Equestrian Art Studies

Drawings and prints focusing on horses and riders, blending action and technique with historical contexts in equestrian culture.

A French Farrier, Theodore Gericault, 1820-1823,

Study sheet with three horsemen and horses Study sheets with figures and horses (series title) Delineationes nonnullae Hominum, Equorum Equitum (series title on object), print maker: anonymous, publisher: Pieter Schenk (I), Amsterdam, 1675 - 1711, paper, etching, h 80 mm × w 154 mm

Aquatint by Francisco Goya from 1816 titled 'La Tauromáquia', depicting Moors using donkeys to defend against bulls with ball-tipped horns in a bullfighting event.

Vignette from the Battle of Milvian early 18th century Bernard Picart Bernard Picart was a successful engraver active in France and the Netherlands. This drawing belongs to a group of studies he made after works by Charles Le Brun, the leading painter and coordinator of royal projects under Louis XIV. Rather than transcribe an entire composition, he used each sheet to study a vignette of a few figures.. Vignette from the Battle of Milvian. Bernard Picart (French, Paris 1673-1733 Amsterdam). early 18th century. Pen and black ink, brush and gray wash. Drawings

Horse Rider, in Walking Gait, Sawrey Gilpin, 1733-1807, British, undated, Graphite on medium, moderately textured, blued white, laid paper,, mounted on, moderately thick, slightly textured, crdam, wove paper, Sheet: 5 3/16 × 7 5/16 inches (13.2 × 18.6 cm) and Mount: 9 × 10 3/8 inches (22.9 × 26.4 cm)

Ridder te paard in wapenuitrusting, anonymous, Sébastien Leclerc (I), in or after 1647 - in or after 1714 print France paper etching / engraving armour. riding a horse, ass, or mule; rider, horseman

Francisco de Goya, Dios se lo pague a vsted (May God Repay You), probably c 1804 Dios se lo pague a vsted (May God Repay You)

A French Farrier, Theodore Gericault, 1820-1823,

Master E.S. (German, active c. 1450-active 1467), The Knight of Men, 1463, engraving

In. Jerzy fighting with the dragon - river; Trzebiecki, Micha (1830-1905), Cengler, Juliusz Faustyn (1828-1886); around 1864 (1864-00-00-1870-00-00);

Winieta do dyplomu upamiętniającego 50-lecie wydania pierwszego dzieła graficznego Adolfa Menzla - 11 ilustracji litograficznych do sztuki J.W. Goethego "Künstlers Erdenwallen". Klinger, Max (1857-1920), graphic artist

Baltasar Carlos on horseback, after Velázquez 1778 Goya (Francisco de Goya y Lucientes) Spanish. Baltasar Carlos on horseback, after Velázquez 397904

Francisco Goya (1746-1828). "Tauromachie - Pl. 30 - Pedro Romero Matando A Toro Parado - H 233 III1". Eat, dry point, chisel and aquatint - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. 30 - Pedro Romero killing Toro Parado - H 233 III1 Confrontation, Aquatint, Arena, Arene, Bull, Bullfighting, Chisel and Aquatinte, Copote, Campote, Dry Point, Ette, Etching, Fight, First Edition, Kill, Matador, Pointe Sêche, Premiere Edition, Public, Spectator, Taureau, Bullfighter, kill, fight, confrontation

unknown artist, A Dangerous Leap, ca. 1850. Pen in brown ink on medium, smooth, cream, wove paper.

Pencil drawing, possibly a copy, by Josef Grassi depicting Lenore riding, showing figure, posture, and motion, dated 1789.

Narcissus, Jacques Christophe Le Blon, 1667-1741, German, active in France, c.1714, Color mezzotint, Sheet: 22 1/4 x 16 1/2 in. (56.5 x 41.9 cm)

James Seymour, 1702-1752, British, Rider With a Draw-Rein, Walking to Left, undated. Graphite on medium, slightly textured, cream, laid paper, mounted on, moderately thick, moderately textured, beige, wove paper.

Casting off the hawk; Luring the hawk' by Stewart Watson, created in 1840. This watercolor depicts scenes related to falconry, featuring falcons and falconers in costume. The artwork reflects themes of education and the tradition of grand tours in Italy

Precise foolishness; Disparate Puntual; Solve disparates (the follies); Los Proverbios (the proverbs). A woman is on the back of a horse balancing on a rope. A large group of spectators. One of the four additional plates made for the series of detarrates.

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Sawrey Gilpin, 1733-1807, British, A Hunting Scene, undated. Graphite on medium, slightly textured, cream laid paper.

Delfos, Abraham, Noordelijke Nederlanden, Worm, Nicolaas van der, Sleigh ride of the Leiden society Veniam Pro Laude in 1776, Seventh sleigh, Northern Netherlands, verso - stamped, The seventh sleigh in the procession. A sleigh with Minerva drawn by a horse and preceded by two persons in Greek clothing. Part of a series of twelve plates (etching before the number and on different paper) of the sleigh ride on 24 January 1776 organised by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the founding of Leiden University (8 February 1575)., print, prent, prints, enten, Frederik Muller Historieplaten, height 227 mm, width 437 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, prentmaker, 1776 - 1776, paper, etching, etchings, 1731-03-08 - 1820-07-13, intermediary draughtsman

labrando,Narcís Puget Viñas, dibujo al carboncillo,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, balearic islands, Spain.

Honoré Daumier (French, 1808 - 1879). La Jument du Prince et le Chien de la Princesse, 1834. Lithograph on white wove paper. Image: 181 mm x 325 mm (7.13 in. x 12.8 in.).

Reproduction of a painting: Juliusz Kossak (1824-1899), Once; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Cogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring), Plate 8 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

'Scraps', no. 35: Mounted Mameluke with Bamboo Spear, Henry Thomas Alken, 1785-1851, British, undated, Graphite and red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 13/16 × 9 1/4 inches (17.3 × 23.5 cm), bamboo, cape, galloping, genre subject, horse (animal), horseback riders, horseback riding, Mameluke, man, military art, soldier, spear

Freedom makes them jump. (IT)

Easing the Curb 1869 Sir John Tenniel British. Easing the Curb 361858

Artist: Felix O. C. Darley, American, 1822-1888, (Crossing thePlain), Engraving, steel. black and white, sheet: 32 × 44.2 cm (12 5/8 × 17 3/8in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Francisco de Goya (1746-1828), yet another crazy action in the same arena, 1815-1816

TAUROMAQUIA 10 - CARLOS V LANCEANDO UN TORO EN LA PLAZA DE VALLADOLID - 1815-1816 - DIBUJO PREPARATORIO. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. CARLOS V (CARLOS I). Charles I (V of the Holly Roman Empire).

Se defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

A Horseman in a Landscape: Probably a Study for "Theophilus Levett Fox-hunting in Wychnor Park". Date/Period: 1814. Drawing. Brown ink on medium, moderately textured, cream wove paper. Height: 251 mm (9.88 in); Width: 349 mm (13.74 in). Author: James Ward.

Francisco Goya (1746-1828). "Tauromachie - Pl. 21 - Desgracias Acaecidas en El tendido de la Plaza de Madrid y Muerte del Alcalde de Torrejon - H 224 III1". Eat, dry point, chisel, aquatint and wash, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - PL. 21 - misfortunes that occurred in the laying of the Plaza de Madrid and death of the mayor of Torrejon - H 224 III1 Confrontation, Aquatint, Aquatinte and Lavis, Arena, Arene, Bull, Bullfighting, Burin, Chisel, Corida, Dry Point, Eau-Torma, Etching, Fight, First Edition, Massacre, Pointe Sêche, Premiere Edition, Public, Spectator, Taureau, Bullfighter, wash drawing, fight, confrontation

Disparate puntual (Punctual Folly), unnumbered plate from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

$Attacking a bull with lances, Dzids in the shape of a half -yca, Banderillami and Inn defends (Desjarrete de la canalla con lanzas, Medias-Lunas, Banderillas y Otras Armas); Calcograph \ '\ ia Nacional (Madrid; 1789-), Agua, Perez (Flow. Ca 1905), Ríos, Ricardo de Los (1847-1929), Goya, Francisco de (1746-1828); 1905 (1905-00-00-1905-00-00);Spain, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, bulls, Corrida$

Man Assisting a Woman to Mount a Horse, with Two Other Figures and a Dog 1762-1844 attributed to Giuseppe Bernardino Bison Italian. Man Assisting a Woman to Mount a Horse, with Two Other Figures and a Dog 338224

Mort de Pepe Illo (Death of Pepe Illo, 3rd Composition), Plate F from La tauromaquia (thirdedition). Artist: Francisco Goya, Spanish, 1746-1828

Horses. Artist: attributed to Francesco Allegrini (Italian, Cantiano () 1615/20-after 1679 Gubbio ()). Dimensions: 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm). Date: 1624-63. Museum: Metropolitan Museum of Art, New York, USA.

Two cavalrymen, 1864, drawing on tan paper pencil, 26.0 x 21.0 cm. (sheet), 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Sir Robert Kerr Porter, 1777-1842, British, A French Dragoon, ca. 1810. Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper.

Rodrigo Díaz de Vivar Verwondt Een Stier, Francisco de Goya, 1876 print The Spanish knight Rodrigo Díaz de Vivar, nicknamed El Cid Campeador, is bothering his fool of a bull. Numbered at the top right: 11. print maker: Spainpublisher: Paris paper etching knight. bullfight. bull. riding a horse, ass, or mule; rider, horseman

Edelfelt, Albert, work, Sketch book, pencil, chalk, marker and ink border, drawing, 22.5 cm x 29.5 cm, Edelfelt, Albert, pencil, chalk, marker and ink border, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Suerte III: Picador stabbing a bull; two toreros running to right. Artist: Anonymous, Spanish 19th century; After Antonio Carnicero (Spanish, 1748-1814). Dimensions: Sheet: 8 11/16 × 12 5/8 in. (22 × 32 cm). Date: ca. 1850-80.Copied from a print in Carnicero's series of etchings 'Colección de las principales suertes de una corrida de toros' (Collection of the main actions in a bullfight) published 1787-90. Museum: Metropolitan Museum of Art, New York, USA.

Bella, Stefano della, Various cavalry exercises (copy), Various cavalry exercises, Horseman on horseback leading the troops, verso - stamped, print, prints, height 75 mm, width 60 mm, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by, 1620 - 1664, paper, papier, etching, etchings, print maker, printmaker

Two horses. Armand Guillaumin (1841-1927). Two horses. Black stone and pastel on paper. Museum of Fine Arts of the city of Paris, small palace.

Woodcut by Hans Burgkmair depicting a segment labeled 'Run it' in Emperor Maximilian I's triumphal procession, showing figures, horses, and gestures, originally printed 1526, reissued 1796.

This woodcut by Leonhard Beck, first published 1526, depicts the triumphal procession of Emperor Maximilian I, featuring a Reichs-Trumpeter, showing figures, gestures, and ceremonial arrangement.

Ninaber van Eijben, Toon, Toorop, Jan, Man on white horse at sea, recto lower right - handwritten, print, prints, verso - stamped, Annie Toorop-Hall, height 159 mm, width 172 mm, Dutch, 1858-12-20 - 1928-03-30, print maker, printmaker, 1898 - 1898, paper, papier, drypoint, dry needle, plaattoon, 1896-12-21 - 1977-04-19, printer, drukker, 1928 - 1928

Francisco de Goya y Lucientes / 'Manly courage of the notorious Pajuelera in the bullring at Zaragoza'. 1814 - 1816. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Four sketches of the figure of a man in a hat, sketch of the head and silhouette of a soldier, two sketches of a rider, sketch of a couple; verso: two sketches of sitting men in Spanish costumes, sketch of the figures of a man and lady. Czachórski, Stanisław (1853-1904), draughtsman, cartoonist

Woodcut by Hans Burgkmair the Elder depicting Emperor Maximilian I.'s triumphal procession, featuring a falconer with falcons and an eagle owl.

Henry Thomas Alken, 1785-1851, British, "Scraps", no. 33: Mounted Mameluke Brandishing a Sword, 1823. Graphite and red chalk on medium, slightly textured, blued white, wove paper.

Sketch sheet with naked man, holding two horses in check. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 195 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Study for the Trivulzio Monument by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Plate 33 from the 'Tauromaquia': The unlucky death of Pepe Illo in the ring at Madrid. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 11/16 × 13 3/4 in. (24.6 × 35 cm)Sheet: 12 1/8 × 17 1/4 in. (30.8 × 43.8 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut by Hans Burgkmair the Elder depicting Hirschjägermeister Conrat von Rot in Emperor Maximilian Is triumphal procession, showing figure, attire, and procession details.

Slapende man en ruiter.Ninth print from a series of nineteen with faces in the Amsterdam area. In a landscape a sleeping man and a rider with horse. In the background three walking figures.

Drawing reproduction: Juliusz Kossak (1824-1899), Kościuszko under Rac Avice; Z: " Wiatr" 1894, No. 1, p. 13; Husnik & häusler (Praga; Reprographic Zak 1888-1936), Wiatr (Kraków; magazine; 1888-1895); 1894 (1850-00-00-1875-00-00);

Deux chèvres couchés. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Ten miners on their way to work, Karl Meunier, After Constantin Emile Meunier, 1874 - 1894 print paper etching miner

Thomas Rowlandson, 1756-1827, British, An English Postilion, ca. 1785. Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, beige, laid paper, mounded on, thick, moderately textured, beige, laid paper.

Equestrian statue of Prince Joseph Poniatowski unknown

Trojden, KSI Czerski; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

The kidnapping horse, Francisco de Goya, 1864 print A woman is lifted by a prancing horse in her clothing. A woman is eaten by a monster on the left in the background. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching / drypoint horse. abducting. adult woman

Cyclist on a path along a meadow. Draughtsman: Gerrit Willem Dijsselhof. Dating: c. 1904 - c. 1906. Measurements: h 124 mm × w 179 mm. Museum: Rijksmuseum, Amsterdam.

Clash of Native Americans in 1847, painting by an unknown artist from the American school. Native American Civilization, United States, 19th century.

Alphonse Legros, Milkmaid of Boulogne, 1st plate (Laitiere a Boulogne) Milkmaid of Boulogne, 1st plate (Laitiere a Boulogne)

Man Spiek on the Horn of a Taurus, Francisco de Goya, 1876 print In an arena, a man is impaled on the horn of a bull. It may be the bullfighter (Torero) Pepe-Hillo. Several men attack the bull with lances. At the top right: F. print maker: Spainpublisher: Paris paper etching Bullfight

A Moroccan horse standing before an arch ca. 1870-73 Mariano Fortuny, 1838-1874 Spanish. A Moroccan horse standing before an arch. Mariano Fortuny, 1838-1874 (Spanish, 1838-1874). ca. 1870-73. Etching. Prints

Filippo Angeli's drawing depicts two ancient warriors, one on foot and one on horseback, executed with feather and lavated shading.

Arrenslee on the ice, Johannes Taventrate, 1840 - 1880 drawing Sleed sleigh on the ice, with a skater who smokes a pipe. paper. ink. watercolor (paint) pen / brush pipe ~ tobacco. horse-sleigh

An English Postilion, Thomas Rowlandson, 1756-1827, British, ca. 1785, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, beige, laid paper, mounded on, thick, moderately textured, beige, laid paper, Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm), Contemporary drawn border: 5 7/16 × 8 1/4 inches (13.8 × 21 cm), and Sheet: 5 1/8 x 7 15/16 inches (13 x 20.2 cm), horses (animals), man, riding boots, riding crop, sporting art

Nude Model Reclining, James Abbott McNeill Whistler, 1893 print A young woman, lying naked on a sofa. London paper symbols of femininity (+ lying)

nowi070330003

19th Century Lithograph - The Surprise ca 1858 .

Henri de Toulouse-Lautrec, L'Entraineur, 1899, lithograph.

Korenbinders, Julien Dupré, 1878 print print maker: Francepublisher: Paris paper etching / drypoint agriculture, cattle-breeding, horticulture, flowerculture, etc.

Drawing, Apollo in Chariot with Aurora and the Hours; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown watercolor washes over traces of graphite on light brown rough paper; 27.8 x 25.8 cm (10 15/16 x 10 3/16 in.)

Netherlands, The Entry of Duke John of Bavaria into Leiden, On 18 August 1420, presented in a masquerade by HH Students of the Leiden University, on 8 February 1840, Masquerade of the Entry of Duke John of Bavaria into Leiden on 18 August 1420 by the Leiden students on 8 February 1840, Procession nos. 73-77, Procession nos. 73-77: knights on foot and knights on horseback. Part of the print series of the Masquerade of the entry of Duke John of Bavaria into Leiden on 18 August 1420 by the Leiden students on 8 February 1840., print, prints, Frederik Muller Historieplaten, height 230 mm, width 345 mm, print maker, printmaker, 1840 - 1840, second quarter 19th century, paper, lithography (technique)

Ridder te paard in wapenuitrusting, anonymous, after Sébastien Leclerc (I), in or after 1647 - in or after 1714 print France paper etching / engraving armour. riding a horse, ass, or mule; rider, horseman

Kids by a Pond. Dated: 1870. Dimensions: sheet: 31.5 × 47 cm (12 3/8 × 18 1/2 in.) plate: 16.5 × 25.5 cm (6 1/2 × 10 1/16 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: FILIPPO PALIZZI.

Don Quixote Attacking the Windmill December 11, 1835 John Doyle. Don Quixote Attacking the Windmill. HB Sketches, No. 420. John Doyle (Irish, Dublin 1797-1868 London). December 11, 1835. Lithograph. Thomas McLean (British, 1788-1875). Prints

Man standing next to two horses. Artist: Abraham Bloemaert. Artist: Boëtius Adamsz. Bolswert. Draughtsman: Moses ter Borch. Dating: c. 1660. Place: Zwolle. Measurements: h 112 mm × w 144 mm; h 153 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam.

Francisco de Goya (1746-1828), the moores of the arena make trouble to attract the bull by their Burnus, 1815-1816

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 210 x 310 mm (image); 250 x 352 mm (plate); 322 x 444 mm (sheet). Etching, burnished aquatint, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

$Fire Banderille (Banderillas de Fuego); Goya, Francisco DE (1746-1828), Calcograph \ '\ ia Nacional (Madrid; 1789-), Ríos, Ricardo de Los (1847-1929), Agua, Perez (Fl. Ca 1905); 1905 (1905-00-00-1905-00-00);Spain, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, bulls, corrida, horses$

A Man Asleep Alongside a Dog and a Horse early 15th century Veronese School, workshop or follower of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian Although scenes from everyday life such as this one are quite rare in surviving drawings of the period, they often appear as details in contemporary paintings and manuscript illuminations from Northern Italy. The sheet, which may originally have belonged to a sketchbook, could represent the artists copy of a portion of a painting or manuscript. While the hatched shading on the contours and physiognomic type derive from Stefano da Verona, the drawing was probably made by a follower of the artist.. A Man Asleep Alongside a Dog and a Horse 459409

A depiction by Anton Strassgschwandtner showing Bedouins, created around 1865.

Two Draft Horses with a Sleeping Driver. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: 11 3/4 x 15 1/16 in. (29.9 x 38.2 cm). Date: 1820-22. Museum: Metropolitan Museum of Art, New York, USA.

Le bûcheron , Woodcutting, Alphonse Legros (1837-1911)

S. Procope, martyr (St. Procopius, Martyr), July 8th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Procope, martyr (St. Procopius, Martyr), July 8th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Hooiwagens, William Rothenstein, 1917 England paper England paper

Joseph Steuart, active 1821, Cavalrymen, etc, 1821. Etching.

French return from Russia, 1812, Anonymous, 1812 - 1815 drawing Cartoon, probably on the French retreat from Russia, 1812. A rider bent forward riding on the skeleton of a horse, death is behind him and embraces him. Behind them signposts to Paris and St. Petersburg. paper. ink pen retreat of the defeated. Death as skeleton (+ Death riding on a horse). political caricatures and satires Russia

La Tauromachie (The Bullfighting) by Francisco Goya (1746 -1828) Spanish romantic painter and printmaker. Dated 1816

Landscape with four putti, Christoph Jamnitzer, 1573 - 1610 print There are two putti in the middle at the foot of a tree. The putto on the left plays on a lute, the putto on the right on a violin. Leaf from a series of flat decorations with grotesken, cartouches, oval, mascarons, putti and fantastic creatures. The series consists of three title magazines, two text magazines with the assignment and the preface and 60 magazines, spread over three books. Germany (possibly) paper etching

Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in1901). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

of 3