Equestrian Hunting Art

Artworks depicting horseback riders engaged in hunting activities, featuring galloping horses, huntsmen, and landscapes in a vintage or sporting art style.

Coach and Six - Watercolour, circa 1790

Henry Thomas Alken, 1785-1851, British, Hunting Discoveries ... Discover that your girts are broken .., 1817. Etching, colored by hand.

Full Cry, Possibly Henry Thomas Alken, 1785-1851, British, or possibly Samuel Henry Gordon Alken, 1810-1894, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm), fence, galloping, horseback riders, horseback riding, horses (animals), jumping, landscape, men, sporting art, trees

Hunting, Shooting, etc. set of six: 1. 'Give ye Britons then', Samuel Howitt, 1756-1822, British, 1794, Aquatint, Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)

Sawrey Gilpin, 1733-1807, British, Horse Rider, in Walking Gait, undated. Graphite on medium, moderately textured, blued white, laid paper,, mounted on, moderately thick, slightly textured, crdam, wove paper.

Drawing Cover. Painting. Watercolor. Height: 111 mm (4.37 in); Width: 170 mm (6.69 in). Author: Thomas Rowlandson.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Racing: Rosette. The Property of Henry Peirse Esq., William Ward, 1766-1826, British, after Robert, Frankland, baronet, 1784-1849, British, 1811, Mezzotint, printed in color, Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)

Hablot Knight Browne, 1815-1882, British, I am not learned in Vaccine Matters - but I think those look like Charley's Calves, Undated. Black chalk and watercolor on moderately thick, moderately textured, gray laid paper.

Coach and Six - Watercolour, circa 1790

Charging an Ox-fence, plate three from Indispensable Accomplishments. Sir Robert Frankland (English, 1784-1849); published by Hannah Humphrey (English, c. 1745-1818). Date: 1811. Dimensions: 190 × 270 mm (image); 214 × 294 mm (plate); 230 × 325 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Pink Coated Rider 1827 England. Watercolor and graphite on paper . Henry Alken

'The Triumphal entrance of a Peck loaf into Grandchester', c1787. Creator: Unknown.

Possibly Henry Thomas Alken, 1785-1851, British, The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country, undated. Watercolor, graphite, gouache, with pen, in brown ink, and black ink on moderately thick, slightly textured, beige, wove paper.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Three if on the road; Brodowski, Tadeusz (1821-1848); 1838 (1838-00-00-1838-00-00);Purchase (provenance)

Hunting Discoveries ... Discover when half over the next field ..., Henry Thomas Alken, 1785-1851, British, 1817, Etching, colored by hand, Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)

Apparators of Gozo island; Costume de Ghozo; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

The Babes (or Children) in the Wood. Orphaned Babes taken off to be murdered by ruffians hired by wicked uncle. Illustration by Randolph Caldecott (1846-86) for the ballad of c1600.

Dumos, F. .

William Ward, 1766-1826, British, Racing: Thornton Castle and Thorntoniana, both the property of Lt. Col. Thornton, 1808. Mezzotint with coat of arms in center of caption.

Thomas Rowlandson, Going Out in the Morning, published 1786 Going Out in the Morning

Fox-hunting John Mytton, Esquire, Halston, Salop, William Giller, 1805-ca. 1868, British, after William Webb, ca. 1780-1845, British, 1841, Aquatint, hand-colored, Sheet: 18 1/2 x 24 1/8in. (47 x 61.3cm)

Full Cry, Henry Thomas Alken, 1785-1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm), dogs (animals), farm, fields, fox (animal), fox hunting, galloping, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, landscape, men, sporting art, town, whips (animal equipment)

An English Postilion. Date/Period: Ca. 1785. Painting. Watercolor. Height: 171 mm (6.73 in); Width: 233 mm (9.17 in). Author: Thomas Rowlandson.

The Hague, Tethart Philip Christian, Netherlands, Equestrian portrait of Wilhelmina of Prussia, verso center - stamped, photograph, photo, prints, Orange portraits, height 149 mm, width 118 mm, photographer, 1850 - 1930, photographic paper, photo paper, daylight collodion silver print, 1737 - 1812-08-03

Fox Hunting. 2. Going into Cover, Edward Bell, active 1794-1847, after George Morland, 1763-1804, British, 1800-1801, Mezzotint, printed in color and hand colored, Sheet: 21 3/4 x 26 7/8in. (55.2 x 68.3cm)

Samuel Howitt, 1756-1822, British, The Check, undated. Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper.

Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery, John Frederick Herring, 1795-1865, British, before 1847, Oil on canvas, Support (PTG): 28 x 36 inches (71.1 x 91.4 cm), black, brown, hats, horses (animals), jockeys, men, sporting art

Sawrey Gilpin, 1733-1807, British, Flying Christian From the Life, 1760. Graphite on medium, moderately textured, beige, laid paper.

Hobby Horse. Dated: 1935/1942. Dimensions: overall: 54.7 x 60.2 cm (21 9/16 x 23 11/16 in.) Original IAD Object: 30" long; 26" high; 7 1/2" wide. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Alfred Diston, active 1818-1829, Supreme Bon Ton of Tenerife, undated. Graphite, pen and black ink and graphite on medium, slightly textured, cream wove paper.

'Westminster Races:' - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced ), Isaac Cruikshank, 1756-1810, British, 1784, Etching, hand-colored, Sheet: 6 15/16 x 13 1/4in. (17.6 x 33.7cm)

Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings. Date/Period: 1773. Painting. Oil on canvas. Height: 902 mm (35.51 in); Width: 1,219 mm (47.99 in). Author: Thomas Stringer.

Antinous and Pilkington, Stubbs, George

Fores's National Sports: Racing - Returning to Weigh, John Harris, 1811-1865, British, after John Frederick Herring, 1795-1865, British, 1866, Aquatint, hand-colored, Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)

THE HARROW STEEPLE CHASE, THE LAST BROOK

Topping a Flight of Rails and Coming Well into the Next Field, Henry Thomas Alken, 1785-1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, wove paper, Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm), equestrians, fences, fields, horses (animals), hunting dogs, jumping, sporting art

Apparators of Gozo island; Costume de Ghozo; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

J.-Louis Darcis, L'inconvénient des perruques, 1778-1801, hand-colored engraving and stipple engraving on laid paper.

Henry Thomas Alken, 1785-1851, British, Morning Ride, between 1822 and 1823. Graphite and watercolor on thin, smooth, blued white, wove paper.

Équitation boutiquière. Honoré Daumier (1808-1879). Lithographs

Both, Rzianna, Horpyna and Czeremis in Jar for Waladynk, Illustration to Henryk Sienkiewicz's "Fire and Sword"; Piotrowski, Antoni (1853-1924); 1901 (1901-00-00-1901-00-00);Horpyna (lit.), Rzędzian (lit.), Sienkiewicz, Henryk (1846-1916). With Fire and Sword, Ukraine, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Witke-Jeżewski, Dominik (1862-1944)-stamp, XVII century (history), XVII century (costume), Zagłoba, Jan Onufry (lit.), peasants, ethnography, riders, Poland (culture), illustration projects, Polish drawings, purchase (provenance), collection signs

Samuel Howitt, 1756-1822, British, Going to Cover, undated. Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper.

Reproduction of a painting: Chełmiński, Jan (1851-1925), Noble court during travels, from the times of Augustus III of Poland; from: "Kłosy" 1881, no. 857, vol. XXXIII, p. 348. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Chełmiński, Jan (1851-1925), draughtsman, cartoonist, Aarland, W., woodcutter

Euxton, with John White Up, at Heaton Park, John Ferneley, 1782-1860, British, 1829, Oil on canvas, Support (PTG): 40 x 50 inches (101.6 x 127 cm), breeches, equestrians, fields (agricultural land), hats, hills, horses (animals), jockeys, landscape, men, portrait, riding boots, tailcoats, top hat, trousers, vest, waistcoat, England, Europe, Manchester, United Kingdom

The Prairie hunter / One rubbed out!”. Artist: Nathaniel Currier, American, 1813-1888 After: Arthur Fitzwilliam Tait, American, 1819-1905

'Voltigeur and the Flying Dutchman', 1847-1874, (1911). Artist: Unknown.

Frederick William III King of Prussia, Print made by Charles James Canton, active 19th century, British, 1815, Etching hand-colored with watercolor on thin, smooth, beige wove paper, Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm), historical subject, horse (animal), king (person), portrait, soldiers

Cecil Charles Windsor Aldin, 1870-1935, British, Up and Over, undated. Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream, wove paper.

Scenes From a Steeplechase: Another Hedge. Date/Period: Ca. 1845. Painting. Oil on canvas. Height: 254 mm (10 in); Width: 356 mm (14.01 in). Author: Henry Thomas Alken.

Lady bareback rider performing at Franconi's in the Capucine Gardens, Paris. From Lacroix Directoire, Consulat et Empire, 1795-1815. Paris, 1894.

Charles Hamilton Smith, 1776-1859, Belgian, The Bornou Race, ca. 1837. Watercolor, graphite, pen and gray ink and black ink on medium, slightly textured, cream, wove paper.

Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings Lord Bulkeley and his Hunt Servants Signed and dated in red paint, lower left: "T. S. Feb. 1773", Thomas Stringer, 1722-1790, British

Reproduction of a painting: Wojciech Kossak (1856-1942), Portrait of Miss W. (); excerpt from a magazine. unknown, publisher

Hunting Scene. Henry Alken; English, 1785-1851. Date: 1805-1851. Dimensions: 108 × 153 mm (sheet). Watercolor, over graphite, on cream wove paper, laid down on gray wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: HENRY ALKEN.

The Jockey, 1899. Henri de Toulouse-Lautrec (French, 1864-1901). Color lithograph;

Plate 1 of 6 Satirical Cartoon, Birmingham Bag Man: First Journey, 24, 10, 1792 Engraver: Edward Hedges Cornhill, Social history, Topographical Views, Printing, Engraving, Satire, Birmingham history, Hand-Tinted

Currier & Ives Illustration 19th Century. Mac and Zachary Taylor (oil painting by H. Delattre from which the print was made)

Austrian Peasants with a Horse and Cart, with Vienna in the Distance; Johann Adam Klein (German, 1792 - 1875); Germany; 1816 - 1818; Watercolor over graphite (recto); graphite (verso); 13.5 x 20.1 cm (5 5,16 x 7 15,16 in.)

Coaching: His Majesty King George IV. Travelling - View Hyde Park., Matthew Dubourg, active 1786-1838, British, after James Pollard, 1792-1867, British, 1821, Aquatint, hand-colored, Sheet: 14 13/16 x 19 5/8in. (37.6 x 49.8cm)

REPRESENTACION DE SEVILLA - ORIGENES GANADEROS DE LA FERIA DE ABRIL DE SEVILLA - MOSAICO DE LA PLAZA DE ESPAÑA DE SEVILLA - SIGLO XX. Location: España Square. Sevilla. Seville. SPAIN.

A man sitting backwards on his horse. coloured lithograph.

Amazon woman. Juliusz Kossak (1824-1899), painter

On a bitter January morning Duke Henry and King Stephen confer across the Thames. They met alone, at a narrow part of the Thames and there conversed for a long time together: agreeing in the end to a truce, during which lasting peace might be arranged. 1153

Charles L. Zellinsky, Potomac and Masher, 1891, lithograph on paper.

Going to Cover. W. H. Temple; British, active 19th century. Date: 1865. Dimensions: 127 × 177 mm. Pen and brown ink on cream wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol) 1899 Henri de Toulouse-Lautrec French The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. Fin-de-siècle Paris hosted an assortment of professional circuses, and Lautrec frequented them all. He was personally drawn to circus performers-those colorful equestrians, animal trainers, clowns and acrobats on society's "fringes." It was while undergoing treatment for alcoholism at a sanitarium on the outskirts of Paris in 1899 that Lautrec produced an ambitious group of crayon/chalk drawings of circus figures. These imaginative sketches were drawn entirely from memory, without recourse to preliminary studies. The Lehman horse and rider perform the "pas espagnol", the ambling gait formalized by the Spanish Riding School of Vienna. It was thanks to these circus drawings that Lautrec ear

George Harley Drummond (1783-1855) ca. 1808-9 Sir Henry Raeburn British, Scottish The sitter, dressed in riding clothes, is George Harley Drummond of Stanmore, Middlesex, and Drumtochty. He married in 1801 and his son George, shown in The Drummond Children (50.145.31), was born in 1802. The foreshortened view of the grazing bay horse is the most complex part of the composition, though not the most important. It is curious, therefore, that the animal's hindquarters should be so prominently displayed.. George Harley Drummond (1783-1855) 437355

Jan Skotnicki (1876-1968), child on a horse; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

Stubbs, George (1724-1806) National Gallery, London Painting 82,5x101,6 Landscape,Genre A Gentleman driving a Lady in a Phaeton

Cast a shoe drawings, works on paper

Reproduction of a painting: Juliusz Kossak (1824-1899), Reaping; excerpt from a magazine. Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, unknown, publisher

Watercolor by Johann Nepomuk Höchle showing a Dervish figure in a gold-colored depiction of Salzburg, emphasizing architecture and costume.

Cecil Charles Windsor Aldin, 1870-1935, British, Full Cry, undated. Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream, wove paper.

Constitutional, Adelaide Claxton, 1858-1905, British, undated, Graphite on medium, slighlty textured, cream wove paper mounted to thick, slightly textured, gray board, Sheet: 3 1/2 × 3 1/2 inches (8.9 × 8.9 cm), dress, genre subject, horses (animals), men, top hat

W.v.Kobell,Berittener Jaeger am Tegernsee - -

Milk Woman. oil on canvas. Date: ca. 1890-1892. Museum: Smithsonian American Art Museum.

After Henry Stull, Salvator, 1890, photogravure on paper.

fine arts, Kobell, Wilhelm von, (1766 - 1855), painting, ""Reiter am Tegernsee"", (""rider on lake Tegernsee""), Oskar Reinhart museum, Winterthur,

FORTUNY I MARSAL, Mariano (1838-1874). Hunting Scene. 1857. Romanticism. Oil on canvas. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Leven and Melville. Ronald Ruthven Leslie-Melville (Scottish,1835 - 1906)

"Terra Cotta". From Kinney Bros, Album of Celebrated Running Horses, Illustrated souvenir book. 1888

Sorcière; Adrien Alban Tournachon (French, 1825 - 1903); France; 1860; Salted paper print; 17.7 × 23.5 cm (6 15,16 × 9 1,4 in.)

Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner, John Harris, 1811-1865, British, after James Pollard, 1792-1867, British, 1837, Aquatint, hand-colored, Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)

Géricault, Théodore (n.1791-09-26-D.1824-01-26), brown horse in the stable (main title), 1818. Oil on glued paper on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed on paper, Frieze shows mounted hunters in red coats, with hound dogs, against a landscape background, with deep red foreground. Printed in upper margin: Carey Bros. W.P. Mfg. Co.' Intended for use in alternation with 1938-50-18., Philadelphia, Pennsylvania, USA, 1900-05, Wallcoverings, Frieze

Currier & Ives, Delaying a Start, 1881, lithograph on paper.

Young-Performer. Adrien Alban Tournachon (French, 1825 - 1903)

The Barnyard. Dated: late 19th century. Dimensions: overall: 60.9 x 82 cm (24 x 32 5/16 in.) framed: 77.1 x 97.5 x 6.6 cm (30 3/8 x 38 3/8 x 2 5/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Amzi Emmons Zeliff.

Bull Presented to King, Carter, J.H.

Rebiza. Adrien Alban Tournachon (French, 1825 - 1903)

Reproduction of a painting: Chełmoński, Józef (1849-1914), Ploughing; from: "Tygodnik Ilustrowany" 1897, II, 563. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Demri; Adrien Alban Tournachon (French, 1825 - 1903); France; 1860; Salted paper print; 16.7 × 22.1 cm (6 9,16 × 8 11,16 in.)

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