Equestrian Art Prints

A series of prints depicting men and horses in various scenes, often highlighting their relationships with nature and other figures.

Landscape with figures during a falcon hunt depicting the element air. On a country road stands a stationary coach with two horses in front. A group of falconers surround it. Second print in a series of four with landscapes depicting the four elements, Air (Aer) Aer The four elements A (series title), print maker: Jan van de Velde, (mentioned on object), Willem Pietersz. Buytewech, (mentioned on object), Northern Netherlands, 1603 - 1641, paper, etching, engraving, h 186 mm × w 284 mm

Amsterdam, Wit, Frederik de, Utrecht, Stoop, Dirk, Horses, Man holds a horse by the reins, verso - stamped, A man holds a horse by the reins. Next to him two dogs. On the right a rider and a pointing man., print, prints, height 150 mm, width 193 mm, Dutch, 1621 - 1686, print maker, printmaker, 1651 - 1706, paper, papier, etching, etchings, Publication (Event), Publication, Northern Netherlands, 1631 - 1706, publisher

Rider with a woman behind; Various performances and figures; Agreeable Diversité the figures. .

Ruiter shows the other, Georg Philipp Rugendas (I), 1698 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman

Gaetano Zompini, after Giovanni Benedetto Castiglione, An Elderly Shepherd Seen from Behind, 1758 1759 An Elderly Shepherd Seen from Behind

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Diverse representations, Man on horseback leading another horse, verso - stamped, print, prints, height 83 mm, width 103 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Crossed Creek (Hollstein 12) Berchem, Nicolaes Pietersz. The crossed stream (Hollstein 12). Etching. 1655-1655.

Winieta do rozdziału VIII "Historii wojny siedmioletniej". Menzel, Adolph (1815-1905), graphic artist

Landscape with figures during a falcon hunt depicting the element air. On a country road stands a stationary coach with two horses in front. A group of falconers surround it. Second print in a series of four with landscapes depicting the four elements, Air (Aer) Aer The four elements A (series title), print maker: Jan van de Velde, (mentioned on object), Willem Pietersz. Buytewech, (mentioned on object), Northern Netherlands, 1603 - 1641, paper, etching, engraving, h 186 mm × w 284 mm

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Caprice, Various representations, Rider on horseback, verso - stamped, print, prints, height 54 mm, width 80 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: fourth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Germanic emperor, glory, glorious memory, glorifying, glorific, history, typographic impression, historical book, memory, narration, triumph, typography, 16th 16th 16th 16th 16th 16

Tomorrow: Man with dog runs on a footbridge, Dancker Danckerts, after Nicolaes Pietersz Berchem, 1660 - 1666 print Man with a dog walks on a footbridge and passes rider and shepherd with herd cows who drink at the shallow water. Print number 1 from series of four prints with times of the day. paper etching morning ~ other concepts. landscape with bridge, viaduct or aqueduct. rocks. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Back View of a Centaur Abducting a Satyress. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 11/16 x 10 13/16in. (19.5 x 27.5cm). Date: 1727-1804. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Wit, Frederik de, Utrecht, Stoop, Dirk, Horses, Pissing horse held by the reins, verso - stamped, A pissing horse held by the reins by a man. Left a dog and a horse at an inn., print, prent, prints, prenten, height 150 mm, width 195 mm, Dutch, 1621 - 1686, print maker, prentmaker, 1651 - 1706, paper, papier, etching, etchings, Publication (Event), Publication, Northern Netherlands, 1631 - 1706, publisher

Two riders in conversation, Georg Philipp Rugendas (i), 1676 - 1742 print paper etching riding a horse, ass, or mule; rider, horseman. city-view, and landscape with man-made constructions

Lucas Hugensz. van Leyden's 'Abigail in Front of David' (c. 1507) is a copper engraving depicting Abigail approaching King David, highlighting posture, gesture, and interaction between figures.

Etching by Augustin Hirschvogel depicting the biblical figures Elia and Elisas, created in 1549, showing figures, gestures, and composition.

Death on the Battlefield, from 'The five deaths' (Les cinq Morts). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet (trimmed): 7 1/2 × 11 3/4 in. (19.1 × 29.8 cm). Date: ca. 1650-64.Stefano della Bella's first set of oval prints illustrating the triumph of Death included a battlefield scene. This horizontal version, in which the Grim Reaper approaches the skirmish on a skeletal horse, probably dates to the same years. Our sheet is a trial impression; the artist has sketched in two ideas for the position of Death's right arm, reinforcing the one he would use in the finished print, and has added a number of warriors to the background. Evidently, Della Bella did not work from a highly finished drawing but continued to compose as he worked on the etching plate.Jombert and De Vesme date the print to around 1648. There is a strong connection between the print and a scultpure of the figure of Death on horseback also the collection of The Met (17.190.729)

Man with horse with laundry woman, Johannes Körnlein (Possible), after Philips Wouwerman, 1772 drawing A man, holds the reins of his horse while standing with a woman who does the laundry. She stands in the water to her knees. The drawing is loose in an album, see page 20. Amsterdam paper. ink brush horse. laundering

Rider near a woman spinning on the ground, Hendrik Verschuring, 1637 - 1690, draughtsman: Hendrik Verschuring, 1637 - 1690, paper, brush, h 148 mm × w 198 mm

Goya No se convienen (They Do Not Agree) Francisco de Goya, No se convienen (They Do Not Agree), Spanish, 1746 - 1828, published 1863, etching, drypoint, burin, and burnisher, Rosenwald Collection

Brussels, Roy, Jean Baptiste de, France, Legros, Sauveur, Legillon, Jan Frans, Faber, Frédéric Théodore, Watermill, ruin and shepherdess, verso - stamped, Three representations on one sheet. Top left: a view of a watermill. Top right: a landscape with walkers near a ruin. Below: a shepherdess with a lamb in her arms looking back at a man on horseback with a horn in his hand., print, prent, prints, prenten, height 255 mm, width 188 mm, 1782 - 1844-04-13, print maker, prentmaker, 1807 - 1807, paper, papier, etching, etchings, Work conception, 1739-09-01 - 1797-11-23, after a design by, 1754-04-27 - 1834-03-15, Zuid-Nederlands, 1759-03-29 - 1839-01-07, intermediary draughtsman

Playing Shell Flageolet (Hollstein 6) Berchem, Nicolaes Pietersz. Playing Playing Flagelet (Hollstein 6). Etching.

Jakob Hoedt de Kudde van Laban, Virgil, 1565 print Jakob and Rachel with the herd of Laban in a landscape. In exchange for Rachel, Jakob undertakes to serve as a shepherd for Laban for seven years. print maker: Neurenbergprinter: Frankfurt am Main paper Jacob works as a herdsman for seven years in exchange for Rachel. landscape with ruins

Crossed Creek (Hollstein 12) Berchem, Nicolaes Pietersz. The crossed stream (Hollstein 12). Etching. 1655-1655.

Man on a donkey.

The Journey of Jacob in Egypt ca. 1647 Stefano della Bella Italian. The Journey of Jacob in Egypt 397407

Cowherd, c. 1850-60. Charles-Émile Jacque (French, 1813-1894). Etching ; sheet: 13.7 x 18.4 cm (5 3/8 x 7 1/4 in.); platemark: 7 x 9.5 cm (2 3/4 x 3 3/4 in.).

Battlefield with horseman looking over his left shoulder toward stripped corpse on the ground, a clothed figure and horse lying to the right, horsemen carrying flags beyond. Artist: Karel Dujardin (Dutch, Amsterdam 1622-1678 Venice). Dimensions: plate: 6 11/16 x 7 11/16 in. (17 x 19.6 cm)sheet: 6 15/16 x 8 1/8 in. (17.7 x 20.6 cm). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Title print of a series of landscapes with shepherds; Landscapes with shepherds. View of a hilly landscape with a group of shepherds in the foreground. One of the shepherds points to his staff to a stone wall, the others watch.

Jakob talks to Rachel, Gerrit Bleker, 1638 print Jakob talks to Rachel at the source in Haran. Behind them the other shepherds are chatting. The cattle drinks from the water bins at the source. Print Maker: Haarlem Publisher: Amsterdam paper etching Jacob at the well of Haran (Genesis 29:1-13)

Reproduction of a painting: Juliusz Kossak (1824-1899), Carriage of Brody en route to the town; from: Tygodnik Ilustrowany 1870/II/257. unknown, draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Przykorski, Konstanty (fl. 1862-1882), woodcutter

Le Troupeau to the Abreuvoir. (Robert-Dumesnil 4; Jennos 16) Claude Gell�e (said Lorrain) (around 1600-1682). The flock at the trough. (Robert-Dumesnil 4, Mannocci 16). Etching. 1635. Museum of Fine Arts in the city of Paris, small palace.

Blind Guitarist ca. 1778 Goya (Francisco de Goya y Lucientes) Spanish In the spring of 1778 Goya submitted an oil cartoon depcting the blind guitatist to the Royal Tapestry Factory of Santa Barbara in Madrid for it to be woven into a tapestry to adorn the bedchamber of the Prince and Princess of Asturias in the Royal Palace of El Pardo. Because of the complexity of the design it proved too difficult for the weavers to interpret and alterations had to be made. This etching - his largest ever and the only print after one of his own works - is thought to record his first design before he modified it. The modified cartoon is today in the Museo del Prado, Madrid. Goya recognized the ability of the etching medium to convey minute detail and in this print, he emphasises the different expressions of those surrounding the guitarist. No edition of the print was made, which might have had something to do with the difficulties of printing such a large plate. Few impresions of this print are known.

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 6), 1660, 1660 print Visit by the Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, June 15, 1660. Leaf with the carriage with the prince and princess and part of the procession with riders. The rider on the right marked with the letter C. Sixth plate in an unassembled ensemble consisting of a seven magazines of the procession. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

unknown, Italy, Bella, Stefano della, Death on the battlefield, verso - stamped, Death as a skeleton with a feather on its head, riding an emaciated horse. Among the fighting soldiers on the battlefield in the background several skeletons on horseback. In the bottom margin a verse in French in two columns., print, prints, height 220 mm, width 298 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, granter of privilege

Beatrice Cenci and her stepmother Lucrezia are throwing the body of the Count over the balcony. Etching, ca. 1850.

Rubber tempera drawing by Giovanni Francesco Castiglione showing shepherds on the right and a mother seated on a horse holding a child, executed on brown paper with damaged edges.

Return of the hunt, draughtsman: Gerrit Malleyn, 1808, paper, pen, brush, h 220 mm × w 285 mm

Pastoral landscapes: Waiting for the ferry, c. 1660, by Jan de Visscher, Nicolaes Berchem the Elder, Reinier & Iosua Ottens.

Drawing, Oriental Scene; Jean Honoré Fragonard (French, 1732 - 1806); Attributed to Jean-Baptiste Marie Huet (French, 1745 - 1811); France; black crayon on paper; 10.9 x 19.4 cm (4 5/16 x 7 5/8 in.)

Title sheet for the pamphlet: the Napelsche stallion, Visscher and Pikeur, 1701, Romeyn de Hooghe, 1701 print A fisherman (Masaniello) at a horse tied to the pole and the Spanish pikeur. Hereby a representation of a pedaling horse. Title is on a separate text sheet. Netherlands paper etching / engraving riding-school, maní¨ge

Centaur with a Young Satyr 1727-1804 Giovanni Domenico Tiepolo Italian. Centaur with a Young Satyr 339425

L. Truchy, 1721-1764, A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds..., 1735. Engraving.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), suite of twelve landscapes. A peasant walking a stick in one hand and carrying a hung package at the end of another stick. Third issue of a suite of 12 rooms. (A. de Vesme 771; Dutuit 147) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Coal wagon at a gate, George Jooss, 1809 - 1845 print At a coal wagon there are a man with a hat and a tense horse. The print is part of a series with prints from the coal wagon. paper etching horse. charcoal furnace (+ forms of production and organization)

Paardenmarkt, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print paper etching persons engaged in trade and commerce. horse. market

Flight into Egypt: The Holy Family Approaching a Village, 1750-53. Giovanni Domenico Tiepolo (Italian, 1727-1804). Etching;

Woodcut by Hans Burgkmair showing farm positions including Schenk, Koch, Barber, Schneider, and Schuster during the triumphal procession of Emperor Maximilian I, created in 1526 (1796 edition), depicting workers, figures, and ceremonial arrangement.

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). The Flight with Obelisk at the Left, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 188 mm x 244 mm (7.4 in. x 9.61 in.).

Two riders, left the head of a soldier.

France, French crown, Bella, Stefano della, Men on horseback, Polish man on horseback, A Polish man on horseback to the right. In his right hand he holds a war hammer. On the right a horseman on horseback and on the left two horsemen on horseback. In the background on the left a tower and on the right the sea. On the beach are several figures and horses., print, prints, height 179 mm, width 181 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, etching, etchings, Work conception, after own design by, granter of privilege

Polish Horsemen, Stefano della Bella, Italian, 1610-1664, Etching on paper, Five horsemen in a circle., Italy, 1646-1656, Print, Print

The Marching Gypsies (Les bohémiens en marche), also called The Advance Guard (L'avant-garde). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: sheet: 4 15/16 x 9 5/16 in. (12.5 x 23.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The Gypsies (Les bohémiens). Date: 1621-31. Museum: Metropolitan Museum of Art, New York, USA.

The Milkmaid. Dated: 1510. Dimensions: sheet (trimmed to plate mark): 11.4 x 15.6 cm (4 1/2 x 6 1/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Mary Holding her Child in her Arms, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

L' avant-garde, 17th century, Jacques Callot, French, 1592-1635, 4 3/4 x 9 3/16 in. (12.07 x 23.34 cm) (plate)4 15/16 x 9 1/2 in. (12.54 x 24.13 cm) (sheet), Etching, France, 17th century

Francisco Goya (1746-1828). "TAUROMACHIE- PL. 31- BLOCK of FUGO- H 234 I2". Eat, dry point, chisel, aquatinte and aquatint wash. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - PL31 - Fire flags - H 234 i2 Arene, Banderille, Banderillero, Cavalier, Cheval, Eau-Forte, Peon, Picador, Taureau

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Twelve landscapes, Man with knapsack following woman and child, verso - stamped, A landscape with a man with a knapsack following a woman and child. The figures seen from the back., print, prints, height 90 mm, width 135 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Two horsemen, both in breast cuirass and wearing a feather on the hat, Two horsemen on reconnaissance, print maker: Christiaan Wilhelmus Moorrees, (mentioned on object), Christiaan Wilhelmus Moorrees, Netherlands, 1811 - 1867, paper, etching, h 113 mm × w 125 mm

La pyramide de Cajus Cestius. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Drinking horses at a fountain, Johannes Mock, After Klein, 1825 print Two horses, seen from behind, drink from a fountain. Next to the horses a man with a bond hat. In the middle of the fountain a sculpture from Neptune. Netherlands paper etching horse. ornamental fountain (in village). (story of) Neptune (Poseidon)

Wood engraving, England, by Thomas Bewick.

Rustplaats, Cornelis Visscher (II), After Nicolaes Pietersz Berchem, 1655 - 1709 print In a hilly landscape, a group of travelers pauses, three of whom are on a donkey, at a fountain. There are also two waxes at the fountain. On the right, a dog sniffs another dog. Print Maker: Haarlem Publisher: Amsterdam paper etching / engraving dog. donkey-riding (on the beach). ornamental fountain. stadia of travel. landscapes

Karel Dujardin (1622-78). The shepherd behind the tree (Dutuit 23). Eat, 1656. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Fruttajuolo di Napoli (Fruit seller of Naples)., 1822, Nuremberg, by Johann Klein. Gift of Bishop Monrad, 1869.

Encounter of the Moorish Horsemen (Rencontre de Cavaliers Maures). Dated: 1834. Dimensions: sheet (laid down): 20.4 × 27.3 cm (8 1/16 × 10 3/4 in.) overall: 20.7 × 28.5 cm (8 1/8 × 11 1/4 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 7), 1660; Afbelijthe on what Wijse Haere Hoogheeden, Maria Stuart Princesse Rojael, and Haeren Soon His Hoogheyt Wilhelm from Nassou, the III Prince of Orangien (...) on the 15 of Somermaent ao. 1660 (...). Visit by Maria Henrietta Stuart, Princess of Orange, Accompanied by Amalia van Solms, The Young Prince Willem III and Others in Amsterdam, 15 June 1660. Sheet with a FEW Riders and a part of a carriage. Seventh plate in an unassembled ensemble consisting of a seven blades of the procession.

Festive procession with Hertog August, Keurvorst van Sachsen dressed up as farmer and various other characters in farmer and allegorical intensities. Frisian consisting of at least 20 parts with approximately. 26 etchings. The first two parts are missing.

Plate 14: shepherdess herding goats ca. 1641 Stefano della Bella Italian. Plate 14: shepherdess herding goats. 'Various animals' (Diversi animali). Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1641. Etching; third state of three (De Vesme). Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Landscape with falconer and farmmen. Draughtsman: Jordanus Hoorn. After Johannes Lingelbach. Dating: 1763 - 1833. Measurements: h 440 mm × w 337 mm. Museum: Rijksmuseum, Amsterdam.

Woodcut by Hans Burgkmair showing Anthonius von Dornstätt as the piper (Pfeifer) during the triumphal procession of Emperor Maximilian I, created in 1526 (1796 edition), depicting musician, instrument, and procession.

Morning, from the series, Four Times of the Day. Artist: After Jean-François Millet (French, Gruchy 1814-1875 Barbizon); Jacques-Adrien Lavieille (French, 1818-1862). Dimensions: Block: 5 7/8 x 8 11/16 in. (15 x 22 cm)Sheet: 8 9/16 × 11 1/4 in. (21.7 × 28.6 cm). Date: 1830-75. Museum: Metropolitan Museum of Art, New York, USA.

The Return from the Fields 1865 Charles Jacque. The Return from the Fields. Charles Jacque (French, Paris 1813-1894 Paris). 1865. Etching. Prints

Refitted horse by a bridle, George Jooss, 1829

Joseph being sold by his brothers. Colour lithograph by L. Gruner after N. Consoni after Raphael.

Cow Relieving Itself 1640-1683 Holland. Son of the well-known still-life painter Pieter Claesz., Berchem probably went to Italy about 1653/55. He became famous as an Italianate artist specializing in arcadian landscapes. He made about sixty prints, which are notable for the rendering of sunlight.. Etching on ivory laid paper . Nicolaes Berchem

Image reproduction: Juliusz Kossak (1824-1899), Bryka Brodzka on the way to the town; Z: "Tygodnik Ilustrowany" 1870, No. 152 (November 26), p. 257; Unknown, Skorski, Konstanty (Fl. 1862-1882), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1870 (1862-00-00-1887-00-00);

Landscape with ruin and young donkey rider, Claude Henri Watelet, after Karel du Jardin, 1728 - 1786 print France paper etching animal mounts; pack-animals. boy (child between toddler and youth). landscape with ruins - II - ideal landscapes

Plate 1: a horse drawn cart carrying people and goods, dead horse in the foreground, from 'Various Military Caprices' (Varii capricci militari) ca. 1641 Stefano della Bella Italian. Plate 1: a horse drawn cart carrying people and goods, dead horse in the foreground, from 'Various Military Caprices' (Varii capricci militari). 'Various Military Caprices' (Varii capricci militari). Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1641. Etching; third state of four. Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Painting by Johann Phillip Lembke showing a farmer welcoming two riders, with emphasis on figures, gesture, and rural setting, using brown brush and laved technique.

Shepherd Playing a Flute. Nicolaes Berchem, the Elder; Dutch, 1621/22-1683. Date: 1644-1645. Dimensions: 185 x 139 mm. Etching in black on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Claes Pietersz. Bercham.

In an arena, a man is impaled on the horn of a bull. Possibly the bullfighter (torero) Pepe-Hillo. Several men attack the bull with lances. Top right: F., Man impaled on the horn of a bull Mort de Pepe Illo Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 243 mm × w 351 mm

The Hague, Wtenbrouck, Moyses van, Mercurius punishes Battus, verso lower left - stamped, Battus is on his knees in a defensive position before Mercurius. Because he has not kept his promise, Mercurius will turn him into a stone as punishment. Scene from Ovid's Metamorphoses (Met. II, 704-707)., print, prints, height 127 mm, width 149 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, papier, etching, engraving, engraving (printing process)

Turbaned Soldier on Horseback. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1624-1634. Dimensions: 80 x 56 mm (image/plate); 81 x 57 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Woman and LadenDonkey. Etcher: Gilles Demarteau, Flemish, active in France, 1722-1776 After: François Boucher, French, 1703-1770

Entry of Maria de Médicis in Amsterdam (plate 3), 1638, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Third plate in an unmounted ensemble consisting of a title page, a portrait and seven magazines of the procession. Part of the procession with riders. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

Paris, Merlen, Jacques van, Bella, Stefano della, Various figures and scribbles, Cripples and other people, verso - stamped, Cripples and other figures in a landscape., print, prints, height 56 mm, width 56 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, French, 1616-12-15 - 1682-06, publisher

The Holy Family Descending a Path near Shepherds. Dated: 1752/1753. Dimensions: sheet (cut within platemark): 18 x 24.2 cm (7 1/16 x 9 1/2 in.). Medium: etching on laid paper working proof. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

The Good Samaritan, Rembrandt van Rijn, 1633 print paper etching / drypoint the good Samaritan (Luke 10:30-37)

Germany, Wolf, heirs Jeremias, Umbach, Jonas, Augsburg, Boy playing the Waldhoorn, Resting shepherd playing a horn, verso lower right - stamped, A shepherd, resting on the ground in a landscape, playing a large horn., print, prints, height 143 mm, width 110 mm, German, 1624 - 1693-04-28, print maker, printmaker, 1634 - 1693, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Jacques Callot (1592-1635). "The whims, the peasant carrying his bag. Thirty-theth number of the suite of 50 pieces engraved in Nancy" (Lieure 458, Meaume 827). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-1 Etching, engraving

Four women walking alongside four cows; plate from 'Repraesentatio Der Fürstlichen Auffzug und Ritterspil... Herrn Johann Friderichen Hertzogen zu Württenberg und Teckh... und Fürstin Barbara Sophien ...' Stuttgart, November 6, 1609 1611 Balthasar Küchler Loose plate from 'Repraesentatio Der Fürstlichen Auffzug und Ritterspil... Herrn Johann Friderichen Hertzogen zu Württenberg und Teckh... und Fürstin Barbara Sophien...' Written by Johann Ottinger with etchings by Balthasar Küchler, the book celebrates the magnificent wedding of Johann Friedrich, duke of Württemberg, and Barbara Sophie, margravine of Brandenburg, held in Stuttgart on November 6, 1609.For bound copy, see 39.6.2. Four women walking alongside four cows; plate from 'Repraesentatio Der Fürstlichen Auffzug und Ritterspil... Herrn Johann Friderichen Hertzogen zu Württenberg und Teckh... und Fürstin Barbara Sophien ...' Stuttgart, November 6, 1609. Balthasar Küchler (German, died 1641). 1611. Etching

Le Labourage(Plowing). Artist: Charles-Émile Jacque, French, 1813-1894

France, French Crown, Langlois, François, Bella, Stefano della, Varie figure, Diverse figures, Shepherd with three cattle in a landscape, verso - stamped, print, prints, height 105 mm, width 155 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Giovanni Domenico Tiepolo, The Marriage of Angelica and Medoro The Marriage of Angelica and Medoro

John La Farges 1849 Sketchbook, supplemented by his son, Bancel in 1875-1878; 32 pages and covers. Artist: John La Farge, American, 1835-1910, M.A. (HON.) 1896 Artist: Bancel La Farge, American, 1865-1938

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), two bedrooms lying, one tour to the right, the other to the left. Twelfth number of a suite of 13 pieces (A. de Vesme 115. Dutuit 85) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The peasant wagon, Caspar Luyken, 1682 - 1708, Possibly design for a print., draughtsman: Caspar Luyken, 1682 - 1708, paper, pen, brush, h 150 mm × w 173 mm

BOLIVAR, Simón (Caracas,1793-Santa Marta,1830). Militar y estadista venezolano llamado "el Libertador". "CARRUAJE FUNEBRE DE BOLIVAR" (sin fecha) de Carmelo FERNANDEZ. Grabado, 14,5x23 cm. Representación de Simón Bolívar. Colección Malcom Deas. Oxford. Reino Unido.

Drawing of Group of Centaurs 18th century Anonymous, French, 18th century French. Drawing of Group of Centaurs 356275

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