Equestrian Portraits

Artistic representations of historical figures on horseback, detailed in style, showcasing regal attire and ceremonial elements.

Equestrian portrait of Frederik Willem, Elector of Brandenburg, Pieter Stevens (mentioned in 1689), 1640 - 1688 print Portrait of Frederik Willem, Elector of Brandenburg, on horseback with a commandosta in his hand. At the bottom of the margin his name and function in Dutch. Amsterdam paper etching / engraving equestrian state-portrait. baton of general

Three views of the head of a man with a mustache wearing a turban possibly 18th century Possibly Francesco Casanova. Three views of the head of a man with a mustache wearing a turban. Possibly Francesco Casanova (Italian, London 1727-1803 Brühl). possibly 18th century. Engraving. Prints

Equestrian portrait of Frederik Willem, Elector of Brandenburg, Pieter Stevens (mentioned in 1689), 1640 - 1688 print Portrait of Frederik Willem, Elector of Brandenburg, on horseback with a commandosta in his hand. At the bottom of the margin his name and function in Dutch. Amsterdam paper etching / engraving equestrian state-portrait. baton of general

Copper engraving print of a ruler's portrait by Jakob von Sandrart from the second half of the 17th century, showing detailed depiction of facial features and attire.

Portrait of Louis XV on horseback; Louis Fifteen The Beloved. .

Francisco de Goya y Lucientes (Engraver and drawer) (After Velázquez, Diego Rodríguez de Silva y) / 'Prince Baltasar Carlos on Horseback'. 1778. Etching, Drypoint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Willem Hondius engraved a copper print between 1650 and 1658 depicting a rider portrait of Wilhelm III of Oranien-Nassau, showing the king on horseback with pose, clothing, and composition.

Philipp IV., King of Spain.

1750. / 14 (title registered) | Album 1837 by Charlet. (Title of the whole)

Johann Georg IV., Elector of Saxony.

Juliusz Kossak, `Przygoda w drodze do Łubniów` An Adventure en route to Łubnie - illustration for the novel by Henryk Sienkiewicz 'With Fire and Sword' ; from: `Tygodnik Ilustrowany` 1884, no. 92, p. 221. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kluczewski, Michał (fl. 1869-1890), woodcutter

James Pollard, 1792-1867, British, Racing set of four: 3. Preparing to Start, 1821. Hand colored etching.

Bliżej Kultury Michałowski, Piotr (1800 1855)

An Open Carriage. Dimensions: overall: 19.5 x 28 cm (7 11/16 x 11 in.). Medium: black wash on wove paper. Museum: National Gallery of Art, Washington DC. Author: Constantin Guys.

Watercolor by Friedrich L'Allemand depicting an attack on a house, rendered with gray brushwork highlighting the structure and surrounding area.

Jean Daullé, Monsieur de Nestier Ecuyer Ordinaire de la Grande Ecurie du Roy, 1753, etching and engraving on paper.

Friedrich Wilhelm, Duke of Braunschweig-Oels.

Raglovich to the Rosenhof, Klemens of.

We will still ....... (IT)

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is, George Hunt, active 1820-1840, British, after Henry Thomas Alken, 1785-1851, British, 1823, Aquatint, hand-colored, Sheet: 13 x 15 3/4in. (33 x 40cm) and Image: 10 1/4 x 14 1/4in. (26 x 36.2cm)

It will be achieved soon , Satire on Metternichs escape in March , Unknown

Coach and six horses with passengers and luggage on the roof, 1793. Color print after a watercolor illustration by Thomas Rowlandson in Ralph Nevills Old Sporting Prints, The Connoisseur Magazine, London, 1908.

Plate 7 for J.G. Muller's 'Siegfried von Lindenberg'

Karl August, Duke of Sachsen-Weimar-Eisenach.

Madrid, Calcografía van Madrid, Velázquez, Diego Rodriguez de Silva y, Spain, Goya, Francisco de, D. Isabel de Borbon, Reyna de España, muger de Felipe Quatro, Portrait of Isabel of Bourbon, verso lower left - stamped, Equestrian portrait of Isabella of Bourbon, first wife of King Philip IV of Spain., print, prints, verso middle - stamped, verso bottom right - stamped, height 371 mm, width 315 mm, Spanish, 1746-03-30 - 1828-04-16, print maker, printmaker, 1778 - 1778, fourth quarter 18th century, first quarter 19th century, first quarter of the 19th century, paper, papier, etching, etchings, drypoint, dry needle, 1599-06-06 - 1660-08-07, after, after a painting by, printer, drukker

English gentleman falling at a ha-ha or sunken fence during a fox hunt. Mytton fell and was injured at a ha-ha on Shavington Day, 7 April 1829. Now for the honour of Shropshire! The Shavington Day; a trial of rival packs and consequently of rival horsemen. Chromolithographic facsimile of an illustration by Henry Thomas Alkenfrom Memoirs of the Life of the Late John Mytton by Nimrod aka Charles James Apperley, Kegan Paul, London, 1900.

Portrait of Crown Prince William Frederick George Lodewijk of Orange Nassau, later King William II of the Netherlands on horseback on the battlefield, Portrait of King William II on horseback William Frederick George Lodewijk prince of Orange Nassau, Crown Prince of the Netherlands , print maker: Antonie en Pieter van der Beek, (mentioned on object), intermediary draughtsman: Nicolaas Sonnenberg, (mentioned on object), Netherlands, 1795 - 1821, paper, etching, h 400 mm × w 295 mm

Lami, Eugène (n.1800-01-12-D.1890-12-19), La Traverse (attributed title), 1828. Lithography colored on woven paper. Balzac house.

Lami, Eugène (n.1800-01-12-D.1890-12-19), the departure for the promenade (registered title (letter)). Lithography colored on woven paper. Balzac house.

Transport of a rider statue, Anonymous, 1700 - 1799 print France paper etching / engraving equestrian statue

Maskerade of the Leiden students, 1855 (plate 14), 1855 Historically costumed parade of the students of the Hogeschool van Leiden on 12 June 1855 on the occasion of the 280th anniversary of the Hogeschool. The parade depicts the entry of Emperor Charles V in Dordrecht on 3 June 1515 in his ceremony as Count of Holland. Fourteenth plate with the groups numbered 119-126. Part of a series of fourteen sheets stuck. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Leiden Historically costumed parade of the students of the Hogeschool van Leiden on 12 June 1855 on the occasion of the 280th anniversary of the Hogeschool. The parade depicts the entry of Emperor Charles V in Dordrecht on 3 June 1515 in his ceremony as Count of Holland. Fourteenth plate with the groups numbered 119-126. Part of a series of fourteen sheets stuck. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Leiden

Historical scene with warriors. Draughtsman: Jan Karel Jacob de Jonge. Dating: 1848. Measurements: h 139 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury Skorski, Konstanty (Fl. 1865 1882)

We are; Z: "Tygodnik Ilustrowany" 1878, No. 152 (November 23), p. 336; Kossak, Juliusz (1824-1899), Nich, Edward (1851-1916), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1878 (1859-00-00-1884-00-00);

Print made by Richard Houston, ca. 1721-1775, British, The Portraiture of Babraham, 1756. Mezzotint on medium, slightly textured, cream laid paper.

Portrait de Charles 1er, state IV. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Dyck, Anthony van (1599-1641), painter, Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printer of graphic prints

Portret Van Isabel van Bourbon, Francisco de Goya, after Diego Rodriguez de Silva y Velázquez, 1815 - 1820 print Hanging portrait of Isabella van Bourbon, first wife of King Philip IV of Spain. print maker: Spainprinter: Madrid paper etching / drypoint equestrian state-portrait

Reproduction of a painting: Juliusz Kossak (1824-1899), Tatar dance; excerpt from a magazine. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Świat (Kraków ; czasopismo ; 1888-1895), publisher

Oh, You Should Have Seen Old Tom. Henry Alken; English, 1785-1851. Date: 1827. Dimensions: 8 1/4 × 10 3/4 in. Watercolor and graphite on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: HENRY ALKEN.

Three compositions on one card, lithographs from the series Croquis Equestres in: Le Charivari Josquin, Alexandre (18 .. 18 ..)

Juliusz Kossak, A ride. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier

Milk-Biys bringing milk to Buenos Ayres (Buenos Aires) from farms in surroundings. Vintage Picturesque illustrations of Buenos Ayres and Monte Video, by E.E.Vidal, printed by Ackermann, 1820.

Nederland, 's-Hertogenbosch, Lutkie & Cranenburg, Willem II, koning der Nederlanden, Netherlands, s Hertogenbosch, verso - stamped, Equestrian portrait of King Willem II, surrounded by a frame. Below the image a four-line verse in two columns. Numbered top right: No. 1., print, prent, volksprent, prints, prenten, volksprenten, height 415 mm, width 329 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1848 - 1881, paper, woodcut, colours, letterpress printing, print maker, printmaker

Spring plowing; z: "K Osy" 1870, No. 252 (April 28), p. 249 (title page); Kossak, Juliusz (1824-1899), Styfi, Jan (1839-1921), K Osy (Warsaw; magazine; 1865-1890); 1870 (1850-00-00-1875-00-00);

Study for the Equestrian Portrait of a Royal Personnage, c. 1726-1733, Pierre Antoine Quillard, French, 1701 - 1733, 23 15/16 x 19 1/8 in. (60.8 x 48.58 cm) (image), Black chalk heightened with white on blue-gray paper, France, 18th century

Tauris. (Title registered (letter))

Portret Van Baltasar Carlos Te Paard, Félix Augustin Milius, after Diego Rodriguez de Silva and Velázquez, 1853 - 1886 print paper. ink. pencil etching / drypoint historical persons

Equestrian portrait of Frederik Willem II, king of Prussia, Georg Mathäus Probst, 1786 - 1788 print Augsburg paper etching / steel engraving equestrian state-portrait. city-view, and landscape with man-made constructions. knighthood order (with NAME) - insignia of a knighthood order, e.g.: badge, chain (with NAME of order)

James Gillray, 1757-1815, British, The Castle in the Moon, 1782. Engraving.

The Sands: tourists in a barouche drawn by donkeys on the beach. Handcoloured copperplate engraving by Thomas Rowlandson after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Retour de Russie (Return fromRussia). Artist: Théodore Géricault, French, 1791-1824

Reproduction of a painting: Juliusz Kossak (1824-1899), Grenade; from: "Biesiada literacka" 1913, 2, 228. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

Baucher, Francois.

Napoleon.

Horse Accomplishments, Sketch 12: A Vaulter !! August 1, 1799 Thomas Rowlandson One of a set of twelve prints that make fun of different sorts of mounts. Here, a man has fallen off his rearing horse into a patch of reeds as a dog barks at left.. Horse Accomplishments, Sketch 12: A Vaulter !!. Horse Accomplishments. After George Murgatroyd Woodward (British, 1765-1809 London). August 1, 1799. Etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

William Ward, 1766-1826, British, Racing: Rosette. The Property of Henry Peirse Esq, 1811. Mezzotint, printed in color.

Exercice de France Philibert-Louis Debucourt (1755-1832), according to Carle Vernet (1758-1836). Exercise of Franconi (Family of Eclers of Italian origin, masters of acrobatic riding). Engraving (Aquatint), 1806.

SIR ARCHIBALD HOPE 9th Baronet of Craighall, Fife. Date: -

Equestrian Portrait of Prince Józef Poniatowski. Lacoste, Jean Louis Joseph Camille (1809-1866), graphic artist, Vernier, Paul-Barthélémy (1830-1861), draughtsman, cartoonist

Equestrian portrait of Frederik, Prince of Orange-Nassau. Equestrian portrait of Frederik with a hat. In the background a equestrian fight.

James Gillray, 1757-1815, British, Hint to Modern Sculptors, as an Ornament to a Future Square ---, 1796. Etching, hand-colored.

'What matter did it make to him how she rode, confound this ugly place', 1865. Artists: John Leech, Hablot Knight Browne.

Watercolor reproduction: Juliusz Kossak (1824-1899), Cracow wedding; Z: "K Osy" 1882, No. 902 (12 PA Obrnik), p. 225 (title page); unknown, k Osy (Warsaw; magazine; 1865-1890); 1882 (1882-00-00-1882-00-00);

Reithbahn Illustration No. 12 (from 12), Posted in: Almanac de Goettue entitled: Natural and affectated action of life , Series II, 1779 Chodowiecki, Daniel Nikolaus (1726 1801)

Unknown, Les inconvéniens de la chasse, 1700-1899, hand-colored etching on paper.

Franta-Iosif I, Veimar; Napoleon III, Shtutgart Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Left Protect. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet:: 13 7/8 × 11 3/4 in. (35.3 × 29.9 cm)Plate: 13 1/16 × 10 7/8 in. (33.1 × 27.7 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

Pierre-Jules Jollivet (Lithographer) (After Velázquez, Diego Rodríguez de Silva y); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Prince Baltasar Carlos on Horseback'. 1825. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper; 1825. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

FABULAS-GRABADO DE EL ASNO INDOMABLE. Author: TOMAS IRIARTE (1750-1791). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

NEY , MICHEL. MARISCAL FRANCES. 1769 - 1815. GRABADO ECUESTRE DE PEREZ DONON. MADRID.

Eugene de Beauharnais (1781Ð1824) by Anonymous / Private Collection / ca 1812 / France / Aquatint / History / 41,9x30

Cavalry shooter, cut-out for son.. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Kirgiz on a gray horse; Or 1810 (1810-00-00-1810-00-00);Czosnowski, Izydor Stanisław (1857-1934), Czosnowski, Izydor Stanisław (1857-1934)-collection, kyrgyz, ethnography, riders, kyrgiska Kultura, horses, Poland (culture), Polish drawings, archers

Watercolor and pencil work by Theodor Breitwieser showing an ordinance with whitewashed areas and black brush lettering, created in 1881.

A brown and gray pen and brush drawing by Johann Baptist Seele from 1808 depicting a chance meeting, executed with white brush highlights and black edging lines.

FruitSeller. Artist, possibly by: Pancho (Francisco) Fierro, Peruvian, 1810-1879

London Cries: A Tinker and His Wife. Date/Period: Ca. 1759. Genre subject. Gray wash, graphite and watercolor on medium, cream, slightly textured laid paper. Height: 194 mm (7.63 in); Width: 143 mm (5.62 in). Author: Paul Sandby.

The getting married will, as long as the waereld, will serve. / Do this you do this print, with his jewelry, 1715 - 1813 print Leaf with 2 performances of horses pulled by horses with which a wedding couple is transported. Under each image an eight -line verse. Numbered at the top right: No. 40. print maker: Netherlandsprint maker: Netherlandspublisher: Amsterdam paper letterpress printing (civil) marriage ceremonies. horse-sleigh

Return from the Fields, 1865. Charles-Émile Jacque (French, 1813-1894). Etching;

Print, The Sleighing Season - The Upset; Published by Harper's Weekly; After Winslow Homer (American, 1836-1910); USA; wood engraving in black ink on paper; 28.5 × 45 cm (11 1/4 × 17 11/16 in.); 1937-39-3

The Butter and Milk Man Nicolino V. Calyo (1799-1884). The Butter and Milk Man, 1840s. Watercolor over graphite on off-white, moderately thick, smooth textured wove paper, 10 1/2 x 14 3/4 in. (26.7 x 37.5 cm). The Italian-born Nicolino Calyo settled in New York City in the 1830s, where he made a series of images (including this one) of local tradespeople. African Americans played a crucial role in the economies of New York and Brooklyn, typically working as street vendors, chimney sweeps, domestic servants, farmhands, and dockworkers. Prior to 1827, when slavery was abolished in New York State, the black labor force included enslaved and free individuals (a system of gradual emancipation was enacted in 1799). By 1790, 40 percent of households in Kings County owned slavesthe highest percentage in the nation. In 1820, the county had a population of 9,821 whites, 882 enslaved blacks, and 879 free blacks. In art of this period, African Americans regularly appear as stereotypes, performin

Reproduction of illustrations: Juliusz Kossak (1824-1899), September. "Liwca year" Wincenty Pola, 1866; Z: "Juljusz Kossak: 260 drawings in the text, 8 shelters, 6 facsimili colored with watercolor, portraits under L. Wyczórkowski and St. Witkiewicz", p. 31; Meisenbach RiffArth & Co. (Munich, Berlin, Leipzig; Graphic and Retoproductive Zak 1892- -1950); 1900 (1900-00-00-1921-00-00);

Symptoms of a Skurry, plate three from The Leicestershire Hunt Published 1825 England. Hand-colored aquatint on ivory wove paper . John Dean Paul

A Stable Boy rubbing down a Racehorse, Sawrey Gilpin, 1733-1807, British, undated, Black chalk and stumping on medium, moderately textured, blued white, laid paper, Mount: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm), Contemporary drawn border: 10 1/2 × 16 11/16 inches (26.7 × 42.4 cm), and Sheet: 10 1/4 × 16 5/16 inches (26 × 41.4 cm), boy, crowd, figures (representations), groom (caretaker of horses), horse (animal), horse racing, men, sporting art

Cheval Anglais, 1822, Jean Louis André Théodore Géricault, French, 1791 - 1824, 7 1/2 x 9 in. (19.05 x 22.86 cm) (image), Lithograph, France, 19th century

Portrait de Charles 1er, state IV. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Dyck, Anthony van (1599-1641), painter, Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printer of graphic prints

Expellant, Karl Wilhelm Ferdinand.

Reproduction of a painting: Chełmiński, Jan (1851-1925), Returning from a hunt; from: "Tygodnik Powszechny` 1879, II, 760. Chełmiński, Jan (1851-1925), draughtsman, cartoonist, Tygodnik Powszechny (Warszawa ; czasopismo ; 1877-1885), publisher, unknown, woodcutter

Reproduction of a painting: Juliusz Kossak (1824-1899), Count Branicki; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

'Doing the Thing: and the Thing Done:' Morning. Turning Out in Prime Twig. Doing the Least you Can, Henry Thomas Alken, 1785-1851, British, 1818, Watercolor, with pen, in brown ink, red ink, black ink, and green ink, over graphite on medium, moderately textured, blued white, wove paper, Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm) and Image: 5 7/8 × 9 inches (14.9 × 22.9 cm), horseback riders, horseback riding, horses (animals), men, morning, sporting art

Black Mustafa.

Kazimierz Ski from his daughter Emili on horses; Kossak, Juliusz (1824-1899); 1856 (1856-00-00-1856-00-00);Emilia (1835-1921), Emilia (1835-1921)-iconography, Kazimierz (1801-1870), Kazimierz (1801-1870)-iconography, Ministry of Foreign Affairs-collection, Sobańska from Łubieński, Amazon (Mitol.), Aristocracy, aristocracy, riders, horses, Poland (culture), portraits, female portraits, horse portraits, men's portraits, family portraits, ride (genre scenes), message (provenance), Polish drawings, Łubień

THE CARNIVAL Attributed to Harding. The carnival. Drawing.

Masquerade of Leiden students, 1850 (plate 12); Intogt from Frederik Hendrik in 's Hertogenbosch in 1629: coated show by the H.H. Students of the Leydsche Hoogeschool den Xi Junij of the year 1850. Historical costumed procession of the students of Leiden Hogeschool on 11 June 1850. The procession depicts the arrival of Frederik Hendrik in Den Bosch in 1629. Twelve plate with the groups numbered 109-115 . Part of the series of thirteen to be kept blades.

EL DURASNERO - GRABADO SIGLO XIX. Author: CESAR HIPOLITO BACLE (1794-1838) LITOGRAFO. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

The dance of death: Death meets a coachman. Colour lithograph by Edward Hull, 18--.

Plate 27 of 38 from Oeuvres de J B Huet 1796-1799 France. Etching on paper . Jean Baptiste Huet

Design for a print, Design for illustration for The Colossus of the Nineteenth Century by P.J. Andriessen (Textill., p. 9), scene from the life of Napoleon., draughtsman: George Lodewijk de Wetstein Pfister, 1877 - 1942, paper, brush, pen, h 157 mm × w 228 mm

Cracovian wedding. Suchodolski, January (1797-1875), painter

Equestrian portrait of Frederik Hendrik, Prince of Orange, 1850 - 1949 photomechanical print Equestrian portrait of Frederik Hendrik. In the middle of 'No. 64 '. Netherlands paper collotype

Egyptian characters: Egyptian bey (chieftain) and slave, woman and slave, mameluk warrior, family of fellahs or peasants, and family of Bedouins. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

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