Epic Battles in Art

Dramatic depictions of legendary battles and victories from history and mythology, featuring soldiers, heroic poses, and intense action scenes.

Gedeons victory over the Madianitans. Gideon and the three hundred blew the trumpets and broke the jars. Judges Book. Sacred biblical history Old

Gedeons victory over the Madianitans. Gideon and the three hundred blew the trumpets and broke the jars. Judges Book. Sacred biblical history Old

Achilles Removing Patroclus' Body From the Battle. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Léon Davent (French, active 1540-56). Dimensions: sheet: 14 5/16 x 23 1/4 in. (36.3 x 59.1 cm). Date: ca. 1547. Museum: Metropolitan Museum of Art, New York, USA.

The Trojans Pull the Wooden Horse into the City. Giulio di Antonio Bonasone (Italy, Bologna, circa 1498-1580)Francesco Primaticcio (Italy, Bologna, 1504-1570). Italy, 1545. Prints; engravings. Engraving from two plates

Vatican City, Raphael, Romano, Giulio, Italy, Atilla before the city of Rome, recto lower left - handwritten in brown ink, Pope Leo the Great and his retinue meet Attila the Hun and his soldiers outside the walls of Rome. The pope Atilla points to the two apostles Peter and Paul in the air, who are protecting Rome., print, prints, verso - stamped, 52, height 350 mm, width 600 mm, print maker, printmaker, 1514 - 1514, paper, engraving, engraving (printing process), etching, Italian, 1499 - 1546-01-11, after a painting by, 1483-04-07 - 1520-04-07, Work conception

Antwerpen, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Jacobi et Esau, History of Jacob and Esau, Jacob meets Rachel, Antwerp, At the well in Haran Jacob meets Rachel, who is giving her father's sheep a drink. Jacob embraces Rachel. Next to it, the sheep are drinking at the well, the cover stone of which Jacob has removed. Below the representation is a reference in Latin to the Bible text in Gen. 29. Print is part of an album., print, album page, prints, height 215 mm, width 271 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, The history of Joshua, Achan before Joshua, Achan is presented to Joshua, because he had stolen war booty. In the background Achan and his family are being stoned. Below the image is a reference in Latin to the Bible text in Josh. 7:19. This print is part of an album., print, prent, albumblad, prints, prenten, height 209 mm, width 289 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1567 - 1570, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Etching by Pietro Aquila from 1675 depicting the biblical scene where Joshua commands the sun to stand still, showing figures in battle and celestial elements.

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of David and Abigail, David's men ask Nabal for food, David's servants come to Nabal, who is having his sheep sheared in the background, and ask him for food. Nabal refuses to give the men and David food. Below the scene is a reference in Latin to the Bible text in 1 Sam. 25. This print is part of an album., print, album page, prints, height 200 mm, width 262 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Gideon, Gideon attacks the Midianites, Gideon and his men attack the Midianites. Around the camp, Gideon's men blow ram's horns. In their hands they hold water jars with torches in them. The Midianites think they are being attacked, draw their swords and begin to fight their own men. Below the scene is a reference in Latin to the Bible text in Judg. 7:19. This print is part of an album., print, album page, prints, height 195 mm, width 265 mm, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

François Perrier after Raphael, The Admission of Psyche to Olympia, c 1635 The Admission of Psyche to Olympia

Italy, Romano, Giulio, Veneziano, Agostino, Battle with a Cutlass, Battle between the Romans and the Carthaginians, verso - stamped, A battle between the Romans, led by Scipio Africanus, and the Carthaginians. Soldiers on foot and on horseback fighting each other. On the left in the background a city on fire. On the left in the foreground is the cutlass (type of hunting sword) to which the commonly used title of the print refers., print, prent, prints, height 340 mm, width 465 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, papier, engraving, engraving (printing process), 1499 - 1546-01-11, intermediary draughtsman

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, Geschiedenis van Hezekiah en Sanherib, Van Hiskia en Manasses, Hezekiah has the idols destroyed, bottom right - handwritten in brown ink, King Hezekiah gives orders to destroy the sacrificial places and images of idols. In the landscape his men pull down the images. Below the representation a reference in Latin to the Bible text in 2 Kings 18:1. This print is part of an album., print, album leaf, prints, 211, height 202 mm, width 290 mm, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Negen Besten, Koning Arthur, Karel de Grote en Godfried van Bouillon, verso - stamped, Three famous generals from the Christian era on horseback, who are part of The Nine Best. On the left King Arthur with a banner in his hand, in the middle Charlemagne with a sword and sceptre and on the right Godfrey of Bouillon with a banner in his hand., print, engraving, prints, engravings, height 213 mm, width 253 mm, Netherlands, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1569, paper, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Haelwegh, Adriaen, Title page for: E. Benoist, History of the Reformed Churches of France, 1696, History of the reformation and persecution of the reformed churches in France, French Reformed Church attacked by man with whip, verso - stamped, The personification of the French Reformed Church, the Huguenots, is attacked by a savage with a whip. This takes place with the approval of personifications of the French monarchy and the French Catholic Church. Below is a representation of the persecution and expulsion of the Huguenots., print, engraving, title page, prints, engravings, height 293 mm, width 183 mm, 1637 - 1696, print maker, printmaker, 1696 - 1696, third quarter 16th century, paper, etching, etchings, engraving (printing process), Northern Netherlands, 1649-04-16 - 1712-04-05, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1639 - 1715, publisher

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Simson, Simson and Delilah, Simson lies asleep on Delilah's lap and she cuts off his hair. Armed Philistines emerge from behind the tree to capture Simson. On the right in the landscape a bridge over a river. Below the representation is a reference in Latin to the Bible text in Judg. 16:19. This print is part of an album., print, album page, prints, height 215 mm, width 283 mm, South Netherlands, 1559 - 1604-03, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Haarlem, Galle, Philips, Junius, Hadrianus, Heemskerck, Maarten van, Triumphs of Petrarca, Triumph of Chastity, The Carriage of Chastity (Pudicitia), a veiled woman, is pulled by unicorns, legendary chaste animals. Cupid is blindfolded and tied to her feet. Chaste figures from history, the Bible and classical mythology walk in the procession, such as the Roman general Scipio, Joseph, Susanna and the honourable Judith, holding the head of Holofernes in her hand. The virtues of Self-Control (Continentia) and Temperance (Temperantia) are also present in the procession. The carriage is moving towards the temple of Chastity. An explanatory text in Latin is below the representation. This print is part of an album., print, albumblad, prints, height 192 mm, width 264 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1567, paper, papier, engraving, engraving (printing process), North Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Noord-Nederlands

Antwerp, Jode, Gerard de, Vos, Maerten de, Collaert, Adriaen, The seven planets and the seven ages, Septem planetae, septem hominis, Old age under the influence of Saturn, verso middle below - stamped, The planet god Saturn floats in the air, a scythe and a baby in his hand. In the foreground the personification of Conscientia, the conscience. She carries all kinds of (holy) books and points admonishingly to heaven. An old man next to her has a richly filled pouch but is surrounded by symbols that represent the transience of life: glasses, an hourglass, a smoking fire. In the background the portal of a church, where people hand out alms to beggars. The print has a Latin caption and is part of a seven-part series on the power of the seven planets over the seven ages of man., print, prints, height 313 mm, width 219 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1581 - 1581, paper, engraving, engraving (printing process), Work conception, Southern Neth

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Netherlands, History of Gideon, Gideon demolishes the altar of Baal, verso bottom center - stamped, Gideon demolishes the altar of Baal with ten servants on God's orders. In the background the Asherah pole is cut down and transported. An altar has been made from the pole built, on which the bull of Joash, the father of Gideon, is sacrificed in the distance. In the margin a one-line caption in Latin., print, prints, height 203 mm, width 251 mm, print maker, printmaker, 1561 - 1561, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Amsterdam, Visscher, Claes Jansz. (II), Cleve, Marten van (I), Sadeler, Johann (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of David and Bathsheba, Death of Uriah, Uriah is placed at the forefront of the battle at the most dangerous place by order of King David. He is killed by the enemy with a lance. Below the depiction is a reference in Latin to the Bible text in 2 Sam. 11:14. This print is part of an album., print, album sheet, prints, height 198 mm, width 286 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1527 - 1581, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Den Grooten Figuer-Bibel, Geschiedenis van David en Saul, Van Saul, David, en Goliath, David onthoofdt Goliath, bottom right - handwritten in brown ink, Goliath lies on the ground. David stands with one foot on his chest and raises Goliath's sword above his head, ready to behead him. On the left, the Philistines flee, while Saul's soldiers give chase. Below the image is a reference in Latin to the Bible text in 1 Sam. 17. This print is part of an album., print, prent, albumblad, prints, 141, height 204 mm, width 249 mm, print maker, prentmaker, 1554 - 1558, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Antwerp, Jode, Gerard de, Francken, Ambrosius (I), Collaert, Hans (I), Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Conversions of sinners, Conversion of Paul, Paul falls from his horse when he is blinded by the appearance of Christ on the road to Damascus. His men are frightened and draw their weapons. Below the image is a reference in Latin to the Bible text in Acts 9. This print is part of an album., print, prent, albumblad, prints, prenten, height 207 mm, width 278 mm, Zuid-Nederlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Den Grooten Figuer-Bibel, History of Samson, The History of Samson, Samson and Delilah, bottom right - handwritten in brown ink, Samson is sleeping on Delilah's lap and she cuts off his hair. Armed Philistines appear from behind the tree to capture Samson. On the right in the landscape a bridge over a river. Below the scene a reference in Latin to the Bible text in Judg. 16:19. This print is part of an album., print, prent, albumblad, prints, prenten, 127, height 214 mm, width 284 mm, Zuid-Nederlands, 1559 - 1604-03, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Goltzius, Hendrick, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Martyrdom of Christ and the apostles, Martyrdom of Philip, Philip is crucified. To the right of the scene of his martyrdom he is depicted again, with a cross in one hand and a book in the other. Below the image is an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 208 mm, width 280 mm, print maker, prentmaker, 1576 - 1580, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1558-01 - 1617-01-01, Work conception, Zuid-Nederlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Collection of the gods on the Olympus, Giovanni Jacopo Caraglio, After Giovanni Francesco Penni, After Rafaël, 1515 - 1565 print A group of gods and goddesses on the Olympus, including Jupiter, Minerva, Juno, Bacchus and Mercury. print maker: Italyafter painting by: Romeafter design by: Italy paper engraving Olympus. male Roman deities. female Roman deities

In a newly caught lion by four men with sticks, Jan Luyken, 1693 print Amsterdam paper etching hunter fighting a lion

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, History of Jeroboam and Rehoboam, Of Rehoboam and Ieroboam, Jeroboam has two golden bull calves erected, bottom right - handwritten in brown ink, Under the leadership of Jeroboam, a golden statue of a bull calf is hoisted onto a pedestal. In the background, the Israelites worship the other bull calf. On the right in the background, the coronation of Jeroboam. Below the image, a reference in Latin to the Bible text in 1 Kings 12:28. This print is part of an album., print, album leaf, prints, 184, height 209 mm, width 293 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publication, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Baptism of Christ, verso lower left - stamped, Christ is baptized by John the Baptist in the Jordan. Above their heads the dove of the Holy Spirit. Angels hold Christ's clothes on the bank., print, prent, prints, enten, height 203 mm, width 279 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, prentmaker, 1549 - 1549, paper, papier, etching, etsen, Work conception, 1498 - 1574

Rome, Tramezzino, Michele, Italy, Bandinelli, Baccio, Michelangelo, Beatrizet, Nicolas, Sacrifice of Iphigenia, verso - stamped, Iphigenia kneels before an altar, ready to be sacrificed. Behind her stands her father Agamemnon. A priest is preparing the altar. Behind the priest stands a crowd watching., print, prints, height 327 mm, width 450 mm, French, 1515 - 1565, print maker, printmaker, 1553 - 1553, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian, 1475-03-06 - 1564-02-18, after a design by, 1493 - 1560-02-07, Publication (Event), Publication, publisher

Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts), James Barry, 1741-1806, Irish, After 1783, Engraving, Sheet: 16 x 19in. (40.6 x 48.3cm)

Emblem: War, Jan Luyken, 1695 - 1705 print Soldiers fight on a battlefield. A castle is on fire in the background. Print Maker: Amsterdampublisher: Nuremberg paper etching Abstract Ideas and Concepts. hand-to-hand fighting (~ battle). war

Jezebel dead. The horses found Jezebel and the dogs devoured her. Kings book. Sacred biblical history Old Testament. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras

Simson beats the Philistines with a donkey jaw.

James Barry, 1741-1806, Irish, Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts), After 1783. Engraving.

Italy, Pasinelli, Lorenzo, Lorenzini, Giovanni Antonio, The Martyrdom of Saint Ursula and Her Companions, verso - stamped, Saint Ursula and her (eleven thousand) virgin companions are killed by soldiers at Cologne., print, prints, height 374 mm, width 476 mm, Italian, 1665 - 1740, print maker, printmaker, 1675 - 1740, paper, papier, etching, etchings, 1629-09-04 - 1700-03-04

Rome, Lafreri, Antonio, Raphael, Romano, Giulio, Cort, Cornelis, Battle of Zama between Scipio and Hannibal, verso - stamped, Battle between Rome and Carthage, led by Scipio and Hannibal. The Carthaginian army rides on elephants, the Romans are on foot and on horseback but are eventually able to defeat Carthage., print, prints, height 420 mm, width 540 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1567 - 1567, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Italian, 1499 - 1546-01-11, after a design by, 1483-04-07 - 1520-04-07, Publication (Event), Publication, 1512 - 1577, publisher

Antwerp, Galle, Theodoor, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Cort, Cornelis, Circulus Vicissitudinis Rerum Humanarum, Triumphal Chariot with Envy (Invidia), verso - stamped, The personification of envy sits on a triumphal chariot that rides along the coast. Envy has an emaciated body and eats from her heart. The triumphal chariot is drawn by two horses and driven by a young man. Other vices walk along with the chariot. Print from a series of nine prints with triumphal chariots from the Antwerp Circumcision Procession of 1561. The personifications on the chariots together depict the cycle of human action., print, prints, height 220 mm, width 298 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1564 - 1633, paper, engraving, engraving (printing process), 1522 - 1590-10-29, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Den Grooten Figuer-Bibel, Passion of Christ, Of the Lying and Passion of Christ, Christ Crowned with Thorns, bottom right on album page - handwritten in brown ink, Soldiers use sticks to push the crown of thorns onto the head of Christ, who is bound with ropes. A man kneels before Christ and mocks him. Below the image is a four-line verse in Latin. Bottom right are the letters: ff. This print is part of an album., print, album leaf, prints, 138, height 204 mm, width 123 mm, Zuid-Nederlands, 1559 - 1604-03, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after drawing van, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

The Large Bearing of the Cross. Martin Schongauer (Germany, Colmar, circa 1445-1491). Germany, circa 1475. Prints; engravings. Engraving

Orpheus Instructing a Savage People in Theology and the Arts of Social Life. Artist: James Barry (Irish, Cork 1741-1806 London). Dimensions: Plate: 16 5/16 × 19 13/16 in. (41.5 × 50.4 cm)Sheet: 16 5/8 × 19 15/16 in. (42.3 × 50.7 cm). Date: plate dated May 1, 1791, issued 1792. Museum: Metropolitan Museum of Art, New York, USA.

Der Israeliten Dienstbarkeit und Drangsale in Egypten The servitude and distress of the Israelites in Egypt Schnorr von Carolsfeld, Julius, 1794-1872. still image. Conjectural works. 1860. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Biblical events, Building construction , Egypt, Slaves , Egypt, Slave labor, Jews , History , To 1200 B.C, Jews , Men , Egypt

Lot flees Sodom with his wife and daughters, Hendrick Goltzius, After Anthonie Blocklandt, 1582 print Lot, his wife and two daughters depart from Sodom, accompanied by two angels. Under the show two lines of Latin text in capital. paper engraving the destruction of Sodom and Gomorrah: Lot and his family flee to Zoar, carrying their belongings; an angel may be showing the way (Genesis 19:24-29)

Lions hunting, according to Rubens (Dutuit 1 page 244) The lions hunt, according to Rubens (Dutuit 1 page 244). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Italy, Petri, Martinus, Vatican City, Raphael, Romano, Giulio, Monogrammist SK (printmaker), Battle of the Milvian Bridge (left parts), stamped, Battle scene in a landscape: battle at the Milvian Bridge. Constantine's soldiers fighting Maxentius' soldiers. Dead bodies lie on the ground. Soldiers on horseback drowning in the river., print, prints, height 365 mm, width 592 mm, Italian, print maker, printmaker, 1500 - 1599, paper, engraving, engraving (printing process), 1499 - 1546-01-11, after a painting by, 1483-04-07 - 1520-04-07, Work conception, after a design by, Publication (Event), Publication, publisher

'The Stoning of St Stephen'. Italy, Early 1650s. Dimensions: 15x19,5 cm. Museum: State Hermitage, St. Petersburg. Author: Domenico Piola I.

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Judith and Holofernes, Judith presented to Holofernes, Judith and her maid are presented to Holofernes. The Assyrian army looks on. Below the depiction is a reference in Latin to the Bible text in Judith 10:10. This print is part of an album., print, album sheet, prints, height 201 mm, width 263 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), 1544 - 1638-10-01, intermediary draughtsman, after a drawing by, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Netherlands, Ghyslinck, Victor, Groeningen, Gerard van, Triumphs, Triumph of Wine, verso - stamped, Bacchus, seated on a wine barrel, is carried in triumph and borne by the personifications of Transgression and Abundance. In front walk a beggar and a king: poor and rich drink wine. Two men with fool's caps carry vines. Behind Bacchus walk Liberty, who takes a sip of wine, and Agency, who tries to keep measure. Behind them a merchant with a cup of wine and a bill in his hand. At the very back a brawl caused by the wine. Below the depiction a four-line verse in Latin., print, prent, prints, height 193 mm, width 265 mm, print maker, printmaker, 1564 - 1600, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, North Netherlands, 1549 - 1580, writer

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Adriaen, Den Grooten Figuer-Bibel, Rise of four world empires and four rulers from the vision of Daniel, Of the four Monarchs, Alexander the Great as the third king from the vision of Daniel, bottom right - handwritten in brown ink, Alexander the Great rides a horse, in his hand a flag with the image of a mountain goat (Greece). The horse tramples King Cyrus of Persia and Ninus of Babylonia. In the background a cityscape. Next to Ninus a four-headed leopard with wings emerges from the sea, a reference to a vision of Daniel about the rise of four kingdoms in the world. Below the image a reference in Latin to the Bible text in Dan. 7. This print is part of an album., print, album leaf, prints, 268, height 225 mm, width 260 mm, South Dutch (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1570 - 1618, paper, papier, engraving, engraving (printing process), Work conception, South

Jan Muller after original Corneliszo after Cornelis Van Haarlem (1562-1638, Dutch) Fortune shows her blindness engraving The St. Hermitage Museum, St Petersburg

Antwerp, Kiliaan, Cornelis, Galle, Philips, unknown, Vos, Maerten de, Circvlvs Vicissitvdinis Rervm Hvmanarvm, Kringloop van human action, War produces poverty, verso middle bottom - stamped, The personification of War (Bellum) stands in front of all kinds of war equipment, a sword in her right hand and a torch in her left. Around her lie weapons. At her feet sits Poverty (Pauperies): a girl in poor clothing. In the background, war is being waged and soldiers are looting a house. The print has a Latin caption and is part of a series on the cycle of human action., print, prints, verso bottom center - stamped, height 178 mm, width 232 mm, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, 1542 - 1604, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1537 - 1612-03-29, publisher, 1530 - 1607-04-15, writer

Amsterdam, Visscher, Claes Jansz. (II), Broeck, Crispijn van den, Sadeler, Johann (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Moses after the Exodus, Erection of the bronze serpent, In the middle the bronze serpent fixed on a pole. Moses points to the bronze serpent. Around the bronze serpent men, women and children, who have been bitten by poisonous snakes and look up to the bronze serpent to stay alive. In the background the tent camp of the Israelites. Below the representation a reference in Latin to the Bible text in Num. 21:6. This print is part of an album., print, album sheet, prints, height 192 mm, width 268 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Cart Loaded with Wounded Soldiers 1818 Théodore Gericault French. Cart Loaded with Wounded Soldiers. Théodore Gericault (French, Rouen 1791-1824 Paris). 1818. Lithograph. Prints

Antwerp, Woons, Cornelis, Netherlands, Hooghe, Romeyn de, Caricatures of Jacobus II and Lodewijk XIV and the events in the years 1688-1689, French Kael-ender, Beginning of the Onoosele Children's Day 1689. to the Borgers Good Friday Ao. 1690, Mardi Gras de Cocq a L'Ane, Cartoon on the disagreement between William III and Amsterdam, 1690, Cartoon on the disagreements between William III and Amsterdam, 1690. The city is accused of colluding with France. A man with the coat of arms of Amsterdam on his shirt standing in front of armored France who is sitting on a toilet and wiping his bottom with the privileges. Behind this the dauphin on a donkey and torch in his hand. In front of him sits the neglected child or miller's child (with a mill): Jacobus Frans Eduard. In the front right, valuables are sold to a Jewish trader. In the background, the city hall and the tower Swygh Utrecht of the Doelen of Amsterdam. Furthermore, many other figures. Below the depiction a verse with an explanation

1548 etching by Augustin Hirschvogel depicting a biblical scene of kings meeting, emphasizing diplomacy and alliances in the Old Testament.

Baerle, Caspar van, Domenichino, Persijn, Reinier van, Gouda, Opera Misericordiæ St. Ciciliæ, St. Cecilia distributes her clothes among the poor, verso lower left - stamped, who crowd in front of her balcony. In the margin a twelve-line poem, in four columns, in Latin., print, prent, prints, prenten, height 443 mm, width 540 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, printmaker, 1646 - 1646, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Italian, 1581-10-21 - 1641-04-06, after, after a painting by, Zuid-Nederlands, 1584-02-12 - 1648-01-14, schrijver

Rome, Polidoro da Caravaggio, Italy, Galestruzzi, Giovanni Battista, Scenes from Roman History, Soldiers of Cyrus Dispersing the Army of Spargabise, verso - stamped, A cluster of Cyrus' soldiers fighting with soldiers of Spargabise., print, prent, prints, height 110 mm, width 124 mm, Italian, 1618 - 1661, print maker, printmaker, 1625 - 1689, paper, papier, etching, etchings, 1490 - 1543, after a painting by

The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction ca 1520-27 Marco Dente Italian. The abduction of Helen; battle scene on a shore with two men pulling Helen into a boat at center and another man pulling on her drapery in the opposite direction 416021

Rome, Statius, John, Italy, Nebbia, Cesare, Tempesta, Antonio, The death of Camillus in the battle between Greeks and Romans, verso - stamped, The death of Camillus in a battle of Greek and Roman soldiers on horseback. Verse in Latin in lower margin., print, prints, height 327 mm, width 424 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, Work conception, 1536 - 1614, after a design by, Publication (Event), Publication, publisher

Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Galle, Philips, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of King Josia, King Josia celebrates Passover, King Josia celebrates Passover according to the rules described in the book of the law in honor of God. In the foreground on the right, Josia stands at a table with a group of men, eating from the Passover meal. Below the scene is a reference in Latin to the Bible text in 2 Kings 23:21. This print is part of an album., print, album sheet, prints, height 215 mm, width 256 mm, print maker, printmaker, 1643 - 1643, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1537 - 1612-03-29, after print by, Northern Netherlands, 1498 - 1574, after design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

The Arrest of Saint Paul. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Jan van der Straet.

Reconciliation between Odysseus and the Ithacan rebels; Les Travaux d'Ulysse; Odysseus works. Under the watchful Eye of Minerva reconciled Odysseus and the hostile Ithacans. They fall into the poor. The print is part of an album.

Wszyscy Święci w MNK Corneille, Michel II (1642 1708), Santi, Raffaello (1483 1520), Billy, Vincenzo (fl. 1640 1650)

Antwerp, Galle, Theodoor, Cock, Hieronymus, Heemskerck, Maarten van, Netherlands, Story of David and Saul, David speaks to soldiers about Goliath, verso bottom center - stamped, David visits the camp where his brothers encamped and asks the soldiers what will happen to the person who slays the Philistine Goliath in the background, after which they tell him about the rewards. One of the soldiers he is talking to may be his brother Eliab. Behind this scene is Saul. In the margin a one-line caption in Latin from 1 Sam. (incorrectly indicated as 1 Kings in the print)., print, prints, verso center bottom - stamped, height 205 mm, width 250 mm, print maker, printmaker, 1555 - 1633, paper, papier, engraving, graveren (drukprocedé), Work conception, Noord-Nederlands, 1498 - 1574, after a design by, Publication (Event), Publicatie, Zuid-Nederlands, 1518 - 1570-03-10, publisher, uitgever, 1571 - 1633

Trajan Crowned by Victory, Marc Antonio Raimondi, Italian, 1483 - 1527, Engraving on paper, A section from the trajan's column relief. At left, stands Trajan between the allegorical figures of Roma and Victory. The latter is crowning Trajan with a wreath. At right, a group of soldiers conquer Dacier., Italy, ca. 1520, Print, Print

Jeremiah is taken out of the well, Adriaen Collaert, After Maerten de Vos, 1643 print Under the supervision of King Sedekia, Jeremiah is pulled up with ropes from the pit of Prince Malkia. Under the show a reference in Latin to the Bible text in Jer. 38. print maker: Antwerppublisher: Amsterdam paper engraving Jeremiah is released from the dungeon

The Salians in Batavia submit to Emperor Julian, 358, Jacobus Buys, 1779 - 1784, The Salian Franks submit to the Roman commander-in-chief Flavius Claudius Julian in 358. Design for a print., draughtsman: Jacobus Buys, 1779 - 1784, paper, pen, brush, h 148 mm × w 90 mm

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, History of David and Saul, Of Saul, David, and Abigael, Saul tries to kill David, lower right - handwritten in brown ink, When David plays the harp, Saul wants to throw his spear to kill David. The men around the throne prevent Saul from doing this. Below the image is a reference in Latin to the Bible text in 1 Sam. 19. This print is part of an album., print, prent, albumblad, prints, 146, height 200 mm, width 283 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), 1544 - 1618-10-16, intermediary draughtsman, after a drawing by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

Perseus shows the head of Medusa, Godfried Maes, 1659 - 1700 drawing paper. ink pen / brush Perseus with the Gorgon's head

Spirit of Creüsa appears to Aeneas, Giuseppe Maria Mitelli, After Agostino Carraci, After Annibale Carracci, After Ludovico Carracci, 1663 print During the flight from Troy, Creüsa, the wife of Aeneas, disappears and dies. When Aeneas starts looking for her, her mind appears to him. Numbered: VII. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching Aeneas searching for Creusa; her spirit appears to him

Stephanus stoning.

Perseus shows the head of Medusa, draughtsman: Godfried Maes, , 1659 - 1700, paper, pen, brush, h 178 mm × w 234 mm

The heroes King Arthur, Charlemagne and Godfried van Bouillon, Lucas van Leyden, 1518 - 1522 print One of three woodcuts, part of Frisian with nine heroes. Three Christian heroes: King Arthur, Charlemagne and Godfried van Bouillon on horseback. Above Arthur a frame with name and by name, above other two a banderole. paper brush Arthur (one of the nine worthies). Charlemagne (one of the nine worthies). Godefroy of Bouillon (one of the nine worthies)

Triumphar with envy (Invidia); Circulus vicissitudinis Rerum Humanarum. The personification of envy sits on a triumphar that drives along the coast. Envy has an exempt body and eats her heart. The triumphy is drawn by two horses and controlled by a young man. Other vices walk with the car. Print from a series of nine prints with triumph trolles from the Antwerp circumcision-circumction of 1561. The personifications on the cars represent the cycle of human acting together.

Netherlands, Buys, Jacobus, Vinkeles, Harmanus, Jacoba van Beieren positions herself at the head of the Hoeken, ca. 1430, Jacoba van Beieren positions herself at the head of the Hoeken during a battle, ca. 1430., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 80 mm, width 94 mm, Northern Netherlands, 1745-04-21 - 1825, print maker, printmaker, 1787 - 1787, fourth quarter 18th century, paper, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

Perseus shows the head of Medusa.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, History of David and Saul, Of Saul, David, and Abigael, Saul commits suicide, lower right - handwritten in brown ink, In the background Saul and his armor bearer are fleeing from the Philistine army. In the foreground both have committed suicide by throwing themselves on their swords. Below the scene a reference in Latin to the Bible text in 1 Sam. 31. This print is part of an album., print, album sheet, prints, 152, height 209 mm, width 294 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Allegorical Equestrian portrait of Peter I of Russia, Peter the Great, 1672-1725, Emperor of the Russian Empire, digitally optimized Allegorical Equestrian portrait of Peter I of Russia, Peter the Great, 1672-1725, Emperor of the Russian Empire, digitally optimized Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 21911501

SABIJNSE MAGDENROOF, Cherubino Alberti, After Polidoro da Caravaggio, 1563 - 1615 print Sabine virgins are taken away by Roman soldiers. At the bottom right is a river god. On a plaque under the performance text in Latin. Numbered in the middle: 2. print maker: Italyafter design by: ItalyFlorenceFlorenceItaly paper engraving rape of the Sabine women: they are carried off by Romulus and his men during a feast

Rome, Rossi, Giovanni Giacomo de', Vatican City, Raphael, Italy, Bartoli, Pietro Sante, Scenes from the life of Pope Leo is from Florence. Title in bottom margin. Numbered bottom center: 4. The print is part of an album., print, album sheet, prints, height 102 mm, width 270 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

Vatican City, Gregory XIII, Italy, Romano, Giulio, Mantuana, Diana, Procession of armed horsemen (middle part), recto upper right - handwritten in brown ink, print, prints, verso - stamped, 68, height 264 mm, width 346 mm, Italian, 1547 - 1612, print maker, printmaker, 1575 - 1575, paper, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, 1502-01 - 1585-04-10, granter of privilege

Claesz., Allaert, Netherlands, Monogrammist AC (16th century), Triumph of Miriam, Miriam and other women playing instruments. Moses watches the Egyptians drown in the Red Sea., print, prints, height 64 mm, width 155 mm, print maker, printmaker, 1520 - 1562, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), 1508

Haarlem, Galle, Philips, Junius, Hadrianus, Misery of human existence, Humanity must learn everything, A mother feeds her child, another teaches a toddler to walk. They are followed by three children: two cry, while one learns to walk with a walking frame. In the background all kinds of animals that have been gifted with certain characteristics from birth. Below the image a verse in Latin and a Dutch and French caption in letterpress. This print is part of an album., print, album sheet, prints, height 186 mm, width 240 mm, height 264 mm, width 341 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1563, paper, engraving, engraving (printing process), letterpress printing, Work conception, after own design by, Northern Netherlands, 1511-07-01 - 1576-06-16, writer, Publication (Event), Publication, publisher

The Triumph of the Unicorn, 1561, by Jean Duvet, France, Historical, digitally restored reproduction from a 19th century original, Record date not stated, Europe

Captain John Smith saved by 13 year old Pocahontas

The Triumph of Mordecai 1515 Netherlands. Engraving in black on cream laid paper . Lucas van Leyden

Amsterdam, Visscher, Nicolaes (II), Nicolaes (I), Claes Jansz. (II), Bloemaert, Abraham, Muller, Jan Harmensz., Royaalbijbel, Iesus voce magna clamavit Lazare, veni foras et statim prodiit qui fuerat mortuus, Raising of Lazarus, bottom center - engraved, Christ raises Lazarus from the dead. Lazarus folds his hands together. The bystanders react with surprise and amazement. Below the depiction the title in Latin, four four-line verses in Dutch and a reference to the Bible text in John 11., print, prints, A.Bloemaert Inventor, bottom right - engraved, CJ Visscher Excudebat, IESUS VOCE MAGNA CLAMAVIT, LAZARE, VENI FORAS, ET STATIM PRODIIT QUI FUERAT MORTUUS, height 408 mm, width 515 mm, print maker, printmaker, 1630 - 1652, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1571 - 1628, after a print by, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher, uitgever, 1618-01-25 - 1679, 1649 - 1702

St. Benedict Fleeing from the Unchaste Women, by Lodovico Carracci (1555-1619), created approximately between 1667 and 1700. This etching features a plate mark measuring 14 3/4 x 8 11/16 inches (37.5 x 22 cm) on cream laid paper with a sheet size of 16 11/16 x 10 5/16 inches (42.4 x 26.2 cm)

Claesz., Allaert, Netherlands, Monogrammist AC (16th century), Triumph of Miriam, Miriam and other women playing instruments. Moses watches the Egyptians drown in the Red Sea., print, prints, height 64 mm, width 155 mm, print maker, printmaker, 1520 - 1562, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), 1508

Print, Christ Carrying the Cross: The Large Plate; Print Maker: Martin Schongauer (German, 1450-91); Germany; engraving on off-white laid paper; 1960-177-3

Heemskerck, Maarten van, Netherlands, Coornhert, Dirck Volckertsz., Parable of the Prodigal Son, The prodigal son squanders his money, recto lower right - stamped, The prodigal son squanders his inheritance in a brothel. Women surround him, make music for him and bring him food and drink. In the background, after the money has run out, he is shown the door., print, engraving, prints, engravings, verso lower right - stamped, height 239 mm, width 186 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, houtsnede, 1498 - 1574, intermediary draughtsman

Jacob Cornelisz van Oostsanen, The Resurrection, 1514 The Resurrection

The Hague, Paupie, Pieter, Schley, Jacob van der, Title page for: Prosper Marchand, Histoire de l'origine de l'imprimerie, 1740, Allegory of the art of printing, verso - stamped, A personification of the printing press. She is flanked by Minerva with shield, helmet and owl and Mercury with caduceus. Among them are personifications of Germany, Holland, England, Italy and France. They carry portraits of people who have been important for the art of printing. In the bottom margin a three-line French text., print, title page, prints, height 218 mm, width 160 mm, Northern Netherlands, 1715-07-26 - 1779-02-12, print maker, 1739 - 1739, paper, engraving, engraving (printing process), etching, etchings, Work conception, Northern Dutch, after own design of, Publication (Event), Publication, publisher

Lazio Roma Rome S. Gregorio Magno28. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site comp

Biblical story of Job, In the Old Testament, the scene describes Job's second test. After Job has already lost his property and children, God allows Satan to attack Job's health in order to test his loyalty once again, based on an etching by Dutch artist Maarten van Heemskerck from 1569, illustration, reproduction from a 19th-century model. Authentic, file restored for optimal use, exact date of submission unknown, historical

Landscape with a cart loaded with household goods, pulled by a horse. On the right a woman with a basket on her head, The cart Various genre scenes (series title), print maker: Jan Baptist de Wael, 1642 - 1669, paper, etching, h 89 mm × w 131 mm

The Battle of Constantine at the Milvian Bridge, after Raphael ca. 1569 Giovanni Battista Cavalieri Italian The print reproduces with alterations, the fresco of The Battle of Constantine at the Milvian Bridge, that was designed by Raphael and painted by his workshop in the Sala di Costantino in the Vatican between 1520 and 1524. Raphael's authorship is recognized in the cartouche upper left.. The Battle of Constantine at the Milvian Bridge, after Raphael. After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). ca. 1569. Engraving on two joined sheets. Giovanni Battista Cavalieri (Italian, near Trent ca. 1525-1601 Rome). Prints

The Battle of Taillebourg, Eugene Delacroix (1798-1863), engraving taken from the volume Les artistes Francais contemporains, by Victor Fournel, and republished on the magazine L'Illustration, Journal Universel, year 41, volume LXXXII, no 2126, November 24, 1883.

Spanish Crown, unknown, Vorsterman, Lucas (I), Dyck, Anthony van, Antwerp, Lamentation of Christ, verso lower left - stamped, print, prints, height 347 mm, width 447 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1634 - 1675, paper, papier, engraving, engraving (printing process), Flemish, Dutch, 1599-03-22 - 1641-12-09, after, after painting by, Publication (Event), Publication, publisher, uitgever van privilege

Combats and Triumphs. Etienne Delaune; French, c. 1519-1583. Date: 1538-1583. Dimensions: 65 × 220 mm. Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parable of the Talents, Servant with the Five Talents Trades, The servant, who has received five talents from his master, trades in the port of a city. Amidst packages and barrels on the quay, he gives money to a merchant. Below the image is a reference in Latin to the Bible text in Mat. 25:16. This print is part of an album., print, picture, album leaf, prints, pictures, height 205 mm, width 290 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Red chalk and brush drawing by Charles Le Brun showing Hercules fighting the Centaurs, using gray wash, emphasizing figures, movement, and mythological narrative, 1640-1690.

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