Equestrian Illustrations

Dynamic depictions of riders and horses, capturing movement and character with various styles of line work and shading, reflecting historical contexts.

Paris, Martinet, Destouches, Daumier, Honoré, Actualités, Actualities, Progrès de l'équitation, Caricature of a rider riding backwards, verso - stamped, cartoon, prints, height 245 mm, width 318 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1856 - 1856, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, Frans, publisher

Rider on a horse that stairs backwards and three other figures.

Print made by John Doyle ('H.B.'), 1797-1868, Irish, New Illustration of Hudibras, 1851. Lithograph in tan and black ink on moderately thick, smooth, beige wove paper.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

African on Horseback, 1823. Eugène Delacroix (French, 1798-1863). Lithograph; sheet: 25.5 x 29.1 cm (10 1/16 x 11 7/16 in.); image: 16.4 x 21.1 cm (6 7/16 x 8 5/16 in.).

Four Wheel Chaise April 10, 1785 Thomas Rowlandson. Four Wheel Chaise. Thomas Rowlandson (British, London 1757-1827 London). April 10, 1785. Etching with stipple. John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Prints

Paris, Martinet, Destouches, Daumier, Honoré, Actualités, Actualities, Progrès de l'équitation, Caricature of a rider riding backwards, verso - stamped, cartoon, prints, height 245 mm, width 318 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1856 - 1856, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, Frans, publisher

Kunzmann, ... .

Friedrich Wilhelm, Elector of Brandenburg (1620-1688).

Light Dragoon, Mounted, Facing Left. Genre subject. Brown wash with pen and black ink and graphite on medium, cream, slightly textured wove paper. Height: 73 mm (2.87 in); Width: 60 mm (2.36 in). Author: Paul Sandby.

Light Dragoon, Mounted, Facing Left, Paul Sandby RA, 1731-1809, British, undated, Brown wash, with pen, in black ink, over graphite on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, cream, wove paper, Sheet: 2 7/8 × 2 5/16 inches (7.3 × 5.9 cm) and Mount: 4 7/16 × 3 3/8 inches (11.3 × 8.6 cm), figure study, genre subject, horses (animals), left, military uniforms, soldier, uniform

Horseman in center facing left speaking to a man on foot, infantry troops in a line in the background, from 'Various cavalry exercises' (Diverses exercices de cavalerie). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 3/8 x 2 11/16 in. (8.5 x 6.8 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various cavalry exercises' (Diverses exercices de cavalerie). Date: ca. 1642-45. Museum: Metropolitan Museum of Art, New York, USA.

Equestrian portrait of Monsieur Le Marquis de Beauvilliers. Portrait of a man on horseback, the piaffe executive. On the left a wall, in the background a hilly landscape with a par buildings and a dead tree. Under the image the title and crowned family crest of the Beauvilliers family between two eagles. From: "Ecole de Cavalerie" by François Robichon de la Gueriniere.

The horsemen on reconnaissance, Christiaan Wilhelmus Moorrees, 1811 - 1867, Design for a print., draughtsman: Christiaan Wilhelmus Moorrees, 1811 - 1867, paper, h 89 mm × w 99 mm

Portrait of the Infant Don Balthazar Carlos, Prince of Asturias; Nikolaas Henneman (British, 1813 - 1893); London, England; 1847; Salted paper print; 7.3 × 5.8 cm (2 7,8 × 2 5,16 in.)

STEAMERS v. STAGES. ilustracja poprzedzająca stronę tytułowa poematu:Steamers v. Stages: or Andrew and his spouse w: FACETIAE: BEING A GENERAL Collection of the Jeux dEsprit WCHICH HAVE BEEN ILLUSTRATED BY ROBERT CRUIKSHANK IN TWO VOLUMES. VOL. II CONTAING NEARLY SIXTY ENGRAVINGS.LONDON WILLIAM KIDD, 6, OLD BOND STREET. MDCCCXXXI. Bonner, Cruikshank, Isaac Robert (1789 1856)

Deux chevaux promenés par un jockey (A Groom Exercising TwoHorses). Artist: Théodore Géricault, French, 1791-1824

A depiction by Johann Heinrich Roos of a packed load, drawn in stone chalk with brown and red-brown washes around 1672, illustrating detailed arrangement and texture.

Three young people on horses in the armor, according to the engraving by Abraham de Bruyn from "Diversarum Gentium Gentium Armatura Equestris. Ubi Fere Europae, Asiae Atque Africae Equitandi Ratio Propria Expressa Est", boards No. 4, 7 and 8; Lesser, Aleksander (1814-1884), Bruyn, Abraham de (1540-1587); 1830-1884 (1830-00-00-1884-00-00);Bruyn, Abraham de (Ca 1540-1587), Bruyn, Abraham de (Ca 1540-1587)-reproduction, Kazimierz (Kraków-district), Lesser, Aleksander (1814-1884), Lesser, Emiljan Stanisław (Baron-1847-1912 ), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Germany, 16th century, Dar (provenance), riders, horses, church of St. Jana (Vilnius), Militaria, knights, armor, knight armor

Illegible passing to the volsques with Dumouriez. (IT)

Equestrian portrait of Wilhelmina van Pruisen, Reinier Vinkeles (i), after Tethart Philip Christian Haag, 1767 - 1816 print Equestrian portrait of Wilhelmina. In the middle of her weapon and the weapon of Willem V, decorated with the garter and the motto of the order of the garter, with a crown, a lion and Hercules. Amsterdam paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Print, Louis Quinze Le Bien Aimé; Designed by Charles Parrocel (French, 1688-1752); Engraved by J Chevallier (French, active 1744 - 1750); Calligrapher: Le Parmentier (French, active 1737-1752); After Jean Le Moine (French); Print Maker: Johann Georg Wille (German, active France 1715-1808); France; etching and engraving on paper; 53.3 × 39 cm (21 in. × 15 3/8 in.)

Italy, Tempesta, Antonio, His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat, Horses from different countries, Two fighting horses running to the right, verso sheet - stamped, Text in Latin in bottom margin., print, prints, height 141 mm, width 165 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, after own design by

Vignette Zum Kapitel XIII der Geschichte Meiner Zeit; Menzel, Adolph (1815-1905); 19th century (1800-00-00-1900-00-00);

(Le Locatis) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Raphael Lamar West, 1769-1850, British, A Horseman and Other Figures at a Race-Course, undated. Pen, in brown ink, and graphite on medium, moderately textured, blued white, laid paper.

The Equestrian Statue of Henry IV AUXT. "The equestrian statue of Henry IV". Feather, called calligraphic.

Masquerade of Leiden students, 1855 (plate 2); Coated adaptives by the members of the Leidsche Student-Corps den 12th Junij 1855, for celebration of the 280ths birthday of the Leidsche Hoogeschool, presenting the introduction of Charles V within Dordrecht on the 3nd Junij 1515, upon the occasion of his honor to Count of Holland. Historical costumed procession of the students of the Hogeschool van Leiden on 12 June 1855 on the occasion of the 280th anniversary of the university. The procession represents the arrival of Emperor Charles V in Dordrecht on 3 June 1515 at his honoring to Count of Holland. Second plate with the groups numbered 5-17. Part of a series of fourteen to be grasped blades.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and sixth board (Dornik-Eger 36; Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Qui attrapera-t-il. Honoré Daumier (1808-1879). Lithographs

Etching by Stefano della Bella from 1648-1653 depicting mounted riders in circular compositions, showing detailed equestrian figures and dynamic movement.

Henry Thomas Alken, 1785-1851, British, "By - he'll get to the Earth...", 1827. Graphite and watercolor on medium, slightly textured, beige laid paper mounted to card.

A Stagecoach. Horace Vernet (French, 1789-1863); printed by Francois Seraphin Delpech (French, 1778-1825). Date: 1818. Dimensions: 332 × 509 mm (image); 419 × 614 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Reproduction of a painting: Juliusz Kossak (1824-1899), Farm; excerpt from a magazine. unknown, publisher

Sketch by Preller the Elder from 1875-1876 showing two farmers with horses being rejected by a country woman, drawn in brown ink with pencil traces in a sketchbook.

Returning from the Races December 1, 1791 Thomas Rowlandson. Returning from the Races. Thomas Rowlandson (British, London 1757-1827 London). December 1, 1791. Hand-colored etching. S. W. Fores (London). Prints

The Inn in the Forest, Woodcut Engraving from the Original Painting by Jean-Louis Ernest Meissonier, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Antoine-Jean Gros (French, 1771 - 1835). Arab of the Desert (Arabe du désert), 1817. Lithograph.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Martszen, Jan (1610 1647)

Come recognize .... strip. (Title of all)

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Francisco de Goya (1746-1828), the Beauty Maurer Gazul is the first to spit bulls according to the rules, 1815-1816

Rider on standing horse in medallion.

Jorrock's Sporting Lecture. Plate 1. Warranted just the thing., T. J. Rawlins, active 1837-1840, after T. J. Rawlins, active 1837-1840, no date, Hand colored lithograph, Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)

Eugène de Beauharnais.

Loheac, André de Montfort de Laval de.

Loheac, André de Montfort de Laval de.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

What we have seen and that we will never see again. (IT)

Chief Mameluk 1812-1822 France. Lithograph in black on buff wove paper . Carle Vernet

El animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Hussar Discharging his Pistol at a German Dragoon. Carle Vernet (French, 1758-1836); printed by Comte Charles Philibert de Lasteyrie (French, 1759-1849). Date: 1817. Dimensions: 256 × 380 mm (image); 344 × 496 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Racing: Sir Charles Sedley's Bay Gelding 'True Blue' / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..., John Wood, 1728-1781, British, after James Seymour, 1702-1752, British, 1753, Engraving, Sheet: 15 7/8 x 18 7/8in. (40.3 x 47.9cm)

Photograph of print: W. Hondius (1598-1652) from a painting by P. Danckers (1605-) Cecilia Renata, mounted. unknown, photographer

A Portrait. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1809. Dimensions: 330 × 397 mm (image); 350 × 400 mm (plate); 365 × 430 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Maas, Dirk, unknown, Manege, Rider with jumping horse, verso lower left - stamped, in a courtyard. A saddle with stirrups lies by a wall. In the background a second horseman at a gate., print, prent, prints, prenten, height 204 mm, width 235 mm, Nederlands, 1659-09-12 - 1717-12-25, print maker, prentmaker, 1669 - 1717, paper, papier, etching, etsen, Work conception, after own design by

Sawrey Gilpin, 1733-1807, British, Sketchbook Drawing, 1787. Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper.

John Harris the younger, "Blue Bonnet", Published Oct. 12, 1842, color aquatint on paper.

Isabel of Bourbon, Queen of Spain on horseback, after Veláquez 1778 Goya (Francisco de Goya y Lucientes) Spanish. Isabel of Bourbon, Queen of Spain on horseback, after Veláquez 377809

Equestrian portrait of Prince Balthasar Karel van Spain, Léopold Flameng, After Diego Rodriguez de Silva y Velázquez, 1841 - 1910 print paper. etching equestrian state-portrait

Rider, from the front. Draughtsman: anonymous. Dating: 1748. Measurements: h 178 mm × w 83 mm. Museum: Rijksmuseum, Amsterdam.

. The fifth sledge in the procession. A sledge with Louis de Boisot and a boy with white bread and a herring, drawn by a horse and preceded by two musicians and two halberdiers. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

Workhorse, Rusting at a Heimachine, Johannes Josephus Aarts, 1881 - 1934 drawing Possible design for a print. paper. ink. pencil pen horse

Drawing reproduction: Walery Eljasz Radzikowski (1841-1905), Kozak; Illustration of Antoni Malczewski's "Maria" saying; after 1880 (1883-00-00-1883-00-00);

Fox-hunting: Thomas Assheton Smith Esq., David George Thompson, active 1852-died 1870, after William Sextie, active 1848-1887, British, 1853, Lithograph, Sheet: 20 13/16 x 28in. (52.9 x 71.1cm)

The skeleton of Death and the Phaeton. Death kneels behind a two-horse gig loosening one wheel from the axle. A man cracks a whip in the drivers seat and a woman holds a parasol. Illustration drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Infantryman. Dated: 1834. Dimensions: plate: 33 x 29 cm (13 x 11 7/16 in.) sheet: 49.4 x 34 cm (19 7/16 x 13 3/8 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: Duc de Nemours Louis d' Orléans.

Paris, Aubert, Gabriel, Aubert & Junca, Adam, Victor, Galerie Comique, Le postillon de Mam' Ablou, la fleur des postillons, le bijou des Dames., The postiljon, verso - printed, A postman lights his pipe while a peasant woman offers him wine., cartoon, prints, engravings, 225, recto right - handwritten, Timbre Royal Seine 3 c., recto left - stamped, height 242 mm, width 359 mm, French, 1801-01-28 - 1866-12-30, print maker, printmaker, 1846 - 1846, paper, papier, chalk lithograph, printer, drukker, Publication (Event), Publication, 1784-07-24 - 1847-03-16, publisher

Entry of Maria de Médicis in Amsterdam (plate 7), 1638. Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Seventh plate in an unassembled ensemble consisting of a title page, a portrait and seven blades of the procession. Small plate with the last part of the procession with a few riders and a part of a second car.

Mier Józef Poniatowski's book; Adam, Victor (1801-1866), Cattier (Paris 1831-1850 (1831-00-00-1850-00-00);Biała Elster (Czech Republic, Germany-River), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Strzembosz, Alojzy Władysław (1875-1917), Strzembosz, Alojzy Władysław (1875-1917)- Collection, Battle of Leipzig (1813), battles, gift (provenance), Napoleonic era (1799-1815), legend of Prince Józef Poniatowski (iconogr.), Portraits, horse portraits, death, death of Prince Józef Poniatowski (iconogr.)

Four-In-Hand. Artist: Currier & Ives, American, active 1834-1907

Jean Louis Ernest Meissonier, The Herald of Murcia and Other Studies (recto), c 1860 The Herald of Murcia and Other Studies (recto)

Moscow's ucznik on a horse, according to the illustration of the "rerum Moscoviticarum of Commentary" by Zygmunt von Herberstein from 1571; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, XVI in ., broń biała, broń dawna, dar (proweniencja), grafika (artyst.), grafika europejska, jeźdźcy, konie, ubiory, ubiory męskie, uzbrojenie, wojsko, wojsko rosyjskie, łucznicy, żołnierze

Oh, You Should Have Seen Old Tom 1827 England. Watercolor and graphite on paper . Henry Alken

Ruiterortret van Joaquín Ibáñez, Baron Van Eroles. .

Equestrian statue of Willem I, Prince of Orange, at the Noordeinde in The Hague. Equestrian statue of Willem I by Alfred Emile O'Hara de Nieuwerkerke at the Noordeinde in The Hague.

Georges II roi d'Angleterre. 1755-60.. Jacquemin, Raphaël, 1821-1881. Deltre, Auguste, 1822-1907. Prints, Illustrations. 1869. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , France, Costume , France, George II, King of Great Britain, 1683-1760

Milkmaid of Boulogne, 1st plate (Laitiere a Boulogne), etching, Bliss 1923, no. 215, State i, Alphonse Legros (artist) French, 1837 - 1911

Portrait of Count Matvei Ivanovich Platov (1757-1818) by Phillips, Thomas (1770-1845) / Private Collection / 1815 / Great Britain / Mezzotint / Portrait / 83,5x60,5

An Arabian Horse, plate 8 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 170 × 335 mm (image); 377 × 495 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Fox Hunting set of six: Melton Mowbray No. 1. Going to Cover, Printed by Day & Co., 1824-1913, British, Edward Hull, 1810-1877, 1835, Hand colored lithograph, Sheet: 9 7/8 x 13 3/8in. (25.1 x 34cm)

Third Group in Delft Procession of 1862, Willem Bernardus IJzerdraat, 1862 print The blessing cart of the Union, numbered 38 to 42. The procession represents Prince Maurits and the States on September 4, 1602. Part of a cover with a series of eight lithographs of the Delft procession of 1862. printer: Delftpublisher: Rotterdam paper students' pageant. commemoration of the founding of a university. costumes used in pageants Delft

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Jean Pierre Norblin depicts a Bashkire on horseback, drawn with black brush and black chalk with wash, 1777.

Ruitorportret Van Moreno, Mariano Brandi, Airter Zacarías González Velázquez, 1817 - print Spanish text in the end margin. Spain paper etching / engraving historical persons. equestrian state-portrait

Windisch-Grätz, Alfred Prince.

Philip IV Made 1778 Spain. Etching with engraved inscription on ivory laid paper . Francisco José de Goya y Lucientes

How the Kikiki would quickly make peace at the theater of war, from Kikeriki, Appelrath, Caricaturist

Progrès de l'équitation. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Ralph John Lambton on His Hunter, "Undertaker". Date/Period: 1802. Drawing. Graphite on medium, smooth, cream wove paper. Height: 203 mm (7.99 in); Width: 295 mm (11.61 in). Author: James Ward.

QUEENSLAND

William Elliot, active 1774, died 1792, British, Horse-racing Set of six: 1.The Cullen Arabian &c, 1758. Engraving.

People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I) Printed 1883-84 Hans Burgkmair German Restrikes of Plate 129, from the series "Triumph Des Kaiser Maximilian I.", designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Stabius in 1512 and recorded by Marx Treitz-Sauerwein; the manuscripts with this text survive at the Nationbibliothek in Vienna. The illustrations, designed between 1516 and 1518, were largely the work of Hans Burgkmair, with contributions by Albrecht Altdorfer, Hans Springinklee, Albrecht Dürer, Leonhard Beck, and Hans Schäufelen. The project was incomplete as of Maximilian's death in 1519, and the first edition was not published until 1526. This edition of restrikes was released as two supplement volumes to the first two volumes of "Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses" (1883 and 1884), which

Plate 30 of the 'Tauromaquia': Pedro Romero killing the halted bull. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm)Sheet: 12 in. × 17 5/16 in. (30.5 × 44 cm). Date: 1816. Museum: Metropolitan Museum of Art, New York, USA.

Title print with two horses wearing empty frame with ornaments on bar; Triumph of Emperor Maximiliaan I. Title Prent for Triumph of Emperor Maximiliaan I with two horses wearing empty picture frame with ornaments on married. The horses are accompanied by two men. The weapon of the Habsburg king house is standing on the bar. In the high frame was space for text but it has never been cut on the wood block. Recurring motif is the laurel wreath to glorify the emperor.

Fourth Group, representing "The old guilder time of fathers", from the Maskerade of 1824

James Seymour, 1702-1752, British, Sloven, with Jockey Up, Galloping to Right, undated. Graphite on medium, slightly textured, cream, laid paper.

Stefano Della Bella, Polish Cavalier Polish Cavalier

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