:K: Mayesteit van Groot Brittanie 1691, Sligo Taken by King James, Sligo conquered by King James, 1690, The Irish town of Sligo conquered by the troops of the deposed King James II, 1690. Plate no. 3 in the series 'England's theatre' about the war between William III and James II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French., print, prent, prints, prenten, Frederik Muller Historieplaten, height 155 mm, width 196 mm, Noord-Nederlands, 1669 - 1737, print maker, prentmaker, 1691 - 1691, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen, 1671 - 1702-11-13, Publication (Event), Publicatie, 1661 - 1705, publisher

The Parting of the RedSea. Engraver: Caesare Fantetti, Italian, 1650-1700 After: Raphael, Italian, 1483-1520

Luna, the Moon, and her children, 1646 print Luna, the moon, with a hunting horn in your hand, sits in a car that is pulled in the sky by two girls. The sign of the lobster indicates those who belong to the sphere of influence of the moon. The people born under this constellation all do something with water. In the foreground, fishermen are working and someone is swimming. Ships sailed by sailors in the background. At the bottom of the margin a text in Latin about the children of Luna. This print is part of an album. paper engraving Luna and her children ('Planetenkinder') ~ Cancer. fisherman. swimming (movement in water). ships (in general)

William Tell Refusing to Honor Governor Gessler's Hat. Dated: 1620s(). Dimensions: sheet: 29.5 x 19.8 cm (11 5/8 x 7 13/16 in.) mount: 34.2 x 25.4 cm (13 7/16 x 10 in.). Medium: pen and black ink with grey and yellow wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Hans Kaspar Lang.

The Temptation of St. Anthony 1635 Jacques Callot French. The Temptation of St. Anthony 336568

Fortitude (Fortitudo). Galle, Philips (1537-1612), graphic artist, Bruegel, Pieter, I (ca 1525-1569), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

Woodcut illustrating the Blue King winning a battle before the Black, Red, and White Kings, aiding the Hermelin King, from the Weißkunig series, by Leonhard Beck, 1514-1516, wooden stick.

Environs of Venice -24. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The fish spits Jonah on the land; History of Jonah; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. After three days and nights in the belly of the fish, the Vis Jona spits out on the land. God looks at Jonah from a cloud. The water at sea is quiet and the sun is just going. Under the show an explanatory text in Latin. Print is part of an album.

Antigonus is killed on the order of his brother Aristobulus / deathbed of King Aristobulus / Herod and his riders in battle with robbers / armed enemies store on the flight when they see Herod after his victory over the army of Antigonus in the bath. Needs leaves with four performances.

Coastal landscape with sailing ship; Dese Figuer points to what T 'Volck does not hope Iesum after being visited; Miracles in Galileen; Den Grooten Figuer Bibel (...). Coastal landscape with a sailing ship in the foreground sailing towards a port. This print is part of an album.

Shipwreck, Jacob Folkema, 1723 print A ship has been beaten on the rocks, there are drowning people in the sea. On the beach there are figures who want to come to the aid of the people who want to come to the rescue, on the right is a figure who takes care of a washed -up drowning person. On the Verso side is a printed text in Dutch in which the performance is explained in more detail. Print left and top right marked: ii. Deel - Pag: 190. paper etching / letterpress printing shipwreck

Etching - Le grand sacrifice des Canadiens a Quitchi-Manitou ou le Grand Esprit Bernard Picart (1673-1733)

Tomb of Julius Caesar 1765 Francois Philippe Charpentier. Tomb of Julius Caesar. Francois Philippe Charpentier (French, 1734-1817). 1765. Etching. Prints

Charon's Bark with Souls Crossing the Styx, plate two from Darstellungen aus Dante's Hölle 1808-1809 Germany. Etching on ivory laid paper . Joseph Anton Koch

Four classical history illustrations from one plate, numbered LXI through LXIV, all with captions Top left: Perseus surrenders to the victor Bottom left: Shipwreck of Pyrrhus Top right: Death of Pyrrhus Bottom right: Death of Mithridates, his wife and daughters Representations LXI and LXII marked at upper right: Opposite page 314 Representations LXIII and LXIV marked at upper right: Opposite of page 350, Four representations from classical history Illustrations from classical history , print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 223 mm × w 282 mm

Etching by Giovanni Domenico Tiepolo depicting the Virgin Mary appearing to Saint Simon Stock, created in the 18th century, showing a religious vision.

Le Halte des Bohémiens: Les Apprêts du Festin (The Gypsy Stopover: The Preparations for the Feast) , from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) early 17th century Jacques Callot French. Le Halte des Bohémiens: Les Apprêts du Festin (The Gypsy Stopover: The Preparations for the Feast) , from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops). Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching and engraving; second state of two (Lieure). P

Breakthrough of the Rhine and IJsseldijken, Simon Fokke, 1754 print Flood after breaking the river dikes along the Rhine and the IJssel, January 1754. At the bottom two putti with a map of the river area between Kampen and Emmerich, at the top, residents flee the flooded country with household goods and cattle. paper etching / engraving Dike-Break

Le Char du Mont Parnasse (The Chariot of Mount Parnassus), from Guerre de Beauté (Guerra di Bellezza) (War of Beauty) 1616 Jacques Callot French. Le Char du Mont Parnasse (The Chariot of Mount Parnassus), from Guerre de Beauté (Guerra di Bellezza) (War of Beauty). Guerre de Beauté (Guerra di Bellezza). Jacques Callot (French, Nancy 1592-1635 Nancy). 1616. Etching; first state of two (Lieure). Prints

Shipping with drowning people, Jean Jacques Flipart, after Claude Joseph Vernet, c. 1765 print publisher: ParisFrance paper etching / engraving storm at sea. drowning, shipwrecked person. armorial bearing, heraldry

Solimano, Act V. Dated: 1620. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Sacrifice of the red young cow La Vache rousse brulée hors du Camp d´Israel , print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, h 144 mm × w 291 mm

Allegory on the victories by the Allies in 1702; The campaign of the Alloys of the year 1702. Allegory on the victories by the Allies on the French and Spaniards in the year 1702. Central the sea battle at Vigo with in the foreground Neptune on a sea trail with two women, surrounded by zeenimmen; On background sinking and burning of ships in the victory in the sea battle in the Bay of Vigo on October 23, 1702. In the frame portraits of princes, generals and fleet eyes of the Allies in medallions combined with small images of the various victories.

Design for a scenic scene; Pastoral, first scene; Dissegno della Prima Scena Comparsa Nella Pastoral, Che per Il Possesso della Santità di Papa Innocenzo XII (...); Theater designs by Francesco Galli Bibiena. Design for a scenic scene with figures on clouds at a starry sky. A winged figure is on a carriage that is being pulled by two horses. Italian title and text in undermarge.

Prudence. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after, attr.) painter Guebels, François (Netherlandish (before 1600) - Flanders, act.1545-1577) (workshop) weaver c. 1560-1570 Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Austria, Vienna, Vienna, Sammlung für Plastik und Kunstgewerbe. Inscriptions: Inscription identifying figures in central field some include: THAMAR (Tamar) Inscriptions: Inscriptions identifying border figures: IN PRVDENTIA (Imprudence), AGNOMI (Dishonor ) Details, man kneels on ground with large jug before couple (L, middle ground); group of men with spears stand nearby, cityscape (center, background); Tamar with inscription with tokens signet, bracelets & staff from Judah (center); man holds kid (L, background); border figure of Imprudence; 2 border figures representing Dishonor () Agnomi; figure of Prudence holding mirror & sits on dragon (center, foreground), 2

Attributed to Philip Galle after Pieter Bruegel the Elder, Fortitude, published 1559 Fortitude

Rotterdam, Derens en Comp., JH and GJ, Bakker, Netherlands, Bendorp, Carel Frederik (I), De Vryheid, Allegory of Freedom, 1795, verso - stamped, 1795. Liberty sits on a hill in the open field while Time offers her an eternal empire, a serpent crowns her, and Peace leans on her. On the right, a French hussar leads the liberated Dutchman to freedom. In the background, tyrants are chased away by the advancing (French) army. Explanation of the representation in the five-line caption. See also the pendant., print, prints, Frederik Muller Historieplaten, height 341 mm, width 405 mm, Noord-Nederlands, 1736-02-09 - 1814-10-03, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, Nederlands, publisher

Antwerp, Jode, Pieter de (I), Italy, Tempesta, Antonio, Metamorphoses of Ovid, Metamorphoseon sive transformationum, Deluvium, The Flood, verso - stamped, A flood submerges the land. People and animals try to flee to higher ground. In the background, the ark of Deucalion and Pyrrha floats in the water. Title in Latin in the bottom margin., print, prints, height 104 mm, width 117 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1606 - 1606, paper, papier, etching, etchings, Publication (Event), Publication, South Netherlands, 1570 - 1634-08-09, publisher

Evolution of Swing Raymond Steth American Publisher WPA 1939 Evolution of Swing illustrates the development of swing music from its origins in rural Africa, represented by the scene at lower right, through the enslavement of Africans by white Americans, to the urban centers of the twentieth century. The subject is representative of the centrality of black American history and culture in Steths work. He took cues from the three primary leaders of the Mexican muralism movementhis contemporaries José Clemente Orozco, Diego Rivera, and David Alfaro Siqueirosin producing a flowing, allover composition that conveys an intelligible narrative. The print is based on a drawing that Steth used in his application to the Federal Art Project of the Works Progress Administration, a New Deal program that financially supported unemployed artists. He was placed in the Graphics Division of the Federal Art Project in Philadelphia, where he worked for a little over two years and developed the drawing into

Result of the Windnegotion, 1720, 1720 Cartoon on the wind trade of John Law, 1720. Law sitting on a chair that floats on the wind with a horn of abundance and hand out actions. On the right the Dolhuis, in the middle a man with the stocking upside down. In the background Vianen and work is being done on the Utrecht canal. In the caption an explanation of the figures 1-23 in rhyme. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Cartoon on the wind trade of John Law, 1720. Law sitting on a chair that floats on the wind with a horn of abundance and hand out actions. On the right the Dolhuis, in the middle a man with the stocking upside down. In the background Vianen and work is being done on the Utrecht canal. In the caption an explanation of the figures 1-23 in rhyme. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the

Picart, Bernard, Amsterdam, Vignette with the Furies, verso lower left - stamped, Company of two thin women with bare breasts, with a burning torch and snakes in their hands. Possibly the Furies. Next to it a man with snakes as hair. He is biting a heart. They are surrounded by fire and thick clouds of smoke., print, prints, height 82 mm, width 131 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1727 - 1727, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Allegorical female figure with ship's crown and a triton on wild sea, Jan Luyken, 1687 print Amsterdam paper etching triton(s). sea personified; 'Mare' (Ripa) (+ variant). monsters of the sea. whirlwind, cyclone, hurricane, typhoon, tornado at sea. shipwreck

Odysseus defies the songs of the Sirenen, Nicolas Mignard, After Annibale Carracci, 1637 print Numbered in the bottom right: 5. print maker: Avignonafter drawing by: Romepublisher: ParisFrance paper etching / engraving Ulysses, tied to the mast of his ship, passes the Sirens

Florence, Callot, Jacques, Illustration for the fifth act of the tragedy 'Il Solimano', verso lower left - stamped, In a square or wide street with large buildings on fire, two orientally dressed figures walk with short indications of their names at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, who are fighting, plundering or fleeing., print, engraving, prints, height 206 mm, width 280 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1619 - 1620, first quarter 17th century, paper, papier, etching, engraving (printing process)

Fight on bridge in Venice (right part mirror image). A large litter men in battle on a bridge in Venice. Threatening clouds in background.

Moelaert, Jacob, Amsterdam, Luyken, Caspar, Bombardement van Dieppe, 1694, Naval Battle of Cape La Hogue, 1692, Joy in Paris following the false report of the death of William III at the Battle of the Boyne, 1690, recto - manuscript in brown ink, Uncut sheet with three prints and an eight-line text in seventeenth-century manuscript., print, prints, verso - stamped, recto - stamped, Monsr. Jan Jakob Moelart, height 221 mm, width 307 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, 1649 - 1732, schrijver

October According is Juliusz Kossak An Illustration for the Year of the Fighter of Wincenty Pola. Cleastle from Tygodnik Ilustrowany 1866 (2) 161 Karma Ski, Alfred (1847 Post 1920), Kossak, Juliusz (1824 1899)

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