Equestrian Art and Illustrations

Elegant sketches and prints depicting horses and riders, showcasing classical themes and historical figures in dynamic poses.

Fourth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The fourth sledge in the parade. A sled in which the personification of freedom, with Willem van Oranje and a knight, pulled by a horse and followed by nobles on horseback. Part of a series of twelve plates (etching print before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century party of the Leiden Relief (3 October 1574) and the founding from the University of Leiden (8 February 1575). Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure) Leiden

Uhlan on horseback and portrait of a man. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Un cavalieren marche, se dirigeant vers la droite. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.79). Lithography, 19th century. Paris, Carnavalet museum. 78055-26 Album The Good and Evil, Drawing, Illustration, Lithography, Character, Scene of Life, 19th XIXth 19th 19th 19th 19th century

Fourth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The fourth sledge in the parade. A sled in which the personification of freedom, with Willem van Oranje and a knight, pulled by a horse and followed by nobles on horseback. Part of a series of twelve plates (etching print before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century party of the Leiden Relief (3 October 1574) and the founding from the University of Leiden (8 February 1575). Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure) Leiden

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

The fifth sledge in the procession. A sledge with Louis de Boisot and a boy with white bread and a herring, drawn by a horse and preceded by two musicians and two halberdiers. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

James Bruce, 1730-1794, British, Man on Horseback Carrying Weapons, undated. Graphite on medium, slightly textured, cream laid paper.

Sitting man with dog, Adam von Bartsch, after Jan Baptist Weenix, 1803 print prepared paper etching dog

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Ethiopia. Ninth issue of a series of 52 pieces. (A. de Vesme 557; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Edelfelt, Albert, work, Sketch book, drawing, 21 cm x 17 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Sketches of a Mounted Chasseru and a Cavalry Officer with Drawn Saber. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 171 × 229 mm. Graphite on cream wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Merchant on horseback, draughtsman: Jean Pierre Norblin de la Gourdaine, 1772 - 1830, paper, h 410 mm × w 325 mm

Delfos, Abraham, Northern Netherlands, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Twelfth sleigh, verso - stamped, The twelfth sleigh in the procession. A sleigh with four musicians, drawn by a horse, followed by two riders with torches. Part of a series of twelve plates (etching before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prent, prints, prenten, Frederik Muller Historieplaten, height 227 mm, width 440 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1776 - 1776, paper, papier, etching, etsen, 1731-03-08 - 1820-07-13, intermediary draughtsman

A pencil sketch from 1838 depicting the equestrian statue of Bartolomeo Colleoni in Venice, showing the horse and rider details.

Moorish rider, Stefano Della Bella, Moorish rider, around 1648-1653, Akworfort; Czachórski, Władysław (1850-1911), della Bella, Stefano (1610-1664); 1870 (1870-00-00-1870-00-00);

Edelfelt, Albert, Sketch book, 1890-91, drawing, 21.5x30, Edelfelt, Albert, 1890-91, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

The Close of the Season, John Leech, 1817-1864, British, undated, Graphite, Sheet: 6 3/8 x 9 3/4in. (16.2 x 24.8cm) and Frame: 11 13/16 × 14 5/8 inches (30 × 37.2 cm), animal art, close, dogs (animals), horses (animals), jockeys, sporting art

The first sled in the procession. A Frisian sledge with a stable master preceded by two riders in harness with torches. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Third Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The third sled in the parade. A sledge in which a knight and a arms herit, pulled by a horse and followed by two runners with torches. Part of a series of twelve plates (etching print before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century party of the Leiden Relief (3 October 1574) and the founding from the University of Leiden (8 February 1575). Northern Netherlands paper etching commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Delfos, Abraham, Northern Netherlands, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Tenth sleigh, verso - stamped, The tenth sleigh in the procession. A sleigh with Asclepius (Aesculapius), pulled by a horse. Part of a series of twelve plates (etching before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prent, prints, prenten, Frederik Muller Historieplaten, height 229 mm, width 441 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1776 - 1776, paper, papier, etching, etsen, 1731-03-08 - 1820-07-13, intermediary draughtsman

James Bruce, 1730-1794, British, Man on Horseback Carrying Bow and Arrows, undated. Graphite on medium, slightly textured, cream laid paper.

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.76). Lithography, 19th century. Paris, Carnavalet museum. 78055-23 Album The Good and Evil, Drawing, Illustration, Lithography, Character, Scene of Life, 19th XIXth 19th 19th 19th 19th century

Delfos, Abraham, Noordelijke Nederlanden, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Eleventh sleigh, Northern Netherlands, verso - stamped, The eleventh sleigh in the procession. A sleigh with the personification of Music, pulled by a horse, followed by two Roman soldiers. Part of a series of twelve plates (etching before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prent, prints, enten, Frederik Muller Historieplaten, height 227 mm, width 441 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, prentmaker, 1776 - 1776, paper, etching, etchings, 1731-03-08 - 1820-07-13, intermediary draughtsman

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Diverses exercices de cavalerie, Diverse exercises of the cavalry, Rider with sword in hand on a running horse in a landscape with more riders on horseback, verso - stamped, print, prints, height 87 mm, width 72 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Figures in a Sleigh, Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Engraving on paper, A sleigh drawn by two horses is seen from the left. Behind, another horse, in postillion, follows., Germany, ca. 1750, Print, Print

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

The Giaour on Horseback (recto); Study of a Woman with Head and Arms Thrown Back, and Study of the Head of an Old Man (verso). Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 7 15/16 x 12 in. (20.1 x 30.5 cm). Date: ca. 1824.This dynamic study of a Venetian warrior (the Giaour) furiously racing after his beloved's killer, Hassan, was inspired by Byron's poem "The Giaour, a Fragment of a Turkish Tale," first published in 1813. Fascinated by this romance of passion and violence, Delacroix repeatedly portrayed the fatal combat between the Muslim master of the harem girl Leila and her avenging lover. Museum: Metropolitan Museum of Art, New York, USA.

Willette, Adolphe Léon (n.1857-07-31-D.1926-02-04), revenge, lithography published in the closing album of the original print-ninth delivery (January-March 1895) (Main title) , 1895. Lithography. Petit Palais, Museum of Fine Arts of the City of Paris.

Two riders and a landscape man.Leaf 30 verso from a sketchbook with 38 sheets.

. The eighth sled in the procession. A slide with the personification of religion, drawn by a horse. Part of a series of twelve sled of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the LEIDIS off (October 3, 1574) and the establishment of the University of Leiden (8 February 1575) .

Stout Man on a Bucking Horse. Drawing. Gray wash, pen and black ink and graphite on medium, cream, moderately textured wove paper mounted on medium, beige, slightly textured wove paper. Height: 95 mm (3.74 in); Width: 98 mm (3.85 in). Author: Paul Sandby.

The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, plate 14 from The Art of Bullfighting Made 1814-1816 Spain. Etching, aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brush with black ink on cream laid paper

Two horses in parade rows; Czachórski, Władysław (1850-1911), Sandrart, Susanna Maria von (1658-1716), Sandrart, Jakob von (1630-1708); 1870 (1870-00-00-1870-00-00);

Bella, Stefano della, Various cavalry exercises (copy), Various cavalry exercises, A groom and horse in a passage, verso - stamped, A groom and horse in a passage., print, prints, height 77 mm, width 63 mm, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by

Ruiter met lans, het paard van achteren gezien. Schetsboek "A.S.Fe", 1587, blad 4v(12) (series title). Artist: Philips Galle. Draughtsman: anonymous. Dating: 1587. Measurements: h 105 mm × w 78 mm. Museum: Rijksmuseum, Amsterdam.

Plate 30 from "Course des Tetes et Bagues". Artist: François Chauveau (French, Paris 1613-1676 Paris). Dimensions: Sheet: 11 7/16 × 10 1/16 in. (29.1 × 25.5 cm). Date: ca. 1662. Museum: Metropolitan Museum of Art, New York, USA.

Trojden, KSI Czerski; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Albina recognizes De Ridder as Edmund, Daniel Nikolaus Chodowiecki, 1791 print With Page reference at the top right. print maker: Berlinafter own design by: Berlinpublisher: Copenhagen (city) paper etching Literature. knight. embracing each other, kissing

Aquatint by Francisco Goya from 1816 titled 'The Tauromáquia', depicting a skilled student of Falces performing bullfighting maneuvers in a traditional style.

Torero with burning banderil shaft; Banderillas de Fuego; Bullfighting; La taureaumachie; La Tauromaquia. Two picadors and a number of men on foot in the arena. The bullfighter (Torero) holds two banderillas in his hands. From the neck of the bull that is opposite him stitches two banderillas where smoke comes from. Numbered at the top right: 31.

Drawing of two resting hunters with horses near a fountain, with two women standing on it, executed in brown brush on damp paper, aged with foxing and yellowing.

Francisco de Goya y Lucientes, He defends himself well., 1810-1820, etching and aquatint.

Riding and Driving Mishaps, Thomas Rowlandson, 1756-1827, British, undated, Pen and brown ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 5 1/4 x 15 11/16 inches (13.3 x 39.8 cm), accidents, carriage, driving, genre subject, hats, horses (animals), riders, horseback, riding (horseback riding)

Sketch sheet with horse and carriage and head studies. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 310 mm × w 415 mm. Museum: Rijksmuseum, Amsterdam.

James Seymour, 1702-1752, British, Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left, undated. Graphite and pen and brown ink on medium, moderately textured, cream, laid paper; mounted on, moderately thick, moderately textured, beige, wove paper.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Study 1845-1855 France. Graphite on ivory wove paper . Charles François Daubigny

Special Pleading. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 11 7/8 × 8 15/16 in. (30.2 × 22.7 cm). Publisher: A. McKenzie (London). Date: March 1780. Museum: Metropolitan Museum of Art, New York, USA.

Cartoon at the Minister of Columns, 1863; If he is a pretty coachman, then he will, even without whip, get the span. Cartoon on the French of De Putte, Minister of Colonies, who drives a chariot drawn by two wild horses 'free labor' and 'government culture'. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 10, March 7, 1863.

Giovanni Domenico Tiepolo, Galloping Centaur, c. 1755-1765, pen and brown ink with wash on paper.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Harrow. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Francisco de Goya (1746-1828), Juanito Api�anis agility and daring in the Arena in Madrid, 1815-1816

The three orders. (TF)

Flight to Egypt, Jean Bernard, 1775 - 1833 drawing paper. chalk the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Sixty-eighth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Trojden, Prince Czerski , from: Jan Matejko's Album with an Explanators Text by Kazimierz Władysław Wójcicki (Part One) (Card 5) Lewental, Salomon (Franciszek Salezy) (1841 1902), Styfi, Jan (1841 1921), Matejko, Jan (1838 1893)

Two People: One Standing, One Seated on a Horse, Sawrey Gilpin, 1733-1807, British, 1760, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, brown, laid paper, Sheet: 5 7/8 × 5 7/16 inches (14.9 × 13.8 cm) and Mount: 11 3/8 × 9 3/16 inches (28.9 × 23.3 cm)

A Horseman in a Landscape, James Ward, 1769-1859, British, 1814, Pen, in brown ink on moderately thick, moderately textured, cream, wove paper, Sheet: 9 15/16 × 13 13/16 inches (25.2 × 35.1 cm), horsemen, landscape, sporting art, study (visual work), England, United Kingdom, Wychnor

Maskerade of the Leiden students, 1865 (plate 5), 1865 Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Fifth plate with the groups numbered 55-66. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Fifth plate with the groups numbered 55-66. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee

Aurora on a car drawn by two winged horses, Edouard Taurel, after Antonie Frederik Zürcher, 1871 print The goddess of dawn, Aurora, standing on a car drawn by two winged horses. Three putti in the air, one of which holds a burning torch. Amsterdam paper steel engraving (story of) Aurora (Eos); 'Aurora' (Ripa). personification of the morning, 'Aurora'; 'Aurora' (Ripa)

The Builders. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 96 x 238 mm (image/plate); 105 x 245 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Drawing by an anonymous artist showing five farm offices from the triumphal procession of Emperor Maximilian I, executed in black pen with slight watercolor on yellowish-white paper.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

A man and a woman riding a mule; page 36 from the 'Images of Spain' album (F) ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish While evoking a formula used to represent the Holy Familys Flight into Egypt, Goya departed from that familiar tale to present a love story. He crafts an intriguing scene of romantic courtship using a reduced visual vocabulary. The posture of the riders—which denies us a clear view of the woman—their attire, and their animated conversation suggest various interpretations. They might be a couple giving free rein to furtive affection; alternatively, the man may have abducted the woman from her parental home, an informal marriage procedure once common in rural Spain.. A man and a woman riding a mule; page 36 from the 'Images of Spain' album (F) 334021

Sigmund Walter Hampel's ink drawing depicts a hunting ladder in motion toward the viewer, emphasizing movement and perspective.

Mourning procession in Amsterdam, Roelof van der Meulen, 1816 - 1833 print Funeral procession in Amsterdam. A body carriage drawn by two horses, preceded by seven men on foot. Amsterdam paper etching cortege, funeral procession

Spanish rider, Gerard ter Borch (II), c. 1647 - 1648, draughtsman: Gerard ter Borch (II), (mentioned on object), draughtsman: Harmen ter Borch, draughtsman: Moses ter Borch, draughtsman: Münster, draughtsman: Zwolle, draughtsman: Zwolle, Münster, c. 1647 - 1648, paper, h 160 mm × w 147 mm

Paul Hoffhaimer, organist, on a carriage pulled by a dromedary, engraving by Lemaitre after the Triumph of Maximilian I by Albrecht Durer (1471-1528), from Allemagne by Philippe Le Bas (1794-1860), L'Univers pittoresque, Europe, published by Firmin Didot Freres, Paris, 1838.

Design for a painting, Orpheus and the animals, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 212 mm × w 330 mm

Le Cavalier. Charles-Emile Jacque (France, Paris, 1813-1894). France, 1848. Prints. Drypoint and routlette

Two Horses. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1906. Dimensions: 61 x 83 mm (image/plate); 68 x 87 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Bliżej Kultury unknown

Paul Sandby RA, 1731-1809, British, Pony and Hooded Gig, undated. Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream wove paper.

Flight to Egypt.

Edgar Degas, Jockey, c 1898 Edgar Degas (French, 1834 - 1917 ), Jockey, c. 1898, washed pastel, brown wash, and transferred pastel, Gift of Mrs. Jane C. Carey as an addition to the Addie Burr Clark Memorial Collection 1959.12.10

José Guadalupe Posada, Don Chepito, 1891 1899 Don Chepito

Trojden, Prince Czerski , from: Jan Matejko's Album (Card 6) Lewental, Salomon (Franciszek Salezy) (1841 1902), Styfi, Jan (1841 1921), Matejko, Jan (1838 1893)

Fifteenth part of the Maskerade of the students of the Utrecht University of Applied Sciences on 17 June 1846, represented the entry of Prince Philips II in Utrecht on October 3, 1549.

Vision of a young poet; Thoma, Hans (1839-1924); 1895 (1895-00-00-1895-00-00);

Raymond Neumann, Indians, c 1940 Indians

Francisco de Goya (1746-1828), Pedro Romero kills the limited bull to death, 1815-1816

Thomas Rowlandson, 1756-1827, British, Preparatory sketch for 'Dr Syntax Sketching the Lake', 1812. Pen and brown ink with graphite on medium, slightly textured, cream laid paper.

Francisco Goya (1746-1828). "Tauromachie - Pl. 33 - The Desgraciada Muerte de Pepe Illo in the Plaza de Madrid - H 236 III1". Eat, dry point, chisel and aquatint, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. 33 - Pepe's unfortunate death in the Plaza de Madrid - H 236 III1 On the ground, confrontation, aquatint, aquatint, arena, arena, bull, chisel, chisel, corrida, die, dry point, death, etching, etching, fight, first edition, death, die, plaza madrid, dry point, first Edition, bull, bullfighter, fight, confrontation

Frederick II., King of Prussia.

Her royal highness, Anna, Paulowna, Grandvorstin van / Russia, Gemalinne from the Crown Prince of the Netherlands. Portrait of Josephine (Keizerin der Fransen) on horseback, here as Anna Paulowna Romanowa meant. The performance is caught in a decorative frame, with a balustrade on the top. Under the image a fresh in two columns. Numbered at the bottom right: No. 229.

The first sled in the procession. A Frisian sledge with a stable master preceded by two riders in harness with torches. Part of the series of fifteen drawings for the plates of the sledevaart on 24 January 1776 organized by the Leiden Genootschap Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (October 3, 1574) and the establishment of the University of Leiden (8 February 1575).

Sketch sheet with two floating angels and a resting man, Two floating angels and a resting man, draughtsman: Gaetano Gandolfi, draughtsman: Giovanni Battista Crosato, draughtsman: anonymous, 1700 - 1725, paper, pen, brush, h 204 mm × w 136 mm

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Circle of Eugène Delacroix, The Runaway Carriage, 1830s The Runaway Carriage

Samuel Scott, 1701/2-1772, British, A Groom on Horseback, Drinking, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Procession nrs 73-77, 1840 print Procession nrs 73-77: Knights on foot and knights on horseback. Part of the press series of the Maskerade of the entry of Hertog Jan van Beieren in Leiden on August 18, 1420 by the Leiden students on February 8, 1840. Netherlands paper Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Students' Pageant To lead. university of Leiden

Five faculties and a public promotion, 1835; Symbolical representation of five faculties / public promotion; The individual performances, which ventifies, held by H.H. Students of the Leidsche Hoogeschool op den 9 Feb: 1835, decided. SHEET WITH TWO CARTS. On The First Cart A Satirical Representation Of The Five Faculties Of The University Through Devils. On the Second Cart The Public Promotion of A Donkey. Second Plate in the procession hero by Students from the Leiden Hogeschool for Celebration of the Dies Natalis of the University on 9 February 1835.

Study sheet with representation of a shell fisherman, kneeling on the edge of the bank, 1800 - 1900, paper, pencil, h 141 mm × w 245 mm

of 2