Equestrian Hunting Scenes

Watercolor illustrations of equestrian activities including hunting, featuring riders in pursuit and capturing the thrill of the chase in detailed settings.

Passing The Stand 1855 Currier & Ives (1834-1907 American)

Henry Thomas Alken, 1785-1851, British, Two Riders Jumping a Wooden Fence, undated. Graphite and watercolor on medium, slightly textured, blued white, wove paper.

Sawrey Gilpin, 1733-1807, British, Hunting: The Meet, undated. Pen, in brown ink, and graphite on medium, slightly textured, cream, laid paper.

Henry Thomas Alken, 1785-1851, British, Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts', undated. Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, blued white, wove paper.

unknown artist, Morning, 1799. Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper.

David Allan, 1744-1796, British, born in Scotland, The Highway Robbery, undated. Watercolor, pen, and black ink on medium, sightly textured, cream laid paper.

Scene from "Don Kiszota": meeting Don Quixote with Dulcyne; Andrieux, Clément-Auguste (1829-1881); around 1859 (1865-00-00-1875-00-00);Andrieux, Auguste Clément (1829-1880) - legacy, Don Kiszot (lit.), Dulcynea (lit.), Society of the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, illustrations, riders, ducks, women, horses, men , French drawings, genre scenes

Paul Sandby RA, 1731-1809, British, A Good-bye, undated. Graphite and brown wash on medium, cream, slighlty textured laid paper.

Station of William IV, 1752, plate 2, Jan Punt, 1752

Passing The Stand 1855 Currier & Ives (1834-1907 American)

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

Pieter Nolpe, Entry of Marie de Medici into Amsterdam (plate 6 of 6), 1639 Entry of Marie de Medici into Amsterdam plate 6 of 6

Joan of Arc, c. 1889. Ernest Meissonier (French, 1815-1891). Graphite, red chalk, colored washes, and black and white gouache; sheet: 18.8 x 30.3 cm (7 3/8 x 11 15/16 in.).

The return of post horses . Adam, Victor Jean Vincent (1801 1866), Tessari et Cie (Salyż), Lemercier Tessari

'The Bibury Meeting', early 19th century, (1922). Artist: C Turner.

Plate I, from the series Colección de las principales suertes de una corrida de toros (Collection of the Main Actions in aBullfight). Artist: Antonio Carnicero, Spanish, 1748-1814

Women in a Carriage 19th century Constantin Guys French. Women in a Carriage. Constantin Guys (French, Flushing 1802-1892 Paris). 19th century. Pen and brown ink, brown, gray and black wash. Drawings

Migrants. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 5 11/16 x 9 3/8 in. (14.5 x 23.8 cm). Date: 1780-1827. Museum: Metropolitan Museum of Art, New York, USA.

Flight into Egypt 1848 Charles Jacque. Flight into Egypt. Charles Jacque (French, Paris 1813-1894 Paris). 1848. Drypoint, before first state. Prints

Mohort Kossak, Juliusz (1824 1899)

'Sporting Notions': 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself', Henry Thomas Alken, 1785-1851, British, between 1831 and 1832, Graphite and red chalk on medium, moderately textured, blued white wove paper, Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm), death, grief, horses (animals), men, sporting art, wagon, whip

Leiden, Gebhard & Co, JH, Hazenberg Corns Zoon, J., The Hague, Blommers, P. (Lithographic printing house of), Netherlands, Jonge, Jan Karel Jacob de, Last, Carel Christiaan Antony, Procession of Frederik Hendrik into 's Hertogenbosch in 1629: costumed representation by the HH students of the Leiden University on 11 June 1850, Masquerade of the Leiden students, 1850 (plate 4), Historical costumed procession of the students of the Leiden University on 11 June 1850. The procession depicts the entry of Frederik Hendrik into 's Bosch in 1629. Fourth plate with the groups numbered 35-41. Part of the series of thirteen sheets pasted together., text sheet, books, Frederik Muller Historieplaten, height 285 mm, width 750 mm, Dutch, 1808-12-11 - 1876-12-17, print maker, printmaker, 1850 - 1850, paper, papier, lithografie (techniek), 1828-06-17 - 1880-03-15, intermediary draughtsman, after a drawing by, printer, drukker, Publication (Event), Publicatie, publisher

Print, Plate 9, from "Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy

"Four-in-Hand". Dimensions: sheet: 22 5/16 x 31 3/8 in. (56.7 x 79.7 cm)image: 17 9/16 x 27 7/8 in. (44.6 x 70.8 cm). Publisher: Currier & Ives (American, active New York, 1857-1907). Date: 1861. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Rowlandson, The Death of the Fox, published 1786 The Death of the Fox

First Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The first sled in the parade. A Frisian sledge with a stable master preceded by two riders in Harnas with Toortsen. Part of a series of twelve plates (before the number and on other paper) of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second centenary of the Leiden Relief (October 3, 1574) and the establishment of The University of Leiden (8 February 1575). Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Return from the Fair According to Kazimierz Wydchowski. Cleastle from Tygodnik Ilustrowany 1869 (1) 201 Skorski, Konstanty (Fl. 1865 1882), Zezchowski, Kazimierz (1838 1917)

The Start of the Race. Alfred. F. de Prades (fl. 1862-1879). Oil on canvas. Dated 1862. 53.3 x 114.9cm.

'Sporting Notions': 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion I've Worked so Hard that I Hav'nt a Notion in Me', Henry Thomas Alken, 1785-1851, British, between 1831 and 1832, Graphite with red chalk on medium, slightly textured, blued white, wove paper, Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm), hat, hill, horseback riders, horseback riding, horses (animals), men, plants, pulling, pushing, reins, sporting art

The Storm 1866 France. Etching, drypoint, roulette, and burin on paper . Charles Émile Jacque

The Sporting Parson: 'Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!', Hablot Knight Browne, 1815-1882, British, undated, Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper, Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm), caricature, churchyard, fence, field, horseback riders, horseback riding, horses (animals), hunt, hunters, hunting, jumping, landscape, men, parson, sporting art, whips (animal equipment)

The Heralds, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, blued white, laid paper, Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm), feathers, heralds, horn, horses (animals), men, military art, riders, horseback

Della Bella, Stefano (known as Étienne de la Belle) (n.1610-05-18-D.1664-08-22), a cannon dragged by many horses on land that goes up to the left. Fourth issue of a suite of 12 pieces (A. de Vesme 249. Dutuit 92) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Henry Thomas Alken, 1785-1851, British, "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass, undated. Watercolor, with pen, in brown ink and black ink, over graphite on medium, slightly textured, cream, wove paper.

Drawing. Draughtsman: H. Rolland. Dating: c. 1775. Place: Japan. Measurements: h 27.2 cm × w 76.3 cm. Museum: Rijksmuseum, Amsterdam.

Marie de'Medici's Entry Into Amsterdam in 1638. The procession in which Maria de Medici did her entry into Amsterdam, on August 31, 1638: De Karos with Maria de "Medici and the Princess of Orange Amalia of Solms; For the carriage two times two horses and one with a driver; Aside from the procession a horseman hedge.

James Pollard, 1792-1867, British, Racing set of four: 2. At the Post, 1821. Hand colored etching.

John Harris, 1811-1865, British, Coaching: The Right Sort, 1863. Aquatint, hand-colored.

Night ride according to the drawing of Alfred Wierusz Kowalski. A clipping of ears 1879 (2) 393 Wierusz Kowalski, Alfred (1849 1915), Gorazdowski, Edward (1843 1901)

Entry of Maria de Medici in Amsterdam The Netherlands (plate 4), 1638, Pieter Nolpe, Jan Martszen de Jonge

Carriage and riders Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Carriage and riders in wood. Feather, ink bistur, watercolor wash.

Harvesters Resting in a Corn Field, Thomas Rowlandson, 1756-1827, British, between 1805 and 1810, Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm), barrel (container), cornfield, dog (animal), hills, landscape, men, trees, women

Thomas Ross, active from 1753, British, Netting Partridges, ca. 1750. Pen and black ink, gray ink, and gray wash on Medium, slightly textured, cream, laid paper.

Man and masked woman on horseback. Draughtsman: Gesina ter Borch (signed by artist). Dating: 1660. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig, unknown artist, ( English School ) nineteenth century, ca. 1860, Graphite on medium, slightly textured, laid paper, Sheet: 6 5/8 × 10 3/4 inches (16.8 × 27.3 cm) and Frame: 12 3/4 × 16 3/4 × 3/16 inches (32.4 × 42.5 × 0.4 cm), animal art, carriage, genre subject, horse (animal), horses (animals), lady, road, sporting art, wagon

Richard Earlom, 1743-1822, British, Labourers, 1790. Mezzotint, second state, finished proof.

Thomas Rowlandson, 1756-1827, British, Mother Bundle in a Rage or Too late for the Stage, ca. 1809. Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, blued white, laid paper.

The twelfth sledge in the procession. A slide with a man with a banner, drawn by a horse, preceded by a man with burning torch. Part of the series of fifteen drawings for the plates of the sledevaart on 24 January 1776 organized by the Leiden Genootschap Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (October 3, 1574) and the establishment of the University of Leiden (8 February 1575). This drawing is not in print.

Shot from a Gun, Henry Thomas Alken, 1785-1851, British, undated, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm), galloping, horses (animals), men, military art

Print, Plate 12, from "Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy

Samuel Howitt, 1756-1822, British, Full Cry, undated. Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper.

Procession at the marriage of Princess Sophie, 1842 (plate 1); Erinnerungs-Blätter an Eine Thuringian Bauernhochzeit, Ausgeführt Zur Feier des Glücklichen Einzuges des Erbgrossherzogs Carl Alexander von Sachsen Weimar-Eisenach Mit der Erbrossherzogin Sophie b. Prinzessin der Niederlande, in Weimar am 27. October 1842.opted on the occasion of the marriage of Princess Sophie with Charles Alexander, Groothertog of Saxony-Weimar-Eisenach, held at the arrival of the couple in Weimar on October 27, 1842. First album with The groups numbered 1-10. Part of the series of six loose plates of the procession.

Città della Pieve (Italy, Umbria, province of Perugia), Oratory of Santa Maria dei Bianchi, Perugino, Adoration of the Magi, fresco dimensions 700x650 cm, dating 1504. Detail

Band of Sioux Moving Camp. oil on canvas. Date: 1837-1839. Museum: Smithsonian American Art Museum.

'Doing the Thing: and the Thing Done:' Doing it Somehow, Henry Thomas Alken, 1785-1851, British, 1818, Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, blued white, wove paper, Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm), falling, fields, grass, hills, horseback riders, horseback riding, horses (animals), hunt, hunters, hunting, jumping, landscape, men, sporting art

Netherlands, Dewald, Chris. M., The Quack, Photo reproduction of the painting The Quack by Jan Steen, photograph, photo, photos, height 376 mm, width 538 mm, photographer, 1913 - 1913, first quarter 20th century, cardboard, photographic paper, photo paper, gelatin silver print, developing gelatin silver print

Hablot Knight Browne, 1815-1882, British, The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' ", undated. Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray, wove paper.

Two white oxen pulling cart bearing furniture and driver, following attendant in blue coat. 1780 - 1858. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Transportation , India

Banderillas de Fuego (Banderillas with Firecrackers), Plate 31 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Three riders in a landscape with reinforced city, Christian Rugendas, After Georg Philipp Rugendas, 1718 - 1781 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman. city-view, and landscape with man-made constructions

Mexico.Aguascalientes.Engraving of Jose Guadalupe Posada (1852/1913).

John Frederick Herring, Sr., 3. "Stop will you...", 1805-1865, watercolor over pencil on paper.

Rider Thrown at a Hunt 1776-1827 England. Pen and brown ink with brush and watercolor over traces of graphite, on cream wove paper, laid down on card . Thomas Rowlandson

Thomas Rowlandson, 1756-1827, British, The Vicar of Wakefield: Attendance on a Nobleman, ca. 1817. Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, blued white wove paper.

Caravan in the Desert. Ryszkiewicz, Józef (1856-1925), draughtsman, cartoonist

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 3). Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, 15 June 1660. The procession with riders. Third plate in an unassembled ensemble from the procession consisting of seven sheets.

Harvey, George (Sir), Howison, William, Annan, Thomas, Photographic reproduction of an engraving of Curlers, after the painting by Sir George Harvey, photograph, photo, reproduction, page, photographs, photographically illustrated books, height 93 mm, width 250 mm, Scottish, 1829 - 1887-12-11, photographer, 1865 - 1870, photographic paper, albumen print, albumine print, Work conception, 1798 - 1850-12-20, after a print by, 1806-02 - 1876-01-22

Samuel Alken, 1756-1815, British, Trying the Mare, 1813. Watercolor, pen and black ink, and graphite on medium, slightly textured, beige, wove paper.

Masquerade by students from Leiden Hogeschool, 1840 (plate 7); De Intogt van Hertog Jan van Beijeren inside Leijden, on the 18th August 1420, in Masquerade suggested by H.H. Students of the Leydsche Hoogeschool, on the 8th February 1840. Historical costumed procession of the students of the Hogeschool van Leiden on 8 February 1840. The procession depicts the arrival of Hertog Jan van Bavaria on 18 August 1420. Seventh plate in a series of Nineteen unnumbered plates, with the groups numbered 43-51.

Napoleon with his Staff, Charles Rochussen, 1840 - 1850

On the way, according to the picture, Pesteowa drew Małyszew. A clip from a Russian magazine Zubczaninow, A., (n.n.), Piestow (n.n.), Malch (n.n.)

Sjöstrand, Carl Eneas, Men, horses and kiese in the yard of a house in Taipale, 1857, drawing, 14 cm x 22.5 cm, Photo no. 32101.396, 3/3/1999, photographer: Mäkinen, Janne, photo type: laakadia v/y (2), keywords: 14x22.5,

The funeral of John Law, 1720, 1720 drawing Funeral procession of John Law, the inventor of the wind trade. Procession preceded by Bombario backwards on an old horse. Law is on too small a box, in the foreground playing and smiling kines. Design drawing for an unpacked print in a series about the rise and fall of Quincampoix (John Law). Belongs to the group of drawings added to the Series of Foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper cortege, funeral procession

The Departure of Charles II of England from Scheveningen, 2 June 1660, Johannes Lingelbach, 1660 - 1674 painting The departure of Charles II, King of England, from Scheveningen, 2 June 1660. On the beach, Karel II says goodbye to the members of the States General. A large crowd has flooded on the beach and the dunes. A few sloops sail in the water off the coast, the sailing ships in the distance. Pendant of SK-C-1223. canvas. oil paint (paint) historical persons. beach. departure ~ travelling Scheveningen

James Pollard, "Gustavus", 1821, aquatint on paper.

The Vicar of Wakefield: Attendance on a Nobleman, Thomas Rowlandson, 1756-1827, British, ca. 1817, Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm), carriage, genre subject, hats, horses (animals), men, nobleman, riding crop, vicar, wheels, England, Europe, United Kingdom, Wakefield, Yorkshire

Thomas Rowlandson, 1756-1827, British, Ploughing, undated. Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper.

TAUROMAQUIA 13 - UN CABALLERO ESPAÑOL EN PLAZA QUEBRANDO REJONCILLOS SIN AUXILIO DE LOS CHULOS- 1815-1816 - DIBUJO PREPARATORIO. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

Drawing (Italy)

Hötorget January 1850. "Watercolor by Fritz von Dardel, 1850 Nordic

Four Scenes: How to Ride Genteel & Agreeable Down Hill; How to be Run Away With; The Mistaken Notion; How to Loose Your Way 1787 or later After Henry William Bunbury Four small scenes make gentle fun of various aspects of riding. In "How to Ride Genteel & Agreeable Down Hill,: a man rides slowly. In "How to Run Away With," a rider tilts back in an effort to control his mount and topples a woman with a wheelbarrow. In "The Mistaken Notion," a young man rides to the left, and in "How to Loose Your Way," a rider whose hat has blown down over his eyes in a squall does not see signposts that point to London and Oxford.. Four Scenes: How to Ride Genteel & Agreeable Down Hill; How to be Run Away With; The Mistaken Notion; How to Loose Your Way. Academy for Grown Horsemen. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1787 or later. Hand-colored etching. Prints

Hunting Discoveries ... Discover that it would have been prudent ..., Henry Thomas Alken, 1785-1851, British, 1817, Etching, colored by hand, Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)

Dutch Market or Fair. John Coney; English, 1786-1833. Date: 1820-1833. Dimensions: 149 × 436 mm. Pen and brown ink over graphite, on ivory laid paper, partially laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Aarons staff bleed, Augustine Hirschvogel, 1547 - 1549 print Aäron's staff or rod blooms as a sign of the election for the leadership of the twelve tribes. Vienna paper etching the flowering rod (Numbers 17)

Winter face. Draughtsman: Gerrit Grasdorp. Dating: 1661 - 1693. Measurements: h 174 mm × w 254 mm. Museum: Rijksmuseum, Amsterdam.

Hackney. Humoristic drawing. Nowodworski, Henryk (1875-1930), draughtsman, cartoonist

Knighthood 1576 1586 Lithography: Salb M. (edition) & Jan Matejko

Satirical print concerning the construction of a road called the Mud Brig, Edinburgh, 18th century. Unfortunately the treasurer ran off with the funds. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

George Stubbs, 1724-1806, British, The Farmer's Wife and the Raven, 1788. Etching with roulette and rocker work, first state.

Maskerade of the Leiden students, 1870 (plate 15), 1870 Historically costumed parade of the students of the Leidse Hogeschool held on 7 June 1870 on the occasion of the 295th anniversary of the Hogeschool. The parade depicts the entry of the count of Leicester in Leiden in 1586. Fifteenth plate with the groups numbered 172-181. Part of the series of 18 -stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Leiden Historically costumed parade of the students of the Leidse Hogeschool held on 7 June 1870 on the occasion of the 295th anniversary of the Hogeschool. The parade depicts the entry of the count of Leicester in Leiden in 1586. Fifteenth plate with the groups numbered 172-181. Part of the series of 18 -stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Leiden

Eugène Delacroix, Le Déménagement de la Censure, c 1821 Le Déménagement de la Censure

A French Postillion, 1780 Thomas Rowlandson, Watercolour, Transport, Animal, Horse, Carriage

FORT LARAMIE, watercolor painting made ca. 1858-60 by Alfred Jacob Miller, from field-sketches made during his 1837 expedition to western Wyoming. These early sketches were made before the fort was torn down in 1840. Fort Laramie was established as a private fur trading post in1834, on an old north-south Indian trail near the Laramie Mountains in what is now southeast Wyoming. Miller made the only known eyewitness depictions of the exterior of the first Fort Laramie (BSLOC_2019_9_97)

Emiyy"s etown uku S.

Hunting scene in Radziejowice. Juliusz Kossak (1824-1899), painter

Isaac Cruikshank, 1756-1810, British, "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced ), 1784. Etching, hand-colored.

Vienna Peoples Corporation and Exclusions sequence of mandl arches with calls, new edition - Foahr ma inr gnodn fiaker, Joseph Schmutzer -, Artist, Matthäus Trentsensky -, publishing house

Joseph Heicke's 1842 watercolor depicts a scene titled 'Home from Mecca', showing figures, travel elements, and landscape features.

Mock Joust of War with Fixed Shields, c.1512-1515, Freydal, The Book of Jousts and Tournaments of Emperor Maximilian I: Combats on Horseback (Volume I), pen and brown ink with watercolor over black chalk and leadpoint on laid paper, sheet: 33.1 × 26.3 cm (13 1/16 × 10 3/8 in.), German 16th Century (artist)

Racehorse at Exercise, Ridden by a Training-Groom, James Seymour, 1702-1752, British, undated, Gouache, with pen, in black ink, brown ink, and graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured, beige, laid paper, Sheet: 5 7/16 × 6 13/16 inches (13.8 × 17.3 cm) and Mount: 5 5/8 × 6 15/16 inches (14.3 × 17.6 cm), exercise, groom (caretaker of horses), horse (animal), horse racing, jockey, man, sporting art, training, whip

Comforts of Bath: Coaches Arriving, Thomas Rowlandson, 1756-1827, British, 1798, Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper, Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm) and Sheet: 4 5/8 x 7 3/8 inches (11.7 x 18.7 cm), balcony, carriage, children, cityscape, coaches, dog (animal), door, genre subject, horses (animals), men, musicians, violin, women, Bath, Bath and Northeast Somerset, England, Europe, Somerset, United Kingdom

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